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Human Generated Data

Title

Christ giving the keys to Saint Peter

Date

1728

People

Artist: Hamlet Winstanley, British 1700 - 1766

Artist after: Peter Paul Rubens, Flemish 1577 - 1640

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R6072

Human Generated Data

Title

Christ giving the keys to Saint Peter

People

Artist: Hamlet Winstanley, British 1700 - 1766

Artist after: Peter Paul Rubens, Flemish 1577 - 1640

Date

1728

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R6072

Machine Generated Data

Tags

Amazon
created on 2023-10-23

Art 100
Painting 100
Wedding 98.6
Face 94.2
Head 94.2
Text 69.2
Drawing 56.7

Clarifai
created on 2019-02-27

print 99.8
people 99.8
illustration 99.7
art 99.6
painting 98.7
engraving 98.1
portrait 97.8
adult 97.8
man 97.1
one 96.9
Renaissance 96.5
lithograph 92.6
antique 91.8
religion 91.5
old 90.5
book 89.3
vintage 89.1
leader 88.7
book bindings 88.7
retro 88.5

Imagga
created on 2019-02-27

sketch 91.4
drawing 66
representation 54.7
tattoo 48.8
design 32.5
art 32.4
decoration 30.6
sculpture 26.6
religion 25.1
statue 22.4
ancient 20.8
religious 20.6
old 20.2
vintage 17.4
church 16.7
antique 16.1
holy 15.4
history 15.2
culture 14.5
stone 14.3
detail 13.7
grunge 13.6
architecture 13.3
carving 12.7
style 12.6
spiritual 12.5
god 12.4
symbol 12.1
man 12.1
money 11.9
catholic 11.7
figure 11.3
cash 11
currency 10.8
face 10.7
spirituality 10.6
faith 10.5
artistic 10.4
monument 10.3
pattern 10.3
decorative 10
traditional 10
retro 9.8
one 9.7
prayer 9.7
black 9.6
saint 9.6
temple 9.5
finance 9.3
banking 9.2
artwork 9.2
travel 9.2
financial 8.9
historical 8.5
dollar 8.4
texture 8.3
historic 8.3
gold 8.2
paper 7.8
angel 7.8
color 7.8
banknote 7.8
museum 7.8
pray 7.8
head 7.6
tourism 7.4
close 7.4
ornate 7.3
people 7.3
painting 7.2
bank 7.2
icon 7.1
portrait 7.1

Google
created on 2019-02-27

Microsoft
created on 2019-02-27

text 100
book 100
woodcut 100
drawing 76.6
museum 58.6
tattoo 43.2
sketch 35.2
victorian 34.8
charcoal 26.3

Color Analysis

Face analysis

Amazon

Microsoft

Google

AWS Rekognition

Age 31-41
Gender Male, 73.9%
Calm 95.2%
Surprised 6.3%
Fear 6.1%
Sad 3.2%
Disgusted 0.5%
Confused 0.4%
Angry 0.2%
Happy 0.1%

Feature analysis

Amazon

Adult
Bride
Female
Person
Woman
Male
Man

Clarifai

Human face
Clothing
Man
Human arm
Human nose

AWS Rekognition

Adult 98.6%

Categories

Imagga
created on 2019-02-27

paintings art 98.7%

Captions

Clarifai

Created by general-english-image-caption-clip on 2025-07-14

painting artist, portrait of builder with person.

Salesforce

Created by general-english-image-caption-blip on 2025-05-26

a photograph of a drawing of jesus christ christ christ jesus christ jesus christ jesus jesus jesus jesus jesus

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-10

This image appears to be an etching or old print depicting a religious scene. It shows a group of people in robes, with one central figure who seems to be the focal point of the composition. The central figure has a radiant halo around their head and is draped in classical robes. This person seems to be showing a wound on their chest to another figure, who is bending forward to examine it closely, possibly Thomas from the scene of "Doubting Thomas" in Christian art. Another person in the scene is pointing towards the wound, drawing attention to it.

The image is detailed with intricate lines and shading, typical of etching techniques used in classical artworks. At the bottom, there is a text inscription in Latin, which includes the names “VanDyck pinx.”, suggesting that the original artwork was by Anthony Van Dyck, and “Comitis Derby apud Knowlsey,” which may refer to the Earl of Derby at Knowsley. The Latin text suggests this might be an illustration or detailed copy made for a noble household or estate.

Created by gpt-4 on 2025-02-10

This is a classical engraving or etching that features several figures. The style suggests it's a religious or historical scene typical of artistic works from the Renaissance or Baroque periods. The central figure appears to have a radiant halo around their head, indicative of depicting a sacred or divine being. The figure’s upper body is partially draped in a flowing garment. Below, to the left of the central figure, is at least one animal that resembles a sheep or lamb, which may symbolize innocence or sacrifice. Another figure in the foreground seems to be interacting with this animal, possibly placing a hand upon it. On the bottom of the image, there is cursive text, which looks like it refers to the provenance or source of the image and possibly the artist or engraver name, but the specific details cannot be discerned from this description. Victorian-era script below the imagery describes the print source or edition and gives reference to a named person or place.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29

This is a religious artwork, appearing to be an engraving or print from 1720. The composition shows several figures in classical robes gathered together, with one central figure partially draped and bearing a halo or divine light around his head. There's also what appears to be a sheep or lamb in the lower left corner of the image. The style is characteristic of religious art from the 18th century, with fine line work and dramatic shading. At the bottom of the image, there is text in Latin that reads "Iuxta Exemplar in Aedibus Francifcus Jacobi Comitis Derby apud Knowsley," indicating this piece was created at or for Knowsley, which was associated with the Earl of Derby. The artwork shows skilled draftsmanship in its execution, particularly in the rendering of the drapery and facial expressions of the figures.

Created by claude-3-5-sonnet-20241022 on 2025-02-10

This is a religious artwork, appears to be an engraving or print from 1720. The scene depicts several figures in classical robes, with one central figure partially unclothed and showing a wound. The composition includes several bearded men gathered around, and there appears to be a lamb or sheep in the lower left corner. The style is characteristic of religious art from the 18th century, with dramatic drapery and expressive faces. At the bottom of the image, there is text in Latin that mentions "Comitis Derby apud Knowsley." The print is rendered in sepia tones on what appears to be aged paper, and shows skilled line work typical of engravings from this period.

Created by claude-3-opus-20240229 on 2025-02-10

The image depicts an engraving or etching of Jesus Christ with several of his disciples, likely showing a scene from the Bible. Jesus is shown shirtless, exposing his chest, and the disciples are gathered closely around him. One disciple appears to be leaning on Jesus' chest, likely representing the Apostle John, known as the "beloved disciple". The artwork has an inscription at the bottom identifying it as "Juxta Exemplar in Aedibus Ranuccio Jacobi Comitis Derby apud Knowsley", suggesting it may depict a biblical scene at the home of Count Ranuccio Jacobi of Derby at Knowsley. The image is rendered in a detailed, classical engraving style with fine linework and shading to create a sense of depth and form to the figures.

Created by claude-3-haiku-20240307 on 2025-02-10

The image appears to depict a religious or biblical scene. It shows several figures, including a central figure with long hair and a beard who seems to be Jesus Christ, surrounded by other men with beards. The figures are wearing flowing robes and the scene has a somber, contemplative atmosphere. The image appears to be an engraved or etched print, with fine lines and textures throughout.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a black-and-white engraving of a scene from the Bible, specifically the story of the Good Samaritan. The engraving is signed "H. Hondius fecit Knovsley 1628" in the bottom-right corner, indicating that it was created by Hendrick Hondius in 1628.

In the foreground, a man dressed in a toga is shown bending down to help another man who is lying on the ground. The man on the ground is holding a staff in his hand, and there is a sheep lying nearby. Behind the two men, three other figures are visible, including a woman and a child. The woman appears to be looking at the man on the ground with concern, while the child seems to be watching the scene unfold.

The background of the engraving is a light brown color, which provides a subtle contrast to the darker tones of the figures in the foreground. The overall effect of the engraving is one of drama and emotion, as the scene is meant to evoke feelings of compassion and kindness.

The engraving is surrounded by a border, which adds to its sense of depth and dimensionality. The text at the bottom of the engraving reads "Iuxta Exemplar in Edibus Francobili Jacobi Comitis Derby apud Knovsley," which translates to "According to the model in the books of Francis Jacob, Earl of Derby, published by Knovsley." This text suggests that the engraving was based on a previous work or illustration, and that it was intended for publication or display.

Overall, the engraving is a beautiful and evocative representation of a pivotal moment in the Bible. Its use of chiaroscuro and its attention to detail create a sense of drama and emotion, drawing the viewer into the scene and inviting them to reflect on the story being told.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image is a sepia-toned illustration of Jesus Christ surrounded by four men, with a lamb at his feet. The scene appears to be a depiction of Jesus healing a man, as one of the men is shown holding a cup to the mouth of another man who is kneeling before Jesus.

Key Elements:

  • Jesus Christ: Depicted in the center of the image, wearing a robe and with long hair and a beard. He has his right hand on the shoulder of the kneeling man and his left hand extended towards him.
  • Four Men: Surrounding Jesus, each with distinct facial features and hairstyles. They are all dressed in robes, with one of them holding a cup to the mouth of the kneeling man.
  • Kneeling Man: Shown in a state of illness or injury, with his head bowed and his hands clasped together in prayer. He is being tended to by Jesus and the man holding the cup.
  • Lamb: Depicted at Jesus' feet, symbolizing innocence and purity.
  • Background: A plain, sepia-toned background that provides a subtle contrast to the detailed illustrations of the figures.

Overall Impression:

The image conveys a sense of compassion, healing, and redemption, as Jesus tends to the needs of the kneeling man. The presence of the lamb adds a layer of symbolism, emphasizing the themes of innocence and purity. The sepia-toned color scheme gives the image a sense of age and nostalgia, suggesting that it may be a reproduction of an older artwork.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-10

The image depicts a black-and-white drawing of Jesus Christ and a group of people. Jesus, who is standing in the middle of the group, is wearing a robe and has a beard and long hair. He is holding a cup in his right hand and a piece of bread in his left hand. He is surrounded by four people, three of whom are men and one of whom is a woman.

Created by amazon.nova-lite-v1:0 on 2025-02-10

The image is a vintage drawing of Jesus Christ, who is standing with his eyes closed and his hands open, surrounded by four men. The drawing is in black and white and is framed by a white border. The drawing is titled "Iusta Exemplar in Adibus Francobilis Jacobi Comitis Derby apud Knowsley." The drawing depicts Jesus Christ with a halo above his head and a sheep in front of him.

Google Gemini

Created by gemini-2.0-flash on 2025-05-28

The image is an sepia-toned engraving of a painting showing Jesus passing keys to a kneeling figure.

Jesus is shown standing to the left with a light radiating from around his head. His torso is bare and draped with a robe. He has long hair and a beard and is looking down. Behind him is a group of three men with long hair and beards, all looking in the same direction as Jesus.

Kneeling at Jesus' feet is an older man with a beard holding a set of keys. At Jesus' feet is a head of sheep.

At the bottom of the print are the words "Vandyck pinx." "Alt. 4.7. Lat. 5.7." "H. Winstanley fecit Knowsley 1728." and "Juxta Exemplar in Edibus Prænobilis Jacobi Comitis Derby apud Knowsley."

Created by gemini-2.0-flash-lite on 2025-05-28

Certainly! Here's a description of the image:

Overall Impression:

The image is a detailed engraving depicting a biblical scene. It's a classical style, likely from the 18th century.

Key Features:

  • Central Figure: The central figure is Jesus, distinguished by the halo around his head, and his somewhat muscular build. He is wearing a draped garment, and his gaze is downward.
  • Key Offering: Jesus is giving keys to a man on his knees. This is likely Saint Peter.
  • Surrounding Figures: There are several other figures observing the scene. They are likely other apostles or disciples.
  • Details: The image showcases detailed linework with shading.
  • Inscription: The image has an inscription at the bottom with the artist's name and a Latin title.

Overall Feel:

The image evokes a sense of solemnity, significance, and piety typical of religious art.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-10

The image is an engraving depicting a biblical scene. It features a group of figures, with the central figure being a man with long hair and a beard, who appears to be Jesus Christ. He is partially draped in cloth and has a halo around his head, indicating his divine status. Surrounding him are several other figures, including older men with beards and a younger man, all of whom are looking at Jesus with expressions of reverence or curiosity.

In the lower part of the image, there are two animal heads, which appear to be a donkey and an ox, symbolizing the nativity scene. The background is plain, focusing attention on the figures and their interactions.

At the bottom of the image, there is text in Latin. The text reads: "Iuxta Exemplar in Aedibus Franobulsi Iacobi Comitis Derby apud Knowsley." This translates to "According to the example in the house of James, Earl of Derby, at Knowsley." This suggests that the engraving is based on an original work located in the house of the Earl of Derby at Knowsley.

The engraving is detailed and intricate, showcasing the skill of the artist in capturing the expressions and postures of the figures. The overall mood of the image is solemn and reverential, fitting for a religious scene.

Qwen

No captions written

Text analysis

Amazon

Derby
in
Comitis
Lat.
Exemplar
Pranobilis
Jacobr
Juxta
Juxta Exemplar in Edibus Pranobilis Jacobr
Knowsley
pinx.
Comitis Derby арид Knowsley
Dandyck pinx.
Lat. 3:7
арид
Dandyck
All instanley focit Knowsley 1728.
Edibus
focit
All instanley
1728.
$5.00
3:7

Google

vleu 1728. ano
vleu
1728.
ano