Human Generated Data

Title

Canto XXXIII. Circle 9: Cocytus / Compound Fraud; Round 2: Antenora - The Treacherous to Country (Friar Alberegio, Count Ugolino, and Archbishop Ruggiero); Round 3: The Treacherous to God and Hosts

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5292

Human Generated Data

Title

Canto XXXIII. Circle 9: Cocytus / Compound Fraud; Round 2: Antenora - The Treacherous to Country (Friar Alberegio, Count Ugolino, and Archbishop Ruggiero); Round 3: The Treacherous to God and Hosts

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5292

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Text 99.9
Newspaper 99.9
Page 92.4

Clarifai
created on 2019-11-03

page 98.9
text 96.6
document 96.2
paper 96.1
vintage 95.9
old 94.8
book bindings 94.2
retro 89.2
print 89
picture frame 88.8
manuscript 88.2
desktop 88.1
number 87
antique 86.8
education 86.7
no person 86.4
template 86.2
book 83.8
blank 83.5
art 83.4

Imagga
created on 2019-11-03

menu 93.5
fare 77.7
cloud 42.3
definition 36.3
food 36.2
association 35.5
brass 34.4
book 34.3
artwork 33
creative 32.7
advertising 32.7
cover 32.5
advertisement 31.9
associated 30.6
brochure 30.3
carpet 30.2
advertise 30.2
composition 30.2
decorative 30.1
collection 29.8
backdrop 28.9
idea 28.5
conceptual 28.3
design 28.2
business 28
daily 27.6
decor 27.5
art 27.4
element 27.3
memorial 26.7
information 26.6
graphic 25.6
text 25.4
decoration 24.7
data 23.8
newspaper 23.7
letter 22.1
old 21
bible 19.6
product 18.9
structure 18.7
copy 18.6
page 18.6
paper 18.1
religion 18
continuity 17.8
drapery 17.8
religious 16.9
prayer 16.5
creation 16.1
word 16.1
print 16.1
fabric 16.1
keywords 15.8
read 15.4
antique 14.8
holy 14.5
collage 14.5
faith 13.4
god 13.4
words 12.7
spiritual 12.5
detail 12.1
black 12
open 11.7
ancient 11.3
document 11.2
church 11.1
communication 10.9
testament 10.9
gospel 10.9
pages 10.8
history 10.8
new 10.6
development 10.5
study 10.3
energy 10.1
analysis 9.8
writing 9.4
money 9.4
company 9.3
chapter 8.9
scripture 8.9
best 8.8
education 8.7
mix 8.7
cross 8.5
vintage 8.3
close 8
passage 7.9
life 7.8
more 7.8
mosaic 7.8
belief 7.8
king 7.8
pray 7.8
corporate 7.7
ink 7.7
symbol 7.4
financial 7.1
day 7.1
modern 7

Google
created on 2019-11-03

Text 97.8
Paper 90.4
Document 78.1
Newsprint 76.5
Paper product 74.3
Font 68.6

Microsoft
created on 2019-11-03

text 100
letter 87.9
book 86.6
newspaper 71.3
manuscript 59.4
handwriting 56.4
plaque 46.1

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

The image is a page from an old book featuring a combination of text and an illustration. The text is in Italian and appears to be of historical or literary significance, possibly a part of Dante Alighieri's "Divine Comedy," specifically from the "Inferno" section. The top portion of the page contains a dense block of text with various paragraphs and headings. One can see the word "INFERNO" prominently written in capital letters at the top, indicating that this part of the text refers to Dante’s Hell. In the middle of the page, the text transitions and is introduced by a large initial letter "L", a stylistic typographical element often used in classical manuscripts and books. Below this initial letter lies a woodcut illustration depicting a scene from Dante’s "Inferno". The scene depicts a group of figures in a dramatic setting that includes sinisterly twisted trees, winding terrain, and anguished souls, which aligns with the depictions of the torments in Hell described in the poem. The figures appear to be in various states of despair, with expressive gestures and facial expressions enhancing the emotional intensity of the scene. The rest of the page continues with more text, printed in a clear and neat typeface, and is organized into separate paragraphs with some margin annotations likely meant to guide the reader through the commentary and narrative. Overall, the page is an integration of narrative text and illustrative art, reflecting the rich literary and artistic tradition of historical manuscripts.

Created by gpt-4 on 2025-01-31

This image shows a page from an old book, specifically an incunabulum or an early printed book, which is likely from the 15th or early 16th century based on the typography and layout. It is written in an antiquated style of Italian, evident from the use of certain characters like the long 's' and the Gothic and Renaissance influenced typefaces. The page contains a mix of text and woodcut illustrations. On the right, a header "INFERNO" indicates that this is likely from Dante Alighieri's "Divine Comedy," specifically from the "Inferno" section. Below the header are two columns of text with marginal notes and commentary, often seen in scholarly texts or editions designed for study. In the bottom right corner, there is an illustration depicting several figures in what appears to be a scene from the "Inferno" – likely one of the many vivid scenes of punishment and moral lessons Dante writes about. The figures are drawn in a style typical of medieval woodcut illustrations, with somewhat stylized and exaggerated features to convey the narrative. The page also has several initial letters that are more decorated or enlarged, typical of the period's design to indicate the start of a new section or paragraph. Additionally, the page has some wear and markings consistent with age, including slight discoloration and spots that suggest historical use and the passage of time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from a medieval manuscript of Dante's Inferno, specifically Canto XXXIII. The page features text in Italian/Medieval Italian arranged in two columns, with a woodcut illustration in the lower right portion of the page. The illustration depicts a scene from Hell, showing figures in various positions with what appears to be a dramatic scene unfolding. The text is printed in a Gothic-style typeface typical of early printed books. The manuscript page includes both the main text of the poem and what seems to be commentary or explanatory notes. The overall condition of the page shows some aging but is still quite legible, with slight discoloration around the edges typical of centuries-old paper.

Created by claude-3-opus-20240229 on 2025-01-31

The image shows an old printed page containing text in Italian along with an illustration. The illustration depicts what appears to be a mythological or religious scene with several figures, including angels or winged beings, humans, and a ship or boat floating on water. The figures seem to be interacting or engaged in some kind of narrative scene or story. The text surrounding the illustration is in an old style font and appears to provide context or an explanation related to the depicted scene, though I cannot translate the Italian text. The page has an aged, slightly yellowed appearance suggesting it is from an old book or manuscript.

Created by claude-3-haiku-20240307 on 2025-01-31

This image appears to be an illustration from an old text, likely from a religious or literary work. The illustration depicts a detailed, medieval-style scene with various figures and text in an ornate, handwritten style. The image does not contain any human faces, so I will simply describe the contents as I see them without identifying any individuals. The main part of the illustration shows a complex, fantastical landscape with mountains, buildings, and a variety of human-like figures or characters. There are also some text sections surrounding the main illustration. The style and content suggest this is an illustration from a medieval or Renaissance-era text, possibly related to religious or literary themes.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image is a page from an old book with a black-and-white illustration. The text is written in an old-style font, and it appears to be in Latin. The illustration shows a man and a woman standing in a river, with a man sitting on the riverbank. The man on the riverbank is holding a stick, and the man and woman in the river are holding hands. The illustration is surrounded by a border.

Created by amazon.nova-lite-v1:0 on 2025-01-31

The image shows a page from an old book with text and illustrations. The text appears to be in an old language, possibly Italian, and is written in a cursive style. The page has two columns of text, with the left column containing the main text and the right column containing an illustration. The illustration depicts a scene with several figures, including a man with a sword and a woman with a baby. The text on the left column appears to be a narrative or story, while the text on the right column provides commentary or explanation of the illustration. The overall appearance of the page suggests that it is from an old book or manuscript.

Text analysis

Amazon

H
capello.
Gchelun
fame
NON
pane
lacollotto
Ercomel
quello
cra capello. alaltroi quello lacollotto
Tideo
fouran
d
&laltrecofe
beltiallegno
cra
parte
che
NNFERNO
fopra
Gchelun lalcro cioe che
la
Eneo
ceruello
coGl
gecon
fecongiun,
cioe
coGl fouran lalro theocle Imen d
figluolo
doin
lalro
perdildegno
Ercomel pane PCT fame fimaduca gecon la puca. quella NON parte ceruello fecongiun,
polynice.
alaltroi
theocle
quella
H nucz. Tideo figluolo Re Eneo ICaledona arriuan, fopra
fimaduca
Imen
Nonaltrimenngggcconlanuca.
G beltiallegno che
arriuan,
lalcro
letempicamenalippor
Nonaltrimenngggcconlanuca. doin polynice. Er
ICaledona
NNFERNO OTAAD
nucz.
puca.
letempicamenalippor perdildegno PO
G
Re
OTAAD
PCT
Er
PO

Google

OTMAD NFERNO fichelun capoa lalcro cra capello. Etcomel pane per fame fimáduca cofilfouranlidentia laltro pofe Hlandlceruel faggiugne conla nuca. Non altrimenticideofirofe letempicamenalippo perdildegno tedimeno poi pel mezo dadrafto redargos fi riconcilio chequel faceael tefchio &laltrecofe Ocuchemoftri per fi beftial fegno odiofopra colui chetutimangi dimmilperche dixo pertal couegno Chefetuharagion dilui tipiangi fappiendo chiuoifiere & la fua pecca perrabia & ira con denti la roie. nelmondo fufo anchoraio te necagi. Sequeftacon chio parlo non fifeccha. cioe la ala cgltua foprarodeacon deti la collotto in quella parte doue el ceruello fi fe congiun gecon la nuca. NON ALTRImenti tideo fi role:La hiftoria de theocle & polynice demoftrammo di fopra Tideo figluolo del Re Eneo di Calcidonia arriuan doin Argo nel medefimo tempo che polynice.Et ben che nel primo congreifo diuétaffino inimiciffimi.Nien rono:&diuentorono amici fideliffimi &cognati: per che Adrafto fe gli fecce generi. E dipoi nelle battaglie di Thebe acade che infieme combatterono.Tydeo da la parte di polynice:& Menalippo Thebano dala par tede Theocle.Feri Menalippo Ivdeo: & Tydeo ucci fe lat.Dipoiuedédo Tydeo la piaga riceuuta effer mor tale fi fece rechare elcapo del giamorto Menalippo: & CANTO.XXXII.DE LAPRIMA CANTICA DEDANTE. A boccafolleuo dal fiero pa fto quel peccator: forbendola a capegli del capo che glhauea drieto guafto. Poicomincio tu uoi chio rinouclli difperato dolor chel cuor mi preme gia pur penfando pria chio fauelli. Malelemie parole efer dien feme che fructifama alpeccator chio rodo parlare &lachrimare uardi infieme. lonon fo chitufe ne per che modo uenutofe quagiuma fiorentino mafembri ueraméte quando io todo, Tudeifaper chifu el conte ugolino erquefto elarciuefco roggieri I hortidiro perchio fon tal uicino. Cheperleffetto de fuoima penficri fidandomi diluiio fuffi prefo etpofcia morto dirnon emeftieri Perhoquel chenon poihauer intelo cioecomelamortemia fu cruda udrai & faperaife mha offefo. coeveTNO7 Optimaméte collegato gfto.xxxii.cáto alfaupiof pchecotinua la narratióe gia facta. Et iduce uno de duo gia trouatiarifpondere. Aduque feqta la narratióe di qito fecudo gyro.Et dipoi entrera nelter zo.Eteqito pricipio accomodatiffimo a captaf attétio nefiplacto crudele del cote Vgolio:fiple fue polechp metteno cofe rare &iufitate. SOLleuo aduque:cioe in alzo el cote la bocca.DAL fiero pafto:dal capo: dal qle efferataméte fi pafceua: &qlla bocca forbiacapegli di otia talcapo:elglegia rodendo hauea guafto di drieto nela collottola.Etapparechiato a narrare dimoftra qto lha bia adolere fe le fue pole hanno a dar fame a larciuefcouo:elqual lui fi rodeua. Dipoi dimoftra fe eifere el cote ugolio:& quelche lui rode larciuefcouo ruggieri.Etdimoftra non uolere narraf coe pfidarfi de lui fu da qilo tradito:&ptale tradiméto prefo &morto:pche tale hiftoria era notifima. Mauuole narrare dela forma crudele dela fua morte laqlelui ftima effer m nota.Tace aduj quello che narrádolo farebbe K difuaifamia.&narro qllo che habbia effere ad ppetua ignominia del fuo iiraico. Quefto cote ugolino fudecoti dela gerardeica:&figráde cittadioche gouernaua pifa.Etingli tépie pifani pderono la mag gjor pte del cotado che fu loro tolto da fiorétini & altriguelfi di tofcana fu oppinioe che iui benche fufle L ghibellio fintedeffi co guelfi-& nolefe extenuare le forze de pifanipfarfene fignore. Era inquegh tépi arcinefcouo di pifamiler rugieriubaldini:&iteruene che un fuo nipote fumorto da un paréte del coie
OTMAD
NFERNO
fichelun
capoa
lalcro
cra
capello.
Etcomel
pane
per
fame
fimáduca
cofilfouranlidentia
laltro
pofe
Hlandlceruel
faggiugne
conla
nuca.
Non
altrimenticideofirofe
letempicamenalippo
perdildegno
tedimeno
poi
pel
mezo
dadrafto
redargos
fi
riconcilio
chequel
faceael
tefchio
&laltrecofe
Ocuchemoftri
beftial
fegno
odiofopra
colui
chetutimangi
dimmilperche
dixo
pertal
couegno
Chefetuharagion
dilui
tipiangi
fappiendo
chiuoifiere
&
la
fua
pecca
perrabia
ira
con
denti
roie.
nelmondo
fufo
anchoraio
te
necagi.
Sequeftacon
chio
parlo
non
fifeccha.
cioe
ala
cgltua
foprarodeacon
deti
collotto
in
quella
parte
doue
el
ceruello
fe
congiun
gecon
NON
ALTRImenti
tideo
role:La
hiftoria
de
theocle
polynice
demoftrammo
di
fopra
Tideo
figluolo
del
Re
Eneo
Calcidonia
arriuan
doin
Argo
nel
medefimo
tempo
che
polynice.Et
ben
primo
congreifo
diuétaffino
inimiciffimi.Nien
rono:&diuentorono
amici
fideliffimi
&cognati:
Adrafto
gli
fecce
generi.
E
dipoi
nelle
battaglie
Thebe
acade
infieme
combatterono.Tydeo
da
polynice:&
Menalippo
Thebano
dala
par
tede
Theocle.Feri
Ivdeo:
Tydeo
ucci
lat.Dipoiuedédo
piaga
riceuuta
effer
mor
tale
fece
rechare
elcapo
giamorto
Menalippo:
CANTO.XXXII.DE
LAPRIMA
CANTICA
DEDANTE.
A
boccafolleuo
dal
fiero
pa
fto
quel
peccator:
forbendola
a
capegli
capo
glhauea
drieto
guafto.
Poicomincio
tu
uoi
rinouclli
difperato
dolor
chel
cuor
mi
preme
gia
pur
penfando
pria
fauelli.
Malelemie
parole
efer
dien
feme
fructifama
alpeccator
rodo
parlare
&lachrimare
uardi
infieme.
lonon
fo
chitufe
ne
modo
uenutofe
quagiuma
fiorentino
mafembri
ueraméte
quando
io
todo,
Tudeifaper
chifu
conte
ugolino
erquefto
elarciuefco
roggieri
I
hortidiro
perchio
fon
tal
uicino.
Cheperleffetto
fuoima
penficri
fidandomi
diluiio
fuffi
prefo
etpofcia
morto
dirnon
emeftieri
Perhoquel
chenon
poihauer
intelo
cioecomelamortemia
fu
cruda
udrai
faperaife
mha
offefo.
coeveTNO7
Optimaméte
collegato
gfto.xxxii.cáto
alfaupiof
pchecotinua
narratióe
facta.
Et
iduce
uno
duo
trouatiarifpondere.
Aduque
feqta
qito
fecudo
gyro.Et
entrera
nelter
zo.Eteqito
pricipio
accomodatiffimo
captaf
attétio
nefiplacto
crudele
cote
Vgolio:fiple
fue
polechp
metteno
cofe
rare
&iufitate.
SOLleuo
aduque:cioe
alzo
bocca.DAL
pafto:dal
capo:
qle
efferataméte
pafceua:
&qlla
bocca
forbiacapegli
otia
talcapo:elglegia
rodendo
hauea
guafto
nela
collottola.Etapparechiato
narrare
dimoftra
qto
lha
bia
adolere
le
pole
hanno
dar
larciuefcouo:elqual
lui
rodeua.
Dipoi
eifere
ugolio:&
quelche
rode
larciuefcouo
ruggieri.Etdimoftra
uolere
narraf
coe
pfidarfi
qilo
tradito:&ptale
tradiméto
&morto:pche
era
notifima.
Mauuole
dela
forma
morte
laqlelui
ftima
m
nota.Tace
aduj
quello
narrádolo
farebbe
K
difuaifamia.&narro
qllo
habbia
effere
ad
ppetua
ignominia
fuo
iiraico.
Quefto
fudecoti
gerardeica:&figráde
cittadioche
gouernaua
pifa.Etingli
tépie
pifani
pderono
mag
gjor
pte
cotado
loro
tolto
fiorétini
altriguelfi
tofcana
oppinioe
iui
benche
fufle
L
ghibellio
fintedeffi
co
guelfi-&
nolefe
extenuare
forze
pifanipfarfene
fignore.
Era
inquegh
tépi
arcinefcouo
pifamiler
rugieriubaldini:&iteruene
un
nipote
fumorto
paréte
coie