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Human Generated Data

Title

Plate 17: Struggle of Two of the Damned

Date

17th century

People

Artist: Jan de Bisschop, Dutch 1628 - 1671

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5830

Human Generated Data

Title

Plate 17: Struggle of Two of the Damned

People

Artist: Jan de Bisschop, Dutch 1628 - 1671

Artist after: Michelangelo Buonarroti, Italian 1475 - 1564

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R5830

Machine Generated Data

Tags

Microsoft
created on 2025-06-13

drawing 98.5
sketch 98.1
illustration 90.5
printmaking 88.1
text 84.6
art 50.2

Color Analysis

Feature analysis

Amazon

No features identified

Clarifai

Human face
Man
Human arm
Human head

Clarifai

Human face 84.4%

Categories

Microsoft
created on 2025-06-13

abstract_nonphoto 92.2%

Captions

Microsoft
created by 2021-05-01 on 2025-06-13

a drawing of a person 44.8%

Clarifai

Created by general-english-image-caption-clip on 2025-07-14

drawing of a woman with a man.

Salesforce

Created by general-english-image-caption-blip on 2025-06-05

a photograph of a drawing of a man with a hat on his head

OpenAI GPT

No captions written

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-07-17

This is a classical anatomical drawing or engraving showing a nude male figure in a dynamic twisting pose. The artwork appears to be from "The Last Judgment" as noted at the bottom of the image. The figure is rendered in a muscular, Renaissance style with careful attention to anatomical detail and shading. The body is shown in a dramatic contrapposto position, with the torso twisted and the figure appearing to be in motion. The engraving is credited to "M.A. Bonar pinx." and "G. Vafart d." at the bottom of the piece. It's executed in black and white with fine line work characteristic of classical engraving techniques. The style and execution suggest this is likely from the Renaissance or Baroque period.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-06-17

The image depicts a page from an old book, featuring a drawing of two nude male figures in a dynamic pose. The figures are rendered in black and white, with the top figure appearing to be on top of the bottom one. The top figure has his right arm raised above his head, while the bottom figure has his left arm raised above his head. Both figures have their legs bent at the knees, with the top figure's right leg extended behind him and the bottom figure's left leg extended in front of him.

The background of the drawing is a light beige color, with some faint lines and shading visible. The overall effect is one of movement and energy, as if the figures are engaged in some kind of physical activity or struggle.

At the bottom of the page, there is some handwritten text that reads "From The Last Judgment." This suggests that the drawing may be related to a larger work or series of works depicting scenes from the Last Judgment, a common theme in art and literature.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-06-16

The image depicts a page from a book with a drawing of two men wrestling. The drawing is placed in the center of the page, surrounded by text. The drawing is in black and white, and the text is written in a cursive font. The drawing depicts two men wrestling, with one man holding the other in a headlock. The drawing is labeled with the text "M.A.Bonar.pnux. G.Wafart d." and "Ff." at the bottom.

Google Gemini

Created by gemini-2.0-flash on 2025-06-05

The image is a black and white drawing of two men. The man on top is holding the head of the man he's on top of. The drawing appears to be a printout in a book. There are also markings at the bottom of the page in the print out. The drawing says "From the last judgment."

Created by gemini-2.0-flash-lite on 2025-06-05

Here's a description of the image:

Overall Impression:

The image is a black and white engraving depicting two muscular male figures engaged in a struggle. It appears to be a historical print, possibly from an older book or art portfolio.

Composition:

  • The figures are the main subject, positioned diagonally across the center of the frame. Their bodies are intertwined in a dynamic pose suggesting a forceful interaction.
  • The detail is fine, and the shading gives a sense of depth and the anatomy is well-rendered.

Subject Matter and Style:

  • The scene depicts a wrestling or fighting match between two nude male figures. Their muscular bodies are accentuated, and their expressions show effort.
  • The style is classical, with an emphasis on human anatomy and idealized forms, reminiscent of Renaissance art.

Additional Details:

  • There are inscriptions at the bottom of the image, which could be the artist's name, the title of the artwork, and the reference to the Last Judgment.
  • The image is mounted in what appears to be an old book or folio.

In summary: This print is a classically styled engraving of two battling male figures, likely a detail from a larger religious or mythological scene.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-10

The image depicts a detailed engraving of a mythological scene. It features a muscular, nude male figure carrying a smaller figure, who appears to be an older man, on his back. The smaller figure has a beard and is draped in a cloth that flows around them both. The muscular figure is striding forward, with one leg lifted and the other firmly planted on the ground.

The engraving is signed by the artist "M.A. Bonasone pinx." and "G. Wylart d." at the bottom left corner, indicating that the original painting was by M.A. Bonasone and the engraving was done by G. Wylart. The initials "S.F." are also present, though their significance is not clear from the image alone.

At the bottom center of the image, it is labeled "From the Last Judgment," suggesting that this scene is part of a larger work depicting the Last Judgment, a common theme in religious art. The engraving showcases intricate detailing and shading, highlighting the musculature of the figures and the folds of the cloth.

Qwen

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-19

This image is a detailed black and white etching or engraving of a muscular, nude male figure. The figure is shown in a dynamic pose, with one arm raised above his head, holding onto another figure that appears to be an angel or a cherub. The angel is draped in a flowing cloth and is positioned above the main figure, seemingly pulling him upwards. The main figure's other arm is bent, and his body is twisted, showing the contours and musculature of his physique. The lines and shading in the image are intricate, giving the drawing a three-dimensional effect. At the bottom of the image, there is text that reads "M.A. Bonar pinx. G. Vasari d." and "J.F." along with the words "from The Last Judgment," suggesting that this artwork is inspired by or based on the famous fresco by Michelangelo. The number "13" is also visible in the upper right corner of the image.

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-19

The image appears to be a black-and-white etching or engraving depicting a muscular male figure in a dynamic pose. The figure is shown in a three-quarter view, with one leg extended forward and the other bent at the knee. The figure has curly hair and is holding the end of his flowing hair with one hand. The background is simple and does not contain any additional elements, focusing attention on the figure. The illustration is detailed, with careful attention to the musculature and anatomy.

The image is signed "M.A. Bonar pinx. G. Vasari d." at the bottom left, indicating it was possibly created by M.A. Bonar, who likely did the initial sketch, with G. Vasari responsible for the engraving. There is also a handwritten note at the bottom right that reads "From The Last Judgment," suggesting that the figure might be related to a scene from the Last Judgment in art, specifically referring to a representation of a muscular figure, possibly the muscular male figure from Michelangelo's "The Last Judgment" fresco in the Sistine Chapel.

The page on which the engraving is printed has the number "13" in the top right corner, and the letter "f" in the bottom right corner, possibly indicating it is part of a sequence or a specific edition.