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Human Generated Data

Title

Canto XII. The First Cornice / The Proud; The Rein of Pride; The Sculptures on the Pavement, Depicting Examples of Pride; The Angel of Humility

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5304

Human Generated Data

Title

Canto XII. The First Cornice / The Proud; The Rein of Pride; The Sculptures on the Pavement, Depicting Examples of Pride; The Angel of Humility

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5304

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.6
Page 99.6
Paper 86.3
Advertisement 75.8
Brochure 75.8
Poster 75.8
Flyer 75.8
Newspaper 74.7
Letter 56.4

Clarifai
created on 2019-11-03

page 99.5
document 98.3
paper 98.1
text 97.9
vintage 96.4
book bindings 95.8
old 95.6
manuscript 93.7
retro 91.9
desktop 90.6
blank 89.3
antique 88.9
print 88.3
picture frame 87.7
texture 86.8
number 86.3
no person 85.7
vertical 85.7
book 85.4
education 84.3

Imagga
created on 2019-11-03

book 44.6
cloud 38
definition 34.4
association 32.6
product 31.7
artwork 30.3
newspaper 30.2
creative 30.1
advertising 27.9
cover 27.8
decorative 27.6
text 27.1
advertisement 27.1
menu 26.7
design 26.5
art 26.1
creation 26.1
idea 25.9
associated 25.7
backdrop 25.6
business 25.6
composition 25.5
brochure 25.4
carpet 25.4
advertise 25.3
collection 25.3
graphic 24.1
conceptual 23.9
binding 23.7
element 23.2
old 23.1
decor 23
brass 22.6
fare 22.2
information 22.2
decoration 21.8
daily 21.1
religion 20.7
bible 20.6
paper 20.4
journal 20.2
data 20.1
page 19.5
religious 18.8
prayer 18.4
letter 18.4
continuity 17.8
drapery 17.8
memorial 17.4
god 16.3
word 16.1
fabric 16.1
antique 15.6
holy 15.5
read 15.4
faith 15.4
print 15.1
detail 14.5
open 14.4
copy 14.2
document 14
testament 12.9
communication 12.6
spiritual 12.5
structure 12.4
bookmark 12.2
church 12.1
keywords 11.8
new 11.4
ancient 11.3
gospel 10.9
food 10.8
words 10.8
pages 10.8
education 10.4
scripture 9.9
close 9.7
map 9.7
ink 9.7
development 9.5
cross 9.5
writing 9.4
study 9.4
company 9.3
energy 9.3
vintage 9.1
history 9
chapter 8.9
pray 8.8
collage 8.7
life 8.6
money 8.5
human 8.3
passage 7.9
analysis 7.8
belief 7.8
king 7.8
drawing 7.8
corporate 7.8
finance 7.6
connection 7.3
book jacket 7.3
global 7.3
black 7.2
financial 7.1

Google
created on 2019-11-03

Text 96.9
Paper 86.1
Paper product 71.7
Font 68.6
Document 65.2
Newsprint 56.3

Microsoft
created on 2019-11-03

text 100
letter 95.4
book 89.1
handwriting 55.9
plaque 45.8

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image appears to be a page from an early printed book, specifically an edition of Dante Alighieri's "Divine Comedy." The page features Canto XII of the second cantica, "Purgatorio" (Purgatory). The text is in Italian and is printed in a blackletter typeface, which was commonly used in early books. In the upper portion of the page, there is an elaborate decorative initial "D" that appears at the beginning of the canto. To the right of the initial, there is a woodcut illustration depicting a scene from the canto. The illustration shows several figures, some of whom are on their knees, suggesting a scene of penitence or prayer. The background includes mountains and trees, consistent with the typical imagery of Purgatory. Below the illustration is the main body of the text, which is formatted in two columns. The content of the text includes a combination of narrative and poetic elements, typical of the "Divine Comedy." There is also a section formatted in italics, which could be a commentary or an additional explanation. There are marginalia or annotations in the margins of the page, indicated by some handwriting visible on the right side. The folio number "179" is found at the top right corner of the page.

Created by gpt-4 on 2025-01-31

This is an image of an old printed page with text and an illustration from a book. The page is labeled at the top with "CANTO XII" indicating it's the twelfth canto, and it also bears the number "179" in the top right corner, suggesting it's the 179th page of the book. The text is written in an old style of font typical of early printing presses and uses an older form of the Italian language—it's from Dante Alighieri's "Divine Comedy," specifically from the second canticle, "Purgatorio" (Purgatory), based on the annotation "DELLA SECONDA CANTICA DDI DANTE." There's a woodcut illustration above the text that features several figures in what appears to be a heavenly or spiritual setting, with two groups of figures facing each other, and one figure seems to be larger than the others, situated in the middle with outstretched arms; possibly representing a scene of Dante encountering souls in Purgatory. At the bottom left corner of the page, there's a decorative initial letter that introduces the start of a section of the text. This page is typical of Renaissance-era books and would be valued for its historical and literary significance.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historical Italian text, specifically "Canto XII" from what looks like a version of Dante's work. The page features both text and an illustrated woodcut divided into two scenes. The woodcut shows figures in medieval dress, with the top scene depicting several people in a pastoral setting, and the bottom scene showing more figures in what appears to be a dramatic moment or confrontation. The text is laid out in a typical medieval manuscript style, with a decorative initial letter "D" at the beginning. The page contains both poetry and prose sections, with different formatting for each. The text shows signs of age, with slightly yellowed paper, though the printing remains clear and legible. The page number 179 is visible at the top.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old printed book, likely from the 15th or 16th century based on the typography and woodcut illustration style. The text is in Italian and appears to be from Dante's Divine Comedy, specifically Canto XII of the second part, Purgatorio. The woodcut illustration depicts a scene with several figures. In the foreground, a person is kneeling before another figure who seems to be holding a book. Other figures are standing or sitting nearby, some with halos indicating they are saints or holy figures. The background shows an architectural structure with arches. The text is printed in a dense gothic blackletter typeface common in early printed books. There are some handwritten notes or marks in the margins. The page has some discoloration and signs of age, but overall the printed text and illustration are still quite clear and legible, providing a window into the early history of printed literature and book illustration.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be an illuminated page from what looks like a medieval or Renaissance-era manuscript. It contains text in Italian and an intricate illustration depicting various figures and scenes. The text appears to be discussing or describing the content of the image. Without being able to identify any individuals, the illustration shows a group of people engaged in some kind of activity, possibly a religious or historical scene. The overall aesthetic and style of the image suggests it is from a significant historical or cultural document.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: a block of text on the left and a drawing on the right. **Text Section:** * The text is written in Latin and appears to be in a medieval style. * It is arranged in columns, with each column containing multiple lines of text. * The text is not easily readable due to its age and the fact that it is not translated. **Illustration Section:** * The illustration depicts a scene with several figures, including a man and woman, surrounded by plants and animals. * The figures are dressed in clothing that appears to be from the Renaissance period. * The illustration is detailed and shows various elements, such as a bird flying in the sky and a fish swimming in the water. **Background:** * The page has a yellowed appearance, indicating that it is old and has been handled extensively. * The edges of the page are worn and torn, suggesting that it has been removed from a larger book or manuscript. **Overall:** * The image provides a glimpse into the past, showcasing the art and literature of a bygone era. * The combination of text and illustration creates a visually appealing and informative image that invites the viewer to learn more about the subject matter.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains text written in Italian, while the right side features a woodcut illustration accompanied by additional text. **Text Section:** * The text on the left side is written in Italian and appears to be a passage from a literary work. * The font used is serif, with varying sizes and styles throughout the text. * The text is arranged in paragraphs, with some lines indented to create a sense of hierarchy. * A decorative initial letter "D" is visible at the top of the page, adding an ornamental touch to the design. **Illustration Section:** * The woodcut illustration on the right side depicts a scene with multiple figures, including people and animals. * The illustration is rendered in a simple yet expressive style, with bold lines and minimal shading. * The figures in the illustration appear to be engaged in various activities, such as talking, gesturing, or interacting with each other. * The background of the illustration is plain, allowing the figures to take center stage. **Additional Text:** * Below the illustration, there is additional text that appears to be a caption or explanation of the scene depicted. * This text is written in a smaller font size than the main text on the left side. * The text is arranged in a single paragraph, with no indentation or other formatting features. **Overall Design:** * The page design is simple yet effective, with a clear distinction between the text and illustration sections. * The use of serif fonts and decorative initial letters adds a touch of elegance to the design. * The overall aesthetic of the page suggests that it may be from a historical or literary work, possibly from the Renaissance or Baroque period. In summary, the image depicts a page from an old book featuring a mix of text and illustrations. The text is written in Italian and appears to be a passage from a literary work, while the illustration depicts a scene with multiple figures. The design is simple yet effective, with a clear distinction between the text and illustration sections.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts an old book page with a title, "CANTO XII. DELA SECONDA CANTICA DIDANTE," at the top. The page contains a poem written in Italian, and the text is in a cursive font. The poem is divided into two columns, with the left column having a decorative border and the right column having a simple border. There is also an illustration in the middle of the page, depicting a man and a woman standing in front of a fire.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from an old book, likely a literary work or a religious text. The page is divided into two main sections. On the left side, there is a large, ornate initial letter "C" with intricate decorations and flourishes. Below this initial, there is a section of text written in a flowing, cursive script, which appears to be Italian or Latin. The text is divided into paragraphs, each starting with a capital letter. On the right side of the page, there is an illustration. The illustration shows a scene with several figures, including a central figure who appears to be a woman with wings, possibly an angel. She is surrounded by other figures, some of which are engaged in various activities, such as holding a book or a scroll. The background of the illustration is somewhat blurred, with elements that suggest a landscape or a celestial setting. The text on the left side discusses themes related to memory, remembrance, and the transient nature of life. It reflects on the importance of memory and how it is tied to human experience and the passage of time. The right side's illustration complements this theme, possibly depicting a vision or a symbolic representation of memory and its impact on the soul. The overall aesthetic of the page is reminiscent of Renaissance or early modern European book design, with its combination of elaborate initial letters, detailed illustrations, and handwritten text. The use of ornate initials and decorative elements was common in manuscripts and early printed books of this period.

Text analysis

Amazon

CANTO
CANTICA
DIDANTHE.
penfieri
SECONDA
uarca
delmio
macarca
&coremi
mero
179
comerauan
fin
barca.
quando
menandauiocor
moflo
quellani
buono con lauela &coremi
con
algiogho
buono
CANTO. .XII.DELA SECONDA CANTICA 179
ftrauan comerauan
plona aduegna penfieri
quando dixe lui & uarca
dixe
al
&
no al algiogho
CANTO.
lauela
fin chelfofferfe Idolcepedagogo
menandauiocor con
ftrauan
Dritto
delmio maeftroe paffi: &ambedue
maeftroe
Iparicomecb
Idolcepedagogo
inchinati & fcemi.
plona
fcemi.
no
Dritto pocialcu barca.
rifemi
&ambedue
andar rifemi
andar
aduegna
inchinati
chelfofferfe
fuo
lo mero moflo &
lui
paffi:
pocialcu
.XII.DELA
Xll
lo

Google

CANTO XII i79 CANTO.XII.DELA SECONDA CANTICA DI DANTHE. Iparicome ebuoiche ua no algiogho menandauiocon quellani macarca fin chelfofferfe el dolce pedagogo Maquando dixe lafcialui & uarca che quie buono con lauela &coremi uatuquepociafcupigner fuo barca. Dritto ficome andaruuolfi rifemi conla pfona aduegna che e penfieri mirimaneffir inchinati & fcemi. Io mero moffo & leguiuauolentieri delmio maeftro e paffi:&ambedue giamoftrauan comerauanleggieri. Etelmedixeuolgiglocchiingiue buon tifara per tranquillar la uia uederlo lecto delle piante tue. RO P Artitofidilaninme che purgauano la paflata fupbia: dimoftra molte hiftorie efler fcolpite nei fuolo: pel Gle paffauaiexéplo & admoniméto de fuperbi. Virgilio adunque lo lafcio andarecon Odorifi ifinoche giunfono doue erono tali (culpture.Dipoi lamoniche paf faffi innanzi.Andaua dipari con Odorifi.Etnomina Virgilio pedagogo non fanza cagione.Imperoche in greco quefto uocabulo fignifica quello:al quale efanciulli fonodati in cuftodia. Vole adunq fignificare che lai.i.la fenfualita efanciullo:pche facile filafcia uincere dalappetito cce fanciullo.& lontelletto e fuaguida. CHEquie buocola uela & co remipigner la barca.lche i foma fignificacb faffrettinonel paflare.Et qifto molti riferifcono:che dobbiamo ufar celerita ne la penitétia:&meritamére.Ma ancora uuole fignificare che no e uitio che dobbiam lafciare piutoftoche la fupbia.pche e maximo di tutti: & fopra tutti pniciofiffi mo.DRIttoficome.percheicompagnia de lanima ero ito chinato al preféte mi feccidritto fi come fi uo le andare:benche epenfier mei rimanefferchinati per compaffione de lanima.Et etiá per humilita con ia gle purgaua la fupbia.IO MEro moffo & feguia uolentieriepaflfi del mio duca.Imperoche hauendo affa contemplato la fuperbia:& per confequens purgato mene feguitauo nolentieri laragione &la doctrina. Et rimaneuo piu leggier che lufato.Ma Virgilio lammonifceche andádo riguardile fculpture:leqli erono pterra.Tutre qte come uedrarerono hiftorie & fauole dhuomini:ne quali era ftata molta fuperbia.llper piuche o la natura o la conditione:ola dorina no patiua che iaccere nel ifimo.Et admonifce qui lontelle cto la fenfualitasaccioche non diuenti piu elatache el iufto non richiede che riguardi quefte fculpture.i.firi ducaa memoria tali exempli.Etnelamente fuaconfidericon quanta iuftitia idio Depoluit potétes de fede Etin quáto puoco prezo fiéo rimifi ne la memoria de glhuomini. Cercoro efuperbi lalteza:horaiacciono in infimo grado.Cercorono fama hora fono in infamia.Cercoron diuini honori:hora fono priuatidogni humanagloria.Quefto péla lhuomo chefi uuole purgare. Quefto delcontinuocofidera.Quefto giorno &notte ha fixo ne la mente d Imoftrache cofiuedeua egli i terra fculpite quelle hi ftorie:lequali pochodoppo fcriuerra:come fiuede no fchulpite le imagini de gluominigia morti i fu le loro fepulture:accioche tali imagini riduchio a le noftre mêti portan fegnato quel cheglera pria. lamemoría dquegli.Onde dice come letöbe terragne.i. le fepulture meffeiterra fopra efepulti.i.fopraaqgliche Commeperchedilor memoriafia fopra efepultile tombeterragne Ondelimolte uolte fenepiagne per la punétura della rimembranza chefolo apii dadelle calcagne. S iuidiolimadimiglorfembianza fecondolartificio figurato quiui fono fepuld.portan fegnato quello che glera pria.i. portano fculpito lhuomofepulto in quella formache era pria che fuffi diffoluto & ritornato in cenere.Etqfte ima giniuintaglano:accioche fia memoria di loro. Onde iter uiene che li.ideft fopra quelle imaginifpeffo fe ne piagne Imperoche paffandouiglamicie parenti piangono.PER quanto peruia fuordekmonteauaza la panctura de la rimembranza.ideft perche la memoria de lamico o parente morto pugne & torméta lanio. M tale pundura non da de le calcagne.ideR non fpronafenon epii.ideftepiatofi:perche chinone piatofo no
CANTO
XII
i79
CANTO.XII.DELA
SECONDA
CANTICA
DI
DANTHE.
Iparicome
ebuoiche
ua
no
algiogho
menandauiocon
quellani
macarca
fin
chelfofferfe
el
dolce
pedagogo
Maquando
dixe
lafcialui
&
uarca
che
quie
buono
con
lauela
&coremi
uatuquepociafcupigner
fuo
barca.
Dritto
ficome
andaruuolfi
rifemi
conla
pfona
aduegna
e
penfieri
mirimaneffir
inchinati
fcemi.
Io
mero
moffo
leguiuauolentieri
delmio
maeftro
paffi:&ambedue
giamoftrauan
comerauanleggieri.
Etelmedixeuolgiglocchiingiue
buon
tifara
per
tranquillar
la
uia
uederlo
lecto
delle
piante
tue.
RO
P
Artitofidilaninme
purgauano
paflata
fupbia:
dimoftra
molte
hiftorie
efler
fcolpite
nei
fuolo:
pel
Gle
paffauaiexéplo
admoniméto
de
fuperbi.
Virgilio
adunque
lo
lafcio
andarecon
Odorifi
ifinoche
giunfono
doue
erono
tali
(culpture.Dipoi
lamoniche
paf
faffi
innanzi.Andaua
dipari
Odorifi.Etnomina
non
fanza
cagione.Imperoche
in
greco
quefto
uocabulo
fignifica
quello:al
quale
efanciulli
fonodati
cuftodia.
Vole
adunq
fignificare
lai.i.la
fenfualita
efanciullo:pche
facile
filafcia
uincere
dalappetito
cce
fanciullo.&
lontelletto
fuaguida.
CHEquie
buocola
uela
co
remipigner
barca.lche
i
foma
fignificacb
faffrettinonel
paflare.Et
qifto
molti
riferifcono:che
dobbiamo
ufar
celerita
ne
penitétia:&meritamére.Ma
ancora
uuole
uitio
dobbiam
lafciare
piutoftoche
fupbia.pche
maximo
di
tutti:
fopra
tutti
pniciofiffi
mo.DRIttoficome.percheicompagnia
lanima
ero
ito
chinato
al
preféte
mi
feccidritto
fi
come
uo
le
andare:benche
epenfier
mei
rimanefferchinati
compaffione
lanima.Et
etiá
humilita
ia
gle
purgaua
fupbia.IO
MEro
feguia
uolentieriepaflfi
del
mio
duca.Imperoche
hauendo
affa
contemplato
fuperbia:&
confequens
purgato
mene
feguitauo
nolentieri
laragione
&la
doctrina.
Et
rimaneuo
piu
leggier
lufato.Ma
lammonifceche
andádo
riguardile
fculpture:leqli
pterra.Tutre
qte
uedrarerono
fauole
dhuomini:ne
quali
era
ftata
molta
fuperbia.llper
piuche
o
natura
conditione:ola
dorina
patiua
iaccere
nel
ifimo.Et
admonifce
qui
lontelle
cto
fenfualitasaccioche
diuenti
elatache
iufto
richiede
riguardi
quefte
fculpture.i.firi
ducaa
memoria
exempli.Etnelamente
fuaconfidericon
quanta
iuftitia
idio
Depoluit
potétes
fede
Etin
quáto
puoco
prezo
fiéo
rimifi
glhuomini.
Cercoro
efuperbi
lalteza:horaiacciono
infimo
grado.Cercorono
fama
hora
fono
infamia.Cercoron
diuini
honori:hora
priuatidogni
humanagloria.Quefto
péla
lhuomo
chefi
purgare.
Quefto
delcontinuocofidera.Quefto
giorno
&notte
ha
fixo
mente
d
Imoftrache
cofiuedeua
egli
terra
fculpite
quelle
hi
ftorie:lequali
pochodoppo
fcriuerra:come
fiuede
fchulpite
imagini
gluominigia
morti
fu
loro
fepulture:accioche
riduchio
a
noftre
mêti
portan
fegnato
quel
cheglera
pria.
lamemoría
dquegli.Onde
dice
letöbe
terragne.i.
fepulture
meffeiterra
efepulti.i.fopraaqgliche
Commeperchedilor
memoriafia
efepultile
tombeterragne
Ondelimolte
uolte
fenepiagne
punétura
della
rimembranza
chefolo
apii
dadelle
calcagne.
S
iuidiolimadimiglorfembianza
fecondolartificio
figurato
quiui
fepuld.portan
quello
glera
pria.i.
portano
fculpito
lhuomofepulto
quella
formache
pria
fuffi
diffoluto
ritornato
cenere.Etqfte
ima
giniuintaglano:accioche
fia
loro.
Onde
iter
uiene
li.ideft
imaginifpeffo
fe
piagne
Imperoche
paffandouiglamicie
parenti
piangono.PER
quanto
peruia
fuordekmonteauaza
panctura
rimembranza.ideft
perche
lamico
parente
morto
pugne
torméta
lanio.
M
tale
pundura
da
calcagne.ideR
fpronafenon
epii.ideftepiatofi:perche
chinone
piatofo