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Human Generated Data

Title

Canto XIV. The Second Cornice / The Envious; The Rein of Envy; Guido del Cuca; Rinieri da Calboli

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5305

Human Generated Data

Title

Canto XIV. The Second Cornice / The Envious; The Rein of Envy; Guido del Cuca; Rinieri da Calboli

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5305

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.7
Page 97.9

Clarifai
created on 2019-11-03

page 99.5
paper 97.4
document 97
text 96.7
vintage 96.4
book bindings 95.2
old 93.9
template 93.6
desktop 91.5
picture frame 91.4
blank 90.8
manuscript 90.1
book 90
retro 89.8
texture 85.9
number 85.3
education 85
poetry 84.7
antique 84.6
print 84.4

Imagga
created on 2019-11-03

newspaper 61.1
product 50.3
daily 47.4
creation 41.9
cloud 39.7
definition 37.4
book 36.5
association 33.6
artwork 31.2
creative 31
decorative 28.5
advertising 27.9
cover 27.8
text 27.1
advertisement 27.1
design 27.1
idea 26.8
art 26.1
associated 25.7
backdrop 25.6
composition 25.5
brochure 25.4
carpet 25.4
advertise 25.4
collection 25.3
brass 24.8
graphic 24.2
conceptual 23.9
business 23.8
element 23.2
decor 23.1
old 22.4
information 21.3
decoration 21.1
page 20.5
word 19.9
paper 19.7
letter 19.3
memorial 19.3
religion 18.9
continuity 18.8
drapery 18.8
data 18.3
bible 17.7
prayer 17.4
fabric 17
religious 16.9
print 16.1
antique 15.7
menu 15.6
holy 15.5
detail 15.3
read 14.5
faith 14.4
god 14.4
document 14
structure 13.7
copy 13.3
fare 13
keywords 12.8
communication 12.6
open 12.6
spiritual 12.5
testament 11.9
education 11.3
ancient 11.3
study 11.2
church 11.1
gospel 10.9
words 10.8
pages 10.8
ink 10.6
new 10.6
development 10.5
writing 9.4
company 9.3
energy 9.3
close 9.2
vintage 9.1
scripture 8.9
best 8.8
journal 8.7
life 8.6
cross 8.5
global 8.2
map 8.2
history 8.1
binding 8.1
chapter 7.9
emphasize 7.9
felt 7.9
fluorescent 7.9
highlight 7.9
passage 7.9
important 7.9
dye 7.9
language 7.9
black 7.8
analysis 7.8
belief 7.8
king 7.8
pray 7.8
drawing 7.8
corporate 7.8
collage 7.7
money 7.7
draw 7.6
bookmark 7.5
human 7.5
connection 7.3
computer 7.2
highlighter 7.1
world 7.1
day 7.1

Google
created on 2019-11-03

Text 97.4
Paper 88.4
Paper product 73.4
Document 71.4
Newsprint 71
Font 68.6
History 54.1

Microsoft
created on 2019-11-03

text 100
letter 82.6
book 82.3
plaque 40.7

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Imagga

text visuals 99.6%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image is a page from an old printed book, featuring an early form of typography. The text is in the Italian language and discusses the Purgatorio, the second canticle of Dante Alighieri's Divine Comedy. The page is titled "PURGATORIO" and "CANTO. XIIII. DELA SECONDA CANTICA DIDANTHE."

The page is divided into two main sections: text and an illustration.

In the upper section, the text is printed in a clear and structured manner, typical of early European printed books. The content includes narrative and dialogue portions related to Dante's journey through Purgatory.

In the lower section, an illustration is positioned to the right of the text. The illustration is a woodcut, which was a common method of book illustration during the early age of printing. It depicts a scene with several figures. In the central part of the woodcut, there are two standing figures with halos, likely representing important characters from "The Divine Comedy." Surrounding them are other figures portrayed in various poses of suffering or penitence, corresponding to the themes of Purgatory. The landscape in the illustration includes elements such as trees and a city in the background.

Overall, this page combines textual narrative and illustrative art to convey Dante's exploration in Purgatory, reflecting the typical style of illuminated and early printed book editions of classic literary works.

Created by gpt-4 on 2025-01-31

This is an image of an ancient text page, seemingly from a book printed during the incunabula period, which is between the invention of the printing press by Johannes Gutenberg in the mid-15th century and the beginning of the 16th century. The page contains two columns of text in what appears to be Italian, with a small woodcut illustration located at the bottom of the left column.

The woodcut illustrates a scene with several figures, engaged in what appears to be a discussion or debate. There are at least five figures depicted, some seated and some standing. One figure stands out by being larger and possibly central to the event taking place. The setting appears informal, perhaps a meeting or a gathering in a domestic or academic environment. The clothing and features of the figures suggest that this scene is from a historical or biblical context.

The text is laid out with intentional spaces and alignment that may indicate divisions of content, such as chapters, sections, or verses. The typography and format suggest the page is from a book printed in the latter half of the 15th century or early 16th century. The use of capitalized letters and the intricate font denote a time when such books were meticulously crafted and relatively rare, catering to the educated and elite of that period.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic printed edition of Dante's "Purgatorio," part of the Divine Comedy. The page features text in Italian (or medieval Italian) arranged in verse form, with a woodcut illustration in the lower right portion of the page. The illustration depicts a scene showing several figures in a landscape with what appears to be a mountainous or hilly setting. The text is laid out in a typical medieval manuscript style, with decorated capital letters and careful spacing. The illustration is done in a simple linear style characteristic of early woodcut prints. The page appears to be from Canto XIII of the second cantica, as indicated in the text. The paper shows some aging but appears to be in good condition, with clear, legible text and well-preserved artwork.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old manuscript page with text in Italian. The text is written in an old style font and appears to be from Dante's Divine Comedy, specifically Canto XIII of the second part, Purgatorio.

On the right side of the page, there is an illustration depicting a scene from this canto. The black and white drawing shows several people, likely Dante and his guide Virgil, surrounded by twisted, gnarled trees. This matches the description in Canto XIII where Dante encounters souls who have been transformed into trees as punishment for their sins in life.

The aged appearance of the paper, the vintage illustration style, and the use of an early printed font indicate this is a page from an antique edition of Dante's famous 14th century epic poem chronicling his allegorical journey through Hell, Purgatory and Heaven.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be a page from an old text or manuscript. The top portion contains a large block of Italian text, while the bottom portion contains an illustration depicting a number of figures gathered around what seems to be a body of water or a river. The illustration has a somewhat medieval or Renaissance style, with detailed figures and architectural elements. Without being able to identify any individuals in the image, I can describe the general scene and content, but cannot name or identify any specific people shown.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image presents a page from an old book, featuring a mix of text and illustrations in Latin.

Text:

  • The majority of the page is filled with text written in Latin, arranged in two columns.
  • The text is presented in a formal, serif font, with varying font sizes to distinguish between headings and body text.
  • The text appears to be from a historical or religious text, given its content and style.

Illustration:

  • A rectangular illustration occupies the right-hand side of the page.
  • The illustration depicts a scene with multiple figures, including a man standing at the center, surrounded by others.
  • The figures are dressed in clothing typical of the Renaissance period, with intricate details such as patterns and folds.
  • The illustration is rendered in a detailed, line-drawn style, with shading and texture added to enhance depth and realism.

Layout:

  • The page has a beige background, which provides a neutral contrast to the black text and illustration.
  • The text is organized into two columns, with a clear hierarchy of headings and body text.
  • The illustration is positioned on the right-hand side of the page, creating a sense of balance and symmetry.

Overall:

  • The image showcases a beautiful example of Renaissance-era book design, with its elegant typography and detailed illustration.
  • The use of Latin text adds to the page's historical significance, suggesting that it may be a rare or valuable artifact.
  • The image provides a glimpse into the artistic and cultural heritage of the Renaissance period, highlighting the importance of books and literature during this time.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

The image depicts a page from an old book, featuring a combination of text and illustrations. The page is divided into two main sections: the top section contains text in Italian, while the bottom section features an illustration accompanied by additional text.

Text Section:

  • The text is written in black ink on a yellowed background.
  • It appears to be a passage from a literary work, possibly a poem or play.
  • The text is arranged in a formal, structured format, with each line indented and separated by a small space.
  • The language used is Italian, suggesting that the book may have been published in Italy or written by an Italian author.

Illustration Section:

  • The illustration is a woodcut or engraving, depicting a scene with several figures.
  • The scene appears to be set in a classical or mythological context, with characters dressed in ancient attire.
  • The illustration is accompanied by a caption or title, which is written in Italian.
  • The illustration is rendered in a simple yet detailed style, with bold lines and minimal shading.

Overall:

  • The page suggests that the book is a rare or antique volume, possibly from the Renaissance or Baroque period.
  • The combination of text and illustration creates a visually appealing and engaging layout.
  • The use of Italian language and classical themes suggests that the book may have been intended for an educated or aristocratic audience.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book. The page is divided into two sections. The upper section contains text, while the lower section features an illustration.

The text is written in a language that appears to be Latin. It is printed in a black, serif font. The text is divided into paragraphs, with the first line of each paragraph indented. The text is arranged in two columns, with the left column containing a larger font size than the right column. The text appears to be a religious or philosophical treatise, discussing concepts such as virtue, vice, and the human condition.

The lower section of the page features an illustration. The illustration depicts a scene from the Book of Genesis, showing Adam and Eve in the Garden of Eden. Adam and Eve are shown standing next to each other, with the serpent coiled around the tree of knowledge. The illustration is in black and white, with a simple, line-drawing style.

Overall, the image appears to be a page from a religious or philosophical text, with a focus on the concepts of virtue and vice. The illustration provides a visual representation of the story of Adam and Eve, which is a central theme in many religious and philosophical traditions.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image is a page from an old book, possibly from the 15th or 16th century. The page has a mix of text and illustrations. The text is written in a cursive script and appears to be in Italian or Latin. The text is divided into two columns, with the left column containing the main text and the right column containing a smaller illustration. The illustration depicts a scene with a few figures, possibly a man and a woman, standing in front of a structure that resembles a church or a chapel. The illustration is in black and white and has a somewhat crude and simplistic style. The page also has a decorative border at the top and bottom, with a small decorative element in the center.

Text analysis

Amazon

PVRGATOKIO
Oh
chegialocatcodilaggiumipela.
femaicalchilaterraditofcana
Etuiuofono
tranoifegiuritornarcredi
limortal
uuoichio
tranoifegiuritornarcredi doo. lotelledo
lotelledo
fpirito
doo.
dila
magnanimita.
Ha
admonifce
tu
che
luoghi
Etuiuofono Quefto che
uederaitraquella
Oh eaudiref icofa Ha
molti luoghi
iodathe
che TR DISPERA
eche
fpirito elleetof tu uuoichio alchuo
chegialocatcodilaggiumipela. magnanimita. omaggiori beneficif obligati. iodathe rfpofi
TR
eMere
molti
obligati.
DISPERA
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iferiore
dila limortal TR
tcllaamechithaadunquecondocto fapia.coitui.i non Mhacon
alchuo
icofa
elleetof
beneficif
quefto
fottofie
fapia.coitui.i

Google

PVRGATOKIO
fapioreaglialtriquato
rifpofi
chegialo
carco
dilaggiumi
fapia.COftui.i.
Virgilio
che
non
moto:tace.Mhacon
Virgilio.pche
coe
e
decto
lốtellecto
fupiore
nocerca
eparticularima
admonifce
dáthe
a
cercharne:p
lontellecto
iferiore
ogni
dai
Quefto
fegniche
amato
dio
quádo
riceue
&
peculiar
de
acquiftato
el
porto
di
Talamõe
diuétare
quafu
giuritornar
credi
no
famotto
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tu
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ingannato
qlla
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chiamano
diana.Et
maxime
eprincipaliciptadini
equali
fperano
anchora
effere
capitani
SECONDA
DIDANTHE.
coftuichelnoftromo
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&copchia
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c
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duca
ranieri
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le
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pcipue
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iduce
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ragionádo
fi
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Etioper
PVRGATOKIO magnanimita.&parglitito effere fapioreaglialtriquato Erellaamechitha adunquecondodo comaggiori benefici fegli fa obligati.Et iodáthe rifpofi chegialo carco dilaggiumi pefa. fapia.COftui.i. Virgilio che non fa moto:tace.Mhacon docto.Tace Virgilio.pche coe e decto lốtellecto fupiore nocerca eparticularima admonifce dáthe a cercharne:p che lontellecto iferiore ha ogni forza dai fuperiore:OH Quefto e audire:Certaméte no e faza mátefti fegniche alchio fia amato da dio quádo riceue dalui gratie ipecialt &lequali fi dáno a puochi. TRAqllagéte uana e pprio & peculiar uitio de fanefilauáita.CHE peraitalanoe. Ha iperáza hauédo acquiftato el porto di Talamõe diuétare quafu tranoife giuritornar credi & iocoftuichemecho no famotto Etuiuofono & peromirichiedi ofpirito ellectofe tu uuoichio moua dila parteanchor limortal piedi Ohquefto eaudirefi cofa nuoua rifpuofechegrafegno eche dio tami grádi huomint i mare.Aduque uani poiche fperano qlo perocolprieghotuo talhor migioua che noedafperare. Talamce e caftello & porto alfie del NZA CHA TROuar diana.Era opiniče i qgli tempi in Etchieggotiperquel che tupiu brami lamarema di fiéa ETPERDERALLIPIV DISPERA Sienache fuffe un fiume fotteraneoche correfle fotto fie femaicalchilaterraditofcana Q chamicipropinquitubémirinfami na.ilpch no fiza molta fpefa ferono cauafi molti luoghi fperado trouare tale acqua.Adúque no gligánera méo la fperanza:che hanno di poter fare armata pmare hauédo talamone:che habbi ingannato qlla di trouare qfta acqua laquale chiamano diana.Et maxime eprincipaliciptadini equali fperano anchora effere facli armiragli.i. capitani Tugliuederaitra quella gente uana chespera intalamone &perderalli piudilperanzachatrouardiana. Mapiulaperderannogliamiragli dellarmata. oibi dacl CANTO.XIIDELA SECONDA CANTICA DIDANTHE. Hie coftuichelnoftromo te cerchia prima chemorte glhabbia dateluolo & apreglochiafuauogla &copchia Nonfo chefiamafoche non efolo dimandal tu chepiutiglauicini &dolcemente ficheparli acolo Cofiduefpirtilunoallaltro chini ragionauon di me inucr man ritta S poifer liuifiper dirmifupini. Etdixelunoo anima che ficta nelcorpoancorainuer lociel tenuai percharita ne confola & nedicta. Onde uieni & chifechetunefai tanto marauiglardelatua gratia quato uuol cofa chenofupiumai GVIDOOELDVCN RANIER c Ontinuaigftoquartodecimo cáto la purgatione del peccato dela iuidia:&p colloqo di meffere guido del duca da bretanoro:&dimeffer ranieri da caluoli di roma gna laméta le miferecoditio ditalia.& pcipue dela nfare. p.& iduce Vir.aparlare deláuidia CHIEcoftur.Due fp riti ifieme ragionádo fi marauiglão che dáthe auáti la morte fiauenuto al purgatorio: NON SO Chi fia: cofi rifponde laltro fpirito.PARLlacolo:parli a perfectioe:imperoche colo e punto fermo:elqualfi põe quando la fententia e finita.CHEno fu piu mai Pare che ficontradica:hauendo nel fecondo cáto diferno affermato enea effer ito aliferno & acápielifi:Acbrifpodiche parla hipbolice & itéde fi radeuolte ch fipo dire no mai.Onde ući:& chi ferfimile ala uirgiliana Venere dicéte.Sed uos q tadé qbas aut uciftis ab oris IAltro che era meffer Raineri: che non parlaua con Danthe dixe a guido: che chome uedi gli par laua: perche ha choftui celato el nome di quel la riiera:ne nominato Arno: chome fa colui Etioper mezatofcanafifpatia un fiumicel chenafce ifalterona &ceto migladi corfonolfatia.
magnanimita.&parglitito
Erellaamechitha
adunquecondodo
comaggiori
benefici
fegli
obligati.Et
iodáthe
pefa.
docto.Tace
forza
fuperiore:OH
audire:Certaméte
faza
mátefti
alchio
fia
dalui
gratie
ipecialt
&lequali
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pprio
uitio
fanefilauáita.CHE
peraitalanoe.
Ha
iperáza
tranoife
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Talamce
del
CHA
TROuar
diana.Era
opiniče
qgli
tempi
in
Etchieggotiperquel
tupiu
fiéa
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molta
molti
luoghi
acqua.Adúque
méo
fperanza:che
hanno
poter
fare
armata
habbi
qfta
laquale
facli
armiragli.i.
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quella
gente
chespera
intalamone
&perderalli
piudilperanzachatrouardiana.
Mapiulaperderannogliamiragli
dellarmata.
oibi
dacl
CANTO.XIIDELA
CANTICA
Hie
te
glhabbia
dateluolo
chefiamafoche
efolo
chepiutiglauicini
Cofiduefpirtilunoallaltro
ragionauon
me
inucr
ritta
S
liuifiper
dirmifupini.
Etdixelunoo
anima
ficta
nelcorpoancorainuer
lociel
tenuai
percharita
ne
Onde
uieni
quato
uuol
chenofupiumai
GVIDOOELDVCN
RANIER
cáto
purgatione
meffere
guido
bretanoro:&dimeffer
caluoli
roma
gna
laméta
ditalia.&
p.&
Vir.aparlare
fp
riti
ifieme
SO
Chi
cofi
laltro
fpirito.PARLlacolo:parli
perfectioe:imperoche
fermo:elqualfi
põe
quando
finita.CHEno
piu
ficontradica:hauendo
nel
fecondo
diferno
affermato
enea
effer
ito
aliferno
acápielifi:Acbrifpodiche
hipbolice
itéde
fipo
dire
mai.Onde
chi
ferfimile
uirgiliana
uos
ab
Danthe
dixe
guido:
quel
nominato
Arno:
mezatofcanafifpatia
fiumicel
chenafce
ifalterona
&ceto
migladi
corfonolfatia.