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Human Generated Data

Title

Page 19, George Segal/Fred McDarrah: "Jill really hates to have plaster put on her..." and "Dear Les. When you called me the other day with the news about Jill Johnston..." Photos of Helen and of George Segal

Date

1970

People

Artist: Les Levine, Irish born 1935

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21783

Copyright

© Les Levine / Artists Rights Society (ARS), New York

Human Generated Data

Title

Page 19, George Segal/Fred McDarrah: "Jill really hates to have plaster put on her..." and "Dear Les. When you called me the other day with the news about Jill Johnston..." Photos of Helen and of George Segal

People

Artist: Les Levine, Irish born 1935

Date

1970

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Reese Palley and Marilyn Arnold Palley, M21783

Copyright

© Les Levine / Artists Rights Society (ARS), New York

Machine Generated Data

Tags

Amazon
created on 2019-10-29

Flyer 98.3
Brochure 98.3
Person 71.5
Human 71.5
Page 65
Magazine 59.3

Clarifai
created on 2019-10-29

illustration 94.6
bill 93.6
no person 91.4
business 88
retro 82.5
card 81
collage 79.8
communication 78.4
revolution 77.4
time 74.5

Imagga
created on 2019-10-29

jacket 37.9
wrapping 28.8
vintage 28.1
circa 14.8
silhouette 14.1
old 13.9
banner 13.8
grunge 13.6
symbol 13.5
style 13.4
modern 13.3
blank 12.9
printed 12.8
collection 12.6
drawing 12.5
money 11.9
celebration 11.2
pattern 10.9
stamps 10.9
holiday 10.7
cutting 10.6
communications 10.5
text 10.5
floral 10.2
set 10.2
newspaper 10.1
message 10
shows 9.9
creative 9.7
decoration 9.4
frame 9.3
wallpaper 9.2
note 9.2
book 9.1
aged 9
colorful 8.6
poster 8.5
shape 8.2
currency 8.1
history 8

Google
created on 2019-10-29

Art 50.2

Microsoft
created on 2019-10-29

text 100
newspaper 73.9

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 23-35
Gender Female, 50.1%
Happy 0.1%
Calm 93.9%
Sad 3.7%
Angry 1.3%
Surprised 0.2%
Fear 0.4%
Confused 0.2%
Disgusted 0.1%

Feature analysis

Amazon

Person
Person 71.5%

Categories

Imagga

Captions

OpenAI GPT

Created by gpt-4 on 2025-02-17

This image appears to show a poster or a page from a publication that combines text and photography, presented in a two-tone color scheme of magenta and turquoise. At the top of the image, the names "GEORGE SEGAL" and "FRED MCDARRAH" are printed in large, bold letters, suggesting that these may be the subjects or contributors to the content below. The body of the page is divided into two columns with dense text, likely articles or essays about the aforementioned individuals, events, or subjects related to them. On the right side, there is a column with a different background color and text that stands out from the rest because of the bold white font on a dark background. There are also small headshot photographs within this area in the same two-tone color scheme. To the left, opposite the text, there are two large images overlapping each other. The images are somewhat abstract due to the color overlay, but they appear to show people. The top image shows a person in a contemplative or expressive pose, while the bottom image looks like a person with their face partially obscured, possibly holding something up near their face. There's also an advertisement or informational section on the right, near the bottom, for "GERAMOS CLASSES" offering "ONE-WAY DRAWING" and "Watercolor & Acrylic Classes." There are details such as the location at "COOPER SQUARE ART CENTER" and contact information included in this section. The colors and style suggest this could be a vintage piece, possibly from the mid to late 20th century, reflecting a style consistent with experimental or counterculture publications from that time.

Created by gpt-4o-2024-05-13 on 2025-02-17

The image is a page from a publication featuring articles about George Segal and Fred McDarrah. The page is divided into two primary columns with their names prominently displayed at the top, "GEORGE SEGAL" on the left and "FRED MCDARRAH" on the right. The background of the page has a gradient coloring, transitioning from dark purple at the top to a bright pink in the middle and then to turquoise-green at the bottom. There are two monochromatic images overlaying this gradient background. One image at the top shows a shadowy figure, which is somewhat obscured but leaning towards an abstract representation. The second image, positioned below the first, features a slightly clearer silhouette of a person holding a camera, likely taking a photograph. Below the visual compositions, there’s also a text-heavy advertisement focusing on "Ceramics Classes" and "Watercolor & Acrylic Classes" offered at the Cooper Square Art Center, situated in the central section of the page. The advert promises a free lesson for beginners and includes registration details. The articles consist of text blocks filled with detailed commentary or stories about both individuals, though the exact words are not entirely readable in this image. It seems written in a casual and narrative style, potentially offering personal insights or experiences related to George Segal and Fred McDarrah.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-17

This appears to be a page from what looks like a magazine or publication featuring a contrast-heavy purple/pink and black artistic photograph. The layout includes text columns on either side and some smaller text boxes or advertisements at the bottom, including one for "Ceramics Classes" and "Watercolor & Acrylic Classes." The title at the top lists "GEORGE SEGAL" and "FRED MCDARRAH". The overall design has a vintage feel to it, possibly from the 1960s or 70s, with the stark photographic style and typography typical of that era. The photo itself appears to use high contrast and experimental exposure techniques common in artistic photography of that period.

Created by claude-3-opus-20240229 on 2025-02-17

The image shows an old newspaper or magazine article about George Segal and Fred McDarrah. It includes photos of both individuals - George Segal on the left and Fred McDarrah on the right. The text provides biographical information and details about their artistic work and influences. The article also mentions some upcoming classes they will be teaching, such as "Geramos Classes" and "Watercolor & Acrylic Classes". Overall, it seems to be an informative piece highlighting the careers and upcoming activities of these two artists.

Created by claude-3-haiku-20240307 on 2025-02-17

The image appears to be an article or advertisement featuring two people, George Segal and Fred McDarrah. The text discusses their relationship and personal lives, mentioning details about their families, careers, and interests. However, as per the instructions, I will not identify or name the individuals shown in the image, since it contains human faces. Instead, I will describe the relevant aspects of the image without referencing the specific people.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-17

The image shows a page from a magazine or newspaper, featuring an article with a photo of a man and woman in the center. The article is written in a mix of red and black text, with the title "GEORGE SEGAL" at the top left and "FRED MCDARRAH" at the top right. * The article appears to be an interview or profile piece, with the author discussing various topics with the subjects. * The photo of the man and woman is in black and white, and they are both wearing formal attire. * The background of the page is a light brown color, with a darker brown border around the edges. * There are several advertisements and other articles on the page, including one for ceramics classes and another for watercolor and acrylic classes. Overall, the image suggests that the magazine or newspaper is focused on arts and culture, and may be targeted towards a niche audience interested in creative pursuits.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-17

The image is a page from a magazine or newspaper, featuring an article with the title "GEORGE SEGAL" and "FRED MCDARRAH" at the top. The article is written in a column format, with the text arranged in a vertical layout. **Key Features:** * **Title:** The title of the article is prominently displayed at the top of the page, with "GEORGE SEGAL" on the left and "FRED MCDARRAH" on the right. * **Column Format:** The article is written in a column format, with the text arranged in a vertical layout. * **Image:** A large image of a woman dominates the center of the page, taking up most of the space. The image is in black and white, but it has been overlaid with a pink and green gradient effect. * **Text:** The text of the article is written in a small font size, making it difficult to read without magnification. The text appears to be a conversation between George Segal and Fred McDarrah, discussing their experiences and thoughts on various topics. * **Advertisements:** Two advertisements are placed at the bottom of the page, one for ceramics classes and another for watercolor and acrylic classes. These advertisements are likely sponsored content and are not part of the main article. **Overall Impression:** The image presents a unique blend of art, culture, and conversation. The use of a gradient effect on the image adds a touch of creativity and visual interest to the page. The article itself appears to be a thoughtful and introspective discussion between two individuals, offering insights into their experiences and perspectives.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-17

The image is a page from a magazine or a newspaper, featuring two prominent figures: George Segal and Fred McDarrah. The page is divided into two main sections, each dedicated to one of the individuals. On the left side, there is a photograph of George Segal, an American artist known for his sculptures. The photograph shows Segal in a studio setting, surrounded by his work. The text accompanying the image discusses Segal's artistic process and his relationship with his work. The text is written in a narrative style, providing insights into Segal's thoughts and feelings about his art. The background of the photograph is blurred, focusing the viewer's attention on Segal and his artwork. On the right side, there is a photograph of Fred McDarrah, an American photographer and writer. The photograph shows McDarrah in a candid moment, possibly during a social event or a professional engagement. The text accompanying the image discusses McDarrah's career and his contributions to photography and writing. The text is written in a more formal style, highlighting McDarrah's achievements and his impact on the art world. The page also includes a small advertisement for "Ceramics Classes" and "Watercolor & Acrylic Classes," indicating that the magazine or newspaper is likely targeted towards artists or art enthusiasts. The advertisement is placed at the bottom of the page, below the main content. Overall, the page presents a contrast between the two artists, with Segal's work being more introspective and McDarrah's work being more outward-facing. The text and images work together to provide a comprehensive view of each artist's life and career.

Created by amazon.nova-lite-v1:0 on 2025-02-17

The image is a page from a magazine or newspaper featuring an article titled "Fred McDarrah." The article is accompanied by a photograph of a man and a woman, possibly an artist and his model, in a studio setting. The article discusses the artist's work and the process of creating art. The article is written in a journalistic style and includes quotes from the artist and others involved in the art world. The image also includes advertisements for ceramics and watercolor classes, as well as a classified ad for a "Culture Hero."

Text analysis

Amazon

FRED
FRED MCDARRAH
SEGAL
GEORGE SEGAL
GEORGE
really
straddling
others
and
sumthine.
hates
about
from
the
and the others like David
armor from neck really sumthine. know
have
and Polly
Your
David
For Your her other friends (and
Merce and Jasper
her
You Must Sit Still about then
Jill realls hates to have
(and
like
encased
Jill
armor
friends
know
belling schoolgirlishly yo must felt
straddling upright thing.
thing.
foor.
iwue

Google

plaster
her.
last
straddling
on
the
encased
white
from
to
belling
Mainst
You
Still
Dearie-It's
Good
For
Soul
injunction.
had
only
a
few
drinks,
eyes
back.
hair
straggling,
sustained
potes,
sentimental
Scoteh
like
paralytic,
Dame
BBC
studio
causing
scandal
thing,
making
whole
Jill.
sumthing.
know
how
you
must
felt
calling
about
then
other
(and
enemies)
Merce
and
Robert.
Polly
We
now
after
this
it's
gonna
her
finally
come
I
guess
we
feel
little
rotten
inside.
Les
did
right.
second
it
all
could
respect
first
she
was
at
The
Dinner
Table,
years
Kaprow
there
with
him.
She
absolutely
sit
next
him,
maybe
praised
more
that
damned
everybody
pickin
(And
say
And
those
strangers
words.
Well,
they're
damn
Ray
time
his
evil
mysterious
never
return
address.
I'll
opposite,
cross
legged
man.
When
Jill
comes
our
house
as
patural
erupts
ebbs,
be
coaxed,
jousted
disappointment
in
of
electrical
intensity.
words
torrent
notebooks,
ideas
ever
wondering
Segal
yourself
takes
personally.
So
personally
that,
bet
sorry
too.
we're
back
recalling
don't
lousy
Willoughby
though,
he
is
Les.
still
why
took
off
pants
panel).
CERAMICS
CLASSESIlike
remember
good
old
days.
Remember
63
Jusdon
when
weird
Sally
George
Red
NOW
Day/Evaning
Wask/Pan
Time
POTTERY
WORKSHOP
Open
1
p
woRKSHOP
MEMBERSHIP
trm
perm
LESSON
complex
family
proving
Freud
Appolonaire
real
father.
sensible
spirit
are
moving
palpable,
your
body
doesn't
wanl
do
what
tell
sometimes
hate
green
dinosaur
ladder
place
end
tied
up
longshoremans
rope.
Wow!
That
sure
an
evening.
for
BEGINNERS
64
Andy
gave
quiet
party
showed
stoned
climbed
wall
black
velvet
maxi-dress
just
COOPER
SQUARE
ART
CENTER
7
ST
NR
rd
AVE
WASHINGTON
SO,
CENTBR
wa
HR,
ALL
SUBWAYS
FORNeo
AM
PM
CALL
477-1635
Spirit
cosmos
involves
ego
visit
here
something
Arrival:
9
pm.
Slid
into
Old
Testament
talk:
Lot
human
sacrifice,
Fear
einema,
screaming
each
sculpture
Polly.
eonsidered
work
three
way
colaboration
suggested
achange
it.
Me
roaring
putting
pieces
together.
alone
my
own
way,
wrote
column,
srite
ordered
eservbody
As
A
transformation
monkey
hung
down
ceiling
water
pipe
covered
foil.
&
Acrylic
beginners
intermediates
tought
by
professlonal
artist
In
Village
classes
Poor
Claes
Roy
Tom
looking
aghast
should
fall
bust
$50
4
month
course
starts:
430
nutty
head.
But
extract
KURTH
313
memories
Dear
others
say.
want
get
because
swellhere
poetry
thing
that.
really
getsmusic
puttin
you're
or
ump
papers
magazines
some
bigfor
you.
Kind
gives
museum
shw
always
same
plastic
stuff
too,
turn
look
forward
GEORGE SEGAL FRED MCDARRAH Jill really hates to have plaster put on her. The last time. she posed, she was straddling a mattress on the floor, encased in white armor from neck to vagina, belling schoolgirlishly Mainst the You Must Sit Still Dearie-It's Good For Your Soul injunction. She had had only a few drinks, eyes shut, head back. pinned hair straggling, sustained potes, sentimental Scoteh and English songs, gray wall. I thought she looked like a paralytic, drunken Dame Edith in a BBC TV studio causing a scandal upright decent thing, like making a whole issue on Jill. That's really sumthing. I know how you must have felt calling me about her and then having to call her other friends (and enemies) and the others like David and Merce and Jasper and Robert. and Polly and even Diane. We all know now after this it's gonna be hard to put her down anymore and now that it's finally come to this I guess we all feel a little rotten inside. I ask you Les did you really treat her right. Gives you second thoughts doesn't it pal. We all could have had more respect for her and The first time she posed was at The Dinner Table, years back. The figure of Kaprow was already there and she'd been feuding with him. She absolutely refused to sit next to him, sat maybe praised her more at that damned panel when everybody was pickin on her. (And what did you say about her in Philadelphia Les). And all those strangers chopping up her beautiful words. Well, now they're sorry. And that damn Ray all the time with his evil mysterious correspondence and never even a return address. I'll opposite, and resolutely averted ber face from the cross legged plaster man. When Jill comes to our house to visit, she is regarded as a patural force that erupts and ebbs, to be feared, coaxed, contained, jousted with, enjoyed, never ignored. Normal human passions, like disappointment in love, trigger in her a response of electrical intensity. with words anjdeas tumbling in a torrent of notecards, spiral bound notebooks, poetic harangue. Al the books and ideas she ever read that have to do with wondering Helea and George Segal about yourself and the world she takes personally. So personally that, in a time of electric excitement, she worked out a bet he's sorry too. I guess we're all thinking back now and recalling fondly the first time we met Jill and cherishing all those beautiful thoughts. I know damn well I am. I mean how else should a guy feel at a time like this. I just don't have any more dirty thoughts about Jill. (ITl bet that lousy Willoughby does though, and you know how he is Les. I still don't know why he took off his pants at the panel). CERAMICS CLASSESIlike to remember Jill from the good old days. Remember in 63 at Jusdon when she did her weird thing with Sally and George and Red and that nutty REGISTERING NOW Beginners/Advanced Day/Evaning Once Wask/Pan Rme/Full Time POTTERY WORKSHOP Open 1 p woRKSHOP MEMBERSHIP trm 11 perm 1 FREE LESSON complex family tree proving Einstein, Freud and Brown related to her, with Appolonaire as her real father. Absolutely sensible when disembodied ideas and spirit are moving and palpable, and your body doesn't wanl to do what you tell it to and sometimes you hate it green dinosaur on the ladder and the whole place from end to end tied up in longshoremans rope. Wow! That sure was an evening. for BEGINNERS And remember the time in 64 when Andy gave that quiet little party and Jill showed up stoned and climbed up the wall in her black velvet maxi-dress and just COOPER SQUARE ART CENTER 7 ST NR rd AVE WASHINGTON SO, ART CENTBR wa ST HR, AVE ALL SUBWAYS FORNeo AM PM CALL 477-1635 Spirit and cosmos involves ego and her last visit here had something to do with that Arrival: 9 pm. Slid into Old Testament talk: Lot and Abraham, human sacrifice, Kierkegarde, Fear and Tumbling images, einema, stream of conseiousness, Dionysus, Manichaean light and dark.. Helen got sleepy went to bed. 1:30 am Jill and I screaming at each other about the sculpture I made of her and Polly. She eonsidered the work a three way colaboration and if she suggested achange in gesture and relationship. I should do it. Me roaring that relationships are one thing, when I was putting those pieces together. I was alone and had to do it my own way, she she wrote her column, she could srite whateyer she damn well anted Helen came stumbling out and ordered eservbody to eep Then it dawned on me that all this talk about the Disintegration of Jill Johnston, As A Critie is realls about the transformation of Jill Johnston into an artist Watercolor like a monkey hung upside down on the ceiling water pipe all covered with aluminum foil. & Acrylic Classes beginners & intermediates tought by professlonal artist In Village shudlo saturday classes Poor Andy and Claes and Roy and Tom and James just stood below staring and looking aghast that she should fall and bust her moreings 9:3042:30 er afternoons 130-4:30 $50 fer 4 month course starts: FEB. 14th 430 nutty head. I guess at a time like this Les a guy kind of remembers all the good things. But how can I extract those KARL KURTH 313 Ave o Americes certain memories of Jill and say that that was the real Jill. 1 could go on and on but you Dear Les. When you called me the other day with the news about Jill Johnson I can't tell know what the others will say. And I don't want to get into that because this is a time for you how surprised I was. You said this was it and that you were devoting a whole issue of Culture Hero to her. You can be sure that I felt very proud ofwith a certain pride. Yes dammit you Les for doing such a swellhere should be poetry and thing like that. What really getsmusic and dancing as each word me is how people are always. puttin you down because you're on the TV tube or you get your ump in your throat Les to think reverence that we put aside and a time when we can all be filled goes down here, for isn't that the real Jill. And doesn't it put a name in the papers and the magazines afe always running a picture or you're in some bigfor you. Kind of gives a guy museum shw and always with the same plastic stuff too, And doesn't it Yours truly, Fred W now here you are doing such anMeDarran. that when vour turn comes that maybe we'll do the same thing something to look forward to,
GEORGE
SEGAL
FRED
MCDARRAH
hates
have
put
time.
posed,
mattress
floor,
armor
neck
vagina,
schoolgirlishly
Must
Sit
Your
shut,
head
pinned
English
songs,
gray
wall.
thought
looked
drunken
Edith
TV
upright
decent
issue
That's
me
having
call
friends
David
Jasper
even
Diane.
hard
anymore
ask
treat
Gives
thoughts
pal.
posed
figure
already
she'd
been
feuding
refused
sat
panel
Philadelphia
Les).
chopping
beautiful
sorry.
correspondence
resolutely
averted
ber
face
visit,
regarded
force
feared,
contained,
with,
enjoyed,
ignored.
Normal
passions,
love,
trigger
response
anjdeas
tumbling
notecards,
spiral
bound
poetic
harangue.
Al
books
read
Helea
world
electric
excitement,
worked
out
he's
thinking
fondly
met
cherishing
thoughts.
well
am.
mean
else
guy
this.
any
dirty
(ITl
does
REGISTERING
Beginners/Advanced
Once
Rme/Full
11
FREE
tree
Einstein,
Brown
related
her,
Absolutely
disembodied
Abraham,
Kierkegarde,
Tumbling
images,
stream