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Human Generated Data

Title

Testament of Eudamida di Corinto

Date

18th century

People

Artist: Francesco Bartolozzi, Italian 1727 - 1815

Artist after: Nicolas Poussin, French 1594 - 1665

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R11735

Human Generated Data

Title

Testament of Eudamida di Corinto

People

Artist: Francesco Bartolozzi, Italian 1727 - 1815

Artist after: Nicolas Poussin, French 1594 - 1665

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R11735

Machine Generated Data

Tags

Amazon
created on 2023-10-24

Art 100
Painting 100
Adult 98.9
Bride 98.9
Female 98.9
Person 98.9
Wedding 98.9
Woman 98.9
Adult 98.8
Bride 98.8
Female 98.8
Person 98.8
Woman 98.8
Adult 98
Person 98
Male 98
Man 98
Adult 97.3
Bride 97.3
Female 97.3
Person 97.3
Woman 97.3
Adult 93.6
Bride 93.6
Female 93.6
Person 93.6
Woman 93.6
Person 93.4
Baby 93.4
Face 79.1
Head 79.1
Text 64.4
Person 59.9
Drawing 58
Architecture 55.4
Building 55.4
Hospital 55.4

Clarifai
created on 2019-02-28

people 100
adult 99.1
illustration 98.7
group 98.3
print 98.2
child 98.2
lithograph 97
man 96.3
art 94.7
engraving 93.9
kneeling 93.3
woman 91.8
sit 91.1
furniture 90.5
many 89.2
wear 89.2
book bindings 84.5
slavery 84
several 83.4
seat 82.5

Imagga
created on 2019-02-28

sculpture 29.8
art 26.6
statue 25.9
old 23.7
money 20.4
ancient 19.9
sketch 19.1
history 18.8
paper 18
treasury 17.9
dollar 17.6
cash 17.4
drawing 17.2
architecture 17.2
bill 17.1
currency 16.1
vintage 15.7
depository 15.7
detail 15.3
culture 14.5
representation 14.5
finance 14.4
bank 14.3
antique 14.1
banking 13.8
closeup 13.5
symbol 13.5
monument 13.1
facility 12.9
stone 12.8
business 12.8
decoration 12.5
marble 12.4
carving 12.2
letter 11.9
religion 11.7
us 11.6
exchange 11.5
close 11.4
building 11.3
travel 11.3
rich 11.2
famous 11.2
historic 11
stamp 10.9
postmark 10.8
landmark 10.8
figure 10.8
city 10.8
wealth 10.8
financial 10.7
face 10.7
dollars 10.6
creation 10.6
pay 10.5
mail 10.5
capital 10.4
savings 10.2
card 10.1
column 10
tourism 9.9
retro 9.8
postage 9.8
postal 9.8
one 9.7
loan 9.6
god 9.6
historical 9.4
church 9.2
tourist 9.1
hundred 8.7
states 8.7
united 8.6
grunge 8.5
museum 8.4
religious 8.4
portrait 8.4
envelope 8.4
design 8.3
structure 7.9
philately 7.9
franklin 7.9
carved 7.8
legal 7.8
catholic 7.8
golden 7.7
sign 7.5
product 7.4
aged 7.2
book jacket 7.2

Google
created on 2019-02-28

Microsoft
created on 2019-02-28

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 39-47
Gender Male, 100%
Calm 94.6%
Surprised 6.4%
Fear 5.9%
Confused 3%
Sad 2.3%
Disgusted 0.5%
Happy 0.5%
Angry 0.3%

Feature analysis

Amazon

Adult
Bride
Female
Person
Woman
Male
Man
Baby
Adult 98.9%

Categories

Imagga

paintings art 99.5%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-10

This image depicts a classical and somber scene featuring three women and a man lying on a bed. The man appears to be ailing or near death, as he lies under a blanket with a somber expression, attended by the three women. One woman stands beside the bed in a posture of grief, while another sits at the foot of the bed, looking distressed. A third woman is kneeling, seemingly engaged in studying or consulting a document. The room is minimally furnished with a simple table holding a drinking vessel, and a round shield is mounted on the wall. The overall tone of the image suggests a moment of mourning and contemplation. The text at the bottom appears to be in Italian and references the testament of Eudamia of Corinth and the artist, Francesco Bartolozzi, who engraved the piece in 1765.

Created by gpt-4 on 2025-02-10

This is an image of an engraving or print that depicts a scene with classical or historical thematic elements. In the room, there's a woman reclined on a bed or a couch, appearing to be in a state of distress or sickness, with a concerned individual at her bedside, possibly offering comfort or medical aid. To the right, there's a group of people in a sorrowful pose; they seem to be in mourning or prayer, indicating that the scene might represent a moment of tragedy or intense emotion. The attire of the characters suggests a setting from the ancient or classical world, perhaps Greek or Roman. In the background, there's a window letting in light, and the wall has some simple decorative elements. The room contains objects like a bowl and a jug on a small table and some household items hanging on the wall, including what looks like a strainer or sifter and possibly a pan or shield. The print bears a caption in Italian and signatures or inscriptions that indicate the artist, engraver, or relevant information about the work's creation or the story it represents. The overall feeling conveyed by this image is one of drama and gravity, typical of historic or mythological illustrations.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-10

This is a historical engraving from 1765 titled "Testamento di Eydamida di Corinto" (Testament of Eydamidas of Corinth). The scene depicts several figures in a sparse interior setting. The composition shows a person lying on a bed while others are gathered around in what appears to be a solemn moment. A round shield or disc hangs on the wall, and there's a small window with a bottle visible in the background. The figures are dressed in classical-style robes and the artwork has a distinctly neoclassical feel to it. The engraving technique uses fine lines to create subtle gradations of light and shadow. At the bottom of the image, there is text in Italian providing details about the artwork and its creation. The artist signatures indicate it was engraved by F. Bartolozzi in 1765.

Created by claude-3-opus-20240229 on 2025-02-10

The image depicts a group of people in an interior setting, likely from the 18th or 19th century based on their clothing. In the center, an older man is seated and looking at some papers, surrounded by four other figures - a man kneeling to his right, another man and woman standing to his left, and a young child sitting on the floor in front of him. The room has simple furnishings including a table, chair, and what appears to be a spinning wheel in the back right corner. The title below the image is in Italian, indicating this may depict a scene related to a story or historical event, though I cannot provide more specifics without additional context. The engraving is monochromatic with shading used to create depth and volume in the figures and objects.

Created by claude-3-haiku-20240307 on 2025-02-10

The image appears to depict a classical or biblical scene. It shows a group of figures in a room setting. There is a central figure lying on a bed, surrounded by several other figures, some of whom appear to be attending to the central figure. The overall scene suggests a somber or serious moment. The image appears to be a reproduction or engraving, with a title and commentary below the main illustration.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image is a sepia-toned engraving of a scene from the Bible, specifically the story of Corinto's wife. The scene depicts a group of people gathered around a bed, with one man holding a baby and another man sitting on a stool, looking at the baby. A woman is standing behind the bed, and another woman is sitting on a bench to the right. * The engraving is signed by the artist, F. Bartolozzi, and dated 1765. * The scene is set in a room with a table and a wall hanging in the background. * The engraving is surrounded by a border of text, which appears to be Italian. * The overall atmosphere of the engraving is one of reverence and devotion, as the figures in the scene appear to be paying homage to the baby. The engraving is a beautiful example of Baroque art, with intricate details and a sense of drama and emotion. It is a testament to the skill and craftsmanship of the artist, F. Bartolozzi, and provides a glimpse into the religious beliefs and practices of the time.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a scene of a woman in labor, surrounded by several individuals who appear to be assisting her. The woman is lying on a bed or couch, with her legs raised and her body covered by a sheet. She is holding onto the sheet with one hand, while the other hand is resting on her stomach. To the left of the woman, there is a man kneeling beside her, holding a small object in his hand. He appears to be examining the woman's abdomen or performing some kind of medical procedure. Behind him, there is another man standing, looking down at the woman with a concerned expression. On the right side of the image, there are two women sitting on a bench or stool, watching the scene unfold. One of them is holding a cloth or towel, which may be used to wipe the woman's brow or clean up any mess. In the background, there is a wall with a window on the left side, through which natural light is entering the room. The overall atmosphere of the image suggests that it is a medical or birthing scene, possibly from the 18th or 19th century. The image is rendered in a sepia tone, which gives it a warm and nostalgic feel. The level of detail and realism in the image suggests that it may be a print or engraving, rather than a painting. Overall, the image provides a fascinating glimpse into the past, highlighting the importance of childbirth and the role of medical professionals in supporting women during this critical moment in their lives.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-10

The image is a black-and-white drawing of a group of people in a room. There are two men and three women. One of the men is lying on a bed, while the other man is sitting on a chair and reading a book. The three women are sitting on a bench. One of them is covering her face with her hand. There is a vase on the wall and a window on the left.

Created by amazon.nova-lite-v1:0 on 2025-02-10

The image depicts a vintage etching or engraving titled "Testamento di Evdamida di Corinto," which translates to "The Testament of Evdamida of Corinth." The artwork is dated 1825 and features a scene set in an interior room with a brick wall and a window. The central figure is an elderly man sitting on a chair, holding a book and reading it. He is wearing a turban and a robe, indicating his importance or status. Beside him, a woman is sitting on a stool, holding her head in her hands, possibly showing sorrow or contemplation. Another elderly man stands behind the seated man, holding a fan, which could symbolize the passage of time or the cooling of passions. On the left side, a woman lies on a bed, possibly sick or in a state of rest. There is also a vase on a shelf in the background, adding to the domestic setting of the scene. The image is framed with a border and includes text in an old language, likely Italian, providing context and information about the artwork.

Text analysis

Amazon

DI
DEL
AD
OLIO
LA
IN
SCOLPI
LASCIO
DEL QVADRO DI N. PVSSINO
PVSSINO
F.
TOMMASO
DIPINTO
QVADRO
N
IL
N.
TESTAMENTO
LONDRA
TESTAMENTO DI EVDAMIDA DI CORINTO
CARISSENO
E
pinxit
CARTA
LE
MLA
CORINTO
EVDAMIDA
CANNO
PERCHÈ
BARTOLOZZI
GRANDEZZA
COLLEZIONE
DELLA
GIVSTA
A
MDCCLXV
SVO
MADRE,
F. BARTOLOZZI FIORENTINO, DISEGNÒ E SCOLPI IN LONDRA CANNO MDCCLXV DELLA GRANDEZZA
FIGLIVOLA,
DLA MARITO, E LA DOTI GIVSTA IL SVO
FIGLIVOLA, PERCHÈ
MIA MADRE, PERCHÈ LA NVTRISCA;A CARISSENO LA MLA
DOTI
LASCIO AD ARETÈO
DIPINTO A OLIO IN CARTA .NELLA COLLEZIONE DI TOMMASO HOLLIS, INGLESE .
POTERE.
NVTRISCA;A
DLA
N Poulsin pinxit
DISEGNÒ
MARITO,
FIORENTINO,
HOLLIS,
ARETÈO
INGLESE .
MIA
.NELLA
1765.
Poulsin

Google

TESTAM ENTO DİEVDA MIDA Dİ CORINTO. LASCIO AD ARETEO MIA MADRE, PERCHE LA NVTRISCA A CARISSENO LA MIA FIGLIVOLA, PERCHE LE DLA MARITO , E LA DOTI Gry STA iL SVO POTERE. F. BARTOLOZZI FIORENTINO, DISEGNO E SCOLPI IN LONDRA í:ANN O MDCCLXV DELLA GRANDEZZA DEL qvADRO DI N. PVS SINO DIPINTO A OLIO IN CARTA ,NELLA COLLEZIONE M TOMMASO HOLLİS, MGLESE . 1763
TESTAM
ENTO
DİEVDA
MIDA
CORINTO
.
LASCIO
AD
ARETEO
MIA
MADRE,
PERCHE
LA
NVTRISCA
A
CARISSENO
FIGLIVOLA
,
LE
DLA
MARITO
E
DOTI
Gry
STA
iL
SVO
POTERE
F.
BARTOLOZZI
FIORENTINO
DISEGNO
SCOLPI
IN
LONDRA
í
:
ANN
O
MDCCLXV
DELLA
GRANDEZZA
DEL
qvADRO
DI
N.
PVS
SINO
DIPINTO
OLIO
CARTA
NELLA
COLLEZIONE
M
TOMMASO
HOLLİS
MGLESE
1763