Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 19-31 |
Gender | Female, 50% |
Confused | 45% |
Fear | 45.5% |
Disgusted | 45% |
Sad | 47.9% |
Angry | 45.7% |
Happy | 45% |
Calm | 50.8% |
Surprised | 45.1% |

AWS Rekognition
Age | 15-27 |
Gender | Female, 54.3% |
Confused | 45.1% |
Sad | 46.1% |
Angry | 46.4% |
Happy | 50.2% |
Calm | 46% |
Disgusted | 45.6% |
Fear | 45.5% |
Surprised | 45.1% |

AWS Rekognition
Age | 11-21 |
Gender | Female, 53.9% |
Disgusted | 45% |
Fear | 45% |
Surprised | 45% |
Happy | 49% |
Sad | 50% |
Confused | 45% |
Angry | 45.3% |
Calm | 45.7% |

AWS Rekognition
Age | 20-32 |
Gender | Male, 53.6% |
Surprised | 45.2% |
Confused | 45.1% |
Calm | 46.6% |
Happy | 45.1% |
Disgusted | 45.2% |
Angry | 52.2% |
Sad | 45.4% |
Fear | 45.2% |

AWS Rekognition
Age | 17-29 |
Gender | Female, 52.1% |
Fear | 47.2% |
Happy | 45.1% |
Sad | 46.1% |
Calm | 50% |
Surprised | 45.1% |
Confused | 45% |
Disgusted | 45.1% |
Angry | 46.5% |

AWS Rekognition
Age | 22-34 |
Gender | Female, 53.4% |
Happy | 45.2% |
Disgusted | 45.1% |
Angry | 45.1% |
Calm | 52.7% |
Sad | 45.1% |
Surprised | 45.1% |
Confused | 45% |
Fear | 46.7% |

AWS Rekognition
Age | 35-51 |
Gender | Male, 54.3% |
Fear | 45% |
Happy | 45.2% |
Calm | 45.2% |
Sad | 45.1% |
Disgusted | 45.1% |
Surprised | 45% |
Angry | 54.4% |
Confused | 45% |

AWS Rekognition
Age | 22-34 |
Gender | Male, 54.6% |
Angry | 45.4% |
Confused | 45% |
Calm | 54.1% |
Fear | 45% |
Sad | 45.2% |
Surprised | 45% |
Happy | 45.1% |
Disgusted | 45.1% |

AWS Rekognition
Age | 28-44 |
Gender | Male, 50.4% |
Calm | 46.9% |
Sad | 52.8% |
Surprised | 45% |
Angry | 45.1% |
Fear | 45% |
Disgusted | 45% |
Confused | 45% |
Happy | 45.2% |

AWS Rekognition
Age | 20-32 |
Gender | Male, 54.6% |
Calm | 45.1% |
Disgusted | 45% |
Fear | 45.4% |
Confused | 45% |
Happy | 45% |
Sad | 54.2% |
Surprised | 45% |
Angry | 45.3% |

AWS Rekognition
Age | 17-29 |
Gender | Male, 53.2% |
Calm | 45% |
Sad | 45% |
Confused | 45% |
Angry | 54.6% |
Surprised | 45.1% |
Fear | 45.3% |
Happy | 45% |
Disgusted | 45% |

AWS Rekognition
Age | 21-33 |
Gender | Female, 51.7% |
Fear | 45.2% |
Disgusted | 45% |
Happy | 45% |
Confused | 45% |
Surprised | 45% |
Angry | 54.3% |
Calm | 45.2% |
Sad | 45.2% |
Feature analysis
Categories
Imagga
created on 2019-11-04
paintings art | 98.1% | |
streetview architecture | 1.1% | |
Captions
Microsoft
created by unknown on 2019-11-04
a group of people looking at a book | 28.7% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip on 2025-05-25
a photograph of a cross - section of a religious cross with a cross on it
OpenAI GPT
Created by gpt-4 on 2025-02-01
The image depicts a classical engraving or print featuring a central figure on a cross, an iconic representation from Christian art. Surrounding the central figure are several cherubs or putti situated amongst clouds or billowing forms that create a circular frame around the scene. Below, there is a Latin inscription and some markings indicating the creator or printer of the piece, suggesting a historical or religious context. The artwork is highly detailed, with meticulous attention to shading and the physical form.
Created by gpt-4o-2024-05-13 on 2025-02-01
This image depicts a detailed engraving of the crucifixion of Jesus Christ surrounded by a host of angels on clouds. Jesus is shown nailed to the cross with the sign "INRI" above His head. The angels appear to be in various poses of mourning and reverence. At the bottom of the image, there is an inscription in Latin that reads "Vulneratus est propter iniquitates nostras, attritus est propter scelera nostra," which translates to "He was wounded for our transgressions, he was bruised for our iniquities," a quotation from the Book of Isaiah in the Bible.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29
This is a religious engraving depicting the Crucifixion scene, surrounded by cherubs or putti on clouds forming an oval frame around the central figure. The figure on the cross is shown in a classical Renaissance style, with detailed musculature and wearing a crown of thorns and a draped cloth. The cherubs around the border appear to be in various poses of mourning or contemplation, with some covering their faces or gesturing in distress.
At the bottom of the image is a Latin inscription that reads "VVLNERATVS EST PROPTER INIQITATES NOSTRAS ATTRITVS EST PROPTER SCELERA NOSTRA" which translates to "He was wounded for our iniquities, he was bruised for our sins" - a quote from Isaiah 53:5.
The artwork appears to be an engraving, likely from the Renaissance or Baroque period, showing fine detail and shading through careful linework. The composition creates a dramatic contrast between light and dark, typical of religious art from this era. The "INRI" inscription can be seen at the top of the cross, which traditionally stands for "Iesus Nazarenus Rex Iudaeorum" (Jesus of Nazareth, King of the Jews).
Created by claude-3-5-sonnet-20241022 on 2025-02-01
This is a religious engraving showing the Crucifixion scene. The central figure is shown on the cross, surrounded by a wreath-like arrangement of cherubs or angels sitting on clouds. The angels appear to be in various poses of mourning or contemplation. The artistry demonstrates skilled Renaissance or Baroque style engraving techniques, with careful attention to anatomical detail and dramatic shading.
At the bottom of the image is a Latin inscription that reads "VVLNERATVS EST PROPTER INIQITATES NOSTRAS ATTRITVS EST PROPTER SCELERA NOSTRA" which translates to "He was wounded for our transgressions, he was bruised for our iniquities" - a quote from Isaiah 53:5.
The overall composition creates a dramatic and emotional religious scene, typical of religious art from this period. The contrast between light and dark, along with the circular arrangement of the angels, draws the viewer's focus to the central crucifixion scene.
Created by claude-3-opus-20240229 on 2025-02-01
The image depicts Jesus Christ on the crucifix, surrounded by multiple cherubs or angels. The crucifix is centered within an oval frame made of clouds, with cherubs positioned around the edges. The cherubs have wings and appear to be praying or gazing up at the crucified Christ figure.
The entire scene is rendered in monochromatic tones, likely an engraving or etching print. The Latin text below the image translates to "It is proper for the vulnerable to be ignorant of our vulnerabilities, it is proper for the wicked to be ignorant of our wickedness", suggesting a religious message about human weakness and sinfulness.
Overall, the artwork presents a traditional Christian crucifixion scene embellished with Baroque-style clouds and putti (cherub figures), conveying a sense of suffering, faith and reverence. The detailed engraving captures the emotive expressions and positioning of the angelic figures encircling the central crucifix.
Created by claude-3-haiku-20240307 on 2025-02-01
The image depicts a crucifixion scene with Christ on the cross surrounded by numerous angels and cherubs. The central figure of Christ is shown suffering on the cross, with his body displayed in a detailed anatomical rendering. The angels and cherubs surrounding the cross are elaborately rendered, with intricate details and expressive poses. The overall composition is dense and ornate, creating a visually striking and emotive religious artwork.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12
The image depicts a woodcut print of the Crucifixion of Christ, surrounded by angels and clouds. The central figure is Christ, depicted in a classical pose with his arms outstretched and his head tilted upwards. He is shown wearing a loincloth and has a crown of thorns on his head. His body is muscular and toned, with visible veins and muscles.
Surrounding Christ are several angels, each with their own unique expression and pose. Some are shown looking up at Christ with reverence, while others appear to be in agony or despair. The angels are depicted in various states of undress, with some wearing robes or cloaks.
The background of the image is a dark, cloudy sky, with rays of light shining down from above. The overall effect is one of drama and intensity, with the contrast between the light and dark creating a sense of depth and dimensionality.
At the bottom of the image, there is a Latin inscription that reads "Vulneratvs est propter iniquitates nostras, Attritvs est propter scelera nostra, Esai. 53." This translates to "He was wounded for our transgressions, He was bruised for our iniquities, The chastisement of our peace was upon Him, And with His stripes we are healed, Isaiah 53."
Overall, the image is a powerful and moving depiction of the Crucifixion, conveying a sense of sorrow, sacrifice, and redemption.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12
This image is a vintage illustration of Jesus Christ on the cross, surrounded by cherubs. The illustration is in black and white, with a sepia tone.
Key Elements:
- Jesus Christ: Jesus is depicted in the center of the image, hanging from the cross with his arms outstretched. He is wearing a loincloth and has a crown of thorns on his head.
- Cherubs: There are several cherubs surrounding Jesus, each with wings and a halo. They are depicted in various poses, some looking up at Jesus and others looking down at him.
- Cross: The cross is large and prominent, with a banner at the top that reads "INRI" (Iesus Nazarenus Rex Iudaeorum, or Jesus of Nazareth, King of the Jews).
- Background: The background of the image is a dark gray color, which helps to highlight the figures of Jesus and the cherubs.
- Text: At the bottom of the image, there is a line of text in Latin that reads "VULNERATVS EST PROPTER INIQITATES NOSTRAS, ATTRITVS EST PROPTER SCELERA NOSTRA" (He was wounded for our transgressions, he was bruised for our iniquities).
Overall Impression:
The image conveys a sense of reverence and devotion to Jesus Christ, who is depicted as a symbol of sacrifice and redemption. The presence of the cherubs adds a sense of innocence and purity to the scene, while the dark background emphasizes the gravity of the event. The text at the bottom of the image reinforces the message of Jesus' sacrifice and its significance for humanity.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-01
The image is a black and white print of a crucifixion scene. The cross is surrounded by a circle of clouds, and there are angels around the clouds. The man on the cross is Jesus Christ, who is looking up to the sky. The image is surrounded by a frame, and there is a Latin text at the bottom of the frame.
Created by amazon.nova-lite-v1:0 on 2025-02-01
The image depicts a woodcut illustration of the crucified Christ, surrounded by a circle of cherubs. The central figure of Christ is depicted with his arms outstretched on the cross, his body bare, and his head bowed in a moment of deep sorrow or contemplation. The cross is inscribed with the letters INRI, representing the Latin inscription "Iesus Nazarenus, Rex Iudaeorum," which translates to "Jesus of Nazareth, King of the Jews."
Surrounding Christ are nine cherubs, each depicted with wings and in various poses of adoration or contemplation. Some cherubs are shown with their heads bowed, while others look upward or towards Christ. The cherubs are arranged in a circular formation, creating a halo-like effect around the central figure.
The image is framed by a border and includes a Latin inscription at the bottom, which translates to "His wounds are our healing, His affliction is our salvation, Isaiah 53." This suggests that the image is intended to convey a message of Christian redemption and the salvific power of Christ's suffering and sacrifice.
The overall composition of the image is solemn and contemplative, with a focus on the spiritual and emotional depth of the scene. The use of cherubs to surround Christ adds a layer of heavenly protection and adoration, emphasizing the divine nature of the central figure. The Latin inscriptions further reinforce the theological themes of healing and salvation associated with Christ's crucifixion.
Google Gemini
Created by gemini-2.0-flash on 2025-05-20
Here is a description of the image:
This is a striking engraving featuring Jesus Christ on the cross, surrounded by a multitude of cherubic figures within an oval frame of clouds. Christ, depicted with a crown of thorns and a loincloth, is centrally positioned with arms outstretched, his body rendered in detailed anatomical lines.
Around him, a ring of cherubs, rendered with varying expressions of sorrow, wonder, and reverence, is nestled in puffy clouds. At the top of the cross, a sign reading "INRI" is displayed, held up by two cherubs.
The image is rich in detail, with fine lines creating depth and texture throughout. At the bottom, there is an inscription in Latin: "IVLIVE Rome in," indicating the location or origin of the piece. Below that, "G. MF" is inscribed, and under that, "VULNERATVS EST PROPTER INIQITATES NOSTRAS, ATTRITVS EST PROPTER SCELERA NOSTRA. ESAL 53," which translates to "He was wounded for our transgressions, he was bruised for our iniquities," a passage from Isaiah 53. On the right side, another inscription reads "IEAN V. VOORT ex." The overall composition is dramatic, evoking a sense of solemnity and divine suffering.
Created by gemini-2.0-flash-lite on 2025-05-20
Here is a description of the image:
The image is a detailed engraving depicting the crucifixion of Jesus Christ.
- Central Figure: The main focus is Jesus, crucified on a wooden cross. He is portrayed as a muscular, yet emaciated figure, wearing a crown of thorns and a loincloth. His body shows signs of suffering, and his head is tilted downwards.
- Angels: Surrounding Jesus are numerous cherubic angels. They are depicted with wings and are positioned amidst fluffy clouds, creating a celestial atmosphere. The angels express various emotions, including sorrow, contemplation, and reverence.
- The Cross: The cross itself is a large, sturdy structure. Above Jesus's head, the inscription "INRI" (Iesus Nazarenus Rex Iudaeorum - "Jesus of Nazareth, King of the Jews") is visible on a small banner.
- Composition: The overall composition is contained within an oval frame, adding to the sense of sanctity and drama.
- Text: At the bottom of the image are Latin inscriptions, likely quotes from the Bible, specifically Isaiah 53. The text translates to: "He was wounded for our transgressions, crushed for our iniquities."
The image conveys a sense of intense religious devotion, sorrow, and reverence. The artistic style is typical of the Baroque period, with a focus on detail, emotional expression, and dramatic lighting.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08
The image is a detailed engraving depicting the crucifixion of Jesus Christ. The central figure is Jesus, who is shown nailed to a cross with his arms outstretched. His body is depicted in a realistic manner, highlighting the physical suffering associated with crucifixion.
Surrounding Jesus are numerous cherubic figures, or putti, which are small, winged angels often depicted as children in Renaissance and Baroque art. These putti are positioned around the cross, some appearing to be in flight and others resting on clouds. They exhibit various expressions and gestures, conveying emotions such as sorrow, awe, and reverence.
At the top of the cross, there is a plaque with the inscription "INRI," which stands for "Iesus Nazarenus, Rex Iudaeorum" (Jesus of Nazareth, King of the Jews). This inscription is traditionally placed on the cross in depictions of the crucifixion.
The background is filled with clouds, giving a heavenly and ethereal atmosphere to the scene. The overall composition is symmetrical, with the putti evenly distributed around the central figure of Jesus.
At the bottom of the image, there is a Latin inscription that reads: "Vulneratus est propter iniquitates nostras, attritus est propter scelera nostra." This translates to "He was wounded for our transgressions, he was bruised for our iniquities," a quote from Isaiah 53:5, which is often associated with the suffering and sacrifice of Jesus.
The engraving is signed "G.M.R." and "P.P.R." in the bottom corners, indicating the artist and possibly the publisher or printer. The year "15" is also visible, suggesting the work was created in the 16th century.
Qwen
No captions written