Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 22-34 |
Gender | Male, 94.9% |
Confused | 0.2% |
Sad | 89.3% |
Disgusted | 0.1% |
Happy | 0.3% |
Fear | 0.2% |
Angry | 0.2% |
Calm | 9.6% |
Surprised | 0.1% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Person | 81% | |
Categories
Imagga
created on 2019-11-06
text visuals | 57.5% | |
streetview architecture | 21.6% | |
paintings art | 12.4% | |
nature landscape | 5.2% | |
Captions
Microsoft
created by unknown on 2019-11-06
a painting of a book | 66.5% | |
a painting on the side of a book | 42.5% | |
a painting on the wall | 42.4% | |
Clarifai
Created by general-english-image-caption-clip on 2025-07-12
a bronze figure of monarch, by painting artist.
Salesforce
Created by general-english-image-caption-blip on 2025-05-02
a photograph of a drawing of a woman holding a baby
OpenAI GPT
Created by gpt-4 on 2025-02-02
This is an image of an artwork, rendered primarily in dark tones with white lines suggesting highlights and contours. The piece features a classical style, portraying figures that appear to be from a historical or mythological context. One figure, seemingly a child, is depicted in the left foreground, with distinct chiaroscuro emphasizing the form. Part of the artwork and text underneath is visible, notably the name "PARMIGIANO" and the text "In the Collection of A.B. West" and "Presented to the Royal Academy." The artwork is within a bordered frame suggesting that it might be a printed reproduction or a page from a book.
Created by gpt-4o-2024-05-13 on 2025-02-02
The image is a detailed and intricate etching by the artist Parmigiano. It depicts a group of figures, including a central figure draped in a cloak, holding a child. Additional figures are present in the background, contributing to the composition’s depth. The etching displays expert use of light and shadow to create texture and form. The names "In the Collection of B West" and "President to the Royal Academy" are inscribed at the bottom, indicating the etching’s provenance and historical significance.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-02
This is a chiaroscuro drawing or print attributed to Parmigianino, featuring figures rendered in light lines against a dark green background. The artwork shows what appears to be a classical scene with multiple figures composed in an intimate grouping. The technique uses highlights in what might be white or gold ink to create form and volume against the dark ground. At the bottom of the image, there is text indicating this work was "In the Collection of B West" and "President to the Royal Academy." The composition demonstrates the elegant, flowing style characteristic of Parmigianino's work, with graceful lines and dynamic poses typical of Mannerist art.
Created by claude-3-opus-20240229 on 2025-02-02
The image depicts a black and white etching or drawing titled "Parmigiano" based on the label below the artwork. It shows a close-up view of what appears to be the Virgin Mary holding the Christ child. The figures are rendered in an expressive, sketchy style with lots of curved, flowing lines adding movement and energy to the composition. The shading creates a sense of depth and volume to the draped fabric and figures. Overall, it has the appearance of a preparatory study or quick sketch capturing the essence of this iconic mother and child subject in an artistic, gestural manner.
Created by claude-3-haiku-20240307 on 2025-02-02
The image appears to be a dark, dramatic illustration or painting by the Italian artist Parmigiano. It depicts a scene with several figures in dark, shadowy forms. The central figure appears to be a larger, cloaked figure, surrounded by other enigmatic, obscured figures. The overall style and use of light and shadow create a mysterious, foreboding atmosphere. The image is framed and labeled as being from the collection of B. West and as belonging to the Royal Academy.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26
This is a dark, atmospheric artwork attributed to Parmigiano (Parmigianino), rendered in what appears to be a chiaroscuro technique with light golden or white highlights against a deep green-black background. The composition shows figures in a classical style, with flowing drapery and elegant poses characteristic of Renaissance art. The drawing technique creates dramatic contrasts between light and shadow, with quick, fluid lines defining the forms. At the bottom of the image, there's text indicating this piece was "In the Collection of B West" and "President to the Royal Academy." The overall effect is quite striking, with the luminous lines emerging from the dark background to create a sense of depth and movement.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11
The image is a sketch of a woman and a child, with the title "Parmigiano" at the bottom. The sketch is in black and white, with the woman and child depicted in a simple yet elegant style. The woman is shown holding the child in her arms, with a gentle expression on her face. The child is looking up at the woman with a curious expression.
The background of the sketch is a light gray color, which provides a subtle contrast to the darker tones of the woman and child. The overall effect of the sketch is one of serenity and tranquility, capturing a tender moment between the woman and child.
The title "Parmigiano" at the bottom of the sketch suggests that it may be a work by the Italian artist Parmigiano, who was known for his portraits and landscapes. However, without more information, it is difficult to say for certain whether this is an authentic work by the artist or simply a sketch inspired by his style.
Overall, the image is a beautiful and evocative sketch that captures a moment of tenderness and intimacy between a woman and child. The simple yet elegant style of the sketch makes it a pleasure to look at, and the title "Parmigiano" adds an air of sophistication and refinement.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11
The image presents a sketch of a woman holding a baby, surrounded by two men. The sketch is rendered in dark green with white highlights and is framed by a thin beige border. At the bottom of the image, three beige labels are visible, although only the middle one is legible, reading "PARMIGIANO." The top and bottom labels appear to be cut off, but the top label seems to say "In the Collection of B. West," while the bottom label reads "President to the Royal Academy."
The overall atmosphere of the image suggests that it may be a study or preparatory work for a larger painting, given its sketchy nature and the presence of the artist's name at the bottom. The use of dark green and white highlights creates a sense of depth and dimensionality, drawing the viewer's attention to the central figures. The inclusion of the artist's name and the labels at the bottom adds an air of authenticity and historical significance to the image, suggesting that it may be a valuable piece of art or a reproduction of a famous work.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-02
The image is a black-and-white artwork featuring a woman holding a child. The woman has her head tilted to the right and is looking down at the child. The child is standing on her lap, looking up at her. The woman's hair is tied up, and she is wearing a long dress. The child is wearing a short dress. The artwork is framed in a golden frame.
Created by amazon.nova-lite-v1:0 on 2025-02-02
The image depicts an etching titled "Madonna and Child with the Infant St John the Baptist" by Parmigianino, a renowned Italian Renaissance artist. The artwork is framed within a white border and features a monochromatic palette, primarily in shades of black and white. The central figures are the Madonna, who is holding the Christ Child, and the Infant St. John the Baptist, who is also depicted as a young child. The Madonna is seated, and her expression is serene and contemplative, while the Christ Child is nestled in her arms, gazing outward. The Infant St. John the Baptist is positioned to the left of the Madonna, looking towards her with a sense of reverence and affection. The background is intentionally left vague, focusing the viewer's attention on the intimate and tender relationship between the figures. The etching is signed "PARMIGIANO" at the bottom, indicating the artist's name. Below the image, there is a text label that reads "In the Collection of B.B. West, President to the Royal Academy," suggesting the historical significance and ownership of the artwork.
Google Gemini
Created by gemini-2.0-flash on 2025-05-05
Here's a description of the image:
The image is a black and white print of a drawing, likely a study or preliminary sketch. The primary subject is a woman (presumably the Virgin Mary) holding a child (presumably Jesus). There are two other figures positioned in the background, partially obscured by shadow.
The drawing style is characterized by flowing lines and a focus on form and volume through contrasting light and shadow. The woman is draped in cloth, with the lines emphasizing the folds and curves of the fabric. The child is depicted with a cherubic face and rounded limbs.
The print is bordered by a thin, light-colored frame. Below the image are three labels. The first reads "PARMIGIANO," identifying the artist. The second label states, "In the Collection of B. West," indicating the drawing was part of a collection. The third label says "President to the Royal Academy," suggesting B. West's role or title.
Created by gemini-2.0-flash-lite on 2025-05-05
The image is a dark and moody etching or engraving of a Madonna and Child composition, attributed to Parmigiano. It is rendered primarily in shades of black and white, creating a stark contrast.
Key Elements:
- Central Figures: A woman, presumably the Virgin Mary, is the focal point. She is seated, draped in flowing robes, and her expression is solemn. To her right, a naked child is seated on her lap.
- Other Figures: Two other figures, men, are also present, appearing as outlines in the background, possibly angels or other attendants.
- Style and Technique: The artwork uses hatching and cross-hatching to create depth and form. The lines are crisp and clean.
- Composition: The figures are arranged within a square, with a dark background that emphasizes the forms and adds to the dramatic effect.
- Text: The artist's name, "PARMIGIANO," is printed at the bottom, along with "In the Collection of B West" and the phrase "President to the Royal Academy." These additions point to the work's history and provenance.
- Frame: The image is matted or framed, suggesting it may be a print or a reproduction.
Overall, this artwork embodies the classic style of the Renaissance, displaying skill in depicting the human form and its drapery, emphasizing the importance of light and shadow to create depth.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08
The image is a detailed engraving of a classical artwork titled "Parmigiano," which likely refers to the Italian Renaissance artist Girolamo Francesco Maria Mazzola, known as Parmigianino. The engraving depicts a scene with three figures.
In the center, there is a woman who appears to be holding or embracing a child. The woman is draped in flowing garments, and her pose suggests a protective or nurturing stance. The child, who is partially nude, is positioned close to the woman, with one leg extended outward.
To the left, there is another figure, possibly a cherub or a young child, who is partially visible and seems to be in motion or interaction with the central figures. The background is dark, which contrasts with the lighter, more detailed figures, giving the scene depth and focus.
At the bottom of the image, there are inscriptions. The main title "PARMIGIANO" is prominently displayed. Below it, there are two additional lines of text:
- "In the Collection of B.Wey."
- "President to the Royal Academy."
These inscriptions suggest that the artwork was part of a collection owned by B. Wey, who was the President of the Royal Academy at the time. The overall style and subject matter of the engraving are characteristic of Renaissance art, focusing on classical themes and idealized human forms.
Qwen
No captions written