AI Data for Page 21, Stephen Dunn/Wynn Chamberlain: "by Stephen Dunn (aged 12) for Byrd Hoffman" & "Jill Johnston is the turned on daughter of God..." Photo: autoportrait of Wynn Chamberlain

STEPHEN DUNN WYNN CHAMBERLAIN by Stepten Dunn (aged 12) for BYRD HOFFMAN to belggin) with the only The Life And Times had one storys and Jill Jonston's storys not an ardnry dance critic. 4. Jill conniction with Fruad there was a charter named Frued and one other a a very eragul switch not I dance alwas. 5. Jill Jonston does called Frueds grandsom.. Yhr swim a mile a day (start of next not dirdelty connect what shewas unsure but Cindy reassured Y'k now. So, like Cindy took her down to some of the coffee houses in Greenwich Villiage. Jill just sort of runn in to eatch Jonston does not talk about are as 1. follows a year ago read some of her (artjicles in the village Voise. 2. Robert Wilson Jonston. In Burd Hoffman's connect them) the way they do Jill Johnston is the turned on folk singing shit. Who can't sing alias Byrd Hoftman told me plays thir has been a ladie named si I won't try to. AB CD 12345 daughter of God. Wow. Good folk songs?..get out there and (gust ionis who am 1 talking story) the other day I saw a man wTites about Byrd Hoffman or Jillshot to death,I can't really WYNN CHAMBERLAIN e hit". Cindy said. "these guys are tired of all this something a (bout) her. concerning her (art)icles, in the Village Voice.! She writes asevral storys that connect in the connetion between eatch story remember Jill when she was this her ass down to the Village dance collem. It dosent seem to end. But the end connions are and a large connetion between. high. But she keeps on getting coffee houses, trucked on out on balve anything to do with dance not as definite but she can do it All the storys. The small higher every time see as you mite think of it. her work off the top of her head. I do not conneton is one story running in her higher and higher. Talk Even here they hollered. starts off with one subject 1245 and change to another and do top of her head or not. Mary hard you do it all the time in freckles on her back, her be hasty", she yelled, "I do a Mary Peir. She talks in the same Mary Pier's talking and Jill old Jll The old lady of the hit'em with your thing, you'll way Jill Jonston writes that is Jonston's writeing. A small mountain. Who is she blow their minds". So Jall hauled the floor and did her dance. know Jil Jonston does it off the to antother story thats not that about her? What can I say? The Avante Garde Trash". "Dont that lots of times. then connect Piers storys are genarly of a con(veneton but connecting scrawny legs. What can I say? great Doctor routine." them all together. the smaller scale. almazeing thing is that all the subjects are compleatly unrealeted so it seems. The reson swimming while Mary Pier And I have talked to anyone. I s(245jay "so it seems" is if you would talk about one patecular But Mary Pier who connets more could it have been, at the senior big break came when she met think about it its true that time. Incedcatly Mary Pier does than two storys Buckminster prom? What was she dressed in. Andy while buying a six pack at elecitorn)icks is cocenected withtalk bout swimming in Byrd Fuller has storys that runn in to medicine as a matter of fact it is Hoffman's plays. Mary Pier does each other I once herd him think Was she topless? My famous. "I see you dig Bud" he obvios eltronick egument is used not make a theory or Phlosophy lecture. But I don't know if he medcine such as an ossiaseope If Jill If Jill ive storys togther is very hard. Everybody knows Jill, jesus. The That was the beginning of first time I saw her, man, Jill's social life in the Village Jonston talked about swiming A nd you never do it in she wold talk about all of con(verse) sation at least I don't didn't know what was comin'.with artists and such. Since then didn't know what was comin with artists and such. Since then y'know, Lemmy think. Where she has made great progress. Her An unbleached muslin gown the corner grocery before he was memory fails. Me, I walked up said, "want to come up to my from her talking While Jill talks that way off stage his small i f and asked her where the mens pad. I got this great outta sight for monitering sick herts, Or mathimatsicks to garbitch collecting. Not so obvios you off stage. But it would be wrong course philpsophyized the whole a minute she was high. We got started with the art crowd, and will rember tyat math is nessary for Mary Pier to theorize on time. The way his storys ran into talking about different things thats how Andy learned to play to desning a gabatch truck. It stage since Byrd Hoffman's plays eath other was like this. Hel would be slow if you had to use horse and cart! ABCDEFGH IJKLMNOPif you can understand the spelling it will be and accepct it not intellize about alloy witch had a greater (tensejlcar. drove down and picked up a But she did have eyes in her ass a mircle. Her writeing is very mutch like Byrd Hoffman's prodetions to explain why I will not in it. Mary Piers writeing he talked about steel and half to explain Byrd Hoffman'swould look like this The in(dust)ry or something like prodetions to begain with. There is little action and less sound so Ithat what when some one runs Jonston woluld make a theory connetion were very good and so room was. She just smiled and game we can play. It's called out of it. Mary Pier does teorize were his large connitions he of played with her braids. I knew in ART" And that's how Jill yknow like fishin' and baseball Doctor. People warned her a and democracy. She said. This about Andy, "Man, they said, take away from it. The ideà of is as strong as its weakest link so Byrd Hoffman's plays is see it are not intiletual and that wouldwanted to disprove that a chain place is a drag. let 's split" So you gotta have eyes in your ass he talked about a certin steel she took me out to her fathers to keep up with that bastard" There may be some strength then the ingredent with couple of six-packs at the eorner and thought Andy was Cool. it intullizeion behind the play but the least tenisl strenth and then store-where else then we just After all, she was the turned on started driving around, but we daughter of God, wasn't she? | were low on gas so we parked up After a while Cindy began to ends are not quite connect. Mary that. What would happen is he by the resevoir, popped open a get uptight-she didn't think Piers talking is not always would tell sevral storys to ma ke couple of beers and she said. much of Jills mixed relations consize while Jill Jonston's one point witch would run in to "lets play Doctor", I wound up with the superstar crowd. across the stage notice it and awriteing is consize. The only anothe point so it would look givin her an internal and she Finally one day she got in touch (lot) of things you never noticed about running. In his latest prodtion The Life and Times of groovy y'know, and she told me home or we is through". Jill Sgmund Freud he had more Piers talking is also very lenthly Jill Jonston another step in one what a doctor was supposed to ignored these pleas, "Serew it". sound than most of his other but it has to be to cover a period driction Mary Piers movement do and I did it. prudtions. His prodetions have no plot whatsoever because it is stage just as mutch as on the (Full)er and Jill Jonston one (base icly move(ment) he uses differnt subjects as black mamx complacated and she will that Jill Jonston writes that way choros-old fashi- and draw(wing) room-animals. The end dose not connect them all on paper it might seem that way though. dirction. Buckminster Fuller looks like this.. Jonstons writeing might look like this... if you take the frist what is the symbolism. Well to best thing would be to put the and second acts alone you will answer that, the Fact is that good points of Jill Jonston Mary see the parell that both of them have in thier seintle structure. The first act is a oddball. I only make thiss comparson on a large thing about Jill Jonston's like this.. one connection didn't even blush. I blushed at with Jill by telephone. "Hey writeing sometimes is that at would would run in to another times it gets too lenthly. Mary witch (exitends) Mary Pier and first, but then it all got kind a babe", she says, "wiggle yo ass she says. That's when Cindy The next time I saw Jill, she starts mixin' relations herself, was doin' her modern dancin and this is when Jills crack up of two hours. Mary Pier talks off would extend Buckminster stage. But off stage she can get step in one dirction. The fact nght in the middle of the starts. She learned a whole new sophomore record hop. set of rules about the Doctor sometimes philphsofyize. I have would extend Buckminster FullEveryone just stood around game, "these shrinks, they play nothing agenst philsophy. It and Mary Pier one step in one wonderin what this chick was it a little weird", she said, "but I up to, hollerin' at her, "Avante can still dig it". Boy did she Garde Trash!", and throwin freak out-she started doing her while Jil Byrd Hoff(man) 's plays people writes but I don't belive he have asked what does it' mean, writes that way of storys. The beer cans at her. Well, I knew finest avante-garde trash then then, this chick was different. I I too, and it got published and walked up to her and said. she's an established freak on the there is no symbolism and there Pier and Buekminster Full You're swell.. I talked her out culture scene now is no meaning. The only meaning together (al(tough)er you would is movement. Mary Pier is an old find it hard to put movement in Instead, I took her to meet some The way I like to remember Jill ladie in her sixties yet when she to writeing. Buckminster Fuller people who dug avante garde is that funny little turned on Never mind all that though. of wanting to play Doctor again. scale only. I will not examine it talks on stage she does has an ineredbuly large trash over at the Mac Dowell daughter of God drivin her on a small scale. When Byrd called me I asked him for some movement. Movement is the vocabulary to that you can not colony. She did her dance for father's chevy on reson. I said "What would aunderstand his writing very well warm them, but they just looked at summer's night, drunker n a inl formion) to write about so I dance critie say. If Jill Jonstonunless you have a large dictunary her like she was dancing at some fart, headin' for the resevoir may not be entirely objitive does not do anything besides on hand. Mary Pier and Jill record hop. Poor Jill, she didn't with me beside her wonderin' about the whole thing. I do not know any of the exzat things Jil Jonston writes about exepet the unieerse and other thinggs. The write that I know about. I think Jonston never use a vocablary she should if she would because that you can not under(stand). she could. If she would if she Thier writeing or talking. Mary Cindy was just standin' there fit in anywhere. I think that's what she'd think up next when Cindy discovered her. neerse and other things. The could be it the way she would Piers talking is not to make a puffin' on a cigar. 1 liked her universe biening evrthing in the cosmos. After I write this paper one way then (ankother then talking the partictular reason for cigars. She looked at Jill and Iwill read some of her (art jclesanother and so on and so on and Hill Jonston and Buckminster says, This chick's got it". "Got to see how acruite I am. Jill then at the end conecet them all Fuller I do not know but then what" savs Jin Jomston dose not write like a together. She could use other thats thier busnis I just happend minute and Ill show y says typyeil ordinary everyday root line dance review machine. would writes. She could move point it is just for the sake of alot, but I couldn't take those people how to connect is a big toknow about Mary Pier. And problem it could be salved the Byrd Hoffman just moves. And They were off like a flash, and same way. She does it in her it would be very hard for him to Cindy, "ever play doctor?" The ordnary dance revewer tells same way. She does it in her it would be very hard for him to nobody ever saw them again till sbout the wee narrow minded writeing. But I do not know how make storys out of movement. ipetrum of dance dance dance is she connects them in her Not only that that is not his baE City. his and this according to them.writeing She does not connect at all. Conclusins: 1. Jill Jonston wonder what dance critic her storys by directly relateing tells storys that connect in thewhen they first got there and Jill Wynn Chamberlain Photo by Nould say about the Life and imes of Sgnund Freud. A B C. they got down to New York Things were pretty quiet them or by saying tehse realate end. 2. Jill Jonston is bcacase and so on. Mary Piersunderstandable 3. Jill Jonston is time Cindy had promised her.Wynn Chamberlain started bugging her about the big

STEPHEN

DUNN

WYNN

CHAMBERLAIN

by

Stepten

Dunn

(aged

12)

for

BYRD

HOFFMAN

to

belggin)

with

the

only

The

Life

And

Times

had

one

storys

and

Jill

Jonston's

not

an

ardnry

dance

critic.

4.

conniction

Fruad

there

was

a

charter

named

Frued

other

very

eragul

switch

I

alwas.

5.

Jonston

does

called

Frueds

grandsom..

Yhr

swim

mile

day

(start

of

dirdelty

connect

what

Cindy

Y'k

now.

So,

like

took

her

down

houses

Greenwich

Villiage.

just

sort

talk

about

are

as

1.

follows

ago

some

Jonston.

Hoffman's

them)

do

Johnston

turned

on

folk

singing

shit.

Who

can't

sing

alias

Byrd

Hoftman

won't

AB

CD

God.

Good

(gust

who

am

talking

man

wTites

really

hit".

said.

(bout)

her.

in

Voice.!

She

asevral

that

connetion

eatch

story

when

ass

Village

But

end

connions

large

high.

she

keeps

getting

houses,

trucked

out

balve

can

it

All

storys.

every

time

see

you

mite

think

it.

work

off

top

head.

running

Even

here

they

hollered.

starts

subject

change

another

head

or

all

back,

hasty",

yelled,

"I

Peir.

same

Mary

Pier's

old

lady

writes

is

writeing.

A

small

blow

floor

did

Jil

antother

thats

her?

What

say?

Avante

Garde

Trash".

"Dont

lots

times.

then

Piers

genarly

con(veneton

but

connecting

scrawny

legs.

great

Doctor

routine."

them

together.

smaller

scale.

almazeing

thing

subjects

compleatly

unrealeted

so

seems.

reson

swimming

while

Pier

have

talked

anyone.

s(245jay

"so

seems"

if

would

patecular

connets

more

could

been,

at

senior

big

break

came

met

its

true

time.

Incedcatly

than

two

Buckminster

prom?

dressed

in.

Andy

buying

six

pack

elecitorn)icks

cocenected

withtalk

bout

Fuller

has

runn

medicine

matter

fact

plays.

each

once

herd

him

Was

topless?

My

famous.

dig

Bud"

he

obvios

eltronick

egument

used

make

theory

Phlosophy

lecture.

don't

know

medcine

such

ossiaseope

If

ive

togther

hard.

Everybody

knows

Jill,

jesus.

That

beginning

first

saw

her,

man,

Jill's

social

life

swiming

nd

never

wold

con(verse)

sation

least

didn't

comin'.with

artists

such.

Since

comin

y'know,

Lemmy

think.

Where

made

progress.

Her

An

unbleached

muslin

gown

corner

grocery

before

memory

fails.

Me,

walked

up

said,

"want

come

my

from

While

talks

way

stage

his

i

f

asked

where

mens

pad.

got

this

outta

sight

monitering

sick

herts,

Or

mathimatsicks

garbitch

collecting.

Not

stage.

be

wrong

course

philpsophyized

whole

minute

We

started

art

crowd,

will

rember

tyat

math

nessary

theorize

ran

into

different

things

how

learned

play

desning

gabatch

truck.

It

since

plays

eath

this.

Hel

slow

use

horse

cart!

ABCDEFGH

IJKLMNOPif

understand

spelling

accepct

intellize

alloy

witch

greater

(tensejlcar.

drove

picked

eyes

mircle.

writeing

mutch

prodetions

explain

why

steel

half

Hoffman'swould

look

in(dust)ry

something

begain

with.

There

little

action

less

sound

Ithat

runs

woluld

were

good

room

was.

smiled

game

we

play.

It's

teorize

connitions

played

braids.

knew

ART"

that's

yknow

fishin'

baseball

Doctor.

People

warned

democracy.

This

Andy,

"Man,

take

away

ideà

strong

weakest

link

intiletual

wouldwanted

disprove

chain

place

drag.

let

's

split"

So

gotta

your

certin

me

fathers

keep

bastard"

may

strength

ingredent

couple

six-packs

eorner

thought

Cool.

intullizeion

behind

tenisl

strenth

store-where

else

After

all,

driving

around,

daughter

God,

wasn't

she?

|

low

gas

parked

Title Page 21, Stephen Dunn/Wynn Chamberlain: "by Stephen Dunn (aged 12) for Byrd Hoffman" & "Jill Johnston is the turned on daughter of God..." Photo: autoportrait of Wynn Chamberlain	Date 1970
People Artist: Les Levine, Irish born 1935	Classification Prints
Credit Line Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21785	Copyright © Les Levine / Artists Rights Society (ARS), New York

Surprise	Very unlikely
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Sorrow	Very unlikely
Joy	Very unlikely
Headwear	Very unlikely
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Human Generated Data

Title

Page 21, Stephen Dunn/Wynn Chamberlain: "by Stephen Dunn (aged 12) for Byrd Hoffman" & "Jill Johnston is the turned on daughter of God..." Photo: autoportrait of Wynn Chamberlain

Date

1970

People

Artist: Les Levine, Irish born 1935

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21785

Copyright

© Les Levine / Artists Rights Society (ARS), New York

Human Generated Data

Title

Page 21, Stephen Dunn/Wynn Chamberlain: "by Stephen Dunn (aged 12) for Byrd Hoffman" & "Jill Johnston is the turned on daughter of God..." Photo: autoportrait of Wynn Chamberlain

People

Artist: Les Levine, Irish born 1935

Date

1970

Classification

Prints

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