Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 20-28 |
Gender | Female, 91.9% |
Angry | 63.4% |
Calm | 18.4% |
Surprised | 7.2% |
Happy | 6.8% |
Fear | 6.7% |
Disgusted | 3.2% |
Sad | 2.8% |
Confused | 2.4% |

AWS Rekognition
Age | 20-28 |
Gender | Male, 86.1% |
Calm | 83% |
Happy | 11.8% |
Surprised | 6.6% |
Fear | 6.2% |
Sad | 2.5% |
Disgusted | 1.4% |
Angry | 0.7% |
Confused | 0.6% |
Feature analysis
Categories
Imagga
paintings art | 99.4% | |
Captions
Microsoft
created by unknown on 2019-02-27
a close up of text on a white surface | 63.4% | |
a close up of text on a white background | 61.3% | |
close up of text on a white surface | 58.4% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-15
a photograph of a drawing of a man holding a sword | -100% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-10
The image depicts an intricate line drawing featuring two figures in a biblical or mythological setting. One of the figures, likely male, stands partially draped, with an arm extended as if in action. The other figure, possibly female, is kneeling in a gesture of supplication or reverence. Trees and vegetation surround the figures, and there is architectural detail in the background that includes a building or structure with towers. The drawing is detailed and exhibits classical themes, suggesting it might be an illustration of a significant event or interaction. Note the presence of inscriptions or titles at the bottom of the image.
Created by gpt-4 on 2025-02-10
This is an artwork that appears to be a drawing or etching. It features two classic figures, one standing and the other seated on the ground. The standing figure is posed with one arm outstretched, while the other is draped with a piece of cloth that partially wraps around the body. The seated figure seems to be in a pose that suggests distress, exhaustion, or despair, supported by one arm, while the other may be interacting with the environment or holding an object.
The background is a rural landscape with trees, clouds, and what seems to be a building or structure in the distance, which gives the setting a pastoral feel. The artwork has a sense of movement and emotion, captured through the dynamic poses of the figures and the flowing lines used to depict the clouds and foliage.
There are markings and text on the artwork as well, with numerals appearing at the bottom along with some Latin text that may refer to the name of the piece, sequence in a series, or an artist's signature. The drawing style, figures' attire, and overall composition suggest the artwork could be from the Renaissance or a later period that revives classical themes.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-10
This is a sepia-toned or brown ink drawing that appears to be a religious or classical scene. The artwork shows a divine figure with a halo or nimbus around their head appearing to a kneeling figure in flowing robes. The setting includes palm trees in the background, along with what appears to be a distant building or fortress with towers. The composition is done in a classical Renaissance or Baroque style, with dramatic flowing drapery and expressive gestures. The drawing technique shows fine linework and hatching to create depth and form. In the foreground, there are some floral or plant elements, and the overall scene appears to be taking place in a garden or outdoor setting. The image has text or notations at the bottom, suggesting it might be from a collection or artistic study.
Created by claude-3-opus-20240229 on 2025-02-10
The image depicts a mythological or allegorical scene drawn in a classical style. It shows two nude figures, a muscular male and a nude female, in an outdoor setting with trees and buildings in the background.
The male figure stands holding a staff or spear, while the female kneels before him with her arms outstretched. Their poses suggest some kind of interaction or relationship between the two figures.
The drawing is detailed with shading to convey depth and volume in the figures and landscape. It has an aged, sepia-toned appearance as if it is an old print or drawing from a previous era. The signature and text at the bottom provide information about the artist and title of the work.
Overall, the scene portrayed has a sense of mythology, allegory or classical storytelling, capturing a specific narrative moment between the two central figures in an idealized, artistic style typical of certain historical periods and artistic traditions.
Created by claude-3-haiku-20240307 on 2025-02-10
The image depicts a mythological or religious scene. It shows a nude male figure, likely representing a deity or heroic figure, standing or ascending in a landscape with palm trees and other foliage. Two other figures, also nude, appear to be in a worshipful or reverent posture before the central figure. The style of the drawing suggests it is an artistic rendering or interpretation of a classical or biblical subject, rather than a realistic depiction.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-15
The image depicts a drawing of a scene from the Bible, specifically the story of Jesus Christ and the woman taken in adultery. The drawing is rendered in sepia tones, with a focus on the figures and their surroundings.
In the foreground, Jesus stands at the center, his right arm outstretched as he addresses the woman. He is depicted as a muscular man with long hair, wearing a robe that is draped over his left shoulder. The woman, kneeling before him, looks up at Jesus with a mixture of shame and hope in her eyes. She is dressed in a simple tunic and has her hair tied back.
The background of the drawing features a landscape with trees, buildings, and hills in the distance. The sky is cloudy, adding to the sense of drama and tension in the scene.
The overall mood of the drawing is one of contemplation and introspection. The artist has captured the emotional intensity of the moment, conveying the complexity of the characters' emotions through their facial expressions and body language.
The drawing is signed by the artist, "Giovanni Lanfranco," in the bottom-left corner. The signature is written in a flowing script, adding to the elegance and sophistication of the piece.
Overall, the drawing is a beautiful and moving portrayal of a pivotal moment in Christian history. It invites the viewer to reflect on the themes of forgiveness, redemption, and compassion that are central to the story of Jesus and the woman taken in adultery.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-15
This image depicts a sketch of a biblical scene, likely from the story of Adam and Eve. The sketch is rendered in sepia tones and features two figures: a man and a woman. The man, positioned on the left side of the image, is depicted with long hair and a beard, wearing a loincloth made of leaves. He appears to be reaching out towards the woman, who is seated on the ground on the right side of the image. The woman has her hair pulled back and is also wearing a loincloth made of leaves. She is looking up at the man with her hand extended towards him.
In the background, there are trees, buildings, and a cloudy sky, which adds depth and context to the scene. The overall atmosphere of the sketch is one of intimacy and connection between the two figures, capturing a moment of tenderness and vulnerability in their relationship.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-10
The image is an etching on paper with a brown color scheme. It depicts a scene with two people. On the left, there is a man standing and holding a stick in his left hand, while his right hand is stretched towards the woman. The woman is sitting on the ground, and her right hand is stretched towards the man. Behind them, there are some trees and a castle.
Created by amazon.nova-lite-v1:0 on 2025-02-10
The image is a drawing that depicts a scene from the Bible. It shows a man in a standing position, wearing a robe and holding a staff in his hand. The man is looking at a woman who is kneeling in front of him. The woman is also wearing a robe and has her hands clasped together. The drawing is in a sepia tone, giving it an old and vintage look. The drawing is accompanied by the text "LXI" and "Noli me tangere" in the bottom left corner.
Google Gemini
Created by gemini-2.0-flash on 2025-05-08
This sepia-toned drawing depicts a biblical scene, likely after the Resurrection of Jesus.
In the foreground, a partially draped male figure stands with a staff in his left hand. Rays emanate from his head, suggesting a divine status. He extends his right hand towards a woman who is kneeling before him. The woman is also partially draped and appears to be reaching out to him.
The background includes a landscape with a building on the left and what appears to be a fortress or tower in the distance on the right. A tree stands between the two figures, adding to the depth of the scene.
At the bottom of the image, there are inscriptions. On the left, it reads "Gabbiani inv," possibly indicating the artist or the source of the inspiration. In the center, it reads "LXI Noli me tangere," which is Latin for "Touch me not," a phrase from the Gospel of John often associated with Mary Magdalene's encounter with the resurrected Jesus. On the right, it reads "Cipriani sc," which may refer to the engraver or artist who executed the drawing.
Created by gemini-2.0-flash-lite on 2025-05-08
The image is a sepia-toned sketch, likely a pen and ink drawing, depicting a religious scene. It shows a figure of Jesus, recognizable by the halo around his head, extending his hand towards a kneeling woman. He is semi-nude, draped with fabric. He is also holding a staff. The woman is dressed in flowing garments and looks up at him with a pleading expression, her arm outstretched.
The setting includes a background with architectural structures, a tree with expansive foliage, a flower bed with roses, and elements like a decorative urn. The style of the drawing is classical, and there are lines and hatching to create shadows and depth. At the bottom, the text "Noli me tangere" which means "Do not touch me", is written below the figures. The artist is listed as Cipriani. The overall composition conveys the moment when Jesus, after his resurrection, appears to Mary Magdalene.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08
The image is a classical illustration, likely an etching or engraving, depicting a scene that appears to be mythological or biblical in nature. The artwork is rendered in a sepia tone, giving it an antique appearance.
In the foreground, there are two main figures. The figure on the left appears to be a male, standing and partially draped in cloth. He is gesturing with his right hand, which is extended towards the figure on the right. The figure on the right is a female, who is seated or kneeling and appears to be in a state of distress or supplication. She is also partially draped in cloth, and her posture suggests vulnerability or pleading.
The background features a landscape with trees, clouds, and what seems to be a distant town or city, adding depth to the scene. The overall composition and style suggest that this image could be from a historical or religious text, possibly illustrating a significant narrative moment.
At the bottom of the image, there is text that reads "LXI" and "Noli me tangere," which is Latin for "Touch me not." This phrase is associated with the biblical story of Jesus's resurrection, where he tells Mary Magdalene not to touch him. The text also includes the names "Gabbiani inv." and "Cipriani sc.," likely referring to the artist who invented the design (Gabbiani) and the engraver (Cipriani).
Overall, the image captures a dramatic and emotionally charged moment, characteristic of classical religious or mythological art.