Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 35-43 |
Gender | Male, 99.9% |
Calm | 87.3% |
Surprised | 7.8% |
Fear | 7.2% |
Confused | 3.2% |
Sad | 2.9% |
Disgusted | 0.7% |
Angry | 0.4% |
Happy | 0.2% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Person | 99.1% | |
Categories
Imagga
created on 2018-10-06
paintings art | 100% | |
Captions
Microsoft
created by unknown on 2018-10-06
a vintage photo of John Cheke | 69.7% | |
a vintage photo of John Cheke | 69.6% | |
a vintage photo of some text | 69.2% | |
Clarifai
Created by general-english-image-caption-clip on 2025-07-14
portrait of a man, by person.
Salesforce
Created by general-english-image-caption-blip on 2025-05-16
a photograph of a portrait of a man with a beard and a hat
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-11
The image is an engraving of a historical figure, identified as Ioannes Checus Eques Auratus Angliae Priofes. The figure is dressed in period clothing, featuring a fur-lined coat and a hat with a decorative band. The engraving is stylized, giving a detailed depiction of the figure's attire and accessories such as a chain and a medallion. Surrounding the central image is an oval frame with the text and some Latin inscriptions. The print appears to be a reproduction from the original work in the "Heroologia," and it was published by T. Tegg, located at 111 Cheapside Street, London.
Created by gpt-4 on 2025-02-11
This image appears to be a reproduction of a historical engraving or print. The figure depicted wears a fur-lined cloak or robe, with a collar and a decorative chain or necklace, signifying a position of high status or nobility from an earlier era. The garment suggests European fashion, possibly from the Renaissance or the early modern period. The subject is framed within an oval border and the print includes inscriptions, likely reflecting the subject's name and title at the top, with additional text at the bottom providing details about the original source and credits for the reproduction. The paper exhibits a clean background with a printed caption beneath the portrait, signifying an academic or commemorative purpose.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-11
This is a historical engraved portrait in an oval frame. The subject appears to be from the Renaissance period, wearing typical 16th century attire including a flat cap and a fur-trimmed robe or coat. The portrait shows a bearded figure looking slightly to one side. The image is executed in a classical engraving style with fine cross-hatching techniques to create shadows and depth. Text surrounds the oval frame in Latin, and there's additional text below the portrait indicating it was "Engraved by T. Berry" and is "From the Original in the HEROLOGIA." The print was published by T. Bird in London. The overall composition is formal and dignified, typical of scholarly or clerical portraits from this historical period.
Created by claude-3-opus-20240229 on 2025-02-11
The image shows a black and white engraved portrait of an elderly man with a long beard wearing what appears to be a fur-lined robe or coat. The portrait is enclosed in an oval frame with the man's name "JOANNES" (Latin for John) printed around the border. Below the portrait is an inscription in Latin that mentions a cardinal or pope and gives a date which looks to be 1580 based on the Roman numerals, though the text is a bit hard to make out clearly. The print seems to be an old historical portrait, likely of a religious figure from the 16th century.
Created by claude-3-haiku-20240307 on 2025-02-11
The image shows a portrait of an elderly man with a long beard wearing a fur-lined robe and hat. The portrait is enclosed in an oval frame with the man's name and title "PROFES' TO ANN'S GHILCHYS" written around the edge. The portrait appears to be an engraved or etched image, with fine lines and details used to capture the man's features and clothing. The background of the image is plain, allowing the portrait to be the main focus.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29
This is a historical engraved portrait in an oval frame. The subject appears to be a Renaissance-era scholar or intellectual, wearing period clothing including a cap and what looks like academic robes. The figure has a notable long white beard and is shown in profile against a dark background. Around the oval frame there appears to be text in Latin. Below the portrait is a caption or inscription, also in Latin. The engraving style is characteristic of historical portraiture from the 16th or 17th century, with fine cross-hatching techniques used to create depth and detail. The image appears to be from a book or academic publication, as indicated by the publishing information at the bottom.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13
The image is a portrait of a man with a beard and hat, surrounded by text. The portrait is in the center of the image, and it appears to be an engraving or print.
- Portrait:
- The portrait is of a man with a long white beard and mustache.
- He is wearing a hat and a fur-lined coat.
- The man's facial expression is serious and introspective.
- Text:
- The text surrounding the portrait is written in Latin.
- It appears to be a quote or inscription, but it is not legible.
- The text is written in a formal, cursive script.
- Background:
- The background of the image is a light beige color.
- There are no other objects or features in the background.
Overall, the image is a formal and dignified portrait of a man, surrounded by text that adds to its historical and cultural significance.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13
The image is a portrait of John Cheke, an English classical scholar and statesman. The portrait is in black and white, with a circular border around it. The border has the words "JOANNES CHECUS" written in Latin at the top, and "LINGUA GRAE PROFES" at the bottom. The portrait shows John Cheke wearing a hat and a fur-trimmed cloak, with a serious expression on his face. The background of the portrait is dark, which helps to highlight the subject's features. Overall, the image appears to be a formal portrait of John Cheke, likely created during his lifetime or shortly after his death.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-11
The image is a black-and-white portrait of a man with a white beard and mustache. He is wearing a hat and a long-sleeved shirt with a fur collar. The portrait is framed by a circular border with Latin text. The text reads "PROFESSOR GRATIAE INGULA SILVIUS IOANNES CHECUS," which translates to "Professor of Grace, Ingula Silvius Joannes Checus." Below the portrait, there is a signature that reads "Engraved by T. Berry." The portrait is from the original in the Herologia, and it was published by T. Hollis, 2, Great Newport Street, Long Acre.
Created by amazon.nova-lite-v1:0 on 2025-02-11
The image is a portrait of a man named Johannes Checcus, who is wearing a hat and a long robe. He has a long beard and mustache and is looking straight ahead. The portrait is surrounded by a circular border with the words "Ioannes Checcus" written in a decorative font. The image is printed on white paper and has a watermark in the bottom left corner. The portrait is likely from a historical document or book.
Google Gemini
Created by gemini-2.0-flash on 2025-05-22
Here's a description of the image:
Overall Impression:
The image is a monochrome portrait, likely an engraving or etching, presented on a larger white background. The portrait is contained within an oval frame, and text is inscribed around the frame and below the portrait.
Details of the Portrait:
- The portrait is of a man with a long, white beard.
- He is wearing a hat and clothing that suggests a scholarly or formal position, with a fur-lined cloak.
- The man's expression is serious and dignified.
- The level of detail indicates the artist was skilled in capturing facial features and textures of clothing.
Text and Frame:
- The oval frame has text around its edge, identifying the subject as "IOANNES CHECUS," and "LINGUA GRA[E] PROFES[S] EQUES AURATUS"
- Below the portrait is more text, "Ingenium magni moderatus principinis exul CHECUS, at incons Fans in pietate fuit" and "Engraved by T. Berry"
- Further down it says "From the Original in the HEROOLOGIA"
- At the bottom, there is publishing information "Published by T.HODD, 2.Gt Nuport Steet Leng clere."
Style and Context:
- The style of the portrait and typography suggests it could be from the 17th or 18th century.
- The title "EQUES" might indicate the subject was a knight or held a position of nobility.
- The text in the engraving is in Latin.
Overall, the image presents a formal and historical portrait of a notable figure, likely an academic or nobleman named Joannes Checus.
Created by gemini-2.0-flash-lite on 2025-05-22
The image is an engraving of a man with a long beard and a hat. He is wearing a fur-lined coat. The image is in an oval frame with Latin text around it. The text says "PROFES GRA LINGUA IOANNES CHECUS EQUES AURATUS". Below the image is more Latin text and the inscription "Engraved by T. Berry. From the Original in the HEROOLOGIA. Published by T.HOUD 2. Gt Newport Street Long clere." The image is on a white paper background.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09
The image is an engraved portrait of a man with a long beard and wearing a cap and fur-trimmed cloak. The portrait is framed within an oval border with text surrounding it. The text reads "JOANNES CLICTS POETS ARATIS."
Below the portrait, there is a Latin inscription that translates to:
"Ingenium magnum moderabitur principatus exul CREEVS ut inconcussus in faculae fulgeat."
The engraving is credited to "J. Berry" and is noted to be "From the Original in the HEROLOGIA."
At the bottom of the image, it states that the work was published by T. Hulls at No. 69 St. Martin's Lane, Long Acre.
The portrait appears to be of a historical figure, possibly a poet or scholar, given the Latin inscription and the style of the attire and text. The overall style and elements suggest it is an 18th or 19th-century engraving.
Qwen
No captions written