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Human Generated Data

Title

Johann Sleiden

Date

17th century

People

Artist: William Faithorne the Elder, British c. 1616 - 1691

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2764

Human Generated Data

Title

Johann Sleiden

People

Artist: William Faithorne the Elder, British c. 1616 - 1691

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2764

Machine Generated Data

Tags

Amazon
created on 2022-02-25

Person 99.2
Human 99.2
Hat 97.1
Clothing 97.1
Apparel 97.1
Art 89.2
Painting 79.7
Text 75.3
Portrait 61.1
Photography 61.1
Face 61.1
Photo 61.1

Clarifai
created on 2023-10-22

people 96
one 95.9
portrait 95.7
vintage 95.2
old 92.9
retro 91.8
art 91.1
print 90
illustration 88.4
money 87.4
paper 87.3
picture frame 87.1
antique 86.4
dollar 86
engraving 83.8
symbol 82.5
payment 82.2
currency 81.8
man 81.4
no person 79.2

Imagga
created on 2022-02-25

memorial 55.1
structure 46.2
brass 42.2
money 36.7
dollar 34.4
currency 34.2
cash 31.2
architecture 29.3
finance 28.8
wealth 27.9
bank 27.1
paper 26.7
dollars 26.1
history 26
arch 26
financial 25.9
banking 25.8
triumphal arch 25.7
art 24.6
old 23
bill 22.9
ancient 22.5
business 21.9
religion 21.5
sculpture 20.9
stucco 20.6
savings 20.6
hundred 20.4
us 20.3
one 20.2
close 20
landmark 19
rich 18.7
building 18.4
historic 18.4
loan 18.3
church 17.6
culture 17.1
temple 16.6
bills 16.5
exchange 16.3
monument 15.9
franklin 15.8
travel 15.5
relief 15.4
pay 15.4
historical 15.1
detail 14.5
tourism 14
finances 13.5
stone 13.5
closeup 13.5
statue 13.5
capital 13.3
religious 13.1
famous 13
investment 12.9
mosaic 12.6
profit 12.5
carving 12.3
pedestal 12
banknotes 11.8
decoration 11.6
spirituality 11.5
success 11.3
city 10.8
banknote 10.7
concepts 10.7
face 10.7
treasury 10.6
holy 10.6
cathedral 10.6
god 10.5
support 10.4
palace 9.9
market 9.8
facade 9.7
catholic 9.7
paying 9.7
states 9.7
commerce 9.4
roman 9.2
sign 9
depository 9
pattern 8.9
funds 8.8
grand 8.7
debt 8.7
payment 8.7
antique 8.7
number 8.4
ornate 8.2
tourist 8.2
ingot 8
president 7.9
wages 7.9
value 7.8
golden 7.7
wall 7.7
price 7.7
supporting structure 7.7
coin 7.6
economy 7.4
style 7.4
symbol 7.4
sale 7.4
gold 7.4
note 7.4
museum 7.2

Google
created on 2022-02-25

Organ 90.2
Beard 85.2
Art 83.4
Facial hair 78.7
Font 76.2
Wrinkle 75.4
Illustration 73.6
Paper 69.4
History 68.9
Visual arts 66.8
Paper product 65.7
Printmaking 63.6
Stock photography 63.4
Moustache 62.9
Drawing 61.3
Prophet 57.7
Circle 57.4
Wood 55.3
Cash 55.2
Holy places 53.8

Microsoft
created on 2022-02-25

text 99.9
book 97.9
human face 97.4
person 95.4
clothing 91.9
man 91.5
sketch 90.6
drawing 89.8
black 88.3
white 75.7
old 66.5
vintage 29.6

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 35-43
Gender Male, 100%
Disgusted 82.2%
Calm 15.7%
Angry 1.1%
Confused 0.4%
Surprised 0.2%
Sad 0.2%
Happy 0.2%
Fear 0.2%

Feature analysis

Amazon

Person
Hat
Person 99.2%

Categories

Imagga

paintings art 100%

Captions

Microsoft
created on 2022-02-25

a vintage photo of a book 71.4%
an old photo of a book 71.3%
a vintage photo of a large book 64.7%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-12

The image is a historical portrait engraving of a figure dressed in traditional 16th-century attire. The individual is wearing a fur-collared coat and is adorned with a broad-brimmed hat. The engraving features decorative elements, including an ornamental frame with Latin inscriptions and scrolls around the border. The inscriptions around the portrait read "IOHANNES STADENS PATRICIUS ARGENTORATENSIS." Below the portrait, there is a pedestal with Latin text, detailing significant life events and contributions of the figure, such as their birth in 1506, diplomatic mission in England in 1535, participation in the Council of Trent in 1551, and death on November 1, 1556. The engraving credits the print to Henry Binnick and Abel Swalle.

Created by gpt-4 on 2025-02-12

This is an image of a historical engraving. It features an oval-shaped frame with decorative elements such as ribbons, a laurel wreath, and a draped cloth. The figure is wearing period clothing, including what appears to be a cloak and a hat. There is text within the illustration that seems to relate to the identity and accolades of the subject portrayed. Additionally, there is text below the frame that likely provides information about the subject's credentials or positions, along with "Printed for Henry Brome" and "W Faithorne sculp," indicating the publisher and the engraver. The style of the engraving suggests it is from a historical period, most likely representing an important figure of the time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-12

This is a historical engraving showing a portrait in an oval frame. The subject is depicted wearing typical 16th-century attire, including a flat cap and a coat with a ruffled collar. The portrait is surrounded by an ornamental oval frame with text around it. Below the portrait is a decorative plinth or tablet containing Latin text with dates, including references to events in 1506 and 1556. The engraving appears to be of high quality with fine cross-hatching techniques typical of the period. At the bottom of the print, there's a publication line indicating it was "Printed for Henry Bonwicke and Abel Swalle." The overall style and presentation is characteristic of formal portrait engravings from the late 16th or early 17th century, with careful attention paid to the details of clothing and facial features, rendered in a classical documentary style.

Created by claude-3-opus-20240229 on 2025-02-12

The image is an engraved portrait of a scholarly looking man wearing a cap and robe, framed within an ornate circular border. The Latin text below identifies him as "Ioannes Toletus" (John Tolet), born in England in 1557 and living to age 82. The portrait depicts him as an older man with a beard and a thoughtful, dignified expression. The detailed engraving captures the texture of his garments and the curling ribbons and scrollwork framing his likeness in an oval medallion format that was popular for portraits in the 16th-17th centuries.

Created by claude-3-haiku-20240307 on 2025-02-12

The image appears to be an engraved portrait of a man with a beard and wearing a hat. The portrait is housed within an ornate, archway-like frame. Below the portrait is some text in Latin, which seems to provide additional information about the individual depicted. The overall style and presentation of the image suggests this is a historical portrait, likely from the 17th or 18th century.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image is a portrait of a man, likely from the 16th century, with a circular frame and a decorative border. The man is wearing a hat and a cloak, and the frame has Latin text inscribed around it. * **Portrait of a Man** * The man in the portrait is depicted in a formal pose, with his head turned slightly to the right. * He has a beard and mustache, and his hair is styled in a manner that suggests he is a member of the upper class. * He is wearing a hat, which is a common feature of 16th-century portraiture. * He is also wearing a cloak, which is draped over his shoulders and fastened at the neck. * **Circular Frame** * The circular frame surrounding the portrait is decorated with a series of concentric circles. * The outermost circle is inscribed with the words "ARGENTORATENSIS" and "SPEIDELIUS," which are likely the artist's signature or the subject's name. * The inner circle is inscribed with the words "Titus Reider A.D. MDVI," which may indicate the date of the portrait or the artist's name. * **Decorative Border** * The decorative border surrounding the circular frame is made up of a series of ribbons and other ornaments. * The ribbons are curled and twisted, and they are attached to the frame at regular intervals. * The ornaments include a series of small flowers and leaves, which are arranged in a pattern around the frame. * **Latin Text** * The Latin text inscribed around the circular frame reads: "Titus Reider A.D. MDVI. Logatus in Anglia pro Pr. instantibus A.D. MDXXXV. Legatus Argentorat in Con. Solis Tridenti A.D. MDLI. Obijt II Kal. Febr. A.D. MDLVI." * This text appears to be a dedication or inscription, and it may provide information about the subject of the portrait or the artist who created it. Overall, the image is a formal portrait of a man from the 16th century, created using traditional techniques and materials. The circular frame and decorative border add to the portrait's sense of grandeur and importance, while the Latin text provides additional context and information about the subject and the artist.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image is a portrait of John Pate, an English clergyman and scholar. The portrait is in black and white, with a circular frame that has a ribbon-like design at the top and bottom. The frame is adorned with Latin text, which reads "ARGENTORATENSIS IOHANNES PATE" around the top and "SACERDOS" around the bottom. In the center of the frame is a portrait of John Pate, who is depicted wearing a hat and a cloak. He has a beard and mustache, and his hair is styled in a manner that was common during the 16th century. Below the portrait is a rectangular box with more Latin text, which appears to be a quote or inscription. The text is written in a formal, cursive script and is difficult to read without magnification. At the bottom of the image is a line of text that reads "Printed for Henry Bonwicke and Abel Swalle." This suggests that the image was printed by a publishing company or printer's shop, and that it may have been part of a larger work or collection of portraits. Overall, the image is a formal portrait of John Pate, and it appears to have been created during the 16th or 17th century. The use of Latin text and the formal style of the portrait suggest that it may have been intended for an academic or scholarly audience.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-12

The image is an old portrait of a man named Johann Salvius, as indicated by the text on the circular frame surrounding the portrait. The portrait is in black and white, with intricate details. The man is wearing a hat and a long coat, and he has a beard and mustache. The circular frame has a decorative design, with the text "Johann Salvius" written in a cursive font. The portrait is framed by a rectangular border with a decorative design.

Created by amazon.nova-lite-v1:0 on 2025-02-12

The image is a portrait of a man, likely a historical figure, dressed in a black robe and a hat with a wide brim. The portrait is printed in black and white, and it has a circular frame with a decorative border. The man's face is slightly turned to the right, and he has a beard and mustache. The portrait is accompanied by a Latin inscription that reads "Arcentensis Argenteus Sanguis," which may be the name of the person depicted. The portrait also includes a small label with the text "Printed for Henry Bonwicke and Abel Swall" at the bottom.

Text analysis

Amazon

for
Legatus
Natus
pro
Printed
in
(Legatus
and Abel
Con:
JOHANNES
(Legatus Argentorat: in Con:
cilio
A.D.
28
in Anglia
WF
Benwicke
Argentorat:
Legatus in Anglia pro Pro:
Printed for Henry Benwicke and Abel Sivalle
A.D. MDLVI.
II
MDLVI.
Kal:Novemb:
WF sculp:
MDLI,
Henry
Obijt II Kal:Novemb:
cilio Trident:AD. MDLI,
MDVI
Natus Sleida,A.D. MDVI
Pro:
Sivalle
sculp:
MDXXXXV
Obijt
testantibus.,A.D. MDXXXXV
Sleida,A.D.
Trident:AD.
antion
antion Wayler
Wayler
testantibus.,A.D.
SADANYA

Google

ENSIS N VO WF seulp: Natus Sleida, A-D. MDVI. ( Silic Trident:AD MDLI, (Legatus Argentorat: in Con: Legatus in Anglia pro Pro: testantibus, AD MDXXXXV. Obijt II Kal:Novemb: (AD- MDLVI. Printed for Henry Benwicke and Abel Swalle 28 TOHANNES SISNIG
ENSIS
N
VO
WF
seulp:
Natus
Sleida,
A-D.
MDVI.
(
Silic
Trident:AD
MDLI,
(Legatus
Argentorat:
in
Con:
Legatus
Anglia
pro
Pro:
testantibus,
AD
MDXXXXV.
Obijt
II
Kal:Novemb:
(AD-
MDLVI.
Printed
for
Henry
Benwicke
and
Abel
Swalle
28
TOHANNES
SISNIG