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Human Generated Data

Title

Saint Martin

Date

1650

People

Artist: Cornelis Visscher, Dutch 1628/29 - 1658

Artist after: Pieter Soutman, Flemish 1580/1601 - 1657

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4768

Human Generated Data

Title

Saint Martin

People

Artist: Cornelis Visscher, Dutch 1628/29 - 1658

Artist after: Pieter Soutman, Flemish 1580/1601 - 1657

Date

1650

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4768

Machine Generated Data

Tags

Amazon
created on 2019-10-30

Art 95.7
Person 92.6
Human 92.6
Painting 83
Mammal 82.7
Animal 82.7
Horse 82.7
Drawing 58.8

Clarifai
created on 2019-10-30

art 99.6
people 99.6
print 99.6
illustration 99.1
adult 98.5
engraving 97.7
one 97.6
portrait 96.3
man 95.5
painting 95.4
cavalry 94.1
lithograph 93.9
book bindings 93.9
Renaissance 93.1
baroque 92
woman 91.7
etching 89.5
royalty 89
two 87.6
leader 87.4

Imagga
created on 2019-10-30

statue 100
sculpture 72.4
sketch 44.3
art 35.1
drawing 32
carving 28.7
religion 27.8
representation 27.5
ancient 26
old 25.1
figure 24.8
monument 22.4
god 22
architecture 21.9
city 21.6
religious 21.6
history 20.6
saint 20.2
culture 19.7
catholic 19.5
detail 16.9
stone 16.9
holy 16.4
antique 16.3
plastic art 16.1
travel 15.5
landmark 15.4
tourism 14.9
symbol 14.8
church 14.8
faith 14.4
angel 13.7
spiritual 13.5
bronze 13.2
historic 12.8
marble 12.1
decoration 11.9
spirituality 11.5
column 11
support 11
roman 10.9
sky 10.9
vintage 10.8
famous 10.2
gold 9.9
building 9.5
historical 9.4
head 9.3
decorative 9.2
style 8.9
bookend 8.7
pray 8.7
golden 8.6
temple 8.6
horse 8.6
fountain 8.3
exterior 8.3
peace 8.2
bust 8.1
man 8.1
divine 7.9
face 7.8
king 7.8
prayer 7.7
palace 7.7
pedestal 7.7
artwork 7.3
tourist 7.3
design 7.1

Google
created on 2019-10-30

Microsoft
created on 2019-10-30

text 100
book 100
sketch 98.5
drawing 98.3
horse 97.4
illustration 83.5
painting 73.2
animal 69.1
cartoon 68.3
engraving 61.9
art 53.2

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 27-43
Gender Male, 94.1%
Sad 0.3%
Surprised 0.2%
Confused 0.1%
Calm 97.9%
Fear 0.1%
Disgusted 0.1%
Happy 0.6%
Angry 0.6%

Feature analysis

Amazon

Person
Painting
Horse
Person 92.6%

Categories

Imagga

paintings art 98.2%

Captions

Clarifai
created by general-english-image-caption-blip on 2025-05-05

a photograph of a man riding a horse in a drawing -100%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-30

The image is an intricately detailed engraving depicting a historical or mythological scene. It shows a mounted figure, possibly a knight or saint, dressed in elaborate and ornate armor and a flowing cloak. The figure is seated on a rearing horse with a muscular build, detailed mane, and tail, exhibiting dynamic motion. Below the horse is a partially clothed figure on the ground, who appears to be receiving the cloak from the mounted figure. The overall composition suggests an act of charity or significant interaction between the two figures. The background of the engraving is relatively simple, ensuring that the focus remains on the central figures and their expressive gestures. The artwork includes inscriptions and text along the bottom margin, which likely provide contextual information about the scene.

Created by gpt-4 on 2025-01-30

The image is a black and white engraving or etching of an equestrian figure. The figure is wearing elaborate period clothing typical of European aristocracy or military, characterized by detailed drapery, ornate patterns, and what appears to be a cape or cloak flowing behind. They are mounted on a spirited horse that is captured in motion, possibly rearing up as its front legs are elevated above the ground. The horse's mane is flowing, and its muscularity is well defined in the artwork. The reins and bridle are finely detailed, and the rider seems to hold a baton or scepter in one hand, suggesting a position of command or authority.

Beneath the mounted figure and horse, there is text that appears to be in an older script or typeface, which may identify the figure or provide context about the scene or the purpose of the print. However, without the ability to read the text or without additional context, the specifics remain unclear. The print exudes a sense of nobility and power, common elements in historical portraiture created to celebrate or commemorate important individuals of the time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-30

This is a detailed black and white engraving that appears to be from a historical or religious context. The artwork shows a mounted figure on horseback, dressed in elaborate period clothing including a hat and flowing robes, sitting atop a powerful horse in a dynamic pose. Below the horse and rider, there is a figure lying on the ground. The composition is dramatic, with the horse rearing up and the rider's cloak billowing in apparent motion. A radiant halo or burst of light appears behind the rider's head, suggesting this may be depicting a saint or religious figure. The artistic style and quality of the engraving suggests it's from around the 17th or 18th century. There is text in Latin at the bottom of the image, indicating this may be part of a larger collection of religious or historical illustrations.

Created by claude-3-opus-20240229 on 2025-01-30

The image depicts an engraving or etching of a regal figure on horseback, likely portraying a saint or martyr given the title mentioning "Martinus a Pannonia, nactu Hilarii in Gallia Discipulus". The figure is wearing ornate robes and holding a staff or scepter while mounted on a elaborately adorned horse. The composition has a dynamic, sweeping sense of movement with the flowing drapery of the robes and the horse's dramatic pose. It appears to be a highly detailed historical or religious illustration executed with fine linework in a black and white medium, presented with Latin text below providing context about the depicted personage.

Created by claude-3-haiku-20240307 on 2025-01-30

The image depicts a mounted figure wearing ornate armor and riding a horse over a fallen figure. The armored figure appears to be a powerful military or religious leader, based on the elaborate dress and riding posture. The fallen figure beneath the horse appears to be in a submissive or defeated position. The overall scene conveys a sense of authority, force, and conquest. The image is rendered in a detailed, engraved style characteristic of historical artwork.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a black and white engraving of Saint George and the Dragon, a famous scene from Christian art. The engraving is in sepia tone and features Saint George on horseback, dressed in armor and holding a spear. He is positioned above a dragon that is attempting to attack a woman. The woman is shown in the foreground, with her arms outstretched and her face contorted in fear. The dragon is large and menacing, with its mouth open wide as it prepares to strike.

Saint George is depicted as a heroic figure, with his armor gleaming in the light. His horse is rearing up on its hind legs, as if ready to charge into battle. The background of the engraving is plain, with no other figures or objects visible.

The engraving is surrounded by a border, with text written in Latin at the bottom. The text appears to be a description of the scene, but it is not legible due to the low resolution of the image.

Overall, the engraving is a powerful representation of the legend of Saint George and the Dragon. It shows the saint as a brave and courageous figure, willing to risk his life to save others from harm. The engraving is also a testament to the skill of the artist who created it, as it is a highly detailed and realistic depiction of the scene.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a black-and-white illustration of Saint Martin of Tours, a Christian saint and bishop, on horseback. He is dressed in elaborate attire, including a crown, cape, and ornate clothing, and holds a sword in his right hand. The saint is shown cutting his cloak with the sword to give half of it to a naked man kneeling before him, who appears to be a beggar or a poor person.

The illustration is rendered in a detailed and realistic style, with intricate textures and shading that give the image depth and dimension. The background of the image is a plain white or light-colored surface, which helps to focus attention on the central figure of Saint Martin and the scene being depicted.

At the bottom of the image, there is a caption or inscription in a foreign language, possibly Latin or Dutch, which provides additional context or information about the illustration. Overall, the image presents a powerful and evocative representation of Saint Martin's act of charity and kindness, and serves as a reminder of the importance of compassion and generosity towards others.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-30

The image is a black and white drawing of a man riding a horse. The man is wearing a crown and holding a sword. He is looking to the right, and his mouth is slightly open. A man is lying on the ground in front of the horse. He is wearing a robe and holding a staff. The horse is wearing a bridle and a saddle. The drawing is framed by a border.

Created by amazon.nova-lite-v1:0 on 2025-01-30

The image is a black-and-white drawing of a man riding a horse. The man is wearing a crown and holding a sword in his right hand. The horse has a long tail and is galloping. The man is looking to the left, and his face is illuminated by a light. The drawing has a watermark in the top left corner. The image is surrounded by a white border.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-06

Here's a description of the image:

Overall Impression:

The image is a detailed, monochromatic engraving, likely from the Baroque or early Renaissance period. It depicts a religious scene featuring Saint Martin of Tours, identifiable by the Latin inscription below. The style suggests it was created using techniques like etching or engraving.

Subject Matter:

The primary subject is Saint Martin, who is on horseback. He is positioned above a seated, nude man.

Detailed Description:

  • Saint Martin: He is shown as a man with long, flowing hair, wearing armor and a regal-looking hat, with a halo around his head, indicating his saintly status. He is on horseback, with the horse's front legs raised, adding dynamism to the scene. The saint's expression is one of compassion.
  • The Beggar: In the lower portion of the image, a nearly nude beggar is seen sitting or kneeling.
  • Composition: The artist uses light and shadow effectively to emphasize the figures, with the saint and the beggar being most prominent.
  • Details: The engraving includes intricate details in the clothing, armor, and the horse's mane. The overall composition is balanced and dramatic.

Symbolism and Interpretation:

The image most likely depicts the famous story of Saint Martin of Tours sharing his cloak with a beggar. The cloak Saint Martin is wearing may be represented by the drape of cloth around him. The image likely conveys themes of charity, compassion, and piety, reflecting the saint's life and virtues.

Text and Inscriptions:

The Latin text at the bottom provides details about the saint, his relationship with Hilarie, the bishop of Tours and his patron of the ultraiect of Utrecht, and likely indicates the date and the artist.

Created by gemini-2.0-flash on 2025-05-06

The image is a black and white engraving that depicts a mounted figure, presumed to be Saint Martin, extending his cloak to a partially naked man. The rider is richly dressed in armor and an ornate hat with feathers, wielding a sword. A halo emanates from his head, indicating his saintly status. He sits atop a horse, rendered with detailed musculature and a lively expression, its front hooves slightly raised.

In the lower-left foreground, a man sits on the ground, mostly unclothed. His posture suggests vulnerability and need, as he reaches towards the cloak being offered by the saint. The setting appears to be outdoors, with indistinct ground.

Beneath the image is text in Latin and Dutch, identifying the figure as "Martinus" from Pannonia, a disciple of Hilarius, Bishop of Tours, and patron of Utrecht. The text also notes that his feast day is celebrated on November 11th. The print is credited to Cornelius Vischer after Otto van Veen, also known as Otto Santmann, and to P. Soutman with engraver C. Van Breughel.

Text analysis

Amazon

TURONENSIS
GALLIA
NOVEB.
COLITUR
IN
.WILLEBRORDO
den
MARTINUS
tot
van
Wort
PATRONUM
des
ULTRAIECT.
Pannonien.
XI.
C PANNONTA.MACNT
Tours,
Dileipel
Novemb.
IN TOTIUS ARCHE EFIS. ULTRAIECT. PATRONUM ELEC TUS COLITUR XI. NOVEB.
TOTIUS
MARTINUS C PANNONTA.MACNT HILARII IN GALLIA DcIPULU s.
Pannonien. in Veanckriick een Dileipel van den gtooten Hilariuis. .en Bilichop tot Tours, van den H.Willebord
Bilichop
seviert
HILARII
.en
tot Patroon
TUS
gtooten
den H.Willebord
in
tot Patroon des Aer dbsdomns van Wuecht verkolen. Wort den Novemb.
verkolen.
EFIS.
Veanckriick
Aer
Hilariuis.
ELEC
Ac TURONENSIS ErIscopus S. .WILLEBRORDO
een
ARCHE
Marten t
DcIPULU s.
Wuecht
ErIscopus
S.
dbsdomns
Ac

Google

DISCIPULUS,
ARCHI-EPIS.
ULTRAIECT.
PATRONUM
ELECTUS.
COLITUR
XI.
NOVEMB
Marten
een
den
tot
des
verkofen.Wort
Novemb.
MARTINUS é PANNONIA, MAGNI HILARII IN GALLIA DISCIPULUS, AC TURONENSIS EPISCOPUS a S.WILLE BRORDO IN TOTIUS ARCHI-EPIS. ULTRAIECT. PATRONUM ELECTUS. COLITUR XI. NOVEMB Marten uyt Pannonien, in Vancknjck een Difeipel van den gooten Hilarius,en Buichop tot Tours,van den H.Wllebord tot Patroon des Aerdbidoms van Wirecht verkofen.Wort geviert den n. Novemb. Sakar. Cam Prly Eadoher Harlemi Comalan Vilpeder offer Oer foulman 9Mandn Dtng hchk
MARTINUS
é
PANNONIA,
MAGNI
HILARII
IN
GALLIA
AC
TURONENSIS
EPISCOPUS
a
S.WILLE
BRORDO
TOTIUS
uyt
Pannonien,
in
Vancknjck
Difeipel
van
gooten
Hilarius,en
Buichop
Tours,van
H.Wllebord
Patroon
Aerdbidoms
Wirecht
geviert
n.
Sakar.
Cam
Prly
Eadoher
Harlemi
Comalan
Vilpeder
offer
Oer
foulman
9Mandn
Dtng
hchk