Human Generated Data

Title

Canto VIII. Ante Purgatory / Nightfall Easter Sunday; The Guardian Angels; The Serpent

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5300

Human Generated Data

Title

Canto VIII. Ante Purgatory / Nightfall Easter Sunday; The Guardian Angels; The Serpent

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5300

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.8
Page 97
Paper 70.6

Clarifai
created on 2019-11-03

page 99.3
text 98
paper 97.7
document 97.2
book bindings 96.3
vintage 96.2
print 95.6
manuscript 93.2
old 93.1
illustration 92.5
retro 92.2
picture frame 90.5
antique 89.7
art 89.6
desktop 89.2
blank 88.4
poetry 86.6
template 86.2
texture 86
education 85.9

Imagga
created on 2019-11-03

brass 47.8
cloud 44.9
menu 43.9
book 40.4
definition 38.3
memorial 38
association 36.5
fare 36.5
cover 35.3
advertising 34.6
artwork 34
advertisement 33.9
creative 33.6
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.2
composition 33.1
collection 32.5
newspaper 31.7
backdrop 31.4
decorative 31
conceptual 30.9
decor 30.1
element 29.9
idea 29.4
design 28.2
art 28.1
product 27.1
graphic 26.3
text 26.3
decoration 26.1
structure 26.1
information 25.7
business 24.4
letter 23.9
creation 23.4
old 23.1
data 22.9
binding 21.1
continuity 20.8
drapery 20.7
bible 20.6
page 20.5
fabric 19.8
religion 19.8
daily 19.5
keywords 18.8
prayer 18.4
copy 17.7
food 17.4
paper 17.3
word 17
religious 16.9
antique 15.6
holy 15.5
faith 15.4
god 15.4
print 15.1
read 14.5
open 13.5
collage 13.5
testament 12.9
spiritual 12.5
detail 12.1
church 12.1
ancient 11.3
communication 10.9
chapter 10.9
gospel 10.9
black 10.2
vintage 10
scripture 9.9
history 9.9
pages 9.8
analysis 9.8
new 9.7
cross 9.5
study 9.4
energy 9.3
city 9.2
words 8.8
pray 8.8
mix 8.7
development 8.6
money 8.5
writing 8.5
map 8.3
rosary 7.9
passage 7.9
life 7.8
more 7.8
mosaic 7.8
belief 7.8
best 7.8
education 7.8
king 7.8
texture 7.7
company 7.5
document 7.4
close 7.4
journal 7.2
day 7.1
modern 7

Google
created on 2019-11-03

Text 97.6
Newsprint 92.3
Paper 91
Paper product 76.5
Document 74.3
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 88.5
book 88.4
manuscript 51.5
plaque 49.2

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 17-29
Gender Female, 50.1%
Confused 49.5%
Disgusted 49.5%
Happy 49.5%
Surprised 49.5%
Sad 49.5%
Calm 49.5%
Fear 49.5%
Angry 50.5%

AWS Rekognition

Age 32-48
Gender Female, 50.1%
Surprised 49.5%
Confused 49.5%
Sad 49.6%
Happy 49.5%
Fear 49.5%
Angry 49.5%
Calm 50.3%
Disgusted 49.5%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

Clarifai
created by general-english-image-caption-blip on 2025-05-25

a photograph of a book with a picture of a man in a suit and a woman in a -100%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image shows a page from an old manuscript or early printed book in the Italian language, possibly belonging to the Renaissance period or earlier. The text is laid out in a single column, and the layout includes a title heading at the top of the page that reads "PVRGATORIO," indicating that the text might be related to Dante Alighieri's 'Purgatorio,' the second part of his famous epic poem, 'The Divine Comedy'.

The main body of the text is presented in a clear and organized manner likely in an old Italic or Gothic font. The formatting showcases sections and indented paragraphs for ease of reading.

In the lower right corner of the page, there is an elaborate woodcut illustration. This image depicts several human figures in various stances and activities, many of whom appear in a state of distress or penitence, aligning with the themes of purgatory. The figures are dressed in robes and are standing in a landscape that suggests interaction, penance, or reflection.

Additionally, decorative initials, like the ornate letter "R" near the beginning of one section, enhance the artistic value of the page, maintaining the tradition of embellishing important texts with decorative elements during that period. Overall, the page combines textual narrative with visual storytelling typical of illuminated manuscripts or early prints.

Created by gpt-4 on 2025-01-31

This image shows a page from a printed book, seemingly from the late medieval or Renaissance period, given the style of the typography and the woodcut. The page contains a block of text in an old style of Italian, as suggested by the words, and there is a decorative initial letter starting one of the paragraphs.

At the bottom of the page is a woodcut illustration depicting several human figures engaged in various activities. The scene shows a group of individuals who appear to be undergoing some form of punishment or torture. Their nakedness and the presence of demonic figures suggest that this might depict a scene of the afterlife, possibly from Dante's "Divine Comedy" in the Inferno or Purgatorio sections, depicting souls in purgatory or hell. It's common for old texts discussing religious or moral themes to contain such imagery.

The style of the woodcut, the language, and the typeset all indicate that this is a historical document whose exact origin and content could be further identified by a specialist in old Italian literature or an expert in printing history.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historical printed text, likely from an early edition of Dante's "Purgatorio" (part of the Divine Comedy). The page features both text in Italian and a woodcut illustration. The text is laid out in a traditional manuscript style with decorative initial letters. At the bottom of the page is a woodcut illustration showing several figures in what appears to be a scene from Purgatory. The illustration has a medieval artistic style with simple line work characteristic of early printing techniques. The figures are arranged in groups across different levels, suggesting the terraced nature of Purgatory as described in Dante's work. The quality and style of the printing and illustration suggests this is likely from the late 15th or early 16th century. The page shows some aging with slight discoloration around the edges, but appears to be well-preserved overall.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed page containing Italian text on the left and an illustration on the right side. The illustration depicts what appears to be a military or religious procession, with figures on horseback and others standing or kneeling. The text is printed in an old style font and the paper has an aged, yellowed appearance indicating this is an antique document or book page, likely from the 15th-16th century based on the typography and illustration style from that era.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be an ornate and intricate page from an old manuscript or book. It contains a large block of Italian text, as well as an engraved illustration depicting a scene with several human figures. The illustration seems to show some kind of religious or mythological subject matter, with figures appearing to be engaged in various activities. The overall style and design of the page suggest this is an antique or historical document of some kind.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin, with the title "PVRGATORIO" at the top. The text is divided into two columns, with the left column containing a heading that reads "Fapianger monferrato & chanaufe." Below this heading is a paragraph of text, followed by a section labeled "Ragialhorache uolgol difio de nauigati entenerificed cuore."

The right column contains a series of paragraphs, including one with the heading "CANTO OCTAVO DELA SECVNDA CANTICA DIDANTHE." This column also features an illustration of a group of people standing on a hill, surrounded by trees and other foliage.

The background of the page is off-white, with a subtle border around the edges. The overall design of the page suggests that it is from a medieval manuscript, possibly from the 15th or 16th century.

Summary:

  • The page features a mix of text and illustrations in Latin.
  • The text is divided into two columns, with headings and paragraphs.
  • The illustration depicts a group of people standing on a hill, surrounded by trees and foliage.
  • The background is off-white with a subtle border around the edges.
  • The design suggests a medieval manuscript from the 15th or 16th century.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

This image presents a page from an ancient book, featuring a combination of text and illustrations. The text is written in Italian, with the title "PVRGATORIO" prominently displayed at the top. The page is divided into two columns, with the left column containing a larger section of text and the right column featuring a smaller section accompanied by an illustration.

The illustration depicts a group of people gathered around a figure, possibly a priest or religious leader, who is standing on a raised platform. The scene appears to be set in a religious context, with the figures dressed in traditional attire. The illustration is rendered in a simple yet detailed style, with bold lines and minimal shading.

The background of the page is a warm, off-white color, which suggests that the book is old and has been handled extensively over time. The overall appearance of the page is one of aged elegance, with the text and illustration working together to create a sense of historical significance and cultural importance.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book. The page is divided into two columns of text, written in a language that appears to be Latin. The text is in black ink and is written in a cursive style. The page is slightly yellowed and has some creases, indicating that it is an old document. The text on the page appears to be a list of names and places, possibly related to historical events or locations. The page also includes a small illustration in the bottom right corner, which appears to be a map or a diagram. Overall, the image suggests that the book is a historical document or a scholarly work, possibly related to the study of history or geography.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from an old book, featuring an illustration and text in a foreign language, likely Italian. The page has a black-and-white color scheme, giving it an antique look. The text is written in a cursive style, and the illustration is in the form of a woodcut. The illustration shows a group of people, possibly in a religious setting, with one person holding a book and another person with a staff. The text appears to be a passage from a book, possibly a religious text or a historical document.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-22

Here's a breakdown of the image:

Overall Impression:

The image is a page from an old printed book. It features a combination of text in Italian (based on the titles and some of the content visible) and a woodcut illustration. The style indicates that it's likely from a Renaissance or early modern printing.

Text:

  • Language: Primarily Italian, as mentioned above.
  • Content: The text appears to be a continuation of a narrative. The chapter title "PVRGATORIO" (Purgatory) clearly indicates that the text is related to Dante Alighieri's "Divine Comedy."
  • Layout: The text is arranged in columns, typical of older books. There are sections marked off, potentially with headings or chapter indications. The style of the typography (font) is also characteristic of the period.

Illustration:

  • Style: The illustration is a woodcut, recognizable by the thick, bold lines used to create the image.
  • Content:
    • Depicts a scene likely related to the narrative. The figures are dressed in historical clothing.
    • On the right is an angel, and some figures on the left.
    • There are other figures with long hair on the left of the angel.

Overall, the image is a well-preserved page from an early printed edition of a book, likely Dante's "Divine Comedy". It is a window into the history of printing and the dissemination of literature.

Created by gemini-2.0-flash on 2025-05-22

Here's a description of the image:

The image is a page from an old book, likely a printed edition of Dante's Purgatorio.

Text:

The page is filled with text in Latin or Italian. It appears to be a commentary on the text itself. There's a clear heading at the top, "PVRGATORIO." The text is densely packed, with smaller font size than modern books, indicating that it is probably quite old.

Illustration:

In the lower right corner is a woodcut illustration. It appears to depict scenes related to purgatory. Some details that can be made out from the illustration are:

  • Several nude figures, suggesting souls in purgatory.
  • Angelic figures, possibly guiding or watching over the souls.
  • The imagery depicts souls surrounded by angels.

Overall Impression:

The image has the appearance of a page from a historical or religious text, likely printed in the 15th or 16th century. The combination of text and illustration provides insight into how early readers would have engaged with Dante's work.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-24

The image is a page from an old book, likely a historical or literary work. The text is printed in a style reminiscent of early printing presses, with a combination of blackletter (Gothic) and Roman typefaces. The page contains both text and an illustration.

Text:

  • Language and Style: The text appears to be in Italian, written in a formal, archaic style. It is divided into paragraphs and includes some decorative initial letters.
  • Content: The content seems to be a narrative or dialogue, possibly from a play or a poem. It mentions several characters, including "Piero," "Carlo," "Federigo," "Margarita," and "Beatrice." The text discusses themes of love, relationships, and possibly a moral or philosophical debate.
  • Structure: The text is organized into sections, with some parts in verse and others in prose. There are also some annotations or commentary included.

Illustration:

  • Position: The illustration is located in the lower right corner of the page.
  • Content: The illustration depicts a group of people, possibly in a garden or outdoor setting. The figures are dressed in medieval or Renaissance attire, suggesting a historical context. The scene appears to be a social gathering or a conversation among the characters.
  • Style: The illustration is a woodcut, a common printing technique of the period, characterized by its detailed but somewhat rough lines.

Overall Impression:

The page is from a historical text, likely from the Renaissance period, given the style of the text and the illustration. It combines literary content with visual art, providing a rich historical and cultural context.

Text analysis

Amazon

PVRGATOKIO
Carlo
Piero.
gratia
CHE
AN
Ma
pcui
ufita
folamente
federlafoloArrighodinghilterra
uiue
don
daladiuia
balo:
CHE al nafuto:cioe acarlo. .quafi etentia folamente don Piero. Ma
uiue fecado uirtu:ma di AN
TANTO
fizliuolo
di
erlaguale
qneltihancfuoireamimiglior uf ufita
aiutata
figloloe
.Quelche
acarlo.
feme
in
Impoche
d
dacarlo. Impoche figloloe Piero&
Piero&
fecado
etentia
dacarlo.
nafuto:cioe
Quclchepiubaflotracoltorfaterra
potetie
fecado fizliuolo TANTO feme fuo Carlo
ornata iquattro potetie libero albene fubitoe aiutata daladiuia gratia
ornata
uirtu:ma
albene
erlaguale d fidilia
ne
qneltihancfuoireamimiglior uf
Federico
iquattro
fota
.quafi
.Quafi
al
fidilia
fubitoe
fuo
libero

Google

PVRGATORIO fola anía ornata di quattro potérie laqle fe diriza el libero arbitrio al bene fubito e aiutata dala diuía gratia &uiue fecodo le uirtu:ma fe uolge la libera fua uolunta al male:rimane nuda di gratia:& cade ne uiti.AN CHE al nafuto:cioe a carlo.quaii dica che tal fétentia non folamente e decta pe figlioli di don Piero. Ma per carlo fecódo figliuolo di carlo primo. TANTO e del feme fuo minor lapianta. Tanto traligna Carlo da carlo.Impoche el figlolo e feme del padre.quanto Coftantia moglie di don Piero& filiuola di máfredi perlaquale el reame di ficilia & di puglia peruenne al filiuolo:piu fiuanta di marito:come di migliore:che BEATRICE moglie di don Federico &Margarita moglie di lacopo. Vedete elredelafimplice uita federlafolo Arrighodinghilterra e Lprio diqtie Arrigho dighilterra:& dice lui effer di fiplice ufta quáto al corpo:pch neluicto & nelueftite noufo labodátia:& luxo che ufano glialtri re:&quato ala nimo:pclhno fudoppio:che unacofa hauefi nel coof & qneftihanefuoireamimiglior ufita Jaltranela ligua ma fufiplice & apto:SEderla (olo.Quafi Quelchepiubaffo tracoftor faterra dicache luinon hebbe ho fimila fe:8dioftrache ne fuoi guardado in fue guglelmo marchcfe ramiecioe ne fuoifiglioli :cóe difopra dixe.Quelche piu baffo: Pone Guglelmo marchefe piu baffoadimoftrare che no fu difágue reggio.liche e piu alto grado.Coftui fi D Fapiangermonferrato & chanauefe prefo da quegli dalexadria dela paglia fuoi fubditi:& inp gione fini fua uita.Onde molta guerra nacque tragliale xandrini:et quegli di monferrato:canauefe:equali defide rauanouendicare ellor fignore: ET maxime taj guerra fecciono efigliuoli. ONDE dice &la fua guerra pcui &alexandria & lafuaguerra GVARDANDO in fu per defiderio:che hiuea dimontare al purgatorio. CANTO OCTAVODELA SECVNDA CANTICADIDANTHE TSCRIVE lafera molto poeticamente.Et iclude no piccola allegoria in queffacomparatione: la fentétia euera.Veniua gia la fera:laquale arecha defiderio a naui cáti:equali partitofi la matia di porto doue háno lafciato denauigáti entenerifce el eparenti:&gliamici-uenendo poi la fera fache ricordan dolidiloro:fono oppreffi dauna paffiõe danimo laquale elatinichiamano defiderio.Et fimilméte interuiene achi entrafuiaggio.Et ordiacofi.Era gia lhora che uolge el di fio:cioe era ihora dela fera:laquale uolge el defio.i.el defi derio idrieto a penfar quegli:che lo di:cioe la matia hano lafciato:dicendo adio & che. ideft laquale hora ponge el chepaialgiornopiagerchefimuore nuouo peregrino:cioe elquale nouellamente ha prefoel uiaggio.DAmore:diquegli:che ha lafciato.SE DILON Ragialhorache uolgel difio cuore lodichan decto adolciamiciadio Etchelonouoperegrin damore pungefeodefquilla dilontano Q uandoincominciaiarender uano ludire etadmirare unadelalme TANOode fquillaideft campana laquale paia:che chol fuon fuo pianga elgiornoche ii muoue uenendo la ncte furtache lafcoltar chiedea con mano Alegoricamente pon queftopchieneleuirtu purgatorie perche non ha anchora purgato lanío:fe le cogle la note cioe fe cade in qualche perturbatione:onde perda ellume Ellagiunfe et leuo ambelepalme ficandoglocchiuerfoloriente comediceffia dio daltronon calme: Telucis ante fideuotamente glufcidiboccacon fidolce note chefece meadme ufcir di mente. dela mente:glitornano ala memoria le uolupta paffate:alquali haueadecto adio.DOLC :imper hoche chifi parte da uiti per ádare al purgato rio.benche habbi Eacto propofito fpolgarfene: pure perche no ha anchora habito di uera uirtu piutofto forzacon la ragione lappetito:che no lo perfuade:perche la fenfualita anchora iuilup pata neleuolupta:& piaceri deuitii mal uolenti erififpica.llche exprime Virgilio:quando dice. Littora cum patrie lachrimis portúqp reliquo& certodobbiamo imitare quegli necchi troiani: eqihomero fcriue:chuedédouéif helena mol
PVRGATORIO
fola
anía
ornata
di
quattro
potérie
laqle
fe
diriza
el
libero
arbitrio
al
bene
fubito
e
aiutata
dala
diuía
gratia
&uiue
fecodo
le
uirtu:ma
uolge
la
libera
fua
uolunta
male:rimane
nuda
gratia:&
cade
ne
uiti.AN
CHE
nafuto:cioe
a
carlo.quaii
dica
che
tal
fétentia
non
folamente
decta
pe
figlioli
don
Piero.
Ma
per
carlo
fecódo
figliuolo
primo.
TANTO
del
feme
fuo
minor
lapianta.
Tanto
traligna
Carlo
da
carlo.Impoche
figlolo
padre.quanto
Coftantia
moglie
Piero&
filiuola
máfredi
perlaquale
reame
ficilia
&
puglia
peruenne
filiuolo:piu
fiuanta
marito:come
migliore:che
BEATRICE
Federico
&Margarita
lacopo.
Vedete
elredelafimplice
uita
federlafolo
Arrighodinghilterra
Lprio
diqtie
Arrigho
dighilterra:&
dice
lui
effer
fiplice
ufta
quáto
corpo:pch
neluicto
nelueftite
noufo
labodátia:&
luxo
ufano
glialtri
re:&quato
ala
nimo:pclhno
fudoppio:che
unacofa
hauefi
nel
coof
qneftihanefuoireamimiglior
ufita
Jaltranela
ligua
ma
fufiplice
apto:SEderla
(olo.Quafi
Quelchepiubaffo
tracoftor
faterra
dicache
luinon
hebbe
ho
fimila
fe:8dioftrache
fuoi
guardado
in
fue
guglelmo
marchcfe
ramiecioe
fuoifiglioli
:cóe
difopra
dixe.Quelche
piu
baffo:
Pone
Guglelmo
marchefe
baffoadimoftrare
no
fu
difágue
reggio.liche
alto
grado.Coftui
fi
D
Fapiangermonferrato
chanauefe
prefo
quegli
dalexadria
dela
paglia
fubditi:&
inp
gione
fini
uita.Onde
molta
guerra
nacque
tragliale
xandrini:et
monferrato:canauefe:equali
defide
rauanouendicare
ellor
fignore:
ET
maxime
taj
fecciono
efigliuoli.
ONDE
&la
pcui
&alexandria
lafuaguerra
GVARDANDO
defiderio:che
hiuea
dimontare
purgatorio.
CANTO
OCTAVODELA
SECVNDA
CANTICADIDANTHE
TSCRIVE
lafera
molto
poeticamente.Et
iclude
piccola
allegoria
queffacomparatione:
fentétia
euera.Veniua
gia
fera:laquale
arecha
defiderio
naui
cáti:equali
partitofi
matia
porto
doue
háno
lafciato
denauigáti
entenerifce
eparenti:&gliamici-uenendo
poi
fera
fache
ricordan
dolidiloro:fono
oppreffi
dauna
paffiõe
danimo
laquale
elatinichiamano
defiderio.Et
fimilméte
interuiene
achi
entrafuiaggio.Et
ordiacofi.Era
lhora
fio:cioe
era
ihora
defio.i.el
defi
derio
idrieto
penfar
quegli:che
lo
di:cioe
hano
lafciato:dicendo
adio
che.
ideft
hora
ponge
chepaialgiornopiagerchefimuore
nuouo
peregrino:cioe
elquale
nouellamente
ha
prefoel
uiaggio.DAmore:diquegli:che
lafciato.SE
DILON
Ragialhorache
uolgel
difio
cuore
lodichan
decto
adolciamiciadio
Etchelonouoperegrin
damore
pungefeodefquilla
dilontano
Q
uandoincominciaiarender
uano
ludire
etadmirare
unadelalme
TANOode
fquillaideft
campana
paia:che
chol
fuon
pianga
elgiornoche
ii
muoue
uenendo
ncte
furtache
lafcoltar
chiedea
con
mano
Alegoricamente
pon
queftopchieneleuirtu
purgatorie
perche
anchora
purgato
lanío:fe
cogle
note
cioe
qualche
perturbatione:onde
perda
ellume
Ellagiunfe
et
leuo
ambelepalme
ficandoglocchiuerfoloriente
comediceffia
dio
daltronon
calme:
Telucis
ante
fideuotamente
glufcidiboccacon
fidolce
chefece
meadme
ufcir
mente.
mente:glitornano
memoria
uolupta
paffate:alquali
haueadecto
adio.DOLC
:imper
hoche
chifi
parte
uiti
ádare
rio.benche
habbi
Eacto
propofito
fpolgarfene:
pure
habito
uera
uirtu
piutofto
forzacon
ragione
lappetito:che
perfuade:perche
fenfualita
iuilup
pata
neleuolupta:&
piaceri
deuitii
mal
uolenti
erififpica.llche
exprime
Virgilio:quando
dice.
Littora
cum
patrie
lachrimis
portúqp
reliquo&
certodobbiamo
imitare
necchi
troiani:
eqihomero
fcriue:chuedédouéif
helena
mol