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Human Generated Data

Title

Canto X. First Cornice / The Proud; The Sculptures on the Wall, Depicting Humility

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5302

Human Generated Data

Title

Canto X. First Cornice / The Proud; The Sculptures on the Wall, Depicting Humility

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5302

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 100
Page 99.6
Newspaper 98
Paper 66.8
Letter 56

Clarifai
created on 2019-11-03

page 99.7
document 98.5
paper 98.2
book bindings 97.7
vintage 97.5
text 97.1
old 95.5
manuscript 94.7
retro 93.5
blank 93.1
template 92.8
picture frame 92
antique 91.6
poetry 91
desktop 91
illustration 90.7
texture 90.7
book 89.6
print 88.1
cover 87.7

Imagga
created on 2019-11-03

cloud 44.9
book 44
brass 41
definition 38.3
association 37.5
artwork 34.9
creative 34.5
advertising 33.7
cover 33.4
binding 32.6
memorial 32.3
advertisement 31.9
decorative 31.8
product 31.7
associated 31.6
brochure 31.3
carpet 31.2
advertise 31.2
composition 31.2
collection 30.7
backdrop 30.6
idea 30.3
art 29.3
design 29.3
conceptual 29.2
decor 28.4
element 28.2
graphic 27.8
creation 27
newspaper 26.6
decoration 26.1
business 22.5
structure 22.3
information 22.2
text 21.9
fabric 21.7
old 21.7
letter 21.1
data 21
continuity 20.8
drapery 20.7
religion 19.8
bible 19.6
daily 18.5
keywords 17.8
page 17.7
religious 16.9
copy 16
antique 15.8
paper 15.7
prayer 15.5
faith 15.3
god 15.3
detail 15.3
holy 14.5
word 14.2
bookmark 13.8
read 13.5
church 13
open 12.6
ancient 12.1
document 12.1
testament 11.9
communication 11.8
collage 11.6
spiritual 11.6
journal 11.5
book jacket 11.4
gospel 10.9
print 10.4
cross 10.4
energy 10.1
menu 9.9
words 9.8
development 9.5
writing 9.4
life 9.4
company 9.3
vintage 9.1
history 9
new 8.9
chapter 8.9
scripture 8.9
jacket 8.9
pages 8.8
analysis 8.8
ink 8.7
education 8.7
mix 8.7
black 8.4
study 8.4
texture 8.4
city 8.3
human 8.3
fare 8.3
map 8.1
close 8
rosary 7.9
passage 7.9
more 7.8
mosaic 7.8
best 7.8
belief 7.8
catholic 7.8
king 7.8
pray 7.8
corporate 7.8
money 7.7
health 7.7
modern 7

Google
created on 2019-11-03

Text 97.7
Paper 89.5
Paper product 76.9
Document 75.7
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 95.9
book 91.5
manuscript 57.9
paper 57.9
handwriting 55.6
plaque 47.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 36-54
Gender Female, 50.2%
Happy 49.5%
Angry 49.5%
Fear 49.5%
Disgusted 49.5%
Sad 49.5%
Calm 50.5%
Confused 49.5%
Surprised 49.5%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

Microsoft
created on 2019-11-03

a close up of a sign 86.2%
a close up of text on a white surface 82.1%
close up of a sign 82%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image depicts a page from an old manuscript or printed book. The text is written in Italian and the top of the page is titled "PURGATORIO," indicating that the content may relate to Purgatory, aligning with religious or philosophical texts. The first large capital letter 'P' is ornately decorated, emphasizing an illuminated manuscript tradition where such letters were often highly decorated to signify the beginning of a new section or important passage.

On the right side of the page, there is an intricate woodcut illustration. The image includes several religious or allegorical figures, possibly depicting a scene from Dante's "Divine Comedy" given the context of Purgatory. The illustration portrays multiple levels or stages, likely representing the different terraces of Purgatory. At the top, celestial figures are seen, while the lower sections show people in different postures or actions, representing souls undergoing purification.

The text surrounding the illustration is densely packed, with some words emphasized in italics, providing further explanation or narration related to the depicted scenes. The page shows signs of age, such as slight discoloration and wear around the edges, which is typical for historical documents. The layout and artwork suggest that this page comes from an early printed book, dating from the incunabula period (late 15th to early 16th century).

Created by gpt-4 on 2025-01-31

The image you have provided appears to be a page from an antique book with an illustration at the top and a body of text primarily in an early typeface with a single, decorative initial capital letter. The illustration is a woodcut print, a common form of illustration in early printed books, particularly from the Renaissance period.

The illustration is divided into several scenes depicting various events or activities. On the left side, there is a group of people seemingly enduring some form of suffering or punishment, which could be interpreted as a scene from Purgatory, aligning with the title "PVRGATORIO" above the image. On the right, you can see two different scenarios: the upper one appears to depict figures in a more serene setting or possibly a scene from Heaven, whereas the lower one may represent figures in a fiery landscape, possibly Hell.

The text on the page is written in an old style of Italian, as indicated by certain words and the overall structure of the language. Without more context, it's difficult to provide a precise interpretation, but the content on the page likely pertains to religious or moral teachings related to the concept of Purgatory in Christian theology.

Due to the style of the woodcut and the typography, the book may be from the 15th or 16th century, which was the era when such designs were prevalent and before more modern printing techniques were developed. The artwork and typography suggest that this book could be a valuable historical artifact, offering insight into the religious beliefs, printing technology, and literary culture of the period.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historical printed edition of Dante's "Purgatorio," likely from the late 15th or early 16th century. The page features both text and woodcut illustrations arranged in three panels at the top right. The text is printed in Italian, using what appears to be early movable type printing. The woodcut illustrations show various scenes from the narrative, with figures depicted in a medieval artistic style. The layout is typical of early printed books, with dense text blocks and decorative initial letters. The page itself has aged to a beige color, and there appear to be some manuscript annotations or marks in the margins. The overall design and format is characteristic of early Renaissance book printing, combining text and illustrative elements to help readers understand the narrative.

Created by claude-3-opus-20240229 on 2025-01-31

This image depicts a page from an old book or manuscript, likely from the 15th or 16th century based on the style of the text and illustrations. The page contains two columns of text in an old style font, possibly Latin or Italian.

On the right side of the page is a detailed illustration that takes up about 1/3 of the space. The illustration shows what appears to be the interior of a building, possibly a church or cathedral. There are arched windows, columns, and an altar visible. The illustration has intricate linework depicting the architectural details.

The overall appearance of the aged paper, classical typography, and woodcut-style illustration is characteristic of printed material from the early Renaissance period in Europe. It seems to be a page from a religious text or treatise given the combination of the dense explanatory text and liturgical-looking scene in the illustration.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an illustrated manuscript or early printed book. It depicts a scene from Dante's Purgatorio, the second part of his epic poem The Divine Comedy. The image shows various figures engaged in different activities within the landscape of Purgatory. There is an accompanying text that provides a detailed description and commentary on the scene. While the image contains human figures, I will not attempt to identify or name any individuals shown, as per the instructions provided.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image depicts a page from an old book, likely printed in the 16th century. The page is written in Latin and features a woodcut illustration of a scene with people in the top-right corner. The text is divided into two columns, with the left column containing a heading that reads "Oifummodentroalloglo" and the right column featuring a paragraph of text. The bottom of the page has a section of text in a smaller font size.

The page has a yellowed appearance, indicating its age, and is surrounded by a thin border. The background of the image is a plain gray color. Overall, the image appears to be a scan or photograph of a rare or historical book page, possibly from a library or archive.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image presents a page from an ancient book, featuring a mix of text and illustrations. The page is divided into two main sections: the left side contains text written in Italian, while the right side features a series of illustrations depicting various scenes.

Text Section:

  • The text is written in black ink on a beige background.
  • The font is ornate and difficult to read, suggesting that it may be a reproduction of an older manuscript.
  • The text appears to be a passage from a literary work, possibly a poem or play.
  • The language is Italian, which suggests that the book may have been written in Italy during the Renaissance period.

Illustration Section:

  • The illustrations are arranged in a series of small panels, each depicting a different scene.
  • The scenes appear to be related to the text on the left side of the page, possibly illustrating key events or characters mentioned in the passage.
  • The illustrations are simple yet detailed, featuring figures and objects that are easily recognizable.
  • The style of the illustrations suggests that they may have been created during the Renaissance period, possibly by a skilled artist or illustrator.

Overall Impression:

  • The page appears to be a reproduction of an ancient manuscript, possibly from the Renaissance period.
  • The combination of text and illustrations creates a visually appealing and informative page that provides insight into the literary and artistic styles of the time.
  • The use of Italian language and Renaissance-style illustrations suggests that the book may have been written and illustrated in Italy during this period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book, likely a religious or historical text, given the style and content. The page is titled "PVRGATORIO," indicating that it discusses the concept of purgatory.

The top of the page features a decorative illustration with a mix of religious and historical elements. The illustration depicts several figures, including what appears to be angels and possibly saints or historical figures. The figures are dressed in period clothing, with one figure holding what looks like a scroll or book. There are also architectural elements, such as a church or castle, in the background.

The text is written in a script that is characteristic of early printed books, with a mix of uppercase and lowercase letters. The text is densely packed, with multiple lines of text on the page. The language appears to be Latin or an early form of Italian, based on the words and structure.

The content of the text discusses the concept of purgatory, with references to religious figures and historical events. The text mentions specific individuals and their roles in the context of purgatory, as well as the importance of prayer and good works in achieving salvation.

Overall, the image represents a page from a historical religious text that explores the concept of purgatory and its significance in the context of Christian theology and practice.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts an old book page, likely from the 15th century, featuring a mix of text and illustrations. The text appears to be in a medieval script, possibly Italian, and is accompanied by a woodcut illustration. The illustration shows a scene with several figures, including a man with a beard, a woman, and a man with a long beard and a hat, all within a medieval architectural setting. The text discusses various aspects of human anatomy, including the functions of different parts of the body and their roles in health and disease. The woodcut illustration provides visual context to the text, depicting scenes related to the content of the text. The page has a worn and aged appearance, indicating its historical significance.

Text analysis

Amazon

PVRGATORIO
rinchiufa
delanime
perche
parer
Oifummodentroalfoglo
degnafcufa
f
Sonandolafentielfer rinchiufa
parue
dellaporta
f purgatorio. &
purgatorio.
chelmalamor delanime
difufa
perche fa parer drittal
fa
&
Sonandolafentielfer
iohauefigclochiuolta
diuidere
molti
qualforaftatoalfallo degnafcufa
iohauefigclochiuolta defla
lauano
chelmalamor
prezando
nictedimeno
fette
defla
gatorio
bruttura
fuperbia.
gaatorio
pened
caggia
molti fupplicii:niete
gatorio bruttura cof ecome
quando
qualforaftatoalfallo
picoli nictedimeno
fette tofono
cof
ecome
lauano macchie &
drittal
dimente:laqual prezando fuperori: pened pur
quando fcefeal
parue eabahanza lpoeta
picoli
fuperori:
tofono
pur
fupplicii:niete
laferno
macchie &
lpoeta
fcefeal
dimente:laqual
eabahanza
chiNalloenasreno
piu
mRe

Google

alfoglo
dellaporta
delanime
perche
fa
uia
torta
Sonandolafentieffer
rinchiufa
&fio
haueffigclochiuolta
defla
qual
foraftato
alfallo
entrati
&
percheiqto
lauano
tutte
macchie
purgofi
parue
abaftanza
al
poeta
diuidere
lhuane
cati:pche
neffio
error
fi
puo
comettere
che
no
caggia
fotto
da
tre
et
la
mac
chia.&qito
emáfefto
quáto
a
morti.Maácho
raeuero
nela
chi
ha
del
uitio:béche
qli
imolte
difficulta
molti
fupbia.Onde
pfalmifta.
pari
&fuperori:Male
pene
bruttura
purgatorio
come
morale
propolito
diuide
el
tutto
quefto
luogho
in
parti.&
incia
fcuna
pone
purgatione
dun
piu
andaua
inuerfoefcentromaggiori
gli
trouaua.pche
ragioneuolmente
tofono
magiori
peccatori:tanto
effer
lontani
dal
cielo.
fette
peccati
epiugraui
ne
luoghi:pch
falédo
fep
epriefono
baffi
&piu
lotái
aduq
prio
difotto.Adúcj
de
lanie.
DISVía.i.fachnofufa.Ete
lafetétiac
cofe
terrene
cb
háno
gfta
porta
fufi
pche
iuilupate
aefcate
i
qle
cercono
di
SOnádo
fenti
ftando
chiufo
diuerfi
effectiin
luoghi.
Imperoche
lafcia
entrare
chie
fuori:ne
ufcire:perche
uirtunon
lafcia.ET
SIO
hauefliglocchiuolti
adeffa.Seiome
fuffiuolto
indrieto.llche
figni
ficache
fe
entrato
fuffi
ritornato
uitio:
fcufa
degna
fallo.Et
certo
eancoradinitto
per
meriti
piucompallione
adunqueche
entra
le
indrieto:ma
perfcueri.Onde
lo
euangelio.No
-qui
qui
finem
erit.
Quetofi
Genefi
mogle
&ale
figlole
fuggifinodifodoma
uolfe
indrieto
peruedere
loncendio
fodoma
fubito
couer
tiin
ftatua
difale.
Efigurata
quefta
poiche
e
partitoda
cupidita
carnali:ui
ritorna
&di
uenta
difale.perche
econdimento
&exemplo
glaltri.
inel
fito
quefli
IAuia
era
erta&
fuplafeffura
dimaffo.
Neadaua
adirittura
qfto
feffO.Maaode
afpia
pefcie
decli
nádo
hora
adextra
&hora
afiniftra.La
cagioe
fac
cia
ertae
decta
gia
imolti
laoghi.
Dioftrache
qifta
lõda
fugge.ochefappreffa
pietramafficcia
dimoftrare
ladureza
lafperita:che
Quificouenneufar
un
pocho
darte
maxie
pricipio
nelle
uirtu
purgatorie.e
tal
pietra
feffa
forma
bifogna
fchifare
tale
feffura:accioche
non
uifirouini:
Etbenche
feffo
uada
lungho
horquícihorquidiallato
fiparte
nientedimeno
ua
onde.Per
dextera
noi
intendiamo
profperita:
uita
dilecteuole.
finiftra
ad
uerfita:et
fatiche:er
luna
parte
laltra
couiene
fia
rotta:Perche
dambe
due
partifiuengono
iuitii.
Ne
Noifaliuan
unapietra
fimouca
duna&
daltra
comincio
elduca
mio
accoftarfi
Etquefto
fecce
enoftripaffifcarli
tanto
prialofcemodelaluna:
PVRGATORIO Oifummodentro alfoglo dellaporta chelmalamor delanime Gdifufa perche fa parer dritta la uia torta Sonandolafentieffer rinchiufa &fio haueffigclochiuolta defla qual foraftato alfallo degnafeufa flamogia entrati drento al purgatorio. & percheiqto fi lauano tutte le macchie purgofi tutti epeccati parue abaftanza al poeta diuidere tutte lhuane colpe ne fette capitali pec cati:pche neffio error fi puo comettere che no caggia fotto uno diqgiti fette.Eceg da notare al tre eére le pene dlferno :altre eere qile dl pur gatorio.Loferno da fupplitio et nolieua la mac chia.&qito emáfefto quáto a morti.Maácho raeuero nela uita.mphoche chi ha fatto habito del uitio:béche da qli gli nutrifchio molti fupplici:niéte dimeo noeicie del uitio.Veggião el fupbo icorrere imolte difficulta & molti picoli patif:&nictedimeno nõabádonaeluitio.Etrapeccati el piugraue la fupbia.Onde el pfalmifta. Et múdabor a delicto maxio:i a fuperbia.et Salomone.Initinmomnis peccati fuperbia. Diftinifcono lafuperbia effere elatione uitiola dimente:laqual fprezando gli inferiori ad lefaffatica fignoreggiare a pari &fuperori:Male pene del pur gatorio leuono le mahchie &mondano da ogni bruttura cofi nel purgatorio efentiale come nel morale Maaccioche quandoche fia ritorni al propolito diuide el poeta tutto quefto luogho in fette parti.& incia fcuna pone la purgatione dun peccato:&come quando fcefe a lonferno trouaua prima de luogho in luo ghoepiuleggerietquanto piu andaua inuerfoefcentromaggiori gli trouaua.pche ragioneuolmente qua tofono piu grandı & magiori peccatori:tanto piu debbono effer lontani dal cielo. fette peccati poe epiugraui ne primi luoghi:pch falédo fep epriefono piu baffi &piu lotái dal cielo. Pone aduq nel prio luogho la fupbia maxio d tuti epeccati.De leqle dirémo puocho difotto.Adúcj poi chnoi fu modétro a la porta Cb la qle porta el male amof dlaíe.i.la depuata &uitiofa cupididitad le cofe terfne & mortali de lanie. DISVía.i.fachnofufa.Ete lafetétiac la troppacupidita de le cofe terrene cb háno laie ecagiee che gfta porta no fufi pche iuilupate & aefcate i qle no cercono di purgarfene. SOnádo la fenti effere richiufa. Ogniufciodiqualique entrata ftando chiufo fa diuerfi effectiin diuerfi luoghi. Imperoche ne lafcia entrare chie fuori:ne ufcire chiedrento.Adunque come primache entraffichiufo:dimoftra la dif ficulta de lentrare a le uirtu purgatorie:cofi poiche e entrato dimoftra ladifficulta del ufcire:perche chi fa habito de le uirtunon le lafcia.ET SIO hauefliglocchiuolti adeffa.Seiome fuffiuolto indrieto.llche figni ficache fe entrato ne la purgatione fuffi ritornato al uitio: io no truouauo fcufa degna al fallo.Et certo chi non eancoradinitto per la uera uia pareche meriti piucompallione chechieffendouinefcie.Eneceffario adunqueche chi entra ne le uirtu purgatorie non fi tolti indrieto:ma perfcueri.Onde ne lo euangelio.No -qui inceperit:fed qui perfeuerauerit ufque in finem faluus erit. Quetofi figuranel Genefi per la molgle di Loth Imperoche predicendo glangnieliaLoth & a la mogle &ale figlole che fuggifinodifodoma & no fiuoltaflino mai indricto:perche la mogle fi uolfe indrieto peruedere loncendio di fodoma fubito fi couer tiin ftatua difale. Efigurata quefta per chi poiche e partitoda la cupidita de le cofe carnali:ui ritorna &di uenta ftatua difale.perche econdimento &exemplo a glaltri. inel fito di quefli IAuia era erta& fuplafeffura dimaffo. Neadaua adirittura qfto feffO.Maaode & afpia pefcie decli nádo hora adextra &hora afiniftra.La cagioe pche la fac cia ertae decta gia imolti laoghi. Dioftrache qifta ertae come lõda che fugge.ochefappreffa pietramafficcia a dimoftrare ladureza & lafperita:che e Quificouenneufar un pocho darte maxie da pricipio nelle uirtu purgatorie.e tal pietra feffa forma in che bifogna fchifare tale feffura:accioche non uifirouini: Etbenche quefto feffo uada per lo lungho horquícihorquidiallato che fiparte nientedimeno ua a onde.Per la dextera noi intendiamo la profperita: et la uita dilecteuole. per la finiftra la ad uerfita:et le fatiche:er luna parte et laltra couiene che fia rotta:Perche dambe due le partifiuengono iuitii. Ne Noifaliuan per unapietra feffa che fimouca duna& daltra parte comincio elduca mio in accoftarfi Etquefto fecce enoftripaffifcarli tanto che prialofcemodelaluna:
PVRGATORIO
Oifummodentro
chelmalamor
Gdifufa
parer
dritta
degnafeufa
flamogia
drento
purgatorio.
tutti
epeccati
colpe
capitali
pec
uno
diqgiti
fette.Eceg
notare
eére
dlferno
:altre
eere
qile
dl
pur
gatorio.Loferno
fupplitio
nolieua
uita.mphoche
fatto
habito
nutrifchio
fupplici:niéte
dimeo
noeicie
uitio.Veggião
fupbo
icorrere
picoli
patif:&nictedimeno
nõabádonaeluitio.Etrapeccati
piugraue
Et
múdabor
delicto
maxio:i
fuperbia.et
Salomone.Initinmomnis
fuperbia.
Diftinifcono
lafuperbia
effere
elatione
uitiola
dimente:laqual
fprezando
inferiori
lefaffatica
fignoreggiare
gatorio
leuono
mahchie
&mondano
ogni
cofi
nel
efentiale
Maaccioche
quandoche
ritorni
peccato:&come
quando
fcefe
lonferno
trouaua
prima
luo
ghoepiuleggerietquanto
qua
grandı
debbono
poe
primi
Pone
fupbia
maxio
d
tuti
epeccati.De
leqle
dirémo
puocho
poi
chnoi
fu
modétro
Cb
male
amof
dlaíe.i.la
depuata
&uitiofa
cupididitad
terfne
mortali
troppacupidita
laie
ecagiee
purgarfene.
richiufa.
Ogniufciodiqualique
entrata
ufcire
chiedrento.Adunque
primache
entraffichiufo:dimoftra
dif
ficulta
lentrare
purgatorie:cofi
dimoftra
ladifficulta
io
truouauo
uera
pareche
chechieffendouinefcie.Eneceffario
purgatorie
tolti
inceperit:fed
perfeuerauerit
ufque
faluus
figuranel
molgle
Loth
predicendo
glangnieliaLoth
fiuoltaflino
mai
indricto:perche