STEPHEN DUNN
WYNN CHAMBERLAIN
by Stepten Dunn (aged 12) for
BYRD HOFFMAN
to belggin) with the only
The Life And Times had one storys and Jill Jonston's storys not an ardnry dance critic. 4. Jill
conniction with Fruad there was
a charter named Frued and one other a a very eragul switch not I dance alwas. 5. Jill Jonston does
called Frueds grandsom.. Yhr swim a mile a day (start of next not dirdelty connect what shewas unsure but Cindy reassured
Y'k now. So, like Cindy took her
down to some of the coffee
houses in Greenwich Villiage. Jill
just sort of runn in to eatch Jonston does not talk about
are as 1. follows a year ago
read some of her (artjicles in the
village Voise. 2. Robert Wilson Jonston. In Burd Hoffman's connect them) the way they do Jill Johnston is the turned on folk singing shit. Who can't sing
alias Byrd Hoftman told me plays thir has been a ladie named si I won't try to. AB CD 12345 daughter of God. Wow. Good folk songs?..get out there and
(gust ionis who am 1 talking story) the other day I saw a man wTites
about Byrd Hoffman or Jillshot to death,I can't really WYNN CHAMBERLAIN
e hit". Cindy said.
"these guys are tired of all this
something a (bout) her.
concerning her (art)icles, in the
Village Voice.! She writes asevral storys that connect in the connetion between eatch story remember Jill when she was this her ass down to the Village
dance collem. It dosent seem to end. But the end connions are and a large connetion between. high. But she keeps on getting coffee houses, trucked on out on
balve anything to do with dance not as definite but she can do it All the storys. The small higher every time see
as you mite think of it. her work off the top of her head. I do not conneton is one story running in her higher and higher. Talk Even here they hollered.
starts off with one subject 1245
and change to another and do top of her head or not. Mary hard you do it all the time in freckles on her back, her be hasty", she yelled, "I do a
Mary Peir. She talks in the same Mary Pier's talking and Jill old Jll The old lady of the hit'em with your thing, you'll
way Jill Jonston writes that is Jonston's writeing. A small mountain. Who is she
blow their minds". So Jall hauled
the floor and did her dance.
know Jil Jonston does it off the to antother story thats not that
about her? What can I say? The Avante Garde Trash". "Dont
that lots of times. then connect Piers storys are genarly of a con(veneton but connecting scrawny legs. What can I say? great Doctor routine."
them all together. the smaller scale.
almazeing thing is that all the
subjects are compleatly
unrealeted so it seems. The reson swimming while Mary Pier And I have talked to anyone.
I s(245jay "so it seems" is if you would talk about one patecular But Mary Pier who connets more could it have been, at the senior big break came when she met
think about it its true that time. Incedcatly Mary Pier does than two storys Buckminster prom? What was she dressed in. Andy while buying a six pack at
elecitorn)icks is cocenected withtalk bout swimming in Byrd Fuller has storys that runn in to
medicine as a matter of fact it is Hoffman's plays. Mary Pier does each other I once herd him think Was she topless? My famous. "I see you dig Bud" he
obvios eltronick egument is used not make a theory or Phlosophy lecture. But I don't know if he
medcine such as an ossiaseope
If Jill If Jill ive storys togther is very hard. Everybody knows Jill, jesus. The That was the beginning of
first time I saw her, man, Jill's social life in the Village
Jonston talked about swiming A nd you never do it in
she wold talk about all of con(verse) sation at least I don't didn't know what was comin'.with artists and such. Since then
didn't know what was comin
with artists and such. Since then
y'know, Lemmy think. Where she has made great progress. Her
An unbleached muslin gown the corner grocery before he was
memory fails. Me, I walked up said, "want to come up to my
from her talking While Jill talks that way off stage his small
i f and asked her where the mens pad. I got this great outta sight
for monitering sick herts, Or
mathimatsicks to garbitch
collecting. Not so obvios you off stage. But it would be wrong course philpsophyized the whole a minute she was high. We got started with the art crowd, and
will rember tyat math is nessary for Mary Pier to theorize on time. The way his storys ran into talking about different things thats how Andy learned to play
to desning a gabatch truck. It stage since Byrd Hoffman's plays eath other was like this. Hel
would be slow if you had to use
horse and cart! ABCDEFGH
IJKLMNOPif you can
understand the spelling it will be and accepct it not intellize about alloy witch had a greater (tensejlcar. drove down and picked up a But she did have eyes in her ass
a mircle. Her writeing is very
mutch like Byrd Hoffman's
prodetions to explain why I will not in it. Mary Piers writeing he talked about steel and
half to explain Byrd Hoffman'swould look like this The in(dust)ry or something like
prodetions to begain with. There
is little action and less sound so
Ithat what when some one runs
Jonston woluld make a theory connetion were very good and so room was. She just smiled and game we can play. It's called
out of it. Mary Pier does teorize
were his large connitions he of played with her braids. I knew in ART" And that's how Jill
yknow like fishin' and baseball Doctor. People warned her
a and democracy. She said. This about Andy, "Man, they said,
take away from it. The ideà of is as strong as its weakest link so
Byrd Hoffman's plays is see it
are not intiletual and that wouldwanted to disprove that a chain
place is a drag. let 's split" So you gotta have eyes in your ass
he talked about a certin steel she took me out to her fathers to keep up with that bastard"
There may be some strength then the ingredent with couple of six-packs at the eorner and thought Andy was Cool.
it
intullizeion behind the play but the least tenisl strenth and then
store-where else then we just After all, she was the turned on
started driving around, but we daughter of God, wasn't she?
|
were low on gas so we parked up
After a while Cindy began to
ends are not quite connect. Mary that. What would happen is he by the resevoir, popped open a get uptight-she didn't think
Piers talking is not always would tell sevral storys to ma ke couple of beers and she said. much of Jills mixed relations
consize while Jill Jonston's one point witch would run in to
"lets play Doctor", I wound up with the superstar crowd.
across the stage notice it and awriteing is consize. The only anothe point so it would look givin her an internal and she Finally one day she got in touch
(lot) of things you never noticed
about running. In his latest
prodtion The Life and Times of groovy y'know, and she told me home or we is through". Jill
Sgmund Freud he had more Piers talking is also very lenthly Jill Jonston another step in one what a doctor was supposed to ignored these pleas, "Serew it".
sound than most of his other but it has to be to cover a period driction Mary Piers movement do and I did it.
prudtions. His prodetions have
no plot whatsoever because it is stage just as mutch as on the (Full)er and Jill Jonston one
(base icly move(ment) he uses
differnt subjects as black mamx complacated and she will that Jill Jonston writes that way
choros-old fashi- and draw(wing)
room-animals. The end dose not
connect them all on paper it might seem that way though. dirction. Buckminster Fuller
looks like this..
Jonstons writeing might look
like this... if you take the frist what is the symbolism. Well to best thing would be to put the
and second acts alone you will answer that, the Fact is that good points of Jill Jonston Mary
see the parell that both of them
have in thier seintle structure.
The first act is a oddball. I only
make thiss comparson on a large
thing about Jill Jonston's like this.. one connection didn't even blush. I blushed at with Jill by telephone. "Hey
writeing sometimes is that at would would run in to another
times it gets too lenthly. Mary witch (exitends) Mary Pier and
first, but then it all got kind a babe", she says, "wiggle yo ass
she says. That's when Cindy
The next time I saw Jill, she starts mixin' relations herself,
was doin' her modern dancin and this is when Jills crack up
of two hours. Mary Pier talks off would extend Buckminster
stage. But off stage she can get step in one dirction. The fact nght in the middle of the starts. She learned a whole new
sophomore record hop. set of rules about the Doctor
sometimes philphsofyize. I have would extend Buckminster FullEveryone just stood around game, "these shrinks, they play
nothing agenst philsophy. It and Mary Pier one step in one wonderin what this chick was it a little weird", she said, "but
I
up to, hollerin' at her, "Avante can still dig it". Boy did she
Garde Trash!", and throwin freak out-she started doing her
while Jil Byrd Hoff(man) 's plays people writes but I don't belive he
have asked what does it' mean, writes that way of storys. The beer cans at her. Well, I knew finest avante-garde trash then
then, this chick was different. I I too, and it got published and
walked up to her and said. she's an established freak on the
there is no symbolism and there Pier and Buekminster Full You're swell.. I talked her out culture scene now
is no meaning. The only meaning together (al(tough)er you would
is movement. Mary Pier is an old find it hard to put movement in Instead, I took her to meet some The way I like to remember Jill
ladie in her sixties yet when she to writeing. Buckminster Fuller people who dug avante garde is that funny little turned on
Never mind all that though.
of wanting to play Doctor again.
scale only. I will not examine it talks on stage she does has an ineredbuly large trash over at the Mac Dowell daughter of God drivin her
on a small scale. When Byrd
called me I asked him for some
movement. Movement is the vocabulary to that you can not colony. She did her dance for father's chevy on
reson. I said "What would aunderstand his writing very well
warm
them, but they just looked at summer's night, drunker n a
inl formion) to write about so I dance critie say. If Jill Jonstonunless you have a large dictunary her like she was dancing at some fart, headin' for the resevoir
may not be entirely objitive does not do anything besides on hand. Mary Pier and Jill record hop. Poor Jill, she didn't with me beside her wonderin'
about the whole thing. I do not
know any of the exzat things Jil
Jonston writes about exepet the
unieerse and other thinggs. The
write that I know about. I think Jonston never use a vocablary
she should if she would because that you can not under(stand).
she could. If she would if she Thier writeing or talking. Mary Cindy was just standin' there
fit in anywhere. I think that's what she'd think up next
when Cindy discovered her.
neerse and other things. The could be it the way she would Piers talking is not to make a puffin' on a cigar. 1 liked her
universe biening evrthing in the
cosmos. After I write this paper one way then (ankother then talking the partictular reason for cigars. She looked at Jill and
Iwill read some of her (art jclesanother and so on and so on and Hill Jonston and Buckminster says, This chick's got it". "Got
to see how acruite I am. Jill then at the end conecet them all Fuller I do not know but then what" savs Jin
Jomston dose not write like a together. She could use other thats thier busnis I just happend minute and Ill show y says
typyeil ordinary everyday
root line dance review machine.
would writes. She could move point it is just for the sake of alot, but I couldn't take those
people how to connect is a big toknow about Mary Pier. And
problem it could be salved the Byrd Hoffman just moves. And They were off like a flash, and
same way. She does it in her it would be very hard for him to
Cindy, "ever play doctor?"
The ordnary dance revewer tells same way. She does it in her it would be very hard for him to nobody ever saw them again till
sbout the wee narrow minded writeing. But I do not know how make storys out of movement.
ipetrum of dance dance dance is she connects them in her Not only that that is not his baE City.
his and this according to them.writeing She does not connect at all. Conclusins: 1. Jill Jonston
wonder what dance critic her storys by directly relateing tells storys that connect in thewhen they first got there and Jill Wynn Chamberlain Photo by
Nould say about the Life and
imes of Sgnund Freud. A B C.
they got down to New York
Things were pretty quiet
them or by saying tehse realate end. 2. Jill Jonston is
bcacase and so on. Mary Piersunderstandable 3. Jill Jonston is time Cindy had promised her.Wynn Chamberlain
started bugging her about the big
