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Human Generated Data

Title

Canto IV. Ante-Purgatory / The First Ledge; The Late Repentent; Class 2 - The Indolent; Belacqua

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5296

Human Generated Data

Title

Canto IV. Ante-Purgatory / The First Ledge; The Late Repentent; Class 2 - The Indolent; Belacqua

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5296

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.2
Page 98.7
Paper 84
Newspaper 60.8
Advertisement 60
Brochure 58.2
Flyer 58.2
Poster 58.2
Label 57.8
Scroll 55.8
Letter 55.8

Clarifai
created on 2019-11-03

page 99.1
paper 98.6
document 98.3
vintage 97.6
book bindings 97
old 96.7
text 96.6
manuscript 95.8
retro 95.4
antique 93.6
picture frame 91.4
desktop 90
art 88.9
blank 88.5
ancient 87.7
texture 87.7
illustration 87.1
print 87.1
no person 84.7
writing 83.2

Imagga
created on 2019-11-03

newspaper 50.3
product 45.3
cloud 41.4
creation 37.8
book 36.4
definition 35.4
association 33.5
brass 32.7
artwork 32.1
creative 31.9
cover 30.6
advertising 29.8
advertisement 29
decorative 28.5
design 28.2
backdrop 28.1
associated 27.7
art 27.6
composition 27.4
brochure 27.4
carpet 27.3
advertise 27.3
text 27.1
collection 27.1
idea 26.8
graphic 26.3
memorial 25.7
element 25.7
conceptual 25.6
daily 24.9
decor 24.8
old 24.5
decoration 23.9
fabric 21.7
business 21.3
continuity 20.8
drapery 20.7
information 20.4
letter 20.2
page 18.6
religion 18
structure 17.9
data 17.4
detail 16.9
antique 16.7
bible 16.7
paper 16.5
prayer 16.5
word 16.1
religious 16
binding 15.4
keywords 14.8
holy 14.5
faith 14.4
read 13.5
god 13.4
copy 13.3
print 13.2
bookmark 13.1
open 12.6
spiritual 12.5
ancient 11.3
document 11.2
church 11.1
communication 10.9
testament 10.9
gospel 10.9
vintage 10.8
book jacket 10.5
texture 10.4
education 10.4
words 9.8
pages 9.8
new 9.7
development 9.5
energy 9.3
journal 9
scripture 8.9
ink 8.7
life 8.6
money 8.5
writing 8.5
study 8.4
company 8.4
jacket 8.1
history 8.1
chapter 7.9
map 7.9
passage 7.9
analysis 7.8
belief 7.8
best 7.8
king 7.8
collage 7.7
cross 7.6
human 7.5
close 7.4
menu 7.1
day 7.1

Google
created on 2019-11-03

Text 97.9
Paper 89.3
Document 82.5
Paper product 74.5
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 91
book 79.9
handwriting 76.4
manuscript 71.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 19-31
Gender Male, 50.4%
Calm 49.5%
Angry 49.7%
Fear 49.6%
Sad 49.6%
Happy 49.5%
Confused 49.5%
Surprised 49.5%
Disgusted 50%

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image depicts a page from an old, illustrated book. The text is in Italian and appears to be from Dante Alighieri's "Divine Comedy," specifically the "Purgatorio" section, as indicated by the headings "CANTO III DELA SECONDA CANTICA DIDANTHE" at the bottom of the page.

The text is laid out in two columns, with the left column containing most of the written content and the right column providing a continued discussion. At the bottom of the right column, there is a woodcut illustration depicting a scene relevant to the text. The illustration shows several figures, presumably characters from the narrative, interacting in a barren landscape with some hills in the background. The figures are arranged in pairs and in differing postures – some standing, others sitting or bending.

The typography is a classic, serif font common in early printed books. The page numbers possibly indicating position within a larger volume, show "156" at the top corner. The text contains a mix of prose narrative and verse, typical of epic poems. Additionally, the edges of the page have some wear, hinting at its age and historical nature.

Created by gpt-4 on 2025-01-31

This image shows a page from an old book or manuscript. The page is numbered 56 at the top right corner and is labeled "CANTO III" at the top left, indicating that it is the third canto of a larger work, possibly Dante Alighieri's "Divine Comedy," specifically the "Purgatorio," given the structure and numbering which is typical for editions of this classic work. The language of the text appears to be Italian, judging by its orthography and the recognizable words.

There's a woodcut illustration occupying the space on the bottom half of the page. The illustration shows several human figures in what looks like a narrative scene from the text depicted above. There are six figures in the image; the two on the left seem to be conversing, with one sitting and another standing. Towards the right side, one figure appears to be administering some sort of rite or ritual to two kneeling figures, as indicated by the hand gesture. Another figure observes this action. The scene very likely corresponds to a moment from the narrative of the canto.

The page is quite aged, with some discoloration and spots noticeable, which suggests it is quite old or has been created to look as such. The font used for the text is reminiscent of early printing styles, consistent with how books were printed after the invention of the movable type printing press in the mid-15th century. This helps in dating the book or at least the style of the book to the Renaissance period or later reproductions of that era's style. The detailing of the illustration also suggests an early form of woodcut print.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a historic Italian text, specifically from Dante's Divine Comedy. The page contains both text and a woodcut illustration. The text is laid out in two columns and includes a section titled "CANTO.IIII. DE LA SECONDA CANTICA DI DANTE." The illustration shows a medieval scene with several figures in a landscape setting. The woodcut depicts what appears to be figures in various poses and positions, some standing and others in more submissive postures, which is typical of illustrations from Dante's work representing scenes from different levels of the afterlife. The page shows signs of age with some slight discoloration, but the text and illustration are well preserved. The layout and style suggest this is from an early printed edition of the Divine Comedy, likely from the 15th or 16th century.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows a page from an old book, likely from the medieval or early modern period based on the aged appearance of the paper and the typography. The page contains text in an old Italian dialect or language, with illuminated initials and a small illustration in the bottom right corner.

The illustration depicts a scene with several figures, possibly from the Biblical story mentioned in the text. The figures are drawn in a simple, sketch-like style characteristic of illustrations from manuscripts of that time period.

Overall, this appears to be a page from an early printed edition of a religious text like Dante's Divine Comedy, containing commentary and illustrations to accompany the main body of writing. The aged look of the paper and the mix of printed text and hand-drawn elements is typical of books from the early days of the printing press in Europe.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an old manuscript or book. It contains text in what looks like Italian or a similar Romance language, as well as an illustration depicting several figures. The illustration shows a central scene with multiple people, as well as some additional figures or objects around the edges. The text and illustration seem to be part of a larger work, though I cannot identify any specific individuals or make out the full meaning of the content.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image presents a page from an old book, featuring a mix of text and illustrations. The page is divided into two sections: the top section contains text in Latin, while the bottom section features an illustration accompanied by additional text.

Top Section:

  • The top section is filled with text in Latin, written in a formal, cursive script.
  • The text is organized into paragraphs, with some words or phrases underlined or highlighted.
  • The page number "156" is visible in the top-right corner.

Bottom Section:

  • The bottom section features an illustration of a group of people gathered around a table or altar.
  • The illustration is rendered in a simple, line-drawn style, with minimal shading or color.
  • The text below the illustration appears to be a caption or explanation of the scene depicted.

Overall:

  • The page has a yellowed, aged appearance, suggesting that it is a reproduction or scan of an original document from the past.
  • The text and illustration are presented in a formal, traditional style, consistent with the aesthetic of historical manuscripts or printed books.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

This image presents a page from an ancient Italian book, featuring a mix of text and illustrations. The page is divided into two main sections: the top section contains text in Italian, while the bottom section features a black-and-white illustration accompanied by additional text.

Text Section:

  • The text is written in an old font, with some words and phrases underlined or highlighted.
  • The text appears to be a passage from a literary work, possibly a poem or a story.
  • The language used is Italian, but the specific dialect or region is not immediately clear.

Illustration Section:

  • The illustration depicts a scene with several figures, including men and women, engaged in various activities.
  • The figures are dressed in clothing that suggests a medieval or Renaissance setting.
  • The background of the illustration features a landscape with hills and trees.
  • The illustration is rendered in a simple yet detailed style, with bold lines and minimal shading.

Additional Text:

  • Below the illustration, there is a block of text that appears to be a caption or explanation of the scene depicted.
  • The text is written in the same font as the main text section, but it is smaller and more condensed.
  • The text provides context for the illustration, possibly explaining the events or characters depicted.

Overall:

  • The page appears to be a reproduction of an original manuscript or printed book from the 15th or 16th century.
  • The combination of text and illustration suggests that the book may have been intended for educational or literary purposes.
  • The use of Italian language and medieval-style illustrations suggests that the book may have been produced in Italy during the Renaissance period.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image depicts a page from an old book, possibly a religious or philosophical text, given the Latin language and the context of the text. The page features a combination of text and an illustration.

The text is written in Latin and appears to be a discussion or commentary on a topic, possibly related to religious or philosophical teachings. The text is divided into two columns, with the left column containing the main text and the right column containing a smaller, secondary text.

The illustration is a black-and-white drawing that depicts a group of people gathered around a central figure, possibly a religious leader or teacher. The people in the illustration appear to be engaged in a discussion or debate, with some individuals gesturing and others listening attentively.

The page is bordered by a decorative frame, and the text is printed in a traditional, serif font. The overall appearance of the page suggests that it is from a historical or antiquarian book, possibly from the Renaissance or early modern period.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image depicts a page from an old book, possibly a religious or philosophical text, given the language and style of the text. The page is divided into two main sections: the upper section contains a dense, ornate text in an old script, likely Latin, with intricate, decorative borders and an elaborate woodcut illustration in the upper right corner. The lower section of the page features a more modern script, possibly Italian, with a smaller, less ornate woodcut illustration below the text. The woodcut illustrations depict scenes that appear to be allegorical or symbolic, with figures and elements that suggest a narrative or moral lesson. The text in the upper section discusses philosophical or theological concepts, while the lower section appears to be a commentary or translation of the upper text. The page is part of a historical document, possibly from the Renaissance or early modern period, reflecting the artistic and intellectual trends of the time.

Text analysis

Amazon

CANTO
tornare
amore
cacciato.
lafcounica
da
per
Mentre
leterno
ftar
poffi
chen
ftar da penta
chen pofla tornare leterno amore eterno amorer poffi
chela
muore
tor
fior
lung
trenta
fin
penta
gliconuicn
pofla
CANTO im is6
e
ferno.
eterno
piucorto inuapreiumponprieghi per
im
piucorto
fperaiza ba fior deluerde lafcounica cacciato. Mentre chela
gliconuicn infore e fuo
deluerde
infore
depla
fi
Perlormaledictionclinoliperde
fiare
muore ffor polliao tor
difetachiefia:achors chal fin fi Fior lung
amorer
Leterno:
ffor
ftato trenta
P ERloromaledictionefoma. Leterno: amore depla
Fior
fuo
chal
inuapreiumponprieghi
ba
ftato
difetachiefia:achors
ERloromaledictionefoma.
P
polliao
.foro:
is6
fperaiza

Google

tal
riuellando
comemhai
uifto
&áchefto
cheinanziche
poffa
entrare
incotumacia
accioche
purghi
la
negligétia:come
habbiamo
de
fopra.ma
fia
nota
alpafto
re.Et
phodice.Veroche
qle
in
contumacia
fancta
chiefa:intendi
qnto
ala
dimoftratiõe
extrinfe
ca
imperhoche
chi
ne
ahumilia
e
dannato.
ognitempo
trentachel
fi
ftato:che
egli
prefumptione
numero:&uogli
perche
emolto
rimoto
didio:&
tardi
riceuelagratia.multiplica
molti
purga.Setal
decreto
piu
corto
per
baon
prieghi
non
diuéta:erectafede
crede
rechele
facrificio:&
le
idio
abreuiare
pene
di
tempio
fu
offerta
lanimede
morti.debono:adunque
qualche
ha
uituperato
eloro
quello:che
hebbe
fcelerata
uita
captiui
preti:
VEdi
hoggi
mai:epreghi
uaglano
a
noi
fiamo
i
purgatorio.quafi
fopra:che
che
tu
mi
puoi
lieto.riuelládo
acoftanza
come
mhai
ueduto:&
uietato
&
prohibito
alcun
ti
da:che
riueli
p
efuoi
mifaráno
qfto
luogho
oue
purgha
mo
lanoftranegligetia
CANTO.IIII.DELA
SECONDA
Vando
benead
effa
Par
chanullapotentia
ecotra
error
checrede
altrainoifaccenda
Etperho
quandofode
chetegnaforteafelanimauolta
el
tepo.&lhom
no
fenauede
Chaltrapotentia
equella
chelafcolta
&altracquella
cha
ben
BELAQVA
Eguita
medefima
mota
prinió
balzo
áchora
deglifcomunicati.
V
CANTO TADV i56 Perlor maledictione finoliperde cheno poffa tornare leterno amore P ER loromaleditione:pifcomunication.loro: de pla ti.nofipde finofipde pfi facto mo. Leterno amore lagratia delo eternoidio:che qfto eterno amore no poffi metrechelafperázahafior del uerde tornare:béchelafcounica lhabbicacciato.Mentre che la Verechequaleicontumaccia muore (páza hafior deluerde:métrecbfiáo iuita:& poffiáo tor nare a penitétia ha fior del uerde.i.hafpanza.qlunqefco difictachiefia:áchorchal fin fi penta ntodifcomunica maggiore fcacciato dal confortio de ftargliconuien da queftaripa infore xpái.ne ptecipa doratiõe o pce:cb faccia lachiefa.e fuo ridela gratia di dio:&moredo i tal rebellioe e dánato alo ferno.ma ritornádo a obbidiéza inázicb muoia:& fia re fituito ala counióedcatholici: ritorna nela gratia di dio: piu corto per buon prieghinodiuéta & feppuence diorte glmáchaffi ltépo diricociliarfi cola chiela &niétediméo fi pétiffe delerrore. & morifi coue ro pétiméto & cotritióe láfinita clemétia diuina glirimet Perognitempochegleftatotrenta in fuaprefumptionefe tal decreto Vedihoggimaifetumi poifar lieto riuellando alamiabuonacoftanza comemhai uifto &áchefto diuieto cheinanziche poffa entrare in purgatorio:ua errando i Chequiperquei dilamoltofauanza: torno a qilo:per ogni tépo:che uixe incotumacia trenta accioche purghi prima la negligétia:come habbiamo de cto di fopra.ma e difficile:cb taicotritiõe fia nota alpafto re.Et phodice.Veroche qle in contumacia muore di fancta chiefa:intendi qnto ala dimoftratiõe extrinfe ca imperhoche chi muore in contumacia qnto allacto intrinfeco:cbnon fi pente ne ahumilia e dannato. PER ognitempo trentachel fi ftato:che egli fia ftato IN fua prefumptione Credoche poghi tréta pogni numero:&uogli dimoftrare:che chi muore excomunicato-benche torniapenitentia:niétedimćo perche emolto rimoto didio:& perche lungho tépo differifce la penitentia:& tardi riceuelagratia.multiplica in molti peccati.Onde tardi fi purga.Setal decreto piu corto per baon prieghi non diuéta:erectafede crede rechele elemofine:el facrificio:& le prece poffino indurre idio ad abreuiare le pene di quegli:che fonoi purgatorio.Onde paulo apoftolo quefto pruoua pe machabeiequali mandorono al tempio pecunia:che fu offerta per lanimede morti.debono:adunque queftinoftriplatifopportare in pace:fe in qualche luo gho elnoftro poeta ha riprefo:& uituperato eloro captiuicoftumi:perche qui dice quello:che grádenméte fa per loro:&dimoftrache no hebbe odio cotra preti.macontro ala fcelerata uita de captiui preti: VEdi hoggi mai:epreghi uaglano a noi che fiamo i purgatorio.quafi dica per lafentétia pofta di fopra:che e che tuintendi:che tu mi puoi far lieto.riuelládo acoftanza mia figluola:chio fono i luogho che mi puo aiutare co preghicome mhai uifto come mhai ueduto:& anchora riuclando: COME to diuieto:cioe uietato & prohibito di non entrare in purgatorio:&le alcun diceli che letitia ti da:che danthe riueli quefto:Per che jeipghera p me:8 efuoi prieghi mifaráno accorciare el tempo.Impoche q in qfto luogho oue noi purgha mo lanoftranegligetia per che dila per 4gliche fono áchora in uita molto fauanza.molto facquifta. thnd CANTO.IIII.DELA SECONDA CANTICA DIDANTHE. Vando per dilectáze ouer perdogle chealchuna uirtu finoftra comprenda lanima benead effa firaccogle: Par chanullapotentia piu intenda &quefto ecotra quel error checrede chunanimafoura altrainoifaccenda Etperho quandofode cofao uede chetegnaforteafelanimauolta uaffene el tepo.&lhom no fenauede Chaltrapotentia equella chelafcolta &altracquella cha lanimantera queftaequafilegata &quella efciolta Diciohebbio experienza uera: uedendoquellofpirto & admirando che ben cinquantagradifalito era BELAQVA Eguita la medefima materia:& mota el prinió balzo luogho áchora deglifcomunicati. Dipoinel fecondo V i
CANTO
TADV
i56
Perlor
maledictione
finoliperde
cheno
tornare
leterno
amore
P
ER
loromaleditione:pifcomunication.loro:
pla
ti.nofipde
finofipde
pfi
facto
mo.
Leterno
lagratia
delo
eternoidio:che
eterno
poffi
metrechelafperázahafior
del
uerde
tornare:béchelafcounica
lhabbicacciato.Mentre
Verechequaleicontumaccia
muore
(páza
hafior
deluerde:métrecbfiáo
iuita:&
poffiáo
tor
nare
penitétia
fior
uerde.i.hafpanza.qlunqefco
difictachiefia:áchorchal
fin
penta
ntodifcomunica
maggiore
fcacciato
dal
confortio
ftargliconuien
da
queftaripa
infore
xpái.ne
ptecipa
doratiõe
o
pce:cb
faccia
lachiefa.e
fuo
ridela
gratia
dio:&moredo
rebellioe
dánato
alo
ferno.ma
ritornádo
obbidiéza
inázicb
muoia:&
re
fituito
counióedcatholici:
ritorna
nela
dio:
buon
prieghinodiuéta
feppuence
diorte
glmáchaffi
ltépo
diricociliarfi
cola
chiela
&niétediméo
pétiffe
delerrore.
morifi
coue
ro
pétiméto
cotritióe
láfinita
clemétia
diuina
glirimet
Perognitempochegleftatotrenta
fuaprefumptionefe
Vedihoggimaifetumi
poifar
lieto
alamiabuonacoftanza
diuieto
purgatorio:ua
errando
Chequiperquei
dilamoltofauanza:
torno
qilo:per
ogni
tépo:che
uixe
trenta
prima
cto
difficile:cb
taicotritiõe
allacto
intrinfeco:cbnon
pente
PER
ftato
IN
fua
Credoche
poghi
tréta
pogni
dimoftrare:che
excomunicato-benche
torniapenitentia:niétedimćo
lungho
tépo
differifce
penitentia:&
peccati.Onde
elemofine:el
prece
poffino
indurre
ad
quegli:che
fonoi
purgatorio.Onde
paulo
apoftolo
quefto
pruoua
pe
machabeiequali
mandorono
al
pecunia:che
queftinoftriplatifopportare
pace:fe
luo
gho
elnoftro
poeta
riprefo:&
captiuicoftumi:perche
qui
dice
grádenméte
fa
loro:&dimoftrache
odio
cotra
preti.macontro
dica
lafentétia
pofta
tuintendi:che
far
mia
figluola:chio
fono
puo
aiutare
co
preghicome
anchora
riuclando:
COME
to
diuieto:cioe
purgatorio:&le
diceli
letitia
danthe
quefto:Per
jeipghera
me:8
accorciare
tempo.Impoche
q
dila
4gliche
molto
fauanza.molto
facquifta.
thnd
CANTICA
DIDANTHE.
dilectáze
ouer
perdogle
chealchuna
uirtu
finoftra
comprenda
lanima
firaccogle:
intenda
&quefto
quel
chunanimafoura
cofao
uede
uaffene
lanimantera
queftaequafilegata
&quella
efciolta
Diciohebbio
experienza
uera:
uedendoquellofpirto
admirando
cinquantagradifalito
era
materia:&
Dipoinel
fecondo