Human Generated Data

Title

Christ Appearing to Mary Magdalen after His Resurrection

Date

17th century

People

Artist: Luca Ciamberlano, Italian 1586 - 1641

Artist after: Federico Barocci, Italian 1528 - 1612

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2846

Human Generated Data

Title

Christ Appearing to Mary Magdalen after His Resurrection

People

Artist: Luca Ciamberlano, Italian 1586 - 1641

Artist after: Federico Barocci, Italian 1528 - 1612

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2846

Machine Generated Data

Tags

Amazon
created on 2022-01-22

Person 99.2
Human 99.2
Painting 96.5
Art 96.5
Person 92.3

Clarifai
created on 2023-10-26

people 100
print 99.9
art 99.5
group 99.1
adult 99
two 98.9
illustration 98.2
engraving 97.4
painting 97.2
man 96.5
leader 95.6
wear 95.2
woman 95
administration 93
lithograph 92.7
three 92.3
sepia pigment 92.1
veil 91.7
war 90.8
one 90.4

Imagga
created on 2022-01-22

statue 60.4
sculpture 52.1
book jacket 46.4
jacket 36.1
monument 34.6
art 33.6
architecture 32.8
sketch 30.6
history 29.5
ancient 29.4
old 27.9
wrapping 27.4
landmark 26.2
religion 25.1
drawing 23.8
column 23.4
famous 23.3
tourism 23.1
historic 22.9
historical 21.7
city 21.6
culture 21.4
travel 21.1
building 20.7
stone 20.7
carving 20.1
representation 20
covering 19.8
church 17.6
temple 17.1
marble 16.7
antique 16.6
figure 16.4
god 16.3
detail 16.1
religious 15.9
decoration 15.6
catholic 13.6
saint 13.5
cathedral 13.5
memorial 13.1
tourist 12.7
holy 12.5
arch 12.2
vintage 11.6
spiritual 11.5
capital 11.4
facade 11.4
museum 10.9
statues 10.8
symbol 10.8
structure 10.8
spirituality 10.6
fountain 10.1
palace 9.8
roman 9.8
golden 9.5
sightseeing 8.8
faith 8.6
attraction 8.6
destination 8.4
traditional 8.3
exterior 8.3
figurine 7.9
carved 7.8
king 7.8
heritage 7.7
details 7.6
cross 7.5
design 7.5

Google
created on 2022-01-22

Microsoft
created on 2022-01-22

text 100
book 99.7
drawing 98.5
sketch 97.8
old 95.7
cartoon 89.1
person 89
black 86.3
clothing 85.3
posing 79.8
white 73.9
illustration 68.1
vintage 67.3
man 65.9

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 21-29
Gender Female, 98.9%
Sad 49.6%
Calm 43%
Fear 3.5%
Angry 1.5%
Happy 0.9%
Disgusted 0.9%
Surprised 0.5%
Confused 0.2%

Feature analysis

Amazon

Person
Painting
Person 99.2%

Categories

Imagga

paintings art 99.9%

Captions

OpenAI GPT

Created by gpt-4 on 2024-12-22

This is an image of an engraving, which appears to be from classical or Renaissance times judging from the clothing and style. It shows two figures, one standing and the other sitting, in a setting that includes classical architecture and a view of a distant cross through an arched passage. The standing figure is holding out a piece of fabric or clothing to the seated figure. The surroundings feature a variety of objects scattered on the floor, including books, a hammer, nails, and what appear to be instruments or tools, suggesting a scene with symbolic elements. There's also vegetation, such as a vine and possibly a gourd, reinforcing the classical or Biblical narrative feel of the piece. The bottom of the engraving includes text, likely a title or description in Latin, and there are numbers and symbols indicating it might belong to a series or volume.

Created by gpt-4o-2024-05-13 on 2024-12-22

The image depicts a biblical scene involving two main figures in a detailed and intricate engraving. One figure appears to be Jesus, identifiable by the wounds on his hands and his semi-clad appearance, with a halo surrounding his head. The other figure is a woman kneeling beside him, likely Mary Magdalene, reaching out towards Jesus. The background features a rural setting with architectural elements such as a fence, a building or tower on the right side, and a cross seen through an arched window at the back. The foreground includes various objects like a watering can, a hoe, and some broken fences or branches, suggesting a garden scene, possibly referring to the resurrection scene where Mary Magdalene encounters Jesus. The engraving is detailed, with careful attention to textures and shading, bringing depth and life to the composition. There is also a block of Latin text at the bottom, possibly serving as a dedication or description pertinent to the artwork.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-22

The image depicts a scene with two figures, a woman and a man, in an interior setting. The woman is shown speaking to or interacting with the man, who is depicted as a nude, muscular figure. The scene appears to be set in an architectural environment, with arched windows and buildings visible in the background. The overall tone and style of the image suggest it is an engraved or etched work of art from a historical period.

Created by claude-3-5-sonnet-20241022 on 2024-12-22

This is a classical engraving depicting what appears to be a biblical or religious scene. The artwork shows two figures in flowing robes in an architectural setting with an arched doorway or window in the background. Through the arch, you can see buildings with a tower or dome. The composition has a dramatic quality typical of Baroque art, with dynamic poses and billowing drapery. Various objects are scattered on the ground, including what appears to be a grate or grille. The artwork includes text at the bottom in Latin, suggesting it's likely a print made for religious or educational purposes. The scene is rendered in a detailed engraving technique with fine line work characteristic of the period, creating depth and texture through careful cross-hatching and shading.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-22

The image is a black and white engraving of a scene depicting a man and woman in a domestic setting. The man, positioned on the left side of the image, is seated on a chair or bench, with his right arm resting on a table or other piece of furniture. He is barefoot and appears to be wearing a long robe or tunic that is draped over his left shoulder. His hair is long and wavy, and he has a beard.

The woman, standing on the right side of the image, is kneeling on the ground and reaching out to touch the man's chest. She is wearing a long dress that is flowing around her ankles, and her hair is also long and wavy. In the background, there is a large arched window or doorway that leads to a courtyard or garden. Through the window, one can see a building with a dome-shaped roof, as well as some trees and other foliage.

The overall atmosphere of the image is one of intimacy and tenderness, suggesting that the man and woman are in a romantic or loving relationship. The use of soft, flowing lines and gentle shading adds to the sense of warmth and closeness between the two figures.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-22

The image depicts a scene from the Bible, specifically the moment when Jesus Christ appears to Mary Magdalene after his resurrection. The scene is set in a courtyard or garden, with a large archway in the background that frames a view of a cityscape.

Key Elements:

  • Jesus Christ: Standing on the left side of the image, Jesus is depicted as a muscular man with long hair and a beard. He wears a loincloth and has his right arm extended towards Mary Magdalene.
  • Mary Magdalene: Kneeling on the right side of the image, Mary Magdalene is shown as a woman with long hair and a flowing robe. She reaches out to touch Jesus' hand, symbolizing her recognition and devotion.
  • Archway: The large archway in the background serves as a frame for the cityscape, which includes buildings, towers, and a church steeple. The archway also creates a sense of depth and perspective in the image.
  • Cityscape: The cityscape in the background adds context to the scene, suggesting that the event is taking place in a urban setting. The presence of a church steeple may indicate that the scene is set near a place of worship.
  • Text: At the bottom of the image, there is a block of text in Latin. This text likely provides additional information about the scene, such as the artist's name, the date of creation, and any relevant biblical references.

Artistic Style:

  • Engraving: The image appears to be an engraving, which was a common medium for artistic reproduction during the Renaissance period. The use of fine lines and detailed shading suggests that the engraving was created with great care and attention to detail.
  • Realism: The image is rendered in a realistic style, with attention to anatomical accuracy and texture. The use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume, adds depth and dimensionality to the image.

Symbolism:

  • Recognition: The scene depicts the moment when Mary Magdalene recognizes Jesus after his resurrection. This recognition is symbolized by her reaching out to touch his hand, which represents her faith and devotion.
  • Resurrection: The scene also represents the theme of resurrection, which is a central tenet of Christian theology. The image suggests that Jesus has overcome death and is now alive, which is a powerful symbol of hope and redemption.

Overall, the image is a beautiful and poignant depiction of a pivotal moment in Christian history. The use of realistic detail and symbolism creates a powerful and evocative image that invites the viewer to reflect on the themes of recognition, resurrection, and redemption.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image is a black-and-white drawing of a man and a woman standing in front of an open door with a wooden fence on both sides. The man is standing on a balcony with his left hand on the railing. He is wearing a cape and a crown of thorns. The woman is kneeling on the floor, holding a cloth in her right hand. There is a cross on the hill in the background.

Created by amazon.nova-lite-v1:0 on 2025-02-27

This black-and-white print depicts a scene of two individuals, a man and a woman, standing in a room. The man is standing in front of a window, and the woman is standing behind him. The man is wearing a toga, while the woman is wearing a dress. The woman is holding a cloth in her hand, and the man is holding a piece of cloth in his hand. There are several objects on the floor, including a plant, a hammer, a shovel, and a rake.

Text analysis

Amazon

non
capillum
Ad
affueta
artium
ofcula
mille
plantir
laudata
Que
Rome
more
Rome Superiorum
Superiorum
amatori.Lucas
mo
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te
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ct
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Tangere,que
Ad mo dum ILL" Viro D ClementiBartholo Vrbinatietnobilitate ct uirtuteinfigni, nec non bonarum artium amatori.Lucas Ciamberlanus.D.
Si folito prohiber ofcula more dari.'
licentia
Lucar
rundem,
Si folito
nec
Noffe ifts te affueta notis, quicredet rundem, Francifeur Vill'amoena
dare:
prohiber
quondam
uirtuteinfigni,
excudit,
quicredet
ifts
excudit, cú primilegia
notis,
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the
primilegia
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S
n.1586.
Imanter
Federicar S amoun Vrhines Imanter replaxit.
sculpsie
Vrhines
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amoun

Google

Frdericur Bareriu Vrhinae lnnter er pineit. Leoar Ciomberanurtediner KReer deineavie Ad mo dum ILL" Viro D.Clementi Bartholo Vrbinatict nobilitate et uirtuteinfigni nec non bonarum artium amatori. Lucas Ciamberlanus.D. Nofe ifir te affueta notis, qui'eredet eundem, Francifcus Vill'amoena excudit, ci priuilegio S-Pontificit Rome Superiorum licentia. Que potuit quendam Sacrum, laudata, capillum Tangere, que plantis oftula mille dare Si folito prohiber ofcula more dari. n. 1586.
Frdericur
Bareriu
Vrhinae
lnnter
er
pineit.
Leoar
Ciomberanurtediner
KReer
deineavie
Ad
mo
dum
ILL"
Viro
D.Clementi
Bartholo
Vrbinatict
nobilitate
et
uirtuteinfigni
nec
non
bonarum
artium
amatori.
Lucas
Ciamberlanus.D.
Nofe
ifir
te
affueta
notis,
qui'eredet
eundem,
Francifcus
Vill'amoena
excudit,
ci
priuilegio
S-Pontificit
Rome
Superiorum
licentia.
Que
potuit
quendam
Sacrum,
laudata,
capillum
Tangere,
que
plantis
oftula
mille
dare
Si
folito
prohiber
ofcula
more
dari.
n.
1586.