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Human Generated Data

Title

Samson Setting Fire to the Corn of the Philistines

Date

16th-17th century

People

Artist: Anton Wierix II, Flemish c. 1555/1559 - 1604

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5697

Human Generated Data

Title

Samson Setting Fire to the Corn of the Philistines

People

Artist: Anton Wierix II, Flemish c. 1555/1559 - 1604

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5697

Machine Generated Data

Tags

Amazon
created on 2019-11-10

Art 98.3
Painting 98.3
Human 55.5
Person 55.5

Clarifai
created on 2019-11-10

illustration 99.8
print 99.6
art 99.4
engraving 98.5
people 98.5
painting 97.6
etching 97.2
visuals 93.8
paper 93
group 92.8
woodcut 91.2
antique 90.9
adult 90.2
old 89.7
tree 89.3
no person 89.1
vintage 87.8
cavalry 87.6
retro 85
ancient 84.4

Imagga
created on 2019-11-10

map 55.3
old 38.4
representation 35.9
antique 33.1
paper 26.7
texture 26.4
vintage 25.7
ancient 25.1
grunge 24.7
stucco 24.2
pattern 23.3
history 21.5
atlas 20.4
art 20.1
travel 19
geography 17.3
wall 17.3
retro 17.2
aged 17.2
cash 15.6
brown 15.5
money 15.3
wallpaper 14.6
currency 14.4
bank 14.3
textured 14
stone 13.6
world 13.4
bill 13.3
capital 13.3
temple 13.3
page 13
design 13
sepia 12.6
navigation 12.5
east 12.1
dollar 12.1
treasury 11.9
architecture 11.9
border 11.8
structure 11.7
tourism 11.6
backdrop 11.6
gold 11.5
surface 11.5
close 11.4
globe 11.1
note 11
dirty 10.9
wealth 10.8
relief 10.5
carving 10.4
rich 10.2
finance 10.1
frame 10.1
rough 10
material 9.8
manuscript 9.8
business 9.7
torn 9.7
parchment 9.6
culture 9.4
city 9.2
one 9
financial 8.9
detail 8.9
depository 8.8
burnt 8.8
states 8.7
sculpture 8.7
us 8.7
stained 8.7
rustic 8.6
worn 8.6
direction 8.6
planet 8.5
earth 8.5
country 8.4
banking 8.3
historic 8.3
road 8.1
backgrounds 8.1
religion 8.1
memorial 7.9
geographic 7.9
expedition 7.9
boundary 7.9
navigate 7.9
guide 7.8
rock 7.8
route 7.8
discovery 7.8
color 7.8
bills 7.8
banknote 7.8
continent 7.8
hundred 7.8
dollars 7.7
rusty 7.6
weathered 7.6
plan 7.6
journey 7.5
wood 7.5
commerce 7.5
style 7.4
grain 7.4
landmark 7.2

Google
created on 2019-11-10

Microsoft
created on 2019-11-10

text 99.7
book 99.2
drawing 98.1
sketch 92.9
painting 91.4
illustration 82.6
engraving 52.5

Color Analysis

Feature analysis

Amazon

Painting
Person
Painting 98.3%

Categories

Captions

OpenAI GPT

Created by gpt-4 on 2025-02-07

This image appears to be an etching or an engraving, judging by the intricate line work and the monochromatic scheme. The artwork portrays an expansive landscape scene that includes various elements: **Foreground:** The immediate front of the image shows human figures involved in what seems to be a dramatic action or conflict. One man in the center appears to be pulling forcefully on the tail of a large animal, possibly a lion, while another human figure to his left seems to be interacting with a separate lion, and other figures are scattered around, some lying on the ground, which may indicate a scene of strife or chaos. **Middle ground:** Beyond the human and animal figures, there is a detailed depiction of a city with numerous buildings, including what appears to be churches or cathedrals with noticeable spires. The city is nestled within a valley and surrounded by walls, suggesting it may be a fortified location. **Background:** Towering over the cityscape are mountains, adding to the grandeur and depth of the scene. The clouds above are stylized and dynamic, adding to the overall sense of drama. **Flora:** The scene is framed by foliage, most notably a prominent tree on the left and what looks like palms or similar exotic trees to the right. **Caption:** Below the image is a Latin inscription which reads: "Samson rapta Tyrannide concitus ira Vulpes phisigas igni perdit agros fustian xxx". This can be translated into English as "Samson, having carried off the tyrant's wife, in anger catches the foxes and with fire destroys the fields of the Philistines Judges 15". This caption suggests the scene portrayed is from the Biblical tale of Samson in the Book of Judges, specifically the episode where Samson takes revenge on the Philistines by using foxes with torches tied to their tails to burn their fields. The text also includes a reference to "Gerard. de Jode excu." indicating that the print may be linked to the work of Gerard de Jode, a 16th-century cartographer, engraver, and publisher from Antwerp. The numbering "3" suggests that this print could be part of a series. The style of art and the type of print suggest it was created several centuries ago, possibly during the Renaissance or Baroque period in Europe when such detailed engraving work was common.

Created by gpt-4o-2024-05-13 on 2025-02-07

The image is an intricate, historical engraving depicting a biblical scene from the story of Samson. In the foreground, the engraving shows a dynamic scene with Samson tying torches to the tails of foxes, turned towards the viewer. The foxes, with flaming torches tied between their tails, are running through a field that seems to be catching fire, symbolizing devastation. In the midground, there are rolling hills, several trees, and a walled city with various detailed structures such as towers and spires, indicating a medieval setting. The city's buildings exhibit a high level of architectural detail. The background showcases a vast landscape of mountains and undulating clouds, suggesting great depth and perspective. The sky is filled with dramatic, swirling cloud formations, adding intensity to the scene. Latin text at the bottom reads, "Samsonus rapta Tymnathide concitus ira Vulpe Philistaeos igni perdit agros," which translates to "Samson, incited by rage after [the incident with] the Timnite, destroys the fields of the Philistines with fire." The print is richly detailed, filled with movement and dramatic elements, capturing a moment of biblical retribution with intense and expressive artistry.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-07

This is a historical engraving depicting the biblical story of Samson and the foxes, where he tied torches to foxes' tails and sent them into the Philistines' fields to destroy their crops. The image shows a detailed landscape with a walled city in the background, complete with towers and church spires, set against rolling hills and mountains. In the foreground, there are figures with foxes, and flames and smoke can be seen spreading across the fields. The artwork appears to be done in a Renaissance or Baroque style, with fine line work and careful attention to detail in the landscape elements. The composition includes tall trees on the left side and dramatic swirling smoke on the right. At the bottom of the print, there is Latin text describing the scene. The entire piece is rendered in black and white, typical of engravings from this period.

Created by claude-3-opus-20240229 on 2025-02-07

This image appears to be an old etching or engraving depicting a panoramic landscape view of an ancient or medieval town. In the foreground, there are several winged cherubs or putti frolicking on the ground. The town itself shows many buildings and towers surrounded by a defensive wall. Mountains and dramatic clouds fill the background sky. The Latin text at the bottom reads "Samfonus rapta Lyainai de concxi iis uri Oaife Philytraeos lyris perdu agros", which I believe refers to the myth of Samson and Delilah, but I cannot translate it fully. The text also includes an attribution "Sadeler. exc." which likely refers to the printmaker or publisher. The highly detailed linework and shading gives the scene an atmospheric, fantastical quality typical of mannerist printmaking from the 16th-17th centuries. Overall, it's an intricately rendered allegorical landscape print showcasing the artist's skill at depicting imagined architecture, geography and mythological themes popular in that era.

Created by claude-3-haiku-20240307 on 2025-02-07

The image is a detailed engraved landscape scene. It depicts a bustling city or town in the background, with a mountainous, wooded area in the foreground. Several figures can be seen in the foreground, engaging in various activities. The overall style and composition suggest this is a historical or allegorical work rather than a realistic depiction. The image has a dramatic, almost cinematic quality, with swirling clouds and dynamic elements throughout the landscape.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image is a 16th-century engraving by the renowned Dutch artist, Maarten van Heemskerck. It depicts a landscape scene with a river flowing through it, featuring a man and a group of animals in the foreground. The engraving showcases Heemskerck's skill in capturing detailed and intricate scenes, with a focus on the natural beauty of the landscape and the interactions between humans and animals. The image provides a glimpse into the artistic style and techniques of the Northern Renaissance period, characterized by its use of engraving and detailed depictions of everyday life and landscapes.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image is a black and white illustration of a landscape with a city in the background, featuring a river flowing through it. The foreground depicts a scene of chaos, with people and animals fleeing from the river, which appears to be overflowing its banks. In the background, there are mountains and a cloudy sky. The illustration is accompanied by text at the bottom, written in an old-fashioned font. The text reads: "Samfonus rapta Tymnatide concitus ira Vulpe Philiftaeos igniq perdit agros." This phrase is likely a Latin quote or phrase, but its exact meaning is unclear without further context. Overall, the image suggests a sense of turmoil and destruction, possibly due to natural disasters or conflict. The inclusion of the Latin text adds an air of mystery and historical significance to the illustration.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-07

The image is a monochromatic drawing of a scene with a landscape, including mountains, a city, and a river. In the foreground, there are a few people, and on the right, there are some animals. The drawing is in black and white, and the sky is filled with clouds. There is a tree in the middle, and the city is in the background. The drawing has a watermark in the bottom right corner.

Created by amazon.nova-lite-v1:0 on 2025-02-07

The image is an engraving from the late 16th or early 17th century, depicting a dramatic scene from the biblical story of Samson. In the foreground, Samson is shown in a confrontation with a lion, which he is tearing apart with his bare hands. The lion's body is sprawled out, and Samson's powerful muscles are prominently displayed, emphasizing his strength and ferocity. In the background, there is a town or city with numerous buildings and structures, possibly representing the Philistine city of Timnah where Samson encountered the lion. The town is surrounded by hills and mountains, creating a sense of depth and scale. The engraving is in black and white, giving it a timeless and classical feel. The lines and details are finely rendered, showcasing the skill of the artist in capturing the intensity and drama of the scene. Overall, the image is a powerful and evocative depiction of one of the most famous stories from the Old Testament, highlighting the legendary strength and courage of the biblical figure Samson.

Text analysis

Amazon

perdit
concitus
agros
rapta
Samfomus
de
ira
Philiftaos
Tulpe
Iymnatide
Samfomus rapta 7 Iymnatide concitus ira Tulpe Philiftaos igng perdit agros judioum.x xv. Gerard. de fode ecu.
Gerard.
fode
7
igng
ecu.
judioum.x
xv.

Google

fode
excu.
Sanforus rapta Tymnatide concitus ira Vulpe Philiftaros igni perdit agros Ju Gerard. de fode excu.
Sanforus
rapta
Tymnatide
concitus
ira
Vulpe
Philiftaros
igni
perdit
agros
Ju
Gerard.
de