Human Generated Data

Title

Martyrdom of Saint Bartholomew

Date

18th century

People

Artist: Marco Alvise Pitteri, Italian 1702 - 1786

Artist after: Jusepe de Ribera, Spanish 1591 - 1652

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2935

Human Generated Data

Title

Martyrdom of Saint Bartholomew

People

Artist: Marco Alvise Pitteri, Italian 1702 - 1786

Artist after: Jusepe de Ribera, Spanish 1591 - 1652

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2935

Machine Generated Data

Tags

Amazon
created on 2022-03-04

Person 99.3
Human 99.3
Person 99.2
Painting 97.8
Art 97.8
Person 93.5
Text 63.1
Portrait 59.1
Photography 59.1
Face 59.1
Photo 59.1

Clarifai
created on 2023-10-29

people 100
print 99.8
group 99.5
art 99.5
adult 99.3
engraving 98.9
man 97.6
portrait 97.2
painting 96.7
illustration 96.4
etching 94
two 92.5
facial hair 92.3
leader 92.3
three 91.8
woman 90.8
sepia pigment 89.5
lithograph 88.5
administration 87.9
Renaissance 87.9

Imagga
created on 2022-03-04

newspaper 49.7
money 46
daily 44.7
product 44.2
cash 43
currency 42.2
dollar 40.9
creation 35.1
finance 33
paper 29.8
wealth 29.6
bank 29.6
dollars 29
bill 28.5
financial 27.6
banking 27.6
business 26.1
hundred 24.2
us 23.1
comic book 22.4
savings 22.4
one 21.7
bills 21.4
close 21.1
banknotes 20.6
book jacket 20.5
rich 20.5
loan 19.2
pay 18.2
exchange 18.1
art 18
franklin 17.7
states 16.4
finances 16.4
jacket 16
economy 15.8
vintage 15.7
investment 15.6
banknote 15.5
stamp 14.5
mail 14.4
profit 14.4
closeup 14.1
symbol 14.1
postmark 13.8
postage 13.8
letter 13.8
united 13.3
capital 13.3
postal 12.8
funds 12.7
sculpture 12.5
market 12.4
wrapping 12.1
culture 12
envelope 11.9
old 11.8
printed 11.8
economic 11.6
sketch 11.6
post 11.5
note 11
payment 10.6
notes 10.6
fine 10.5
background 10.5
drawing 10.1
masterpiece 9.9
shows 9.9
history 9.8
twenty 9.8
paintings 9.8
value 9.7
debt 9.6
statue 9.6
representation 9.5
ancient 9.5
unique 9.5
commerce 9.3
print media 9
known 8.9
renaissance 8.8
monetary 8.8
museum 8.7
icon 8.7
cutting 8.7
price 8.7
painter 8.6
communications 8.6
architecture 8.6
save 8.5
sign 8.3
global 8.2
covering 8.1
religion 8.1
success 8
detail 8
screen 7.9
post mail 7.9
zigzag 7.9
fame 7.9
stamps 7.9
president 7.9
wages 7.8
antique 7.8
delivery 7.8
sales 7.7
god 7.7
painted 7.6
number 7.5
carving 7.4
church 7.4
man 7.4
black 7.2
portrait 7.1
concepts 7.1
face 7.1

Google
created on 2022-03-04

Microsoft
created on 2022-03-04

text 100
book 98.1
drawing 97.7
sketch 95.1
person 92.8
painting 86.1
illustration 81.8
old 80.5
clothing 76.3
cartoon 74.7
man 70.5
poster 69.5
posing 45.1

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 49-57
Gender Male, 98.8%
Sad 71.8%
Calm 20.5%
Angry 3.8%
Confused 1.9%
Disgusted 0.6%
Happy 0.6%
Fear 0.4%
Surprised 0.4%

AWS Rekognition

Age 29-39
Gender Male, 96.8%
Confused 56.7%
Fear 13.1%
Surprised 12.1%
Calm 8.1%
Angry 4.9%
Sad 2.6%
Disgusted 2%
Happy 0.6%

Microsoft Cognitive Services

Age 33
Gender Male

Microsoft Cognitive Services

Age 45
Gender Male

Feature analysis

Amazon

Person
Painting
Person 99.3%
Person 99.2%
Person 93.5%
Painting 97.8%

Categories

Imagga

paintings art 100%

Captions

OpenAI GPT

Created by gpt-4 on 2025-01-29

The image appears to be a historical engraving depicting a dramatic scene with classical figures. The central figure is a semi-nude male with well-defined muscles, suggesting a depiction of strength or struggle. He is interacting with another figure on his left, who appears to be reaching out towards him with one hand while holding a tool or implement in the other. The figures are surrounded by dark, indistinct space that creates a focused and intense atmosphere, drawing attention to the interaction between the two main figures. The lower part of the image includes text and ornamental details, likely indicating the artist, subject, and perhaps the context or title of the work in question.

Created by gpt-4o-2024-05-13 on 2025-01-29

The image is an engraving depicting a dramatic and intense scene of three male figures. Two of the figures are actively restraining a semi-nude central figure, who appears to be in a state of struggle or suffering. The muscular anatomy of the central figure is prominently displayed, with defined chest and arm muscles. The figures are dressed in loosely draped cloths, and the scene is rendered with strong contrast and detailed shading. There is an inscription at the bottom of the image in both Italian and French, attributing the artwork to Giuseppe Ribera, also known as Lo Spagnoletto, and mentioning its origin from the Galerie Royale de Dresde. The engraving showcases classical artistic techniques and a high level of craftsmanship.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-29

This is a historical engraving or print depicting a dramatic scene, likely of religious or classical subject matter. The composition shows three figures, with a central shirtless figure being restrained or tortured by two others. The central figure appears in distress, with his body twisted and arm raised. The print shows strong contrast and detailed musculature, characteristic of Baroque artistic style. According to the caption, this is a work by José de Ribera (also known as lo Spagnoletto) from the Royal Gallery of Dresden. The text at the bottom includes measurements in feet and inches. The print has a dark, intense atmosphere typical of Ribera's dramatic style of art.

Created by claude-3-opus-20240229 on 2025-01-29

The image is an engraving or etching depicting the crucifixion of Jesus Christ. It shows Jesus nailed to the cross in the center, with his head slumped forward. On either side of him are two other men who were also crucified. The man on Jesus' right has his head turned towards Jesus, while the man on the left has his head turned away. In the lower right corner is text in French that translates to "Plate 2, feet 7 thumbs long, 4 inches 7 thumbs". The engraving has a somber and dramatic tone, conveyed through the dark shading and pained expressions and body language of the crucified figures.

Created by claude-3-haiku-20240307 on 2025-01-29

The image appears to depict a dramatic, allegorical scene with several figures. In the center is a muscular, shirtless male figure lying on a table or surface, surrounded by two other figures who seem to be assisting or interacting with him. The figures are rendered in a highly detailed, expressive style characteristic of Baroque art. The overall tone of the image is somber and intense. Without identifying any individuals, the scene appears to portray some kind of religious or mythological subject matter.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16

The image depicts a scene from the biblical story of the Flagellation of Christ, where two men are shown beating Jesus with whips. The man on the left is holding a whip in his right hand and appears to be about to strike Jesus, while the man on the right is holding a whip in his left hand and is already striking Jesus. Jesus is depicted as being naked, with his arms raised in a defensive position. He has a look of pain and suffering on his face. The background of the image is dark and shadowy, which adds to the sense of drama and intensity of the scene. Overall, the image conveys a powerful and emotional portrayal of the Flagellation of Christ, highlighting the brutality and suffering that Jesus endured during his crucifixion.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16

This image is a black-and-white illustration of a scene depicting the flagellation of Jesus Christ. The illustration features three men, with one man in the center being whipped by another man on the right. The man on the left appears to be holding a cloth or garment. The illustration is presented in a sepia tone, which gives it an aged appearance. At the bottom of the image, there is text written in Italian and French, along with a circular emblem featuring a coat of arms. The overall atmosphere of the image conveys a sense of drama and intensity, as it captures a pivotal moment in the story of Jesus' crucifixion.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-29

The image is a black-and-white drawing that depicts a scene of three men, one of whom is being held by the other two. The central figure is a man with a beard, who is being held by his arms and is being whipped by one of the men standing beside him. The man on the left is holding a whip and is in the act of striking the central figure. The man on the right is holding the central figure's arm and is looking at him. The drawing is framed by a border and has a watermark in the bottom center.

Created by amazon.nova-lite-v1:0 on 2025-01-29

The image is a black-and-white etching of a scene with three men. The central figure is a man with a beard and a muscular physique, who is being held by two other men. The man on the left is holding a knife and is looking down, while the man on the right is looking at the central figure. The central figure is looking up at the man on the right. The image has a watermark in the bottom left corner and a border around it.

Text analysis

Amazon

Giuseppe
Galerie
Ribera
Large
Joseph
Roiale
di
detto
Quadro
dit
dalla
piedi
Largo
Galleria
Reale
de
la
pouces
lo
Haut
pieds
Quadro di Giuseppe Ribera detto lo Spagnoletto
28
Oncie
l'Espagnolet
Jableau de Joseph Ribera dit l'Espagnolet
De
Cavato dalla Galleria Reale di Dresda
Cavato
7
3.
4
De la Galerie Roiale de Dresde
alto
del
Spagnoletto
Haut 4 pieds 7 pouc. Large 3. pieds 7 pouces N.° 28
alto piedi 4 Oncie 7. Largo piedi 3. Oncie?
Jableau
Dresda
7.
pouc.
Dresde
or
- Hotics del
N.°
incid
or Litera incid Von!
Von!
-
Oncie?
Hotics
Litera

Google

Quadno di Gusezpe Ribera detto lo ohpagnoletto. Cavato dalla Galleria Reale di Oreada . alto piedi 4Oncie 7. Lango piedi 3.Oncie 7. Tableau de Taxph Ribera dit l'Espagmolet De la Galerie Roiale de Oresde Haut 4 pieds 7 pouc:Large 3 pieds 7 pouas N 25
Quadno
di
Gusezpe
Ribera
detto
lo
ohpagnoletto.
Cavato
dalla
Galleria
Reale
Oreada
.
alto
piedi
4Oncie
7.
Lango
3.Oncie
Tableau
de
Taxph
dit
l'Espagmolet
De
la
Galerie
Roiale
Oresde
Haut
4
pieds
7
pouc:Large
3
pouas
N
25