Human Generated Data

Title

Peter Denying Christ

Date

17th century

People

Artist: Adriaan Paul, Dutch c. 1598 - after 1632

Artist after: Gerard Seghers, Flemish 1591-1651

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5271

Human Generated Data

Title

Peter Denying Christ

People

Artist: Adriaan Paul, Dutch c. 1598 - after 1632

Artist after: Gerard Seghers, Flemish 1591-1651

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5271

Machine Generated Data

Tags

Amazon
created on 2019-08-07

Person 99.1
Human 99.1
Painting 97.2
Art 97.2
Person 96.3
Text 59

Clarifai
created on 2019-08-07

people 100
print 99.5
art 99.5
adult 98.6
group 98.2
portrait 98.1
engraving 97.9
man 97.9
religion 97.6
illustration 97.5
book 97.4
woman 97.2
book series 96.6
saint 96.5
two 95
affection 94.9
gown (clothing) 94.8
painting 94.7
Renaissance 91.9
antique 91.3

Imagga
created on 2019-08-07

sketch 56.1
book jacket 50.8
drawing 41
jacket 39.7
representation 34.6
wrapping 30
art 27.7
religion 24.2
money 23.8
currency 22.4
comic book 21.9
cash 21.1
covering 21
dollar 20.4
church 19.4
old 18.1
vintage 17.4
god 17.2
statue 17.2
one 17.2
sculpture 16.7
banking 16.6
symbol 16.2
bank 16.1
close 16
saint 15.4
religious 15
paper 14.9
culture 14.5
antique 14.4
financial 14.3
business 14
ancient 13.8
finance 13.5
holy 13.5
wealth 13.5
bill 13.3
postmark 12.8
museum 12.7
catholic 12.6
stamp 12.6
dollars 12.6
history 12.5
mail 12.4
savings 12.1
man 12.1
painter 12
letter 11.9
icon 11.9
masterpiece 11.9
architecture 11.7
spirituality 11.5
closeup 11.5
rich 11.2
economy 11.1
black 10.9
postage 10.8
postal 10.8
bible 10.8
artist 10.6
faith 10.5
exchange 10.5
post 10.5
fine 10.5
envelope 9.9
banknote 9.7
prayer 9.7
detail 9.7
us 9.6
pay 9.6
loan 9.6
stone 9.4
historical 9.4
carving 9.3
face 9.2
printed 8.9
banknotes 8.8
paintings 8.8
print media 8.7
painted 8.6
male 8.5
famous 8.4
market 8
known 7.9
stamps 7.9
shows 7.9
franklin 7.9
renaissance 7.9
bills 7.8
portrait 7.8
hundred 7.8
golden 7.7
states 7.7
finances 7.7
payment 7.7
spiritual 7.7
cathedral 7.7
notes 7.7
united 7.6
unique 7.6
capital 7.6
figure 7.6
sign 7.5
monument 7.5
historic 7.3
investment 7.3
artwork 7.3

Google
created on 2019-08-07

Microsoft
created on 2019-08-07

text 100
book 100
drawing 97.4
person 95.8
sketch 94.6
clothing 94.5
painting 88.6
human face 81.3
cartoon 75.1
man 62.4
poster 55
posing 42.6
old 41.3

Color Analysis

Face analysis

Amazon

Google

AWS Rekognition

Age 26-43
Gender Male, 81.9%
Surprised 7.8%
Angry 16.3%
Sad 43.3%
Disgusted 2.9%
Confused 6.7%
Happy 2.5%
Calm 20.5%

AWS Rekognition

Age 35-52
Gender Female, 94.9%
Sad 6.7%
Disgusted 7.9%
Confused 49.5%
Calm 16.8%
Happy 2.3%
Angry 7.4%
Surprised 9.4%

Google Vision

Surprise Very unlikely
Anger Very unlikely
Sorrow Very unlikely
Joy Very unlikely
Headwear Very likely
Blurred Very unlikely

Feature analysis

Amazon

Person
Painting
Person 99.1%
Person 96.3%
Painting 97.2%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-08

The image is an antique engraving or etching that depicts a dramatic scene with three figures. One figure, dressed in flowing robes, is situated to the left and is pointing towards another central figure. The central figure is being held by a soldier or guard, who is dressed in armor and a helmet, and is carrying a spear. The soldier also has a dog by their side. The scene is set indoors as indicated by the dark background and the brazier with a fire on the left side. The engraving includes Latin inscriptions at the bottom, which suggest a narrative or dialogue associated with the scene. The style and details indicate that the artwork may date back to the Baroque period, around the 17th century.

Created by gpt-4 on 2025-02-08

This is a classical-style engraving or etching featuring two figures in historical attire. The person on the left is dressed in a flowing garment, which could be representative of classical or religious garb, gesturing toward themselves with one hand while the other hand is raised. The person on the right is attired in a renaissance-style costume, complete with a shoulder cape and a detailed, possibly armored, sleeve. This person holds over their shoulder what appears to be a standard or staff with a finial on top, suggesting a status of authority or command. In the lower part of the image, between the two figures, there is a dog looking upwards, its head turned towards the person on the right, possibly indicating loyalty or companionship. The style of the dog's collar suggests that it too is from a historical period aligning with the attire of the figures. At the bottom of the image, there is a banderole or ribbon with two sets of Latin text suggesting that the scene may have a narrative or moral significance, often found in historical religious or allegorical artworks. The numbers "1610" indicate either the year of the work's creation or a reference relevant to its subject matter. The overall impression is of a significant moment between the two figures, likely steeped in historical or allegorical meaning.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-08

This is a historical engraving or print from 1640 showing a dramatic scene with three figures. In the center, there is a bearded figure in flowing robes near what appears to be a brazier or flame. To the right are two other figures, one wearing an ornate headdress or cap, and another in more martial attire holding what might be a sword. The artwork is rendered in a detailed black and white style characteristic of engravings from this period. At the bottom of the image, there is Latin text which appears to be a caption or inscription. The composition suggests this might be depicting a scene from a historical or religious narrative. The dramatic lighting and poses of the figures create a sense of tension and confrontation in the scene. The style and execution of the work is typical of 17th century European printmaking, with careful attention to the rendering of fabric folds, facial expressions, and the overall dramatic composition.

Created by claude-3-opus-20240229 on 2025-02-08

The image depicts an elderly bearded man and a woman engaged in a serious conversation. The man is pointing at the woman while speaking to her intently. The woman appears to be listening attentively to what the man is saying. They are dressed in ornate historical clothing, suggesting this is an engraving or print from an earlier time period, likely illustrating a scene from a story or play. Below the image are lines of text in Latin that seem to provide more context about the depicted interaction between the man and woman characters.

Created by claude-3-haiku-20240307 on 2025-02-08

The image depicts two figures in an historical setting. The figure on the left appears to be an older man with a long beard, dressed in ornate robes. He is gesturing towards the other figure, who appears to be a woman wearing an elaborate headdress and clothing. The woman is leaning towards the man, engaged in conversation. The scene has a dramatic, theatrical quality, with the figures set against a dark, textured background. The overall impression is one of a serious, formal interaction between these two individuals from a past era.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-08

The image is a black-and-white drawing that depicts a scene involving three characters. On the left side of the image, there is an elderly man with a white beard and curly hair, wearing a robe. He is gesturing with his right hand, pointing upward, while his left hand is raised near his chest. The man's expression appears to be one of surprise or shock. In the center of the image, there is a woman wearing a headdress, possibly a crown or a tiara, and a long robe. She is standing with her arms at her sides, and her expression seems to be one of concern or distress. She is looking towards the man on the left. On the right side of the image, there is a man dressed in armor, holding a sword in his right hand and a shield in his left. He is standing close to the woman, and his expression appears to be one of determination or aggression. The man's posture suggests that he is about to strike the woman with his sword. In the lower left corner of the image, there is a fire burning in a small brazier or hearth. The flames are visible, and there is a small amount of smoke rising from the fire. At the bottom of the image, there is a Latin inscription that reads, "Vera negas, reus es, geminis quid tefibus offas? Quilibet, ante dus, cujus probata foro. Nec fugies, licet curias ter, Pete tribunal; Galle fiat arbitrio lis dirigenda tuo." This translates to, "You deny the truth, you are guilty, what do you offer to the twins? Anyone, before the court, whose guilt has been proven. You will not escape, even if you flee to the court three times; let the case be directed by your judgment, Galle." The image appears to depict a scene of conflict or confrontation, possibly related to a legal or judicial proceeding. The elderly man may be a judge or a witness, while the woman and the armored man may be parties involved in the dispute. The fire in the corner could symbolize the intensity or passion of the situation. The Latin inscription suggests that the scene is set in a legal or judicial context, with the characters engaging in a debate or argument.

Created by amazon.nova-lite-v1:0 on 2025-02-08

The image is a black-and-white drawing that depicts a scene with three people. The man on the left is pointing his finger at the man in the middle, who is holding a sword and appears to be kissing the woman on his right. The woman is wearing a crown and a necklace. The man on the right is wearing a helmet and a long coat. The drawing has a border and a watermark.

Text analysis

Amazon

probata
negas,
arbitrio
dirimenda
Petre
lis
licet
negas, geminis arbitrio lis dirimenda
fugies,
ante
Nec
Vera
Galle
geminis
tribunal;
foro.
Stat
Quolibet,
reus
ciuras
tuo.
Quolibet, ante duas, canya probata foro. Galle Stat tuo.
duas,
teftibus
Vera reus es, quid teftibus obftas! Nec fugies, licet ciuras ter; Petre tribunal;
es,
ter;
quid
canya
obftas!
1640
Greridas
Sayplnrs
Greridas Sayplnrs , Jl 1640
Jl
,

Google

ciuras
lis
Vera
negas,
geminis
teftibus
ante
duas,
probata
Aad.de
Plis
fi
1640
mrs
primlegie
Nec fugies, licet ciuras ter Petre tribunal; Galle ftat arbitrio lis dirimenda tuo. Vera negas, reus es, geminis quid teftibus obftas Quahibet ante duas, anfa probata foro. Aad.de Plis fi 1640 Gerardus Spers mrs Cm primlegie
Nec
fugies,
licet
ter
Petre
tribunal;
Galle
ftat
arbitrio
dirimenda
tuo.
reus
es,
quid
obftas
Quahibet
anfa
foro.
Gerardus
Spers
Cm