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Human Generated Data

Title

Canto XVII. The Fourth Cornice / The Slothful

Date

15th century

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5309

Human Generated Data

Title

Canto XVII. The Fourth Cornice / The Slothful

People

Artist: Anonymous Italy (Venice) 1491, Italian, Venetian

Date

15th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Philip Hofer, M5309

Machine Generated Data

Tags

Amazon
created on 2019-11-03

Book 100
Page 98.4
Text 98.4
Poster 91.6
Advertisement 91.6
Paper 85.2
Flyer 84.6
Brochure 84.6
Newspaper 60.1

Clarifai
created on 2019-11-03

page 98.4
paper 98.1
document 97.4
vintage 97.2
text 97.2
book bindings 97.1
old 96.8
manuscript 96.2
retro 95.5
print 95.2
antique 93.2
illustration 92.8
desktop 92
book 89.9
art 89.2
poetry 89.1
texture 89
picture frame 88.6
no person 88.2
writing 87.2

Imagga
created on 2019-11-03

brass 60
memorial 47.9
cloud 40.6
book 35.5
structure 32.6
definition 30.5
cover 28.8
association 28.6
artwork 28.5
old 28
map 27.7
creative 27.4
text 27.1
advertising 27
design 26.5
backdrop 26.5
composition 26.5
advertisement 26.1
art 26.1
decorative 26
associated 25.7
brochure 25.4
carpet 25.4
advertise 25.4
collection 25.3
decor 24.8
element 24.1
conceptual 23.9
page 23.3
idea 22.3
fabric 21.7
binding 21.4
graphic 21.2
word 20.8
continuity 20.8
drapery 20.7
paper 20.4
decoration 20.3
antique 20.2
religion 19.8
bible 19.7
newspaper 19.6
information 18.6
journal 18.5
menu 18.5
letter 18.4
business 17.7
representation 17.1
print 17
product 16.8
prayer 16.5
holy 16.4
read 16.4
religious 16
faith 15.4
fare 15.4
detail 15.3
data 14.6
god 14.4
creation 14.2
daily 14
open 13.5
ancient 13
church 13
testament 12.9
communication 12.6
spiritual 12.5
vintage 12.4
keywords 11.9
texture 11.8
pages 11.8
study 11.2
chapter 10.9
words 10.8
history 10.8
copy 10.6
cross 10.4
document 10.2
scripture 9.9
gospel 9.9
new 9.7
pattern 9.6
writing 9.4
energy 9.3
rosary 8.9
passage 8.9
king 8.8
life 8.6
close 8.6
development 8.6
city 8.3
global 8.2
belief 7.8
best 7.8
pray 7.8
saint 7.7
food 7.6
company 7.5
retro 7.4
world 7.1
day 7.1
textured 7

Google
created on 2019-11-03

Text 97.3
Paper 90.6
Document 79.6
Paper product 76.2
Newsprint 76
Font 75

Microsoft
created on 2019-11-03

text 100
book 91.4
letter 90.4
manuscript 88.5
handwriting 76.4
illuminated 61.8

Color Analysis

Feature analysis

Amazon

Book
Book 100%

Categories

Captions

Clarifai
created by general-english-image-caption-blip on 2025-05-03

a photograph of a book with a picture of a man in a boat -100%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-31

This image appears to be a page from an old printed book, possibly a manuscript or an early printed text. The page is styled in a double-column format with what looks like a portion of a canto (Canto XVII) of a text. The language of the text is Italian, as seen from the uses of words such as "mastro," "caro" and "dixio."

At the top of the page, the text is organized into structured paragraphs, each beginning with a small letter to indicate new sections or thoughts. The text font resembles Gothic or early Renaissance typeface common in early printed books.

There is also a notable illustration towards the bottom half of the right column. The illustration is black and white, stylized in a way common for medieval or early Renaissance woodcuts. It shows a scene with several figures: four standing figures in the foreground (angels or saints based on their attire and haloed heads), and one figure on the ground. Above them is a depiction of a sky with stars to suggest night-time or a heavenly backdrop. The illustration may be depicting a scene from a religious or historical narrative.

The lower portion of the page, after the illustration, continues with more text laid out in the same double-column format. The edges of the page exhibit signs of aging, including a slight stain on the lower left corner and yellowing, indicating its age.

Created by gpt-4 on 2025-01-31

This is an image of a page from an antique book, specifically featuring printed text in an early typeface and a woodcut illustration. The page includes both text and a detailed pictorial representation, typical of early printed books.

The text is arranged in two columns with a clear division between them. It is written in an ancient style of script which may be Latin or an early form of a Romance language - most likely Italian, given certain discernible words. Each column is headed by a large capital letter, further decorated with intricate designs that are characteristic of initial capitals used in early printed texts. The numbers at the top of the columns indicate that this is from the seventeenth "CANTO," suggesting that the text is from a literary work, possibly poetry given the term "CANTO" used to describe sections of long poems.

The woodcut illustration at the bottom of the page depicts a group of human figures engaged in some activity, which seems to take place outdoors, possibly in a mythological or historical setting. The style of the figures is consistent with the art of the Renaissance or late medieval period, which would match the printing era of the text.

This type of page would commonly be found in books from the 15th to the 17th centuries, the early period of printing after the invention of the movable type printing press by Johannes Gutenberg in the mid-15th century. The book could be a historical, religious, or literary work, possibly a classic of medieval or Renaissance literature.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-31

This appears to be a page from an early printed edition of Dante's Divine Comedy, likely from the 15th or 16th century. The page contains text in Italian and features a woodcut illustration. The layout shows three distinct sections: the end of Canto XVII at the top, the beginning of Canto XVIII in the middle, and a woodcut illustration accompanied by commentary text at the bottom.

The woodcut illustration shows a scene from the poem, depicting several figures in robes or medieval dress standing and conversing under what appears to be stars or celestial bodies. The illustration is rendered in a simple linear style characteristic of early book woodcuts.

The text is printed in a gothic-style typeface, and the page shows some aging and slight discoloration around the edges, which is typical of books from this period. There's also an ornate decorated initial letter 'R' at the beginning of Canto XVIII.

The overall layout and printing style is typical of early Renaissance printed books, showing the transition period between manuscript and printed book traditions.

Created by claude-3-opus-20240229 on 2025-01-31

The image appears to be a page from an old book or manuscript, likely from the 15th or 16th century based on the typography and illustration style. The text is in Italian and is printed in a gothic blackletter font.

The main illustration depicts an allegorical scene with figures gathered around a central sun-like symbol. The figures appear to represent different professions or social roles, such as monks, clergy, and nobility. They are positioned in a circular arrangement, possibly suggesting a cosmological or astrological theme.

Around the central illustration are decorative borders with floral and geometric patterns typical of Renaissance book design. The heading at the top reads "CANTO XVII", indicating this is likely part of a larger poetic or literary work divided into cantos or chapters.

Overall, the aged appearance of the paper, the archaic typography, and the intricately detailed woodcut illustration create a distinct aesthetic that transports the viewer back to the visual culture of the late medieval or early Renaissance period in Europe. The allegorical subject matter hints at philosophical or spiritual themes being explored in the accompanying text.

Created by claude-3-haiku-20240307 on 2025-01-31

The image appears to be a page from an older text, likely a religious or literary work, featuring both text and an illustration. The illustration depicts a nighttime scene, with various figures and symbols, such as stars, around a central character. The text surrounding the image appears to be written in an older language, potentially Italian or Latin. The overall aesthetic suggests this is an antiquarian or historical document.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image presents a page from an old book, likely a religious text, written in Latin. The page is yellowed and features a woodcut illustration of a scene with people, possibly depicting a biblical event.

  • Title
    • The title "CANTO" is displayed at the top left corner.
    • The number "XVII" is located at the top right corner.
  • Text
    • The text is written in Latin and occupies most of the page.
    • It appears to be a passage from a religious text, possibly a psalm or hymn.
  • Illustration
    • A woodcut illustration is situated at the bottom right corner of the page.
    • The illustration depicts a scene with several people, including a woman and a man, surrounded by stars and other celestial bodies.
    • The scene may represent a biblical event, such as the birth of Jesus or the ascension of Mary.
  • Background
    • The background of the page is a light brown color, with some darker brown spots and stains visible.
    • The page appears to be old and worn, with signs of aging and use.

In summary, the image shows a page from an old book, featuring a religious text in Latin and a woodcut illustration of a scene with people. The page is yellowed and worn, with signs of aging and use.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a page from an old book, featuring a combination of text and illustrations. The page is yellowed with age, indicating that it has been preserved for a significant period.

Text:

  • The text is written in an archaic language, likely Italian or Latin, given the presence of words such as "CANTO" and "XVII."
  • The text is arranged in two columns, with the left column containing a poem or verse, while the right column appears to be a commentary or explanation.
  • The text is printed in black ink, with some words or phrases highlighted in red.

Illustration:

  • A small illustration is situated at the bottom of the right column, depicting a scene with several figures.
  • The illustration is rendered in black and white, with intricate details and shading.
  • The figures in the illustration appear to be engaged in a conversation or discussion, surrounded by various objects and symbols.

Overall:

  • The image suggests that the book is a rare or historical volume, possibly dating back to the Renaissance or earlier.
  • The combination of text and illustration creates a visually appealing and informative page that provides insight into the content and themes of the book.
  • The yellowed paper and worn edges of the page add to the overall sense of age and authenticity, making the image a valuable resource for scholars and historians.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-31

The image shows an old book with a page open, displaying the text and an illustration. The book is placed on a surface, and the page is slightly tilted. The text is written in a foreign language, possibly Latin or Italian, and is printed in black ink on the page. The illustration is a black-and-white drawing of a scene with people and a structure in the background. The book appears to be old and worn, with some stains and discoloration on the page.

Created by amazon.nova-lite-v1:0 on 2025-01-31

This image appears to be a page from an old book or manuscript. The page contains both text and an illustration. The text is written in a foreign language, possibly Italian or Latin, and appears to be a passage from a religious or philosophical work. The illustration depicts a scene with multiple figures, including a man, a woman, and a child, all gathered around a central figure who appears to be a priest or religious leader. The figures are shown in a cave-like setting, with stars and other celestial elements in the background. The image has a somewhat faded and worn appearance, suggesting that it is an old and valuable historical document.

Google Gemini

Created by gemini-2.0-flash on 2025-05-01

Here's a description of the image:

This is an image of two pages from an antique book. The pages are printed in what appears to be Latin, with dense blocks of text. The writing is in a serif font, typical of older printed materials.

On the left page, the text is formatted in distinct sections, possibly stanzas or paragraphs. Above a capital "R", there is a block with more text.

On the right page, at the top, is titled "CANTO XVII" which is in smaller font. Below the "CANTO XVII" is an illustration of a scene. The style of the illustration suggests it is a woodcut or similar printmaking technique. The image depicts several figures in draped clothing or robes standing in what could be a mountainous or walled landscape under a sky filled with stars.

The text and image suggest that this book is an illuminated manuscript or an early printed edition of a classical work. The style is in line with publications from the Renaissance period. There are faint smudges and stains that are consistent with an old book that has been handled over time.

Created by gemini-2.0-flash-lite on 2025-05-01

Here's a description of the image:

Overall:

The image is a page from a printed book, likely from the Renaissance period (15th or 16th century) given the style of the woodcut illustration and the typeface. It contains two main elements:

  • Text: Columns of Italian text are present, indicating it might be from a printed book. The text uses a Gothic or Old Style typeface.
  • Woodcut Illustration: A woodcut illustration is in the lower right quadrant of the page. It depicts figures standing and walking in a somewhat fantastical landscape. The style of the woodcut is typical of the period, with bold lines, shading achieved through cross-hatching, and a focus on the symbolic or narrative content.

Specifics of the Illustration:

  • Figures: Several figures are present, all in long robes. They are likely men.
  • Landscape: The figures are placed within a somewhat stylized landscape. There's a wall, possibly representing an enclosure or the edge of a higher place, with a figure seemingly climbing toward the sky. Behind them is an atmospheric view in which we can see some kind of flames and clouds.
  • Mood/Theme: The illustration evokes a sense of narrative.
  • Additional Details: There is a detailed border containing stars.

Overall Impression:

The image suggests a page from a book of literature or religious interpretation. The combination of text and illustration suggests that the illustration serves to visually support or clarify the text's subject. The style of the work indicates the book's historical origin and is suggestive of the period in which it was created.

Text analysis

Amazon

Omarco
Omarco mio dixio
mio
dixio
Oltuo
iz
CANTO
Ppruouala
rimprouero
parlar
delfecol
CANTO XVII iz
Giluagio.
meche
elmitenta
in
eraltrofopranomeinolcognofco
fio
cofe
in delfecol dele
rimprouero Giluagio. ho
Maquegerindelagentefpenta
furono
leui:uno
Maquegerindelagentefpenta di gente
tofco
gente
alad
furono ordiati alfacerdotio leui:uno & alad
alfacerdotio
anna
&
di
no
ming
lo
dele
pfagio
exe
retagio
rifpofead meche tofco
no uengouolco
lilalbor
bio
plodela
facre
ordiati
ho
Oltuo parlar ming anna O elmitenta
uengouolco
pfagio cofe facre debe
a bio Ppruouala fEtEtia
XVII
fionoltoglehlidafuafiglagaia
retagio plodela ipaciafc exe
ifieme:che
fEtEtia
rifpofead
a
debe
ipaciafc
O

Google

dixio
beneargomenti
&hordifcernoperchedalretagio
exempti
CANTO Omarco mio dixio beneargomenti &hordifcernoperchedalretagio efiglidileui furono exempti XVII i9z a Pprtioua la fetetia di marco.che elacerdotinofi deb bio ipaciaf del téporale.&pduceiteftionázalo exé plodela bibbia:doue ple legi di moyfe:tiglolidileui:uno dfilioli di lacob: pch furono ordíati al facerdotio & alad Maquelgerardo equel che tu pfagio miniftratioe dele cofe (acre & diuie:furono priuati debe téporali acioch no haueflio alera cura:ch delecofe facre& uiueuonodele decie. OLtuo parlaf:qi dica effédo tu tof cáo no puo effere cbnoconofca la fama di táto ho.llpche Oltuoparlar minganna o elmitenta negido tudiconofcerlo:o tu migáni dicédo la bugia.o tu rifpolead meche parlandomi tofco mitéti.Mapchiteruenech (pefto noconofcião uno pfuo .Mapeffer dnomiato pqlche fopranõeio no Pprionnoa cofa telopoffidenomíar:che dire lui fu dicherimafodela gente fpenta in rimprouero delfecol filuagio. parchedelbuon gerardo nullafenta. Peraltro fopranomeinolcognofco fionoltogleflidafuafiglagaia padre digaia.Quefta p effere &bellifia &honeftifia fu nomíata p tutta italia.DIO fiacouoi.préde comiato pch eronotáto iti ifieme:che erono giuti:doue terminaua el diofiecouoichepiuno uengouofco fiofolto:&giacomiciauaa uderfi lalbof.Et lui nopotea ufcir defe tenebre.Ordía el texto VED: lalbore chraia.i Vedilalborcheper lofumo raia rifpléde &razeggia gia biácbggiaf.Et ad me couiene par giabiáchegiar.&mecouien partirmi tirmi pría cheldi paia.i.pria:che fi ueggala luce.LANge Tangeleiuiprimachel di pata Cofitorno &piunon uolleudirmi. loEiuiqfi dica no temere difmarrir lauia:che lágelo eiui ala fie del fümo & lui te la moftrerra,De lägelo egia nota lallegoria.Nefi muta expofitioe.Madiotacbigicbigref fo dimuoua purgatice la gfa diuía ne moftra la uera uia. CANTO.XVIL.DELA SECONDACÁNTICA DIDANTHE Icordatilector femai nelalpe ticolfenebbiaper laqual Juedeffi nonaltrimenticheperpelle talpet Coce &quádo euapor humiderfpefi adiradar comícionfilafpera del foledebilmente entran per effi. Et fiala tua imagineleggiera ingiugner adueder chomio riuidi lofolin priachegianel colcar era Siparegiando emeicopaffi fidi del mio maeftro uícifuorditalnube araggimortigianebaffilidi e SCEIN quefto.xvii.cato dellira el noftro auctore:&mõta nel quarto balzo:oue fi punifce lacci dia Maprima finge:che glapparifcino certe imaginationi: lequali partite truoua lágelo che lo mena ala fcala del quarto balzo.RICORDITILECTORE:fenellalpe:in alcuno altiffimo monte.Alpi propri amente fono emõti:che diuidono italiadala francia.Madaquefti tutti glalti monti in lingua tofcana: ma non in latino fono decti alpi. NEBBIA ticolfe :ti giunfe nebbia foltiffima:laquale fuoleeffer piu folta ne monti: perche e tirata dal fole in alto:& non falendo fopra le cinque milgla iuifi condéfa.PER PELLE al pesperche la talpa fempre habita fotto terra.Et certo ha glocchi:ma ricoperti di fohle pelle.Ilpercheuede molto pocho.MA che uegga alcuna cofae manifefto.Prima perche in darno glharebbe facti glocechilana tura.laquale niente falindarno.Dipoi perche fubito:che ufcendo dela terra uede laria fi muouere. Dique fa dice Plinio:che in molti modi & danata dala natura.&i perpetue tenebre uiua fta fepulta.COMEET QUANDO:Admonifce ellectore prima che fi ricordi dela foltiffima nebbia deglalpi.DIPOiuuole:che imagini euapori:equali.PERCHE prima erono condenfati per lhomore non poteano effere penetra t darazidel fole. MA POI Chelfole diffoluendo lhomore:pel quale erono denfigli fa rari.crazicomin Aia
CANTO
Omarco
mio
efiglidileui
furono
XVII
i9z
a
Pprtioua
la
fetetia
di
marco.che
elacerdotinofi
deb
bio
ipaciaf
del
téporale.&pduceiteftionázalo
exé
plodela
bibbia:doue
ple
legi
moyfe:tiglolidileui:uno
dfilioli
lacob:
pch
ordíati
al
facerdotio
&
alad
Maquelgerardo
equel
che
tu
pfagio
miniftratioe
dele
cofe
(acre
diuie:furono
priuati
debe
téporali
acioch
no
haueflio
alera
cura:ch
delecofe
facre&
uiueuonodele
decie.
OLtuo
parlaf:qi
dica
effédo
tof
cáo
puo
effere
cbnoconofca
fama
táto
ho.llpche
Oltuoparlar
minganna
o
elmitenta
negido
tudiconofcerlo:o
migáni
dicédo
bugia.o
rifpolead
meche
parlandomi
tofco
mitéti.Mapchiteruenech
(pefto
noconofcião
uno
pfuo
.Mapeffer
dnomiato
pqlche
fopranõeio
Pprionnoa
cofa
telopoffidenomíar:che
dire
lui
fu
dicherimafodela
gente
fpenta
in
rimprouero
delfecol
filuagio.
parchedelbuon
gerardo
nullafenta.
Peraltro
fopranomeinolcognofco
fionoltogleflidafuafiglagaia
padre
digaia.Quefta
p
&bellifia
&honeftifia
nomíata
tutta
italia.DIO
fiacouoi.préde
comiato
eronotáto
iti
ifieme:che
erono
giuti:doue
terminaua
el
diofiecouoichepiuno
uengouofco
fiofolto:&giacomiciauaa
uderfi
lalbof.Et
nopotea
ufcir
defe
tenebre.Ordía
texto
VED:
lalbore
chraia.i
Vedilalborcheper
lofumo
raia
rifpléde
&razeggia
gia
biácbggiaf.Et
ad
me
couiene
par
giabiáchegiar.&mecouien
partirmi
tirmi
pría
cheldi
paia.i.pria:che
fi
ueggala
luce.LANge
Tangeleiuiprimachel
pata
Cofitorno
&piunon
uolleudirmi.
loEiuiqfi
temere
difmarrir
lauia:che
lágelo
eiui
ala
fie
fümo
te
moftrerra,De
lägelo
egia
nota
lallegoria.Nefi
muta
expofitioe.Madiotacbigicbigref
fo
dimuoua
purgatice
gfa
diuía
ne
moftra
uera
uia.
CANTO.XVIL.DELA
SECONDACÁNTICA
DIDANTHE
Icordatilector
femai
nelalpe
ticolfenebbiaper
laqual
Juedeffi
nonaltrimenticheperpelle
talpet
Coce
&quádo
euapor
humiderfpefi
adiradar
comícionfilafpera
foledebilmente
entran
per
effi.
Et
fiala
tua
imagineleggiera
ingiugner
adueder
chomio
riuidi
lofolin
priachegianel
colcar
era
Siparegiando
emeicopaffi
fidi
maeftro
uícifuorditalnube
araggimortigianebaffilidi
e
SCEIN
quefto.xvii.cato
dellira
noftro
auctore:&mõta
nel
quarto
balzo:oue
punifce
lacci
dia
Maprima
finge:che
glapparifcino
certe
imaginationi:
lequali
partite
truoua
lo
mena
fcala
balzo.RICORDITILECTORE:fenellalpe:in
alcuno
altiffimo
monte.Alpi
propri
amente
fono
emõti:che
diuidono
italiadala
francia.Madaquefti
tutti
glalti
monti
lingua
tofcana:
ma
non
latino
decti
alpi.
NEBBIA
ticolfe
:ti
giunfe
nebbia
foltiffima:laquale
fuoleeffer
piu
folta
monti:
perche
tirata
dal
fole
alto:&
falendo
fopra
le
cinque
milgla
iuifi
condéfa.PER
PELLE
pesperche
talpa
fempre
habita
fotto
terra.Et
certo
ha
glocchi:ma
ricoperti
fohle
pelle.Ilpercheuede
molto
pocho.MA
uegga
alcuna
cofae
manifefto.Prima
darno
glharebbe
facti
glocechilana
tura.laquale
niente
falindarno.Dipoi
fubito:che
ufcendo
dela
terra
uede
laria
muouere.
Dique
fa
dice
Plinio:che
molti
modi
danata
dala
natura.&i
perpetue
tenebre
uiua
fta
fepulta.COMEET
QUANDO:Admonifce
ellectore
prima
ricordi
foltiffima
deglalpi.DIPOiuuole:che
imagini
euapori:equali.PERCHE
condenfati
lhomore
poteano
penetra
t
darazidel
fole.
MA
POI
Chelfole
diffoluendo
lhomore:pel
quale
denfigli
rari.crazicomin
Aia