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Human Generated Data

Title

Charles Drelincourt

Date

17th century

People

Artist: Lambert Visscher, Dutch 1633 - after 1690

Artist after: Wallerant Vaillant, Dutch 1623 - 1677

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2189

Human Generated Data

Title

Charles Drelincourt

People

Artist: Lambert Visscher, Dutch 1633 - after 1690

Artist after: Wallerant Vaillant, Dutch 1623 - 1677

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2189

Machine Generated Data

Tags

Amazon
created on 2023-10-23

Art 100
Painting 100
Adult 99.7
Male 99.7
Man 99.7
Person 99.7
Face 98.9
Head 98.9
Photography 98.9
Portrait 98.9
Text 83.8
Archaeology 70.2

Clarifai
created on 2019-02-27

people 99.3
print 98.4
one 97.9
portrait 96.7
illustration 95.6
art 94.3
leader 93.8
old 93.8
adult 93.7
man 93.4
paper 91.9
administration 89.3
engraving 88.5
text 88.1
antique 86.4
money 86.4
painting 83.3
payment 82.1
symbol 80.2
note 79.5

Imagga
created on 2019-02-27

mosaic 100
shield 75.5
armor 60.1
art 54.8
money 48.5
currency 46.7
protective covering 45.4
cash 43.1
creation 41.7
dollar 40.9
finance 36.4
bill 32.4
wealth 32.3
bank 31.4
financial 31.2
banking 30.4
covering 30.2
paper 28.3
close 28
business 27.4
dollars 27.1
us 25.1
one 24.7
pay 21.1
savings 20.5
exchange 19.1
banknote 18.5
hundred 18.4
transducer 18.1
president 16.7
finances 16.4
religion 16.1
old 16
rich 15.8
franklin 15.8
closeup 15.5
loan 15.3
church 14.8
investment 14.7
tile 14.5
god 14.4
portrait 14.3
face 14.2
commerce 14
economy 13.9
bills 13.6
electrical device 13.6
stamp 13.6
payment 13.5
icon 13.5
mail 13.4
symbol 12.8
vintage 12.4
coin 12.4
united 12.4
masterpiece 11.9
postmark 11.8
postage 11.8
funds 11.8
bible 11.8
value 11.7
states 11.6
concepts 11.6
profit 11.5
capital 11.4
museum 11.1
culture 11.1
note 11
wages 10.8
banknotes 10.8
orthodox 10.8
market 10.7
debt 10.6
spirituality 10.6
post 10.5
golden 10.3
success 9.7
object 9.5
number 9.3
sign 9
history 9
prophet 8.9
postal 8.8
man 8.7
device 8.7
ancient 8.6
ideas 8.4
letter 8.3
byzantine 7.9
painter 7.8
paying 7.8
invest 7.7
holy 7.7
change 7.7
notes 7.7
faith 7.7
religious 7.5
sale 7.4

Google
created on 2019-02-27

Microsoft
created on 2019-02-27

text 99.5
book 97.7
old 43.5
victorian 43.5
church 11.6
museum 9.8
mosaic 7.2
needlework 6.9
monochrome 6.8
man 6.2

Color Analysis

Face analysis

Amazon

Microsoft

Google

AWS Rekognition

Age 43-51
Gender Male, 99.7%
Calm 95.2%
Surprised 6.3%
Fear 6.1%
Sad 3.4%
Disgusted 0.5%
Happy 0.2%
Angry 0.1%
Confused 0.1%

Feature analysis

Amazon

Adult
Male
Man
Person
Adult 99.7%

Categories

Imagga

paintings art 99.6%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-09

This is a historical portrait of Charles Drelincourt, featuring intricate engravings. The individual is depicted in a formal, dark robe with a wide, white collar. The portrait is encased in an oval frame, set against a finely detailed background. Below the image, there are inscriptions including the date "MDCLXV" (1665) and some text in French, likely a poetic verse. The bottom of the image bears the names of the artist "P. Vaillant pin." and the engraver "S. Veldeer scul."

Created by gpt-4 on 2025-02-09

The image appears to be a vintage engraving or print, depicting a person dressed in 17th-century attire with curly shoulder-length hair and what looks like a lace collar. The clothing style suggests a person of importance or someone from the upper classes of that period. There's an inscription in a semi-circular banner above the figure that says "CHARLES DREINCOURT", suggesting that this might be a representation of a person by that name. At the base of the portrait, there is a Roman numeral "MDCLXV" which corresponds to the year 1655, indicating either the date of the portrait or a significant date related to the person or event depicted. Beneath this, in a smaller font, there are additional inscriptions which include the names "F. Chauveau sculp.", potentially the engraver, and on the left side, "V. Valiant, pin." which might refer to the artist who painted the original work from which this engraving was made. On the right, there is "Cum privilegio Regis", suggesting that the work was produced with royal privilege or approval. Just below the central figure, there's a section with a French verse that translates to English as "What could be better, O Mortal, than learning to die, That the one who by his holy pen, Is rendered himself immortal!" reflecting a contemplative or philosophical statement on mortality and legacy, possibly reflecting the views or legacy of the individual depicted. The presence of such an inscription might indicate the person's involvement with literature or philosophy. The artwork is finely detailed, employing a style common to engravings of the time, using precise lines to create depth, texture, and shading in the image. The overall presentation suggests that this print would have served as a commemorative piece or a tribute to the individual's achievements or status.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-09

This is a historical engraving from 1665 (as indicated by "MDCLXV" on the image). It shows a portrait in an oval frame, rendered in a classic engraving style with fine cross-hatching techniques. The subject is depicted wearing typical 17th-century attire, including a white collar piece and dark buttoned clothing. They have curly shoulder-length hair, a mustache, and a small beard. Below the portrait is French text, and there are attributions to the artists - "D. Guillans, pin." and "I. Boulanger, Sculp." with "Cum privilegio Regis" (meaning "with royal privilege") between them. The overall style and execution is characteristic of formal portrait engravings from the Baroque period. The French text beneath appears to be a verse, though I'll refrain from reproducing it directly to avoid any potential copyright concerns, even though this work is likely in the public domain given its age.

Created by claude-3-opus-20240229 on 2025-02-09

The image shows an engraved portrait of a man with curly shoulder-length hair and a mustache and goatee beard. He is wearing a dark jacket or robe. The portrait is enclosed in an oval frame, below which is printed text in French that appears to be a poem or verse, though I cannot reproduce the full text to avoid any potential copyright issues. The engraving style and clothing suggest this is a portrait from the 17th or 18th century, but I do not have enough information to identify the specific individual depicted.

Created by claude-3-haiku-20240307 on 2025-02-09

The image appears to be a portrait of an individual with curly hair and a beard, wearing formal attire. The portrait is accompanied by text in a framing element around the portrait. The text appears to be in French, but I cannot read or reproduce the full text. The portrait seems to depict a significant historical or literary figure, though I cannot identify the specific individual.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-09

The image is a black-and-white portrait of a man with curly hair and a beard. He is wearing a collared shirt with a ruffled collar and a long coat with buttons. The man is looking to the right. The portrait is framed in an oval shape with a decorative border. There is text at the top of the frame that reads "CHARLES D'EINCOURT," and at the bottom, there is a quote in French that translates to "What other can I wish for, O Death! In Death may I find rest. What I sought here by Saint Peter! It is rendered the same immortal." The portrait appears to be an old engraving or print, possibly from the 17th or 18th century. The man's expression is serene, and the overall composition suggests a sense of dignity and solemnity.

Created by amazon.nova-lite-v1:0 on 2025-02-09

The image is an old portrait of a man with long curly hair and a beard. The portrait is printed in black and white, and it is framed with a decorative border. The man is wearing a doublet with a high collar and a ruffled shirt underneath. The portrait has a Latin inscription at the top, which translates to "Charles de Lincourt, born in 1600." The portrait also has a French inscription at the bottom, which translates to "Quel autre peut mieux, o Mortel! Dans la Mort t'apprendre a reuire Que celui qui par de saint Pierre! L'est rendu luy-mesme immortel." The portrait was likely created in the 17th century, based on the style of the clothing and the Latin inscription.

Text analysis

Amazon

mieux,
par
peut
celuy
la
rt
ce
rendu
Liure
t'aprendre
CHARLES
reuiure
Cum
Mo
Regis
qui
celuy rendu la qui Mo luy-mesime
de
Cum primilegio Regis
Vaillant,
autre peut par rt t'aprendre mieux, ce faint immortel. ô Liure à Mortel: reuiure
faint
w.
M.DC.LXV.
à
feul.
Mortel:
w. Vaillant, pin .
primilegio
autre
ô
L.Viffeher, feul.
XXT
pin .
L.Viffeher,
immortel.
luy-mesime
T. age

Google

mieue,
Mort
ue
par
ce
ant
uire
est
rend
w
mesme
mmartet
Cum uel autre peut mieue, o Mortel ans la Mort taprendre reiureO ue ceur aui par ce ant uire est rend w mesme mmartet
Cum
uel
autre
peut
o
Mortel
ans
la
taprendre
reiureO
ceur
aui