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Human Generated Data

Title

Christ at Emmaus

Date

16th-17th century

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Peter Candid, Netherlandish c. 1548-1628

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4867

Human Generated Data

Title

Christ at Emmaus

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Peter Candid, Netherlandish c. 1548-1628

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4867

Machine Generated Data

Tags

Amazon
created on 2019-11-10

Person 99
Human 99
Person 98.5
Art 98.2
Advertisement 87.2
Poster 87.2
Person 81.5
Painting 80.3

Clarifai
created on 2019-11-10

people 100
print 99.5
engraving 99.4
art 99.1
illustration 99.1
adult 97.8
man 97.5
portrait 97.2
group 94.4
two 93.7
leader 92.7
sit 91
painting 90.3
one 87.1
writer 87
woman 86.9
veil 86.6
furniture 85.3
gown (clothing) 84.2
wear 84

Imagga
created on 2019-11-10

sculpture 45.5
statue 38
art 37.4
architecture 31.9
religion 29.6
ancient 28.6
history 26
culture 25.7
book jacket 25.2
monument 23.4
temple 23.4
stone 21.2
jacket 19.6
old 19.5
church 19.4
god 18.2
carving 18.1
column 17.3
mosaic 17.3
antique 17
religious 16.9
historic 16.5
tourism 16.5
sketch 16.4
famous 15.8
travel 15.5
museum 15.5
building 15.4
wrapping 14.9
marble 14.7
figure 14.2
gold 14
golden 13.8
money 13.6
holy 13.5
spirituality 13.4
representation 13.2
detail 12.9
cash 12.8
face 12.8
creation 12.6
currency 12.6
historical 12.2
decoration 11.9
drawing 11.8
tourist 11.8
landmark 11.7
carved 11.7
city 11.6
covering 11.1
banking 11
spiritual 10.6
palace 10.4
statues 9.9
century 9.8
catholic 9.7
one 9.7
worship 9.7
dollar 9.3
fountain 9.2
bank 9.1
close 9.1
vintage 9.1
treasury 9
facade 8.9
style 8.9
sculptures 8.9
man 8.8
symbol 8.8
icon 8.7
meditation 8.6
faith 8.6
bill 8.6
finance 8.5
economy 8.4
traditional 8.3
exterior 8.3
financial 8
angel 7.8
banknote 7.8
saint 7.7
architectural 7.7
pay 7.7
capital 7.6
oriental 7.6
depository 7.4
wealth 7.2
roman 7.1
cathedral 7

Google
created on 2019-11-10

Microsoft
created on 2019-11-10

text 100
book 99.2
drawing 98.7
sketch 98
person 91.2
window 87.8
illustration 83.4
old 80.2
cartoon 79.3
clothing 75.4
engraving 74.7
painting 73.4
black 68.1
posing 48
vintage 45

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 32-48
Gender Female, 51.4%
Angry 2.2%
Happy 0.8%
Sad 1.7%
Calm 39.3%
Disgusted 3.9%
Confused 0.7%
Surprised 27.6%
Fear 23.9%

Feature analysis

Amazon

Person
Poster
Painting
Person 99%

Categories

Imagga

paintings art 99.7%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-07

The image depicts a religious scene featuring three individuals seated around a table. The central figure has a halo, indicating a holy or divine presence, and is holding a piece of bread. The other two figures are engaged in the scene, with one of them raising a hand in a gesture of amazement or discussion. The table is set with a meal, including a loaf of bread and a goblet. The background shows an archway and structured architecture. Below the image, there is Latin text, which is a biblical reference to Luke 24:30, describing the moment when Jesus broke bread with his disciples after his resurrection.

Created by gpt-4 on 2025-02-07

This is a black and white etching depicting two individuals at a table engaged in a meal. The person on the right has a pronounced beard and is wearing a loose-fitting garment, common attire for historical or biblical representations. The individual is in a pose that suggests active conversation or perhaps a gesture of explanation or blessing. Across from this person, we see another figure, dressed in a more contemporary style for the time the etching was created, with a wide-brimmed hat and attire that suggests a traveler or a commoner. This figure is holding a plate in the direction of the other individual, possibly offering food or in the act of serving. On the table, there is a loaf of bread, indicating that this scene might represent a meal or gathering centered around breaking bread. There's also what appears to be a goblet, which contributes to the communion or feast context within historical or religious narratives. Below the image, there is Latin text, suggesting a religious or scholarly context, and indicating that the scene might be illustrating a passage from a religious text, probably the Bible given the language and the common themes of such etchings. At the bottom, we see the credits for the artist who created the etching, which is typical for artworks of the time. The overall impression is that of a significant and possibly symbolic interaction between the two figures, grounded in a context that suggests teachings, sharing, or a revelation. The etching style and quality of detailing point to this being a work that would serve an educational or inspirational purpose, possibly intended for a religious audience.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2025-02-07

The image depicts a religious scene with three figures. In the center is a figure depicted as Jesus Christ, with a halo around his head and a serene expression on his face. To his left and right are two older male figures, likely meant to represent biblical figures or religious authorities. The three figures are seated at a table, with food and drink in front of them. The overall scene appears to be a religious or liturgical gathering, with the central figure of Jesus Christ as the focal point.

Created by claude-3-5-sonnet-20241022 on 2025-02-07

This is a religious engraving depicting the biblical scene known as the Supper at Emmaus. The artwork shows three figures seated at a table with food, including bread and what appears to be fish. The central figure has a halo or divine light around his head and is shown breaking bread. Two other figures are seated at the table - one wearing what appears to be a wide-brimmed hat and dark cloak, and another with a long beard. The scene takes place in an architectural setting with arched doorways and columns visible in the background. A candle is lit on the table. At the bottom of the engraving is a Latin inscription from Luke 24: "ET FACTVM EST, DVM RECVBERET CV EIS, ACCEPIT PANE, ET BENEDIXIT AC FREGIT, ET PORRIGEBAT ILLIS" (And it came to pass, as he sat at meat with them, he took bread, and blessed it, and brake, and gave to them). The artwork appears to be done in a classical engraving style with careful attention to cross-hatching and shading to create depth and dimension. The composition draws focus to the central figure and the act of breaking bread, which is a pivotal moment in this biblical narrative.

Created by claude-3-opus-20240229 on 2025-02-07

The image depicts two men seated at a table, breaking bread together. One man, on the left, appears to be Jesus Christ, with long hair and a beard, holding a piece of bread. The other man, on the right, has curly hair and a beard and is gesturing with his hands while looking intently at Jesus. The background shows an architectural interior with columns and arches. The text below the image reads "ET FACTVM EST, DVM RECVBERET Cá¹¼ EIS ACCEPIT PANE, ET BENEDIXIT AC FREGIT, ET PORRIGEBAT ILLIS. Luc. 24.", which appears to be a Biblical quote in Latin, likely referring to the scene depicted.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image is a detailed engraving of the Last Supper, a pivotal event in Christian tradition where Jesus shares a meal with his disciples before his crucifixion. The scene is set in a dimly lit room with a large table at its center, upon which are placed various dishes and a loaf of bread. Jesus, depicted with long hair and a beard, sits at the head of the table, his hands folded in prayer. To his right is Judas Iscariot, identifiable by his dark clothing and the bag of coins at his feet, symbolizing his betrayal. On Jesus' left is Peter, recognizable by his prominent beard and the sword at his side. The background of the engraving features a stone wall with an arched doorway, adding to the somber and reflective atmosphere of the scene. The engraving is rendered in a detailed and realistic style, with intricate textures and shading that give the impression of depth and volume. At the bottom of the engraving, a Latin inscription reads "ET FACTVM EST, DVM RECVBERET CV EIS, ACCEPIT PANE, ET BENEDIXIT AC FREGIT ET PORRIGEBAT ILLIS." This translates to "And it came to pass, as they were eating, he took bread, and blessed it, and brake it, and gave it to them." Overall, the engraving presents a powerful and emotive depiction of the Last Supper, capturing the intensity and significance of this pivotal moment in Christian history.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image depicts a scene from the Bible, specifically the moment when Jesus breaks bread with two disciples on the road to Emmaus. The scene is rendered in a sepia-toned engraving style, with intricate details and textures that evoke a sense of depth and dimensionality. **Key Elements:** * **Jesus:** Sitting at the center of the table, Jesus is depicted with long hair and a beard, wearing a white robe. He holds a piece of bread in his right hand, while his left hand rests on the table. * **Disciples:** Two disciples sit on either side of Jesus, both wearing robes and looking at him with a mixture of curiosity and reverence. One disciple has a beard, while the other does not. * **Table Setting:** The table is set with a simple meal, including a loaf of bread, a plate, and a cup. A candle burns in the background, casting a warm glow over the scene. * **Background:** The background of the image features a stone wall with an arched doorway, which adds to the sense of depth and context. **Symbolism:** * **Bread:** The bread represents the body of Christ, which Jesus breaks and shares with his disciples. This act symbolizes the Last Supper and the institution of the Eucharist. * **Candle:** The candle represents the light of faith and the presence of God. It also serves as a reminder of the importance of prayer and contemplation. **Artistic Style:** * **Engraving:** The image is rendered in an engraving style, which involves carving intricate designs onto a metal plate. This technique allows for fine details and textures, creating a sense of depth and dimensionality. * **Sepia Tone:** The sepia tone gives the image a warm, nostalgic feel, evoking a sense of age and tradition. **Overall:** The image is a powerful representation of a pivotal moment in Christian history. It captures the intimacy and significance of Jesus' encounter with his disciples, and invites the viewer to reflect on the deeper meaning and symbolism of the scene.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-07

The image is a black-and-white print of a painting depicting a scene from the Bible. It shows three people seated at a table, possibly indoors. The central figure is Jesus Christ, who is seated in the middle and appears to be blessing the bread. The two individuals on either side of him are likely his disciples. The table is set with a loaf of bread, a wine glass, and other items. The image has a Latin inscription at the bottom.

Created by amazon.nova-lite-v1:0 on 2025-02-07

The image is a monochromatic drawing of a scene depicting Jesus Christ at a table with two men. Jesus is in the center, with a serene expression, and his hands are raised in a gesture of blessing. The man on the left is looking at Jesus with a somewhat surprised expression, while the man on the right is gazing at Jesus with a contemplative expression. The table is set with bread, a cup, and a dish with food. Behind Jesus, there is a window with an arch and a candle, and there is a Latin inscription at the bottom of the image.

Text analysis

Amazon

BENEDIXIT
PORRIGEBAT
FREGIT
RECVBERET
ET PORRIGEBAT
AC
ET
DVM
CV
EIS ACCEPIT
ILLIS.
P.Candid,
PANE,
ET FACTVM EST, DVM RECVBERET CV EIS ACCEPIT PANE,
ET BENEDIXIT AC P.Candid, FREGIT Pinx: I- Sadeler ILLIS. Luc: 2t.
Pinx:
I- Sadeler
2t.
EST,
fealp:
Monachij. fealp:
Monachij.
FACTVM
Luc:

Google

ET FACTVM EST, DVM RECVBERET CV EIS, ACCEPIT PANE, ET BENEDIXIT AC FREGIT, ET PORRIGEBAT ILLIS. Luc: 24. P.Candid Pine: Monachij. I Sadeler fealp:
ET
FACTVM
EST,
DVM
RECVBERET
CV
EIS,
ACCEPIT
PANE,
BENEDIXIT
AC
FREGIT,
PORRIGEBAT
ILLIS.
Luc:
24.
P.Candid
Pine:
Monachij.
I
Sadeler
fealp: