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Human Generated Data

Title

Canto VI. Ante-Purgatory / The Second Ledge; The Late Repentant; Class 3 - Those Who Died by Violence; Sordello

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5298

Human Generated Data

Title

Canto VI. Ante-Purgatory / The Second Ledge; The Late Repentant; Class 3 - Those Who Died by Violence; Sordello

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5298

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.8
Page 98.3

Clarifai
created on 2019-11-03

page 98.2
paper 98.1
document 97.5
text 96.8
book bindings 96.2
vintage 95.3
old 95.1
no person 94.5
manuscript 94.3
retro 94.1
print 92.4
antique 91.9
poetry 91.7
book 91.2
desktop 90.9
illustration 87.4
texture 86.8
ancient 85
book series 84.4
art 84.2

Imagga
created on 2019-11-03

brass 47.3
cloud 41.4
book 41.4
memorial 37.4
definition 36.4
association 34.5
cover 33.4
artwork 33
creative 32.7
advertising 31.8
associated 30.6
brochure 30.3
carpet 30.2
advertise 30.2
composition 30.2
advertisement 30
collection 29.8
backdrop 29.7
decorative 29.3
decor 28.4
conceptual 28.3
design 28.2
art 28.1
idea 27.7
element 27.4
product 27.2
graphic 26.3
decoration 26.1
newspaper 25.9
structure 25.7
business 23.7
menu 23.4
creation 23.2
information 23.1
old 23.1
text 22.8
data 22
letter 21.1
religion 19.8
bible 19.7
page 19.5
fare 19.5
fabric 18.9
continuity 18.8
drapery 18.7
binding 17.6
religious 16.9
copy 16.8
keywords 16.8
antique 16.7
paper 16.5
prayer 15.5
daily 15.5
faith 15.4
god 15.4
word 15.1
holy 14.5
detail 13.7
read 13.5
ancient 13
church 13
open 12.6
collage 12.5
print 12.3
testament 11.9
communication 11.8
spiritual 11.6
gospel 10.9
words 10.8
bookmark 10.5
cross 10.4
document 10.2
journal 10
history 9.9
food 9.6
money 9.4
map 9.3
energy 9.3
vintage 9.1
black 9
new 8.9
chapter 8.9
scripture 8.9
pages 8.8
analysis 8.8
education 8.7
mix 8.7
development 8.6
writing 8.5
study 8.4
company 8.4
texture 8.4
rosary 7.9
passage 7.9
more 7.8
mosaic 7.8
belief 7.8
catholic 7.8
king 7.8
pray 7.8
modern 7.7
ink 7.7
life 7.1

Google
created on 2019-11-03

Microsoft
created on 2019-11-03

text 100
letter 89.6
book 82.1
manuscript 72.7
plaque 52.6

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image depicts a page from an old printed book. The page number, 162, is visible at the top right corner. The text is written in an old style of Latin or Italian, given some recognizable fragments and stylistic elements.

The title at the top reads "Canto Sexto," indicating it is likely from a poem or epic, specifically the sixth canto. There is also a reference to "La Seconda Cantica Di H Dante," suggesting this might be associated with Dante Alighieri's work, possibly from "Purgatorio," the second part of his Divine Comedy.

The page features an elaborate decorative initial "V" at the start of the text block. Below the initial paragraph of text and nestled within the wider column is an illustrated woodcut print. The illustration showcases several figures clad in long robes, standing in a natural landscape with rolling hills. There are also other figures depicted in various forms of attire or possibly undressed, gathered together in what seems to be a scene of significance, possibly from the narrative of the text.

The remainder of the page is filled with dense, justified columns of text, arranged methodically. There are some marks and annotations in the right margin, labeled E through H, which might have been used for indexing or reference purposes in scholarly work.

Overall, the page is an example of historical printed literature with a mix of textual and illustrative elements common in early printed books.

Created by gpt-4 on 2025-01-31

This image shows a page from a book printed in the era of early typography. In the center, there is an illustration within a rectangular border. The illustration depicts several human figures in what appears to be an outdoor setting. Some figures are standing, and one is sitting, with visible trees or plants in the background. The figures are dressed in attire that suggests this is an older print, possibly medieval or Renaissance era.

The text surrounding the illustration is in an early typeface, which indicates that this is a page from a book that was likely printed rather than handwritten, dating it after the invention of the printing press in the 15th century. The presence of the large initial implies that this part of the text is the beginning of a section or chapter. The text at the top of the page identifies it as "CANTO SEXTÒ," which is Italian for "Canto Six."

The language of the text appears to be an early version of Italian, containing many elements and spelling variations that are characteristic of how the language has evolved over time. The page also has annotations and markings, suggesting it has been studied or referenced by readers in the past.

The content references "DANTE," which likely indicates that this is a page from an edition of Dante Alighieri's works, possibly the "Divine Comedy," which is historically divided into cantos.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically Canto Sexto (Sixth Canto) from Dante's work. The page features both text and an illustration. The illustration is a woodcut print showing several figures in a medieval scene. The text is laid out in a traditional manuscript style with an ornate decorative initial letter "Q" at the beginning of one section. The word "SORDELO" appears above one part of the illustration. The text is written in Italian and appears to be printed rather than handwritten, suggesting this is likely from an early printed edition of Dante's work. The page is aged, with some slight discoloration typical of old paper, but remains in relatively good condition. The overall layout combines the formal text with the descriptive illustration to help readers visualize the narrative.

Created by claude-3-opus-20240229 on 2025-01-31

This image depicts a woodcut illustration from Dante's Divine Comedy, specifically Canto VI of Purgatorio. The illustration shows a detailed landscape with several human figures. In the foreground, Dante and Virgil can be seen standing and conversing, while in the background a group of gluttonous sinners are shown crouched or seated beneath leafless trees. The text above and below the illustration appears to be an excerpt from the corresponding canto, written in Italian. The aged appearance of the paper and printing suggests this is a page from an old edition or manuscript of the Divine Comedy.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old book or manuscript. It contains text in what looks like an Italian language, as well as an illustration depicting a group of figures in a landscape setting. The illustration shows several people standing or walking together, but I will not identify or name any of the individuals shown. The text and illustration seem to be part of a larger work, likely a classical or literary text.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a woodcut illustration and text written in Latin. The page is yellowed with age, indicating its historical significance.

  • Woodcut Illustration
    • Located on the right side of the page
    • Depicts a scene with multiple figures
    • Figures are dressed in robes, suggesting a religious or mythological context
    • The illustration is surrounded by a border, adding to its visual appeal
  • Text
    • Written in Latin
    • Occupies most of the page
    • Includes headings and subheadings, indicating a structured format
    • Text is arranged in columns, making it easier to read
  • Page Layout
    • The page has a rectangular shape with a slightly worn edge
    • The woodcut illustration is centered, drawing attention to it
    • The text is arranged around the illustration, creating a sense of balance
  • Age and Condition
    • The page is yellowed, indicating its age
    • There are small tears and creases on the page, suggesting handling over time
    • The overall condition of the page suggests that it has been preserved well

In summary, the image showcases a page from an old book featuring a woodcut illustration and text written in Latin. The page is yellowed with age, indicating its historical significance, and the woodcut illustration is centered, drawing attention to it. The text is arranged around the illustration, creating a sense of balance, and the overall condition of the page suggests that it has been preserved well.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

This image depicts a page from an antique book, featuring a woodcut illustration and text in Italian. The page is yellowed with age, bearing signs of wear and tear, including tears along the left edge and discoloration throughout.

At the top of the page, the title "CANTO" is prominently displayed, accompanied by a smaller subtitle "SEKTO" to its right. Below this, a woodcut illustration occupies the upper right corner, showcasing a scene with multiple figures. The illustration is captioned "SORDELO" at the top.

The majority of the page is dedicated to text, which appears to be a passage from a literary work. The text is written in a formal, antiquated style, with each line featuring a unique font size and style. The text is divided into sections, with some lines indented and others featuring decorative flourishes.

Overall, this image presents a fascinating glimpse into the past, offering a unique window into the world of antique literature and art.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows a page from a book, specifically a page from the sixth canto of the second cantica of Dante's Divine Comedy. The page is divided into two sections. On the left side, there is a drawing of a scene from the text, while on the right side, there is a block of text in a foreign language. The drawing depicts a group of people in a mountainous landscape, with a man standing in front of a woman and a child. The text appears to be a commentary on the drawing, providing context and interpretation of the scene. Overall, the image is a visual representation of a literary work, combining text and illustration to convey a narrative and provide insight into the themes and characters of the story.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from an old book, featuring a combination of text and illustrations. The text is written in a cursive script, typical of medieval manuscripts, and is organized into paragraphs. The page is divided into two main sections: the left side contains the main body of text, while the right side features an illustration.

The text appears to be a narrative or a story, possibly from a literary work. It is written in a language that seems to be Italian, based on the style and vocabulary. The narrative seems to be describing a scene or an event, with details about characters, actions, and settings.

The illustration on the right side of the page complements the text. It depicts a scene with several figures, possibly characters from the story. The figures are depicted in a stylized manner, with exaggerated features and poses, typical of medieval art. The illustration includes elements such as a building, a landscape, and possibly some animals or other objects.

The page also includes some decorative elements, such as borders and initials, which are common in medieval manuscripts. The borders are simple and elegant, with a few lines and shapes. The initials are larger and more ornate, with intricate designs and sometimes incorporating small illustrations or figures.

Overall, the image shows a page from an old book that combines text and illustrations to tell a story or describe a scene. The text is written in a cursive script, and the illustration is in a stylized medieval art style. The page includes decorative elements such as borders and initials, which are typical of medieval manuscripts.

Text analysis

Amazon

SORDELO
SEXTO
CANTO
delazara
fergete
potete
CANTO SEXTO i6:
dolente
dalebraccia
turba
non
quela
Taleeraioin quela turba
nela
mio
marito
marema
Nefumolco
laretino che dalebraccia
da
amente.
Taleeraioin
piu
phtolomei da e&eMedomellernelomoltop mio potete marito nela marema fpello
Vandofiparteelioco
laman piu non prella
laretino
che
idifender
&triftoimpara
un
coluicheperdcliriman
dig
dallato
prella
e&eMedomellernelomoltop
etlala
lbabitua& un
phtolomei
3
feriuecl
la
&
i6:
laman
lbabitua& un la un fuo fergete gittalfi giu. Nefumolco
.Limolele feriuecl
bleucite &triftoimpara
giu.
Elnofarefta
.Limolele
Elnofarefta 3 quclto
feguital
fuo
bleucite
quclto
fpello
noalacagirccan oToDELASeCoNDACANTICADIDANTHE
gittalfi

Google

colui
fude
phtolomei
da
(iena
famigla
nobile
&
effédo
meffer
nelo
molto
potéte
nela
maréma
fpeflo
Ihabitaua&un
giorno
la
donaa
a
un
nslonog
el
parteelioco
dela
zara
coluicheperde
firiman
repetendsleuclte
&qual
cl
préde
&qualdallatoglifarecha
amente.
Elno
farefta
qucfto
et
quello
itéde
acuiporgelamanpiu
non
fa
prefla
cofi
dala
calca
fidifende,
Tale
eraio
in
quela
turbafpeffa
uclgedoalorqua
lala
faccia
etpromectedomifciogleada
effa.
SORDELO
gtbaslrg
s
qslbon
uiueralaretino
dale
fieredighio
ditacciohebbelamorte
i
Natocatoda
feguita
faa
difcriptioe
di
gli:che
háno
idugiato
lacouerfiõe
péitétia
ala
etlalcro
channeghocorrédoí
caccia.
uiolctemorte
dipoicomicia
gglichp
uiuipregaua
con
lemani
federico
familiaro
o
alcúa
doctria
fua
dioftrare
hora
aqfto
chefeparer
lobuon
fifbrigaua
quegli
Vediconte
orfocetlanima
diuifa
dalcorpo
fuo
per
aftio
periueggia
chomeidicea
colpacomifa
Pierdela
brocciadico
qui
pueggia
ufa
comparatioe
ch
uoco.
Viuera
laretio.
darezo
fioiniure
ciuili
fu
aicario
del
podefla
fiéa
morte
turio
turrita
fiefe
dig
CANTO TADav SEXTO fecreto dice che colui el fa:eljle pria difpoladomi mhauea íanellata.i.eramio marito.Limolefe feriue che qita pia fude phtolomei da (iena famigla nobile & effédo meffer nelo molto potéte nela maréma fpeflo Ihabitaua&un giorno effédo la donaa la fineftracomédo a un fuo fergéte che la gittaffi giu.Ne fu molto i6: notalacagiõe che acito löduxe. CANTO SEXTODELA SECONDA CANTICADI DANIHE. nslonog idsssxib el Vandofi parteelioco dela zara coluicheperde firiman dolente repetendsleuclte & triftoimpara Collaltrofeneuatuttalagente qualuadinázi &qual drieto cl préde &qualdallatoglifarecha amente. Elno farefta & qucfto et quello itéde acuiporgelamanpiu non fa prefla et cofi dala calca fidifende, Tale eraio in quela turbafpeffa uclgedoalorqua et lala faccia etpromectedomifciogleada effa. SORDELO gtbaslrg s qslbon Q uiueralaretino che dale braccia fieredighio ditacciohebbelamorte i Natocatoda prícipio feguita la faa difcriptioe di gli:che háno idugiato lacouerfiõe & péitétia ifio ala etlalcro channeghocorrédoí caccia. uiolctemorte loro & dipoicomicia a tralaf di gglichp uiuipregaua con lemani fporte federico nouel etqueldapifa cur familiaro o alcúa doctria fimilméte háno idugiato la fua péitétia &ne primiuerfi uoledo dioftrare che molti firagunauáo itorno& lui uolgédofi hora aqfto hora a q chefeparer lobuon mazuccho forte lo &pmectendo quato chiedeuano fifbrigaua da quegli Vediconte orfocetlanima diuifa dalcorpo fuo per aftio et periueggia chomeidicea non per colpacomifa Pierdela brocciadico et qui pueggia ufa la comparatioe di colui ch fiparte uicitore dal uoco. Viuera laretio. Meffer benicafa darezo hö dodif fioiniure ciuili fu aicario del podefla di fiéa elqleco E dénoa morte turio da turrita caftelnel fiefe tratello dig hinoditaccio & taccio fuo zio pche ifieme coghino haue mentre edi qualadonna dibrabante anfurato un caftello ala rep. (auefe decto radicophái: & F imaréma exercitauano latrocinio. Era niétedienocof fiche perononfia dipiggiorgreggia tumedighio béche ropefi le ftrade no uoler che alcuno dplitufi mortodopo qito tépo mefferbé incafa ádo nel põtificato dibonifacio iudice del tribuno di roma altri diconoauditore di ruota ilche itédédo Chio fu di táto animoche ádo aroma.Et étroicafa & nella fala doue meffer benicafa fedea abanco &nel cofpedto di moltiluccfe&uénefene a faluimétocóla teftalqle gthauea atagliato dicono chghio fugráde di ftaturamé bruto 8 robuftilio &molto liberale&excrcitaua el latrocinio nopauaritia ma p porerufar iberalita&ı fép uoleache chi gli uenianele mai fipõeffi pfe medefiolatagla& dipoigene rédeua buóa pte& fe haueffe trouato homini ftud ofi gli donaua denari&cofortauagli agli ftudi.Conofcedo Boifacio che lui folam. tepliberalita pdaua lo chiamo a roma & feccelo caualier friere iforma che poteua ujuere honorataméte Purfinalméte pfio ad afia lungha.Quefto ginoe qillo dichi giouáni boccacio pone lanouella Doue narra iche modo guari del fuo ftomacho el troppo uezoio abate cluniacéfe.Et laltro.itédiaretino. Quefto fu G Ciacco deglintarlati darezo elquale nela ropta di mote aperto:fuggendo annegho.Macredo puaquegli che dicono altrimenti.FVRONO in arezo etarlati fignori di pietra mala potrentiffimiciptadini. furon anchor eboftolinobilffima famigla Tarlato genero angelo 8 Cione dagnolo nacque.Guido uefconoda rezo elqinobilito la patria fua dimura & di uie&dr'caftella & di molte altre cofe cioezio del ueícouo fu homolto robufto &digráde aio eraitépiguerra tra tarlati boftolima cboftolicaciati darezo haueáo occupato rődie caftellono molto lõtáoda rezo aduéne adúq cbiuna corfria pfeguitádo cióe cboftoli tu trapotrato dal cauallo iarno fiume ppinquo a rodie & i qlloánego. FEderico futigluolo del cote gundo H chfono digigli da battifolle:&coftui fu uccifodauno de boftolichiamatofornafuolo gida pla. Mefler
CANTO
TADav
SEXTO
fecreto
dice
che
fa:eljle
pria
difpoladomi
mhauea
íanellata.i.eramio
marito.Limolefe
feriue
qita
pia
fineftracomédo
fergéte
gittaffi
giu.Ne
i6:
notalacagiõe
acito
löduxe.
SEXTODELA
SECONDA
CANTICADI
DANIHE.
idsssxib
Vandofi
dolente
triftoimpara
Collaltrofeneuatuttalagente
qualuadinázi
drieto
Q
braccia
prícipio
ifio
loro
tralaf
fporte
nouel
etqueldapifa
cur
fimilméte
&ne
primiuerfi
uoledo
molti
firagunauáo
itorno&
lui
uolgédofi
q
mazuccho
forte
lo
&pmectendo
quato
chiedeuano
fiparte
uicitore
dal
Meffer
benicafa
dodif
elqleco
E
dénoa
caftelnel
tratello
hinoditaccio
taccio
zio
pche
ifieme
coghino
haue
mentre
edi
qualadonna
dibrabante
anfurato
caftello
rep.
(auefe
decto
radicophái:
F
imaréma
exercitauano
latrocinio.
Era
niétedienocof
fiche
perononfia
dipiggiorgreggia
tumedighio
béche
ropefi
le
ftrade
no
uoler
alcuno
dplitufi
mortodopo
qito
tépo
mefferbé
incafa
ádo
nel
põtificato
dibonifacio
iudice
tribuno
roma
altri
diconoauditore
ruota
ilche
itédédo
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táto
animoche
aroma.Et
étroicafa
nella
fala
doue
fedea
abanco
&nel
cofpedto
moltiluccfe&uénefene
faluimétocóla
teftalqle
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dicono
chghio
fugráde
ftaturamé
bruto
8
robuftilio
&molto
liberale&excrcitaua
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nopauaritia
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p
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chi
gli
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mai
fipõeffi
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medefiolatagla&
dipoigene
rédeua
buóa
pte&
fe
haueffe
trouato
homini
ftud
ofi
donaua
denari&cofortauagli
agli
ftudi.Conofcedo
Boifacio
folam.
tepliberalita
pdaua
chiamo
feccelo
caualier
friere
iforma
poteua
ujuere
honorataméte
Purfinalméte
pfio
ad
afia
lungha.Quefto
ginoe
qillo
dichi
giouáni
boccacio
pone
lanouella
Doue
narra
iche
modo
guari
ftomacho
troppo
uezoio
abate
cluniacéfe.Et
laltro.itédiaretino.
Quefto
G
Ciacco
deglintarlati
elquale
ropta
mote
aperto:fuggendo
annegho.Macredo
puaquegli
altrimenti.FVRONO
arezo
etarlati
fignori
pietra
mala
potrentiffimiciptadini.
furon
anchor
eboftolinobilffima
Tarlato
genero
angelo
Cione
dagnolo
nacque.Guido
uefconoda
rezo
elqinobilito
patria
dimura
uie&dr'caftella
molte
altre
cofe
cioezio
ueícouo
homolto
robufto
&digráde
aio
eraitépiguerra
tra
tarlati
boftolima
cboftolicaciati
haueáo
occupato
rődie
caftellono
lõtáoda
aduéne
adúq
cbiuna
corfria
pfeguitádo
cióe
cboftoli
tu
trapotrato
cauallo
iarno
fiume
ppinquo
rodie
qlloánego.
FEderico
futigluolo
cote
gundo
H
chfono
digigli
battifolle:&coftui
uccifodauno
de
boftolichiamatofornafuolo
gida
pla.
Mefler