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Human Generated Data

Title

Village Street Scene

Date

19th century

People

Artist: Edmund William Evans, British 1826 - 1905

Artist after: Samuel Read, British c. 1816-1883

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R9745

Human Generated Data

Title

Village Street Scene

People

Artist: Edmund William Evans, British 1826 - 1905

Artist after: Samuel Read, British c. 1816-1883

Date

19th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R9745

Machine Generated Data

Tags

Amazon
created on 2022-03-12

Person 97.4
Human 97.4
Art 95.5
Person 93.4
Person 90.6
Person 77.8
Person 77.1
Painting 74.8
Drawing 72.7
Poster 71.1
Advertisement 71.1
Person 69.4
Person 64.7
Person 61.2
Person 61
Person 57.7
Person 41.9

Clarifai
created on 2023-10-22

print 99.9
people 99.8
engraving 99
group 98.7
art 98.5
adult 98.4
etching 98.1
man 96.8
illustration 96.4
sepia pigment 95.8
no person 95.6
two 94.5
paper 92.7
tree 92.6
cavalry 92.1
monochrome 91.4
lithograph 91.3
woodcut 89.6
many 89.4
administration 88.7

Imagga
created on 2022-03-12

snow 93.9
tree 46.5
weather 44.2
winter 43.4
forest 33.1
landscape 32.7
cold 29.3
season 28.8
frost 27.8
trees 27.6
grunge 26.4
old 25.8
ice 25.3
park 21.4
frozen 20.1
texture 19.5
snowy 18.5
branch 18.2
vintage 18.2
aged 18.1
antique 17.2
frame 16.1
wood 15.9
black 15.6
art 14.7
rural 14.1
retro 13.9
scene 13.9
dirty 13.6
design 13.5
cool 13.3
country 13.2
wallpaper 13
border 12.7
road 12.7
grungy 12.3
pattern 12.3
autumn 12.3
path 12.3
paint 11.8
paper 11.8
frosty 11.7
woody plant 11.7
color 11.7
covered 11.6
sky 11.5
textured 11.4
outdoors 11.2
empty 11.2
day 11
peaceful 11
fall 10.9
birch 10.6
woods 10.5
seasonal 10.5
plant 10.2
rough 10
yellow 9.9
scenery 9.9
snowfall 9.8
structure 9.7
brown 9.6
light 9.4
space 9.3
digital 8.9
graphic 8.8
crack 8.7
mist 8.7
artistic 8.7
fog 8.7
worn 8.6
blank 8.6
weathered 8.6
drawing 8.4
outdoor 8.4
field 8.4
dark 8.4
decorative 8.4
countryside 8.2
vascular plant 8.1
surface 7.9
snowing 7.9
lane 7.8
architecture 7.8
ancient 7.8
silence 7.8
quiet 7.7
aging 7.7
damaged 7.6
gravestone 7.6
crystal 7.5
wall 7.5
silhouette 7.5
water 7.3
calm 7.3
morning 7.2
creative 7.1
colors 7.1
scenic 7
leaves 7

Google
created on 2022-03-12

Tree 82.9
Plant 81.1
Art 79.3
Painting 70.2
Illustration 69.2
Landscape 68.6
Drawing 67.3
Font 66.4
History 65.2
Paper product 64.6
Printmaking 62.6
Artwork 59.8
Visual arts 59.4
Rectangle 58.8
Line art 53.7
Conifer 53

Microsoft
created on 2022-03-12

text 99.3
tree 99.3
drawing 97.9
sketch 95.9
illustration 87.6
painting 64.1
art 59.4

Color Analysis

Feature analysis

Amazon

Person
Painting
Poster
Person 97.4%

Categories

Captions

Microsoft
created by unknown on 2022-03-12

a close up of a tree 63.7%
a sign on the side of a tree 62.3%
a sign in front of a tree 62.2%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-12

The image is a detailed black-and-white illustration titled "Sunday Morning," created by Samuel Read, based on a scene from Charles Mackay's "The Lump of Gold." It depicts a tranquil village scene on a Sunday morning, characterized by a canopy of tall, leafy trees lining a central path or street.

At the foreground, a small group of villagers, including men and women dressed in typical nineteenth-century attire, are walking toward what appears to be a village church situated further down the path. The church is marked by its prominent steeple, which rises above the surrounding buildings and trees, suggesting it is a central and important structure in the village.

On the left side of the image, there are quaint, thatched-roof cottages with ivy climbing the walls, enhancing the idyllic and peaceful nature of the setting. Villagers can be seen engaging in relaxed conversations and leisurely walking, enhancing the serene atmosphere of a quiet Sunday morning.

The illustration is bordered by a frame that slightly curves at the top corners, adding a soft, pleasant aesthetic to the overall composition. Below the image, there's a caption that includes the title "Sunday Morning" and credits, indicating that it is from "The Lump of Gold" by Charles Mackay, drawn by Samuel Read. There is also text that seems to be a description or a poem related to the scene above, adding a literary connection to the visual representation.

Created by gpt-4 on 2025-02-12

This image is a detailed black and white engraving depicting a serene rural scene titled "Sunday Morning." It is mentioned that the illustration is taken "From 'The Life of Our Lord,' by Charles Dickens. Drawn by Samuel Read." which indicates that this scene is an interpretation of a description from a work by Charles Dickens, having been created by the artist Samuel Read.

The focal point of the scene is a village street lined with quaint houses and large, leafy trees that form a canopy overhead. In the foreground, on the left side of the street, there are some overgrown bushes and plants. On the right side of the street, a group of people—women and children dressed in fine attire and men wearing hats—are walking or standing on the footpath. Some of these figures appear to be conversing with one another.

The background of the scene is dominated by a church with a tall spire that rises above the trees, suggesting that the village residents are likely on their way to or from a church service, given the title "Sunday Morning." Also visible is what seems to be a graveyard adjacent to the church, with several headstones scattered across the lawn.

Beneath the image, there is an excerpt of a poem with alternating lines italicized, providing a lyrical complement to the tranquil setting within the illustration. This lends a peaceful and contemplative atmosphere to the image, likely evoking feelings of community, tradition, and religious observance pertinent to a Sunday morning in a rural English village of the depicted period.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-12

This is a beautiful Victorian-era engraving titled "Sunday Morning" from "The Light of Song." It depicts a quintessential English village scene with charming cottages lining a tree-shaded street. The image shows large, mature trees framing the composition on both sides, creating a natural archway over the village road. In the distance, a church spire can be seen rising above the trees.

The scene includes several small figures walking along the street, dressed in what appears to be their Sunday best, presumably heading to church. The cottages on the left side of the image have thatched roofs and Tudor-style architecture typical of an English village.

The artwork is done in a detailed etching or engraving style, with fine lines creating texture and depth. At the bottom of the image, there appears to be text or verses, suggesting this might have been an illustration for a book or poem.

The overall mood is peaceful and pastoral, capturing the tranquil atmosphere of a Sunday morning in rural England. The composition skillfully combines architectural details with natural elements, creating a romantic and idealized view of village life.

Created by claude-3-opus-20240229 on 2025-02-12

The image depicts a rural village scene on a Sunday morning, rendered in a detailed sketch style. The foreground shows a dirt road leading into the village, with several well-dressed villagers walking along the path. Thatched roof cottages and small houses line the road on both sides, their chimneys emitting wisps of smoke.

Tall, leafy trees tower over the village, providing shade and a pastoral atmosphere. In the distance, a church steeple rises above the treetops, signifying the importance of the Sunday morning gathering.

Beneath the sketch, a poem titled "Sunday Morning" describes the peaceful, reverent atmosphere as the villagers make their way to church. The poem speaks of "sweet Sabbath hours" and the joyful sounds of church bells echoing through the village.

The entire composition, both the intricate sketch and the accompanying poem, evokes a sense of a close-knit, traditional community gathering for a shared spiritual experience on a tranquil Sunday morning in a charming rural setting.

Created by claude-3-haiku-20240307 on 2025-02-12

The image depicts a serene rural village scene on a Sunday morning. The scene is dominated by lush, mature trees lining a road that leads towards a church steeple in the distance. Along the road, there are quaint, thatched-roof cottages and buildings, with several people walking along the path. The overall mood and atmosphere of the image convey a sense of tranquility and idyllic pastoral charm.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image is a black-and-white illustration of a village street scene, featuring a poem titled "Sunday Morning" by Charles Mackay. The illustration depicts a serene and idyllic setting, with a group of people walking along a cobblestone road lined with trees and houses. In the background, a church steeple rises above the rooftops, adding to the sense of tranquility and community.

The poem, written in a classical style, describes the peaceful atmosphere of a Sunday morning in the countryside. It evokes a sense of nostalgia and simplicity, inviting the reader to step into the charming world of the illustration.

Overall, the image is a beautiful representation of a bygone era, capturing the essence of a quiet Sunday morning in a rural village. The combination of the illustration and the poem creates a sense of timelessness, allowing the viewer to appreciate the beauty of a simpler way of life.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

This image is a vintage illustration of a serene Sunday morning scene in a quaint village. The title "SUNDAY MORNING" is prominently displayed at the bottom, accompanied by a poem that reads:

"FROM 'THE LUMP OF GOLD,' BY CHARLES MACKAY. DRAWN BY SAMUEL ELLIS.

And thus, as now, the children sang
Beneath the branches tall;
They sang, they loved, they laughed, they died,
The trees outlived them all.

And still the children play,
And still the children pray,
And still the children's voices swell
In joyous echoes through the dell.

To tell us all, in the silent feet
That spring's sweet whispers in the spring,
In choral echoes, made

'Twas Sunday morn, and Parson Vale,
Released at last from worldly care,
With heart for every woe,
With hand for every need, did stray
With half as white as snow;
With eyes that twinkled like the dew;
Amid his flock, he walked anew;
Then mortal cares and woes aside
He laid, and with them went

Earth, Hope, and Charity."

The illustration features a winding road lined with trees and houses, with people strolling along the path. In the background, a church steeple rises above the treetops, adding to the peaceful ambiance of the scene. The overall atmosphere of the image is one of tranquility and joy, capturing the essence of a leisurely Sunday morning in a picturesque village.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-12

The image is an illustration from the poem "Sunday Morning" by Charles Mackay. It depicts a peaceful and idyllic rural scene on a Sunday morning. The image is in black and white, giving it a vintage and nostalgic feel. In the foreground, there is a cobblestone street lined with traditional cottages, some with thatched roofs. The cottages are surrounded by lush greenery and trees, creating a serene and picturesque atmosphere. A few people are walking along the street, dressed in period clothing, suggesting it is a Sunday morning when people would attend church services. In the distance, there is a church with a steeple, indicating the presence of a religious community. The overall mood of the image is one of tranquility and simplicity, capturing the essence of a Sunday morning in a rural village.

Created by amazon.nova-pro-v1:0 on 2025-02-12

The image is a black-and-white drawing of a street scene, possibly from the 19th century, with a title "Sunday Morning" at the top. The scene depicts a serene village street lined with houses on both sides, each with thatched roofs and small gardens. The houses are nestled under large, leafy trees that arch over the street, creating a canopy. The street appears to be made of cobblestones, and there is a small church with a steeple visible in the distance.

In the foreground, there are several people dressed in period clothing, possibly from the Victorian era, walking down the street. The people are dressed in long skirts and bonnets, and some are wearing waistcoats and hats, indicating a leisurely Sunday morning stroll. The scene is tranquil, with no visible vehicles or modern elements, emphasizing the historical setting.

At the bottom of the image, there is a poem titled "The Lump of Gold" by Charles Mackay, drawn by Samuel Read. The poem's text is printed in a small font and spans across the bottom of the image. The poem describes the beauty and tranquility of the village, with references to the quiet village, ancient cottages, and the church. The language used is poetic and evocative, capturing the essence of a peaceful Sunday morning in a rural setting.

Text analysis

Amazon

LUMP
SUNDAY
they
the
With
with
And
OF
Two
and
The
They
smiles
every
THE
With smiles
white
public
village
hair
GOLD,"
Walked
as
heart
CHARLES
quiet
to the
-But
happiness,
branches
for all
The quiet village lay,
mosses
branches tall:
Embower'd
then
tall:
its
men's happiness,
With hair of white
Burrey
Beneath its
meekly
Beneath
Beside the public way.
men's
SUNDAY MORNING.
children
Beside
low
Embower'd smid the Burrey Hills
lay,
Sunday
rows of
Two rows of ascient collages
And heart for
ТБОМ THE LUMP OF GOLD," EX CHARLES MACKAT. DRAWN BY RAMUEL SEAR
Walked meekly to the parish ebureh
And spire with mosses CITY
Vale
-But will
And then as now the children gح19
SEAR
ascient
Beloved of blight and low
auf
BY
The teve outlived
Beloved
Hills
MACKAT.
MORNING.
church,
then ally-
modert
of
teve
They give ther lovol, they sincel they died.-
3 modert church, with iried tower,
DRAWN
way.
Tea Sunday auf Parwo Vale
collages
ТБОМ
ther
outlived
tower,
the human Swente crew
will
smid
crew
for
EX
3
spire
wise
now
iried
CITY
RAMUEL
died.-
Tea
of blight
ally-
human
lovol,
Parwo
give
sincel
Swente
gح19
Cannot
parish ebureh

Google

SUNDAY MORNING. TROM " THE LUMP OF GOLD," sY CILARLES MACKAY. DRAWN BY KAMUEL READ Embower'd amid the Surrey Hila The quiet villee lax Two rows of anclent cottages Beside the pablie way, A modest chareh, with ivied tewer. And spire with mosses grey. Twas Sanday , and Parn Vale And then, as ow, the ehilderen sang Beneath its branches tall: y gNw, tey loved, they sinned, they died,- And heas n Walked meeklr to the parisb-church And still r And ue'er the tree lackd yoashd feet To frolie ia its ahade, The ploughboy's whistle in the spring. Or chast of hapoy aid, .. With hair as white as anow; Walked meekly to the parishchurch Amid his dasghtees thrmas There were toore angels at his side Than ortal eyes ed see The four were even-for with them went Faith, Hepe, and Charity. Beneath the ela's o'erarehiag beaghs The litle children ran The salf same shadows deck'd the avard Ia days of god Queee Ape ... .
SUNDAY
MORNING.
TROM
"
THE
LUMP
OF
GOLD,"
sY
CILARLES
MACKAY.
DRAWN
BY
KAMUEL
READ
Embower'd
amid
the
Surrey
Hila
The
quiet
villee
lax
Two
rows
of
anclent
cottages
Beside
pablie
way,
A
modest
chareh,
with
ivied
tewer.
And
spire
mosses
grey.
Twas
Sanday
,
and
Parn
Vale
then,
as
ow,
ehilderen
sang
Beneath
its
branches
tall:
y
gNw,
tey
loved,
they
sinned,
died,-
heas
n
Walked
meeklr
to
parisb-church
still
r
ue'er
tree
lackd
yoashd
feet
To
frolie
ia
ahade,
ploughboy's
whistle
in
spring.
Or
chast
hapoy
aid,
..
With
hair
white
anow;
meekly
parishchurch
Amid
his
dasghtees
thrmas
There
were
toore
angels
at
side
Than
ortal
eyes
ed
see
four
even-for
them
went
Faith,
Hepe,
Charity.
ela's
o'erarehiag
beaghs
litle
children
ran
salf
same
shadows
deck'd
avard
Ia
days
god
Queee
Ape
...
.