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Human Generated Data

Title

Dead Christ with Two Marys and Saint John

Date

17th century

People

Artist: Orazio Borgiani, Italian 1577 - 1616

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2844

Human Generated Data

Title

Dead Christ with Two Marys and Saint John

People

Artist: Orazio Borgiani, Italian 1577 - 1616

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2844

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Art 95.5
Human 89.7
Animal 68.5

Clarifai
created on 2019-11-06

people 99.9
art 99.7
illustration 99.5
print 99.5
painting 98.4
group 97.4
engraving 95.9
baby 95.8
adult 95.3
baroque 94.1
man 94.1
Renaissance 92.6
two 89
one 87.7
sword 87.5
religion 87.2
woman 86.7
saint 85.7
book 85.6
allegory 83.3

Imagga
created on 2019-11-06

sketch 55.6
drawing 42.2
representation 35.1
vintage 33.1
stamp 30.2
money 28.1
currency 27.9
cash 27.5
paper 25.9
mail 25.9
postmark 24.7
old 23.7
retro 22.2
finance 22
book jacket 21.7
letter 21.1
postage 20.7
postal 20.6
bank 20.6
dollar 20.5
ancient 19.9
art 19.9
envelope 18
banking 17.5
post 17.2
jacket 16.9
dollars 16.4
financial 16.1
printed 15.8
one 15.7
close 15.4
savings 14.9
antique 14.8
business 14
shows 13.8
grunge 13.6
comic book 13.5
us 13.5
wealth 13.5
pay 13.4
bill 13.3
note 12.9
wrapping 12.8
philately 12.8
culture 12.8
global 12.8
banknote 12.6
history 12.5
product 12.5
loan 12.5
exchange 12.4
rich 12.1
economy 12.1
black 12
bills 11.7
closeup 11.5
creation 11.3
stamps 10.9
symbol 10.8
decoration 10.7
church 10.2
aged 10
circa 9.9
religion 9.9
banknotes 9.8
finances 9.7
covering 9.5
capital 9.5
design 9.4
tile 9.2
collection 9
museum 9
book 9
mosaic 8.9
delivery 8.8
memorial 8.7
payment 8.7
communications 8.6
fine 8.6
united 8.6
newspaper 8.4
investment 8.3
message 8.2
post mail 7.9
icon 7.9
brass 7.9
zigzag 7.9
masterpiece 7.9
funds 7.9
paintings 7.8
states 7.7
cutting 7.7
texture 7.7
painted 7.6
unique 7.6
temple 7.6
pattern 7.5
painter 7.4
detail 7.3
market 7.1
treasury 7
card 7
nobody 7

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 100
book 99.9
drawing 99.5
sketch 99.1
cartoon 95.8
illustration 85.5
art 85.2
person 78.1
painting 76.9

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-33
Gender Male, 64.7%
Disgusted 0.1%
Happy 0.3%
Fear 1%
Confused 0.1%
Calm 91.8%
Surprised 0.2%
Sad 6.2%
Angry 0.4%

Feature analysis

Amazon

Person
Painting
Bird

Clarifai

Human face
Person
Picture frame
Clothing

AWS Rekognition

Person 89.7%

Categories

Imagga
created on 2019-11-06

paintings art 100%

Captions

Microsoft
created by unknown on 2019-11-06

a close up of a book 67.7%
close up of a book 62.9%
a hand holding a book 62.8%

Clarifai

Created by general-english-image-caption-clip on 2025-07-11

the death of person by painting artist.

Salesforce

Created by general-english-image-caption-blip on 2025-05-25

a photograph of a drawing of a man on a table

OpenAI GPT

Created by gpt-4o-2024-11-20 on 2025-06-13

This is a detailed, dramatic print with religious overtones, likely depicting the biblical scene of Christ after his crucifixion, known as the "Lamentation" or "Pietà."

In the image:

  • At the center is the lifeless body of Christ, his torso exposed, showing signs of crucifixion. He is seated or reclined on a flat surface, with nails and a hammer visible nearby, symbolic of his suffering.
  • Surrounding Christ are three mourning figures: on the left, a veiled and sorrowful Virgin Mary gazes at him sorrowfully. On the right, another figure likely represents Mary Magdalene, clutching Christ's hand or feet in an emotional gesture. Behind her stands another male figure, possibly Joseph of Arimathea or St. John, bowing in grief.
  • Christ's head radiates light, a common motif to signify his divinity despite death.
  • The background is filled with intricate hatchwork showing trees and clouds, creating depth and atmosphere.
  • The foreground features Latin inscriptions below the main scene, referencing the religious relevance of the art, possibly an ode or dedication. It may also indicate the artist and patron's identity.

The style and subject matter suggest it is a work from the Renaissance or Baroque era, showcasing rich, etched lines and an emphasis on emotional expression.

Created by gpt-4o-2024-08-06 on 2025-06-13

The image is an etching depicting a religious scene, likely the Lamentation over the Dead Christ. At the center of the image is the body of Jesus Christ, shown lifeless, with a prominent crown of thorns and a halo around his head. His muscular torso is inclined backward and he is wrapped in a modest piece of cloth.

To the left of Jesus is a figure that appears to be the Virgin Mary, identifiable by her draped robes and sorrowful expression. On the right, another figure, presumably Mary Magdalene, clasps Jesus' hand to her cheek in a gesture of mourning. Both figures appear to be grieving, emphasizing the somber and emotional tone of the composition.

In the background, the coarse lines and shadows create an impression of depth and texture, typical of etching techniques. In the foreground, at the foot of what seems to be a tomb or slab, are items such as a chalice and what appears to be a nail, which may symbolize the crucifixion.

Beneath the image, there is an inscription in Latin, dedicating the scene to a nobleman and elaborating the subject of the etching. The overall style suggests a Baroque influence, with dramatic contrasts and emotional expressions.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29

This appears to be a historical engraving or print with religious imagery. The artwork shows a dramatic scene with a reclining figure in a state of ecstasy or spiritual rapture, with flowing robes and dramatic lighting effects typical of Baroque-style art. There's text in Latin or Italian script at the bottom of the image. The composition uses strong contrast between light and dark areas (chiaroscuro technique) to create a sense of drama and spiritual intensity. The engraving technique shows fine detail in the linework, particularly in the drapery and figures. The overall style and subject matter suggests this is likely from the 17th or 18th century.

Created by claude-3-haiku-20240307 on 2025-03-04

The image depicts a dramatic and allegorical religious scene. It shows the central figure of a man, portrayed as Christ, lying wounded and bloodied on a bed or bier. Angels and other figures surround him, expressing grief and anguish. The scene is rendered in a dark, dramatic style with intricate details and textures. The overall impression is one of intense emotion and suffering. The Latin text at the bottom provides additional context and meaning to the depicted scene, though I cannot fully interpret it without more information.

Created by claude-3-opus-20240229 on 2025-03-04

The image depicts the dead body of Jesus Christ after being taken down from the cross, based on the biblical account of his crucifixion. In the etching, Christ's lifeless body is shown reclining, with wounds visible on his hands and side. Two angels flank his body, seemingly mourning or tending to him. The composition has a somber, reverent tone befitting the gravity of the scene being portrayed. Below the main image, there is text in Latin, likely a biblical quote or dedication relating to the artwork and Christ's sacrifice. The art style appears to be from the 16th or 17th century, with detailed linework creating a sense of depth and form through shading.

Created by claude-3-5-sonnet-20241022 on 2025-03-04

This is a historical etching or engraving that appears to be religious in nature, likely depicting a scene related to Christian iconography. The central figure is shown reclining with a halo or nimbus around their head, draped in cloth. The artwork includes dramatic shading and flowing fabric elements typical of Baroque-style religious art. Below the image is ornate calligraphic text in what appears to be Latin or Italian. The overall composition has a somber, reverent quality characteristic of religious artwork from this period. The technique shows skilled use of line work and cross-hatching to create depth and shadow in the black and white print medium.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15

The image is a black and white drawing of the Pieta, depicting Mary holding Jesus after his crucifixion. The drawing is in a classical style, with bold lines and shading that create a sense of drama and emotion.

  • Mary
    • Mary is shown kneeling over Jesus, her head bowed in grief.
    • She is wearing a long robe that is draped over her body, with one arm wrapped around Jesus' body and the other hand holding his head.
    • Her face is contorted in sorrow, with tears streaming down her cheeks.
  • Jesus
    • Jesus is lying on a stone slab, his body broken and battered from the crucifixion.
    • His eyes are closed, and his mouth is open in a silent scream.
    • His arms are outstretched, with one hand resting on Mary's shoulder and the other hand hanging limp.
  • The Background
    • The background of the drawing is dark and shadowy, with only a few hints of light coming from above.
    • There are some faint outlines of rocks and trees in the distance, but they are not clearly defined.
  • The Text
    • At the bottom of the drawing, there is a Latin inscription that reads "Mater dolorosa" (Mother of Sorrows).
    • The inscription is written in a flowing script, with each word carefully lettered out in a different font.

Overall, the image is a powerful and moving depiction of the Pieta, capturing the intense emotion and sorrow of the moment. The classical style and bold lines add to the drama and impact of the scene, making it a compelling work of art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15

The image is a black and white illustration of the body of Jesus Christ after his crucifixion. He is lying on a table, with his head tilted back and his eyes closed. His body is muscular and well-defined, with visible wounds on his hands and feet. A halo surrounds his head, symbolizing his divinity.

To the right of Jesus' head, a man is shown with his hand on Jesus' forehead, possibly representing one of the apostles or another figure from the biblical account. The man's face is contorted in grief, conveying the emotional weight of the scene.

In the background, there are several other figures, including a woman who appears to be Mary, Jesus' mother. She is shown with her hands clasped together in prayer, her face filled with sorrow. Other figures in the background are also shown with expressions of grief and mourning.

At the bottom of the image, there is a caption written in an old-fashioned script. The text is difficult to read, but it appears to be a quote or passage from the Bible, possibly describing the events depicted in the image.

Overall, the image conveys a sense of sadness and loss, as well as reverence and awe for the sacrifice of Jesus Christ. It is a powerful representation of one of the most significant events in Christian theology, and it continues to be an important part of religious art and iconography to this day.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image is a black and white print of a painting, possibly created by a famous artist. The painting depicts three figures. The central figure is a man lying on a stone slab, with a light shining on him. He is surrounded by two other figures, one on each side. The figures are dressed in robes, and the background is dark. The painting is surrounded by a frame, and there is some text written in a foreign language.

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is an old engraving of a scene featuring three individuals, possibly a man and two women, lying on a stone slab. The man in the center is depicted with a beard and a sorrowful expression, while the woman on the left has her face covered, and the woman on the right has her head bowed. The engraving has a vintage look and is surrounded by a black border. The image also includes some Latin text, possibly a quote or a dedication.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-06-02

The image is a black and white etching depicting the Lamentation of Christ. The central figure is Jesus, depicted with a halo, lying on a stone table. His body appears lifeless, with visible wounds and a crown of thorns. He is surrounded by mourners, including the Virgin Mary on the left, depicted with a sorrowful expression and veiled head. On the right, another figure appears to be supporting Jesus's head. The figures are placed against a dark, dramatic backdrop that suggests a cave or rocky environment.

On the table, besides Jesus, there are several symbolic objects: a small bowl, a piece of bread, and a bird. The lower portion of the image includes an inscription in Latin that gives additional information about the work. The style of the etching is detailed and expressive, with strong use of shadow and light to create a sense of drama and emotion.

Created by gemini-2.0-flash on 2025-06-02

The image is a detailed black and white etching depicting the Lamentation of Christ. Christ's lifeless body is lying on a table, surrounded by three figures, presumably mourning him. The figure on the left wears a long draped robe. The figure on the right has long hair and wears a long, hooded cloak. Their faces show grief and sorrow, and their hands are positioned in ways that convey anguish. The table has a cup and a small disc on it to the left of Christ and a swallow on the right. The background is dark and indistinct, but suggests a landscape or some form of foliage. The overall atmosphere is one of deep sorrow and tragedy. At the bottom of the print, there is Latin text.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image is a detailed etching depicting a religious scene, likely from the Baroque period. It shows a dramatic and emotional moment involving several figures.

  1. Central Figure: The central figure appears to be a man who is lying down, possibly deceased or in a state of deep anguish. His body is partially covered with a cloth, and his face is turned upwards, expressing a sense of torment or despair.

  2. Surrounding Figures: There are two other figures flanking the central figure. One figure, on the left, appears to be an angelic or divine being, possibly an angel, with wings and a serene expression. The figure on the right seems to be a person in mourning, with their hands clasped together in prayer or grief.

  3. Background: The background is filled with dark, swirling clouds, adding to the dramatic and somber atmosphere of the scene.

  4. Objects: There are a few objects in the foreground, including what looks like a small bird, a skull, and a container, which could be symbolic elements often found in religious art, representing mortality and the transience of life.

  5. Text: At the bottom of the image, there is a Latin inscription. The text reads:
    "Hic est Frater D. Franciscus de Apostolis Seminii Ducis Taurinani Regis Catholicorum a consiliis ejusque Summus Theologorum Censor.
    Dolor Eximius a morte et amore vulnera
    Affectus videtur, lacrymisque cader.
    Hic vitam plus animae et vita numbra fuit.
    Iussu exemplar quod hic Excudit pietate rarae imaginem divi patris et fratris B.B.
    supremum me egrediorum summum obsequior
    Hic est Frater D. Franciscus de Apostolis Seminii Ducis Taurinani Regis Catholicorum a consiliis ejusque Summus Theologorum Censor.
    Giovanni Gagliardi."

    This text likely provides context about the central figure, identifying him as a religious figure or saint, and credits the artist, Giovanni Gagliardi.

Overall, the image is a powerful and emotive religious artwork, capturing a moment of profound sorrow and spiritual significance.

Qwen

No captions written

Text analysis

Amazon

Cor
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reluethe
wua
argir
cisens
9710
D-inpeeettuure
deCLfrot
omitie
cecucll
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Google

Cellr anfo deroiuTaurianiiCeti ar cin edsemmen al Exuuiasa morte ce amar? relec Chrile tuas vidao cum lcbromig cob unta, coemplar quod the Ccellpimi hane maginumamejao czeyancidem D onfum Oeaori rexis naguer? locum: Cor amtantir Sabeto Ha vbr plus animas, ct tua mumbra loca Eaga, ilam soaie obegm mas Jous gamnt 0racur
Cellr
anfo
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ar
cin
edsemmen
al
Exuuiasa
morte
ce
amar?
relec
Chrile
tuas
vidao
cum
lcbromig
cob
unta,
coemplar
quod
the
Ccellpimi
hane
maginumamejao
czeyancidem
D
onfum
Oeaori
rexis
naguer?
locum:
Cor
amtantir
Sabeto
Ha
vbr
plus
animas,
ct
tua
mumbra
loca
Eaga,
ilam
soaie
obegm
mas
Jous
gamnt
0racur