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Human Generated Data

Title

Incredulity of Saint Thomas

Date

19th century

People

Artist: Guiseppe Marcucci, Italian 1807 - 1876

Artist after: Guercino (Giovanni Francesco Barbieri), Italian 1591 - 1666

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7356

Human Generated Data

Title

Incredulity of Saint Thomas

People

Artist: Guiseppe Marcucci, Italian 1807 - 1876

Artist after: Guercino (Giovanni Francesco Barbieri), Italian 1591 - 1666

Date

19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7356

Machine Generated Data

Tags

Amazon
created on 2019-10-29

Human 99
Person 99
Painting 95.9
Art 95.9
Person 95.1
Person 87.1
Person 72.1
Home Decor 65.9
Linen 59.7
Face 56.5
Photography 56.5
Portrait 56.5
Photo 56.5

Clarifai
created on 2019-10-29

people 100
group 99.6
art 98.9
adult 98.5
print 98.1
man 98
woman 97.3
painting 96.7
illustration 95.6
portrait 93.7
leader 92.7
engraving 91.5
elderly 91
music 89.8
sit 88.9
baby 88.8
many 88.8
several 87.6
religion 86.2
furniture 85.5

Imagga
created on 2019-10-29

book jacket 52.4
jacket 42.7
newspaper 42.1
product 36.9
wrapping 31
creation 30.3
black 24.1
sexy 23.3
portrait 22.7
hair 22.2
covering 21.6
face 20.6
attractive 19.6
model 19.5
people 17.9
person 17.8
man 17.7
body 17.6
adult 17.5
skin 17.1
money 17
pretty 16.1
fashion 15.8
brunette 15.7
comic book 15.3
sensual 14.6
sensuality 14.5
erotic 14.5
close 14.3
love 14.2
dark 14.2
cash 13.7
one 12.7
couple 12.2
lady 12.2
studio 12.2
male 12.1
banking 12
passion 11.3
dollar 11.1
expression 11.1
currency 10.8
financial 10.7
human 10.5
cute 10
vintage 9.9
banknotes 9.8
sex 9.7
desire 9.6
sketch 9.5
happy 9.4
bank 9
nude 8.7
dollars 8.7
sexual 8.7
girlfriend 8.7
paper 8.6
exchange 8.6
bill 8.6
business 8.5
head 8.4
savings 8.4
make 8.2
style 8.2
gorgeous 8.2
wealth 8.1
lovely 8
posing 8
market 8
stamp 7.7
boyfriend 7.7
youth 7.7
mail 7.7
representation 7.6
relationship 7.5
feminine 7.5
economy 7.4
art 7.4
makeup 7.3
lifestyle 7.2
drawing 7

Google
created on 2019-10-29

Microsoft
created on 2019-10-29

text 100
book 99.4
painting 96.2
drawing 84.9
person 83.9
human face 79.4
sketch 61.4
clothing 51.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 51-69
Gender Male, 99%
Confused 0.7%
Surprised 1%
Sad 21.9%
Calm 50.9%
Disgusted 0.2%
Happy 0.4%
Fear 0.7%
Angry 24.2%

Feature analysis

Amazon

Person
Painting
Person 99%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-30

This image appears to be a detailed line engraving by Gustavus Blasius about a religious scene, where the central figure, depicted with visible chest and arm muscles, points to his side, possibly inviting another figure to touch it. The other figures in the image show vivid gesturing and clothing folds, suggesting a sense of interaction and depth. The scene is set against a backdrop with soft textures, highlighting the detailed clothing and muscular anatomy of the central figure. There is a sense of engagement and intensity in the interactions portrayed. Below the image, there is an inscription in Latin: "Infer digitum tuum huc, et mitte in latus meum, et noli esse incredulus sed fidelis," which translates to "Put your finger here, and see my hands; and put out your hand, and place it in my side. Do not disbelieve, but believe" (John 20:27), referencing the biblical story of Doubting Thomas.

Created by gpt-4 on 2025-01-30

This image depicts a classical engraving or etching, showing three figures in what appears to be a historical or biblical scene. On the left, one figure gestures with an open hand, while the central figure’s posture suggests a significant action or moment, as they are partially robed, revealing the torso, and one arm outstretched while the other hand engages with an object or element not clearly visible. The figure on the right holds onto a piece of cloth, possibly their own garment, and seems to be in a state of dialogue or exclamation. The attention to detail in the drapery of the garments and the muscular definition suggests a work inspired by classical art and the Renaissance period, which often explored themes from the Bible and classical antiquity. The presence of a Latin inscription below the image reinforces the historical or religious significance, common in artworks intended for educational or devotional purposes. The tones of the image are monochromatic, typical of engravings, which rely on the contrast of light and shadow to depict depth and texture. The expressions, while obscured, contribute to the dynamic composition, implying a narrative captured in this moment in time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-30

This is a classical religious engraving depicting the scene of Doubting Thomas, based on the biblical story. The artwork shows several figures in dramatic poses, with the central figure partially draped and showing his wound to others who are gathered around him. The composition is done in a Baroque style with strong contrast between light and dark (chiaroscuro technique). At the bottom of the image is a Latin inscription that reads "Infer digitum tuum huc, et mitte in latus meum, et noli esse incredulus sed fidelis" which translates to "Put your finger here; see my hands. Reach out your hand and put it into my side. Do not be unbelieving, but believe." The engraving demonstrates fine detail and skillful shading techniques typical of religious art from this period.

Created by claude-3-opus-20240229 on 2025-01-30

The image depicts a biblical scene showing the apostles Thomas, Simon Peter, and John, based on the Latin inscription at the bottom. It is an engraving or etching print in black and white. In the scene, Jesus stands in the center with his torso exposed, revealing a wound in his side. To his right is the apostle Thomas, who appears to be touching or examining Jesus' wound. On Jesus' left side are the apostles Simon Peter and John, looking on intently. All the figures have curly hair and beards typical of artistic depictions of biblical figures. The shading and linework give the scene a dramatic, chiaroscuro effect with strong contrasts between light and shadow. A fluttering piece of fabric arches over the scene, adding a sense of movement. Overall, the engraving portrays an important moment from the Gospels with baroque artistic style and composition.

Created by claude-3-haiku-20240307 on 2025-01-30

The image appears to be a black and white engraved print depicting a religious or biblical scene. It shows several figures, including a central figure that seems to be Jesus Christ, surrounded by other men with bearded, intense expressions. The men are dressed in flowing robes and appear to be in a dramatic, dialogue-driven moment. The overall composition and style suggest this is a classical or Renaissance-era work of art.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image depicts a scene from the New Testament, specifically the moment when Jesus Christ is being presented to the people by two men. The scene is rendered in a classical style, with intricate details and textures that evoke a sense of reverence and awe. **Key Elements:** * **Jesus Christ:** The central figure in the image, Jesus is depicted as a young man with long hair and a beard. He is shirtless, revealing his muscular physique, and is dressed in a flowing robe that drapes elegantly around his body. * **Two Men:** Flanking Jesus are two men who appear to be presenting him to the people. They are both dressed in simple tunics and have short hair. One of the men has his hand on Jesus' shoulder, while the other has his hand extended as if to touch him. * **Background:** The background of the image is a deep, rich brown color, which provides a sense of depth and dimensionality to the scene. There are also some subtle textures and patterns visible in the background, which add to the overall sense of realism. * **Text:** At the bottom of the image, there is a line of text that reads "Infer digitum tuum hac, et mitte in latus meum, et noli esse incredulus sed fidelis." This is a quote from the Bible, specifically from the Gospel of John (20:27). It translates to "Put your finger here, and see my hands; and put out your hand, and place it in my side. Do not be faithless, but believing." **Overall Impression:** The image conveys a sense of reverence and awe, as if the viewer is witnessing a sacred moment. The classical style and intricate details create a sense of depth and dimensionality, drawing the viewer into the scene. The quote at the bottom of the image adds an extra layer of meaning, highlighting the importance of faith and trust in the face of uncertainty.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

The image is a sepia-toned illustration of Jesus Christ, surrounded by three men. The scene appears to be from the Bible, possibly depicting the moment when Jesus reveals his wounds to Thomas after his resurrection. **Key Elements:** * **Jesus Christ:** He is positioned centrally in the image, with his right arm extended and his left hand holding a staff. His chest is exposed, revealing a wound. * **Three Men:** They are standing around Jesus, looking at him with varying expressions. One man on the left has his hands raised in a gesture of surprise or awe. The other two men are positioned on the right side of the image, with one of them touching Jesus' side. * **Background:** The background of the image is dark, which helps to focus attention on the figures in the foreground. * **Text:** There is some text at the bottom of the image, but it is not legible due to the low resolution of the image. **Overall Impression:** The image conveys a sense of drama and emotion, as the men react to Jesus' revelation. The use of sepia tones gives the image a sense of age and historical significance, suggesting that it may be a reproduction of an older artwork.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-30

The image depicts a black-and-white painting of Jesus Christ with three men. The painting is surrounded by a white border. Jesus is holding a stick in his right hand, and his left hand is raised. The man on the left is raising his right hand, and the man on the right is holding a bottle. The man in the middle is looking at Jesus. The painting has a watermark in the bottom left corner.

Created by amazon.nova-lite-v1:0 on 2025-01-30

The image depicts a scene from the New Testament, specifically the moment when Jesus Christ is recognized by his disciples after his resurrection. The central figure is Jesus, who is depicted with long, flowing hair and a beard, wearing a simple white robe. He stands confidently with his arms outstretched, symbolizing his divine nature and the message of salvation he brings. To the left of Jesus is a bearded man, likely one of the disciples, who is reaching out to touch Jesus, a gesture of disbelief and wonder. The disciple's hand is raised, and his eyes are wide open, expressing a mix of astonishment and joy. Next to the disciple, another figure is present, possibly another disciple, who is also reaching out to Jesus, although his face is not fully visible in the image. On the right side of the image, there is another disciple who is looking at Jesus with a mixture of awe and reverence. His posture is slightly bent forward, indicating a deep sense of humility and respect. The background of the image is intentionally blurred, focusing the viewer's attention on the central figures and the emotional intensity of the scene. The image is framed by a white border, and there is a Latin inscription at the bottom, which translates to "Infer dignum hunc, et mille in latus meum, et noli esse incredulus sed fidelis" (English: "Consider him worthy, and a thousand on my side, and do not be incredulous but faithful"). This inscription emphasizes the importance of faith and belief in Jesus as the central figure of the Christian faith. Overall, the image captures a powerful and emotionally charged moment in Christian theology, depicting the recognition of Jesus by his disciples after his resurrection and the profound impact it had on their faith and devotion.

Text analysis

Amazon

et
hue
latus
luum
.sed
Sfer
mille
mneredulus
luum hue et mille in latus meum, et nole we mneredulus .sed fudelas
meum,
Sfer digitam
nole
in
digitam
we
Gbaymefae
hemar
hemar pnave Gbaymefae rmmenbo
fudelas
rmmenbo
pnave

Google

G. Marw d e ine Barher rne Infer degilum laum hue d mille n lalus meum, noli esse increduls sd fudelas Rema pre l lngafn ra
G.
Marw
d
mille
fudelas
l
e
ine
Barher
rne
Infer
degilum
laum
hue
n
lalus
meum,
noli
esse
increduls
sd
Rema
pre
lngafn
ra