Human Generated Data

Title

Cupid Taming Pan

Date

c. 1596

People

Artist: Jacob Matham, Dutch 1571 - 1631

Artist after: Giuseppe Cesari (called Cavaliere d'Arpino), Italian 1568 - 1640

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1948

Human Generated Data

Title

Cupid Taming Pan

People

Artist: Jacob Matham, Dutch 1571 - 1631

Artist after: Giuseppe Cesari (called Cavaliere d'Arpino), Italian 1568 - 1640

Date

c. 1596

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1948

Machine Generated Data

Tags

Amazon
created on 2023-03-07

Art 100
Painting 100
Adult 97.9
Female 97.9
Person 97.9
Bride 97.9
Wedding 97.9
Woman 97.9
Baby 95.6
Person 95.6
Baby 93.2
Person 93.2
Head 90.1
Face 90.1
Person 90
Baby 90
Angel 57.8
Drawing 57.4

Clarifai
created on 2023-10-13

people 100
group 99.7
art 99.6
print 99.6
adult 99
illustration 98.3
engraving 98
man 97.5
woman 95.2
child 94.6
painting 93.9
vintage 92.7
many 90.7
wear 90.7
sepia pigment 90.6
portrait 90.6
baby 90.1
etching 88.1
interaction 87.9
book bindings 87.4

Imagga
created on 2023-03-07

money 36.6
currency 35
cash 34.8
sketch 34.2
dollar 28.8
finance 28.7
sand 28.5
drawing 27.6
bank 26.9
banking 26.7
paper 25.9
financial 24.9
wealth 24.2
tattoo 22.8
soil 22.4
decoration 22.3
bill 21.9
art 21.5
representation 21.4
business 20.7
close 20.5
savings 20.5
design 20.1
dollars 19.3
us 18.3
exchange 18.1
rich 17.7
earth 17.6
pay 16.3
economy 15.8
one 15.7
note 15.6
banknote 15.5
ancient 14.7
investment 14.7
sculpture 14.3
old 13.9
bills 13.6
hundred 13.6
banknotes 12.7
religion 12.5
history 12.5
funds 11.8
carving 11.6
loan 11.5
architecture 10.9
statue 10.9
retro 10.6
states 10.6
payment 10.6
capital 10.4
grunge 10.2
closeup 10.1
vintage 9.9
franklin 9.8
invest 9.7
finances 9.6
profit 9.6
commerce 9.3
pattern 8.9
market 8.9
success 8.9
detail 8.9
economic 8.7
spirituality 8.6
notes 8.6
god 8.6
culture 8.5
stone 8.5
antique 8.2
artistic 7.8
face 7.8
figure 7.7
united 7.6
temple 7.6
symbol 7.4

Google
created on 2023-03-07

Microsoft
created on 2023-03-07

text 100
book 100
drawing 94.5
sketch 93.6
illustration 91.9
cartoon 73.5
art 58.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 10-18
Gender Female, 93.2%
Calm 83.5%
Sad 12.5%
Surprised 6.6%
Fear 6.3%
Angry 0.9%
Disgusted 0.4%
Happy 0.1%
Confused 0.1%

AWS Rekognition

Age 18-26
Gender Female, 64.1%
Calm 97.3%
Surprised 6.3%
Fear 5.9%
Sad 2.7%
Angry 0.6%
Happy 0.3%
Disgusted 0.1%
Confused 0%

AWS Rekognition

Age 45-53
Gender Female, 80.3%
Sad 60.7%
Calm 50%
Angry 8.9%
Fear 7.2%
Surprised 6.9%
Disgusted 4.1%
Happy 1.9%
Confused 0.8%

Feature analysis

Amazon

Adult 97.9%
Female 97.9%
Person 97.9%
Bride 97.9%
Woman 97.9%
Baby 95.6%

Categories

Imagga

paintings art 96.7%
beaches seaside 1.7%

Captions

Azure OpenAI

Created by gpt-4 on 2024-12-06

You are looking at a classical style engraving. A central figure, depicted with wings, seems engaged in a dynamic struggle with another figure reclining on the ground. This winged individual appears to be a mythological or allegorical representation, possibly of Eros or a similar figure, due to the wings and youthful appearance. The reclining figure on the ground has a muscular build, reminiscent of classical depictions of gods or heroes, often seen in Greco-Roman art. This figure's dynamic pose and the intense interaction with the winged character suggest a moment of passionate struggle or contest. Floating above these central figures is a ribbon with an inscription, likely providing context or a title to the scene depicted. Unfortunately, due to the angle and quality of the image, the inscription cannot be clearly read in its entirety. To the far left, another figure is seated with arms raised, possibly in a gesture of either celebration or pleading. While the details of the interaction are not entirely clear, the overall composition, featuring expressive poses and interaction, is characteristic of historical allegorical art, designed to convey a narrative or moral lesson through symbolic figures. Below the engraving, two names are inscribed, which could indicate the artist who created the original work and the engraver who produced this particular print. These names link the piece to its creators and often provide a way to date the artwork or place it within a historical context.

Created by gpt-4o-2024-05-13 on 2024-12-06

The image depicts a classical or mythological scene with several figures set against a cloud-like background. On the left, there are two seated female figures. The one closest to the left corner is holding an object, possibly a bunch of grapes, while the woman to the right is raising a laurel wreath towards the sky. Such laurels are often associated with victory or earned wisdom. In the center, a winged cherub or putto is engaged with a reclining male figure to the right. The cherub appears to be interacting with the male figure by either restraining or embracing him. The male figure is muscular and has a strained expression. Ancient scrolls and other classical adornments are scattered around, emphasizing the historical and mythical context. The scene might be allegorical, referring to themes of wisdom, victory, and possibly conflict or resolution, common in classical and baroque artwork. The high level of detail and technique in engraving suggests it is a well-executed piece from a skilled artist.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-06

The image depicts a complex scene with multiple figures. It appears to show two female figures embracing, one of whom is holding a wreath. In the foreground, there are several nude male figures in various poses, including an infant. The image has an ornate and allegorical style characteristic of Baroque art. The figures and setting seem to be symbolic or representing some deeper meaning, though without more context I cannot say with certainty what that meaning may be.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a classical engraving or print that appears to depict a mythological scene. The composition shows several figures arranged on clouds: two draped female figures on the left holding wreaths or garlands, a cherub or winged figure in the center, and a reclining muscular figure on the right. The style is characteristic of Baroque art, with dramatic poses and flowing drapery. Musical instruments, including what appears to be pan pipes, are scattered in the scene. There's Latin text on a banner at the top of the image. The engraving technique shows fine cross-hatching and detailed linework typical of this art form. The overall composition creates a dynamic diagonal movement across the image, which was a common artistic device in Baroque period works.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image depicts a scene from the 17th-century Dutch Golden Age, specifically a work by the renowned artist Rembrandt van Rijn. The artwork is titled "The Abduction of Ganymede" and is a masterpiece of Baroque art. **Key Elements:** * **Central Figure:** Ganymede, a handsome young man, is being abducted by Zeus, the king of the gods, in the form of an eagle. This mythological scene is a classic representation of the power and authority of the gods in ancient Greek mythology. * **Zeus's Transformation:** Zeus has transformed into an eagle, symbolizing his divine power and ability to take on various forms. This transformation adds to the dramatic and dynamic nature of the scene. * **Ganymede's Expression:** Ganymede appears to be in a state of shock and fear, as he is being carried away by the powerful eagle. His facial expression conveys a sense of vulnerability and helplessness. * **Background:** The background of the painting is dark and ominous, with clouds and a sense of turmoil. This setting emphasizes the dramatic and intense nature of the scene. * **Rembrandt's Style:** Rembrandt's use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume and depth, is evident in the painting. The use of light and shadow creates a sense of drama and tension, drawing the viewer's attention to the central figures of the scene. **Artistic Significance:** * **Mythological Themes:** The painting explores mythological themes, specifically the abduction of Ganymede by Zeus. This theme is a classic representation of the power and authority of the gods in ancient Greek mythology. * **Dramatic Composition:** The composition of the painting is dramatic and dynamic, with the central figures of Ganymede and Zeus creating a sense of tension and conflict. The use of light and shadow adds to the dramatic effect, creating a sense of depth and volume. * **Rembrandt's Technique:** Rembrandt's use of chiaroscuro and his mastery of light and shadow are evident in the painting. The technique creates a sense of drama and tension, drawing the viewer's attention to the central figures of the scene. **Conclusion:** The image depicts a powerful and dramatic scene from ancient Greek mythology, showcasing Rembrandt's mastery of light and shadow and his ability to create a sense of tension and conflict. The painting

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

The image is a black-and-white illustration of two women and a cherub. The woman on the left is wearing a long dress and has her hair in braids. She is holding a wreath in her right hand and appears to be looking at the cherub. The woman on the right is also wearing a long dress and has her hair in braids. She is holding a wreath in her left hand and appears to be looking at the cherub. The cherub is sitting on top of a man who is lying on his back. The cherub is holding the man's head in his hands and appears to be looking at him. There is a banner at the top of the image with writing on it, but it is not legible. The background of the image is a solid gray color.

Text analysis

Amazon

Amor
nam
I.
Naturam
olim
cernitis
ceffent
I. Matham Sculpt.
Naturam quog Dincil Amor nam cernitis olim
Matham
Sculpt.
aligero
quog
Schoneus
ViCCan aligero ceffent ipfe Deo. Al Schoneus
Deo.
ipfe
Dincil
Al
ViCCan

Google

1. Matham Sculpt. Holtzius excud. Vaturam ouoz Dinat Amor: nam cernitis olim It Pan aligon ceffent infe Deo. C's chomper... Schoneus Jofephus Arminas June.
1.
Matham
Sculpt
.
Holtzius
excud
Vaturam
ouoz
Dinat
Amor
:
nam
cernitis
olim
It
Pan
aligon
ceffent
infe
Deo
C's
chomper
...
Schoneus
Jofephus
Arminas
June