Human Generated Data

Title

Canto VI. The Second Sphere: Mercury / The Seekers of Honor; Justinian

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5329

Human Generated Data

Title

Canto VI. The Second Sphere: Mercury / The Seekers of Honor; Justinian

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5329

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.8
Page 99
Newspaper 97.7
Paper 72.7
Word 58.7
Advertisement 56.8
Poster 56.4

Clarifai
created on 2019-11-03

page 99.7
paper 98.1
text 97.8
document 97.7
vintage 96.6
old 94.8
book bindings 94.8
template 94.7
blank 92
manuscript 91.8
desktop 91.2
picture frame 90.9
illustration 89.9
number 89.6
retro 88.7
print 88
bill 86.7
antique 86.5
texture 86.4
book 85.6

Imagga
created on 2019-11-03

brass 53.5
cloud 48.4
memorial 42.6
definition 39.3
association 37.5
cover 35.3
artwork 34.9
advertising 34.7
creative 34.5
backdrop 33.9
associated 33.6
brochure 33.2
carpet 33.2
advertise 33.2
composition 33.1
newspaper 33.1
advertisement 32.9
decorative 32.7
collection 32.6
book 32.6
decor 31.9
conceptual 31
element 30.7
design 30.5
idea 30.4
art 30
structure 30
graphic 27.8
product 27.8
binding 27.7
daily 26.8
decoration 26.1
text 24.5
old 24.5
creation 24
information 24
letter 23.9
fabric 22.7
business 22.5
data 22
continuity 21.8
drapery 21.7
word 20.8
antique 20
page 19.5
keywords 18.8
bible 17.7
menu 17.4
religion 17.1
detail 16.9
copy 16.9
paper 16.5
religious 16
holy 14.5
fare 14.5
faith 14.4
print 14.2
prayer 13.6
read 13.5
god 13.4
collage 12.6
spiritual 12.5
ancient 12.1
texture 11.8
communication 11.8
open 11.7
vintage 11.6
development 11.4
church 11.1
energy 11
testament 10.9
gospel 10.9
pages 10.8
writing 10.4
study 10.3
document 10.2
city 10
chapter 9.9
history 9.9
words 9.8
black 9
map 9
new 8.9
scripture 8.9
passage 8.9
analysis 8.8
king 8.8
education 8.7
life 8.6
cross 8.5
pattern 8.2
rosary 7.9
best 7.8
belief 7.8
sepia 7.8
modern 7.7
saint 7.7
mix 7.7
health 7.7
company 7.5
close 7.4
symbol 7.4
retro 7.4
aged 7.3
food 7.2
world 7.1
textured 7

Google
created on 2019-11-03

Text 97.5
Paper 90.2
Newsprint 83.5
Document 76
Paper product 75.6
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 86.1
book 80.5
newspaper 78.3
manuscript 69.5
plaque 32.7

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Imagga

text visuals 99.7%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image depicts a page from an old manuscript or printed book. The page is laid out in a traditional single-column format with extensive text, which appears to be in an early Italian typeface. The text is from a section titled "PARADISO," likely referring to Dante's "Divine Comedy." Specifically, the heading indicates that this is "CANTO SEXTODELA TERTIA CANTICA DADANTE," (Canto Six of the Third Cantica of Dante), informing the reader that this is a passage from the "Paradiso," the third part of the epic. On the page, there is a decorative initial 'P' at the start of the canto, which is a common feature in illuminated manuscripts and early printings. To the right of the text, there is an illustration comprising several elements: A group of people, celestial bodies (depicted as small stars scattered across the sky), and some architectural features, including a walled city with the name "ROMA" (Rome) marked on one of the buildings. Above the structures, there is a figure that appears to be pointing or gesturing. The illustration seems to portray a scene relevant to the content of the canto, likely depicting a significant event or symbolic representation from Dante's "Paradiso." The presence of the human figures and stars might symbolize celestial guidance or visionary experiences described in the text. Overall, the page is rich in historical and artistic features, typical of early printed works that combined text and illustration to enhance the reader's experience.

Created by gpt-4 on 2025-02-01

This image displays a page from an old book or manuscript written primarily in Italian, with a block of text on the right-hand side featuring a decorative initial letter and a woodcut illustration in the top right corner. The illustration depicts three figures, two of which appear to be in conversation or interaction, within an enclosure decorated with stars. The figures might represent an allegorical or mythological scene. The text on the page is arranged in two columns, separated by a vertical rule. It contains a mix of larger and smaller typefaces, with the larger font used for headings or prominent sections of text. The book seems to be a historical piece, possibly from the Renaissance period or earlier, based on the style of the typeface and writing. The top of the page has a bold heading "PARADISO," suggesting that the content of the page relates to the concept of Paradise. Furthermore, a specific section is titled "CANTO SEXTO DELA TERZA CANTICA DI DANTE," indicating that this is the sixth canto of the third cantica by Dante, which refers to Dante Alighieri's "Divine Comedy," specifically the "Paradiso" section. Given the language and the typography, this page is likely from an early printed edition of "The Divine Comedy," possibly dating several centuries back. The woodcut illustration and ornate initial letters are characteristic of books printed during this time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a page from an early printed edition of Dante's "Paradiso" with both text and illustration. The page features an illuminated manuscript-style layout with a woodcut illustration in the upper right corner. The illustration shows a scene depicting a city labeled "ROMA" (Rome) with several figures in medieval dress and what appears to be stars or celestial bodies in the sky. The text is printed in Italian, with different sized fonts and formatting including both verse and prose sections. The title "PARADISO" appears at the top of the page, and "CANTO SEXTO" indicates this is from the sixth canto of the work. The overall appearance suggests this is from an early Renaissance printed edition of Dante's Divine Comedy, likely from the 15th or 16th century.

Created by claude-3-opus-20240229 on 2025-02-01

The image shows an old printed page with text in Italian. At the top it says "PARADISO", which means "Paradise" in English, likely referring to Dante's Divine Comedy. The page contains two columns of text. On the left side, there is an illustration depicting a detailed scene. The illustration shows a group of robed figures, likely representing Dante and other souls, gathered before a grand celestial city. The city has ornate walls and towers rising up to a starry sky above. The aged paper has a yellowish tint and shows some signs of wear and fading, indicating this is a scan or photograph of a very old printed book, possibly from the late medieval or early Renaissance period based on the typography and illustration style. Overall, it appears to be a richly decorated page from an early edition of Dante's Paradiso.

Created by claude-3-haiku-20240307 on 2025-02-01

The image appears to be a page from an old book or manuscript. It contains ornate text and illustrations. The text is written in Italian or a similar Romance language, and it discusses a topic referred to as "Paradiso" or "Paradise." The illustrations on the page include a starry night sky and what looks like an urban landscape, possibly a depiction of the city of Rome. Overall, the image has a historical and scholarly appearance, conveying a sense of antiquity and contemplation.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a mix of text and illustrations. The page is written in Latin and includes several sections with headings and subheadings, as well as a large illustration on the right side. **Key Features:** * **Text:** The page is filled with text written in Latin, which appears to be a passage from a historical or literary work. * **Headings and Subheadings:** The text is organized into sections with headings and subheadings, indicating a structured format. * **Illustration:** A large illustration occupies the right side of the page, depicting a scene with people, buildings, and other elements. * **Language:** The text is written in Latin, suggesting that the book is a historical or literary work from the Renaissance period. * **Layout:** The page has a traditional layout, with the text arranged in columns and the illustration placed prominently on the right side. **Overall Impression:** The image presents a page from an old book that showcases the artistic and literary styles of the Renaissance period. The use of Latin and the structured format suggest that the book is a historical or literary work, while the illustration adds a visual element to the page.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a page from an old book, featuring a mix of text and illustrations. The page is written in Italian, with the title "PARADISO" at the top. The text is divided into two columns, with the left column containing a large initial letter "P" and the right column featuring an illustration of a man standing on a hill, surrounded by stars and buildings. The illustration appears to be a woodcut or engraving, with intricate details and textures. The man in the illustration is dressed in Renaissance-style clothing and holds a staff in his hand. He stands on a hill, looking out at the surrounding landscape, which includes several buildings and trees. The sky above is filled with stars, adding to the sense of wonder and magic in the scene. The text on the page is written in a formal, cursive script, with many words and phrases underlined or highlighted in red ink. The language is Italian, and the text appears to be a passage from a literary work, possibly a poem or a play. The page also includes several marginal notes and annotations, written in a smaller hand than the main text. These notes provide additional context and commentary on the text, and may have been added by a reader or scholar at a later date. Overall, the image presents a fascinating glimpse into the world of Renaissance literature and art. The combination of text and illustration creates a rich and engaging visual experience, and the use of formal language and decorative elements adds to the sense of luxury and sophistication. The page is a testament to the enduring power of art and literature to inspire and delight us, even centuries after they were created.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image depicts a page from an old book. The page is divided into two sections. The top section contains a text written in a foreign language, possibly Latin, with some words in bold. The text is surrounded by a decorative border with a star pattern. The bottom section contains an illustration of a man holding a torch and a scroll, standing in front of a building with a tower. The illustration is surrounded by a decorative border with a star pattern. The page has a watermark in the top left corner.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is of a page from a book. The page is printed in black ink on white paper and is from a book with a large title at the top of the page. The text is written in a mix of uppercase and lowercase letters, with some words in bold. The text is accompanied by a small illustration of a man holding a sword and shield, with a castle in the background. The illustration is printed in black and white and is located in the upper right corner of the page.

Text analysis

Amazon

PARADISO
Cento
pterea
lauina
uolfe
TERTIA
CANTO
checoftantinolaqui
tolfe
hberare
drieto
che
allanticho che lauina tolfe
da
CANTO XTODELA TERTIA CANTICADIDANTHE.
delcieloche
Finalmeter
XTODELA
Ofcia checoftantinolaqui
Totila
la
ne
ad
allanticho
Theia
alino
lotelledlo
fenapol. Xarauena falaam do ad hberare elgle
CANTICADIDANTHE.
falaam
diuene
di iuftintano
Jlafeguio
Finalmeter ne extremi lotelledlo diuene dapor Theia
extremi
icontroalcorfo delcieloche
fenapol.
do
mogle
elgle
Narfetei
ze da di iuftintano mogle baro pterea alino feontef
Xarauena
fuo
Cauri.& finalmetemado
excelerifio
Cauri.& finalmetemado Narfetei Totila fuo uixe
feontef
Ofcia
hoi
icontroalcorfo
baro
MERCVA1O
dapor
uixe
lolido &
ze
comueloloardieconolesibrelaridorercenolalrindlolnlllram

Google

PARADISO comrauiglofo ordie copofe:&ibreuita riduxe:regno ani tréta oto.& pbellifario hői difciplia militare excelétnflio fpéle euádah i africa.Vife i dalmatia egothi:Et ple faloa mido ad hberareitalia belifario elgle ple napolt.&a rauenaple Vutigide re de gothi & la mogle & molti baroipterea fudifefa láno fecinte fire zeda duci di iuftiniano lağle era affediata da gothi.Mádo áchora iuftinião ioáni fuo pfectoi africa &uixe eauri.& finalméte mádo Narfete i italia eljle uife pria Totila dapoi Theia re de gothi & plegli &uccifegli Finalméte ne gli extremi dela uita fua:pde lotelleclo & diuéne ftolido 8& fupido & tádé mom. CANTO SEXTODELA TERTIA CANTICADIDANTHE Ofcia che coftantino laqui la uolfe controalcorfo delcielo che lafeguio drieto alianticho che lauina tolfe Cento & centani & piuluccel didio nellextremodeuropa fi ritenne uicino amontidaquaiprima ufcio Erfottolombra delle facre penne gouernol mondo li dimano in mano & ficangiando infulamiaperuenne. MERCVAIO * *** * ** tule ROMA m Irabile artificio del poeta elqleconofcédo la materia difficile &fottile & nelağlfi pof faaffanare lögegno dellectore la uaria i qtofex tocáto iterponedo qfitutte le romane hiftforie. &iformache no pareche fi parta dala ppofita materia.Hauea adúque gia parlato co iuftiniano ipadore beche áchora noloconofcefi&domádatolo chi era &q fuffila coditióe dgli fpiriti diqlcielo.hora gli rifrod iuftinião& príachdica cée fu ipadofdifcriue la tráflitióe dlo ipio factapcoftátio da ro.acotitiopoli.Pofcia chcotatio uolfe laqla cioe lopio romio le cur ifegne fono laqla cótro alcorfodicielo ipochelcielo fa el corfo da oriere a ponete &coftatio ádido da italiaf thracia ádaua da occidéte ioriéte aduc ádaua cotro al corfodl cielo eiqicorfo pría la feguito diteto a láticho enea che tolfe lauía:ipochqndo enea uéne di troia iitalia cõ lagla pche uciuada leuáte a ponéte el corfodlcielo lo feguitaua.poffião áchoradif ch laqla cbuéne da troia iitalia:uéne fecedo elcorfo delcielo pehuéne co grá felicita & itabililepio romáoma qndo ádo ditalia í tracia:ádo cetro al corfo del cielo:pch dipoifepdeclio löpio delaqla habbiáo dcto & dicoftátio:habbião dcto fimilméte denea.céto & céto ani & piu lucceldidio:comiciolopio diceftátio láno dla noftra falute trecétefio nono& lopio di iufliniáo:nel láno qgétefimo uigefimo tertio:furono adúqani dugéto qtordici:Lagla pche ecéfecrata ioue: e dectauc celdidio.laquale firiténe nelextremo delleuropa:cioe i coftantinopoli doue conátino traflato loperio la quale citta e nela extrema parte delleuropa:laquale e diuifa dallafia dal fiume tanai.VICina a monti di tro fa donde Enea lacodaxei italia:Impoche troia no e lotana da conftatinopoli pluche migla cetotrétaocto iaria.Mafecodo le carthe de noftritempie diftácte migla céto cinquata.Adúque eflédo limperio icóltan tinopoli:laquile romane erono uicine amonti donde eronoufcite feguitádo enea in italia.Etdixe amonti & non ad ilion citta di troia per alludere ala natura dellaquile che habbitano emonti. DIMOSTRARechiera fu miftiereporrela perfo na publica & lapriuata prima adunque la publica la chep uoler del primo amor chiofeto quale non era in lui ailhora:ma fumente uixe& perho di xeio fuicefare:cioe imperadore : laqual dignita finife ne la morte.ET fon iuftinianopche la morte lepera laia dal corpo ma nientedimeno rimaneqlla medefima aia che e eluero homo.iuftiniano fu figluo!lodla forella di iuftınio imperadore & allui fucceffe.ET pria chio allopra fufliat tento. Vnanatura:era in queRitepi Theodato re de go thinel regno romáo & fétédoche iuftniano glera inimi comádo agabito papa a placarlo:itefe agabito cb uftunia no era nela herefia di quegli che ftimauochechrifto fufle tato puro homo& no icho.ilpche molto acreméte cotto a Cefare fui &fon Iuftiniano détraleleggitraflil troppo el uano. Etpriachio adoprafufiattento unanatura in chrifto cfler non piue Y credea & dital fede ero contento. Malbenedettoagabitoche fue fommopaftoreallafede fincera maddirizzo colle parole fue. on plorbcbombk i c ono
PARADISO
comrauiglofo
ordie
copofe:&ibreuita
riduxe:regno
ani
tréta
oto.&
pbellifario
hői
difciplia
militare
excelétnflio
fpéle
euádah
i
africa.Vife
dalmatia
egothi:Et
ple
faloa
mido
ad
hberareitalia
belifario
elgle
napolt.&a
rauenaple
Vutigide
re
de
gothi
&
la
mogle
molti
baroipterea
fudifefa
láno
fecinte
fire
zeda
duci
di
iuftiniano
lağle
era
affediata
da
gothi.Mádo
áchora
iuftinião
ioáni
fuo
pfectoi
africa
&uixe
eauri.&
finalméte
mádo
Narfete
italia
eljle
uife
pria
Totila
dapoi
Theia
plegli
&uccifegli
Finalméte
ne
gli
extremi
dela
uita
fua:pde
lotelleclo
diuéne
ftolido
8&
fupido
tádé
mom.
CANTO
SEXTODELA
TERTIA
CANTICADIDANTHE
Ofcia
che
coftantino
laqui
uolfe
controalcorfo
delcielo
lafeguio
drieto
alianticho
lauina
tolfe
Cento
centani
piuluccel
didio
nellextremodeuropa
fi
ritenne
uicino
amontidaquaiprima
ufcio
Erfottolombra
delle
facre
penne
gouernol
mondo
li
dimano
in
mano
ficangiando
infulamiaperuenne.
MERCVAIO
*
***
**
tule
ROMA
m
Irabile
artificio
del
poeta
elqleconofcédo
materia
difficile
&fottile
nelağlfi
pof
faaffanare
lögegno
dellectore
uaria
qtofex
tocáto
iterponedo
qfitutte
le
romane
hiftforie.
&iformache
no
pareche
parta
dala
ppofita
materia.Hauea
adúque
gia
parlato
co
ipadore
beche
noloconofcefi&domádatolo
chi
&q
fuffila
coditióe
dgli
fpiriti
diqlcielo.hora
rifrod
iuftinião&
príachdica
cée
fu
ipadofdifcriue
tráflitióe
dlo
ipio
factapcoftátio
ro.acotitiopoli.Pofcia
chcotatio
laqla
cioe
lopio
romio
cur
ifegne
fono
cótro
alcorfodicielo
ipochelcielo
fa
el
corfo
oriere
a
ponete
&coftatio
ádido
italiaf
thracia
ádaua
occidéte
ioriéte
aduc
cotro
al
corfodl
cielo
eiqicorfo
pría
feguito
diteto
láticho
enea
lauía:ipochqndo
uéne
troia
iitalia
lagla
pche
uciuada
leuáte
ponéte
corfodlcielo
lo
feguitaua.poffião
áchoradif
ch
cbuéne
iitalia:uéne
fecedo
elcorfo
pehuéne
grá
felicita
itabililepio
romáoma
qndo
ádo
ditalia
í
tracia:ádo
cetro
cielo:pch
dipoifepdeclio
löpio
delaqla
habbiáo
dcto
dicoftátio:habbião
fimilméte
denea.céto
céto
piu
lucceldidio:comiciolopio
diceftátio
dla
noftra
falute
trecétefio
nono&
iufliniáo:nel
qgétefimo
uigefimo
tertio:furono
adúqani
dugéto
qtordici:Lagla
ecéfecrata
ioue:
e
dectauc
celdidio.laquale
firiténe
nelextremo
delleuropa:cioe
coftantinopoli
doue
conátino
traflato
loperio
quale
citta
nela
extrema
parte
delleuropa:laquale
diuifa
dallafia
dal
fiume
tanai.VICina
monti
tro
donde
Enea
lacodaxei
italia:Impoche
lotana
conftatinopoli
pluche
migla
cetotrétaocto
iaria.Mafecodo
carthe
noftritempie
diftácte
cinquata.Adúque
eflédo
limperio
icóltan
tinopoli:laquile
erono
uicine
amonti
eronoufcite
feguitádo
italia.Etdixe
non
ilion
per
alludere
ala
natura
dellaquile
habbitano
emonti.
DIMOSTRARechiera
miftiereporrela
perfo
na
publica
lapriuata
prima
adunque
chep
uoler
primo
amor
chiofeto
lui
ailhora:ma
fumente
uixe&
perho
xeio
fuicefare:cioe
imperadore
:
laqual
dignita
finife
morte.ET
fon
iuftinianopche
morte
lepera
laia
corpo
ma
nientedimeno
rimaneqlla
medefima
aia
eluero
homo.iuftiniano
figluo!lodla
forella
iuftınio
allui
fucceffe.ET
chio
allopra
fufliat
tento.
Vnanatura:era
queRitepi
Theodato
go
thinel
regno
romáo
fétédoche
iuftniano
glera
inimi
comádo
agabito
papa
placarlo:itefe
cb
uftunia
herefia
quegli
ftimauochechrifto
fufle
tato
puro
homo&
icho.ilpche
molto
acreméte
cotto
Cefare
fui
&fon
Iuftiniano
détraleleggitraflil
troppo
uano.
Etpriachio
adoprafufiattento
unanatura
chrifto
cfler
piue
Y
credea
dital
fede
ero
contento.
Malbenedettoagabitoche
fue
fommopaftoreallafede
fincera
maddirizzo
colle
parole
fue.
on
plorbcbombk
c
ono