Human Generated Data

Title

Christ on the Mount of Olives

Date

16th-17th century

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4896

Human Generated Data

Title

Christ on the Mount of Olives

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4896

Machine Generated Data

Tags

Amazon
created on 2019-11-10

Art 98.6
Painting 98.6
Human 81
Person 81

Clarifai
created on 2019-11-10

illustration 99.8
art 99.7
painting 98.9
print 98.7
people 98.4
religion 97.5
engraving 96.9
book 96.6
god 95.6
baroque 95
saint 94.3
adult 93.8
man 93.7
Renaissance 93.7
visuals 90.7
old 90.2
antique 88.6
sword 88.4
book bindings 87.9
holy 87.3

Imagga
created on 2019-11-10

binding 96.1
vintage 34.8
old 34.2
ancient 32.9
texture 27.1
grunge 26.4
antique 26.2
art 25.2
paper 22.8
pattern 20.5
design 20.3
aged 19.9
retro 18.9
sketch 17.8
history 17
drawing 15.7
stamp 15.5
carving 15.1
covering 14.9
detail 14.5
protective covering 14
wall 13.7
decoration 13.2
close 13.1
stone 12.8
binder 12.8
mail 12.5
temple 12.4
book jacket 12.1
money 11.9
cash 11.9
carved 11.7
currency 11.7
frame 11.7
material 11.6
ornament 11.2
structure 11.2
letter 11
historic 11
sculpture 10.9
postmark 10.8
dirty 10.8
postage 10.8
representation 10.8
book 10.6
style 10.4
jacket 10.3
black 10.2
religion 9.9
decor 9.7
textured 9.6
post 9.5
old fashioned 9.5
empty 9.5
culture 9.4
finance 9.3
note 9.2
border 9.1
bank 9
faded 8.8
architecture 8.6
rusty 8.6
ornamental 8.5
floral 8.5
color 8.3
banking 8.3
ornate 8.2
collection 8.1
brown 8.1
financial 8
philately 7.9
postal 7.9
artistic 7.8
fracture 7.8
envelope 7.7
obsolete 7.7
wallpaper 7.7
damaged 7.6
statue 7.6
decorative 7.5
east 7.5
monument 7.5
dollar 7.4
graphic 7.3
wrapping 7.1
surface 7.1

Google
created on 2019-11-10

Microsoft
created on 2019-11-10

text 100
book 99.9
drawing 99.5
sketch 99.1
painting 96.3
cartoon 93.9
person 90.4
illustration 88.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 25-39
Gender Female, 52.3%
Fear 45%
Angry 45%
Confused 45%
Surprised 45%
Sad 45%
Calm 54.9%
Disgusted 45%
Happy 45%

AWS Rekognition

Age 24-38
Gender Male, 53.8%
Angry 45%
Confused 45%
Surprised 45%
Disgusted 45%
Sad 45.2%
Fear 45%
Happy 45%
Calm 54.8%

AWS Rekognition

Age 23-37
Gender Male, 96.1%
Happy 0.6%
Confused 0%
Sad 0.1%
Fear 0%
Calm 98.4%
Disgusted 0.5%
Angry 0.3%
Surprised 0.1%

Feature analysis

Amazon

Painting
Person
Painting 98.6%
Person 81%

Categories

Captions

OpenAI GPT

Created by gpt-4 on 2025-02-07

This is an image of an engraving that depicts a scene with religious significance, likely related to Christianity. In the foreground, three individuals appear to be sleeping on the ground amidst what seems to be a rocky environment. Their clothing resembles the attire from the biblical era, consisting of draped and loose fabrics. In the position of these figures, you can discern a state of heavy sleep or exhaustion. Behind the slumbering figures, another individual is shown standing up, separated from the group and closer in proximity to the background elements. This person is looking upwards towards a radiant source of light that pierces through the clouds—depicted as emanating from what looks like a star or a divine presence. The standing figure's gesture, with one hand raised and the other pressed to their chest, conveys a sense of appeal or communication towards the celestial light. In the background, farther away from where the main action is taking place, there is a depiction of trees and what seems to be a fence or a boundary enclosing a group of smaller figures that seem to emanate light or are surrounded by an aura. The distant figure standing by the fence appears to engage or observe the group within the enclosure. The bottom of the engraving features a line of text in Latin, which indicates that the scene might be connected to a passage from the Bible. Additionally, there is a date and a name inscribed, suggesting the year of completion, possibly 1582, and the artist, engraver or publisher "Joan. Sadler. sculp[sit]" who is associated with the work. This style of artwork and its symbolism are typical of religious engravings from the 16th century, meant to illustrate stories and teachings from the Christian faith for dissemination and education.

Created by gpt-4o-2024-05-13 on 2025-02-07

The image is an intricate and detailed engraving depicting a biblical scene, commonly associated with the "Agony in the Garden" where Jesus prays in the Garden of Gethsemane before his arrest. The central figure is Jesus Christ, who is depicted on his knees with a radiant halo around his head, looking upwards towards a bright, radiating celestial light symbolizing divine presence. Jesus is shown in a posture of prayer and supplication, with his hands raised. In the foreground, three of Jesus's disciples—Peter, James, and John—are depicted sleeping on the ground, unaware of the intense moment their teacher is experiencing. One of the disciples, likely Peter, is seen holding a sword, indicating his readiness to protect Jesus, an element mentioned in the biblical narrative. In the background, there is a figure which might represent Judas Iscariot, leading a group of soldiers approaching for Jesus's arrest. The soldiers carry torches, which add to the sense of an impending dramatic event. The setting is a serene garden with rocky terrains and trees, adding to the contrast between the peaceful surroundings and the tense situation. There is text at the bottom, likely in Latin, that references the suffering of Jesus and his prayers to God, corresponding with biblical verses from Luke 22:42-44. The bottom also credits the artist, Joan Sadler, and indicates the year 1582. This engraving is a representation of a crucial moment in Christian tradition, capturing the emotional and spiritual gravity of the scene.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-07

This is a religious engraving from 1582 created by Jan Sadeler. It appears to depict the scene of Christ's prayer in the Garden of Gethsemane. The composition shows several figures in flowing robes - one kneeling and praying with arms raised toward a bright radiating sun in the upper left corner, while others are shown sleeping on the ground. In the background, there's a group of figures approaching through trees and a fence, likely representing the soldiers coming to arrest Christ. The artwork is done in a detailed etching style typical of the Renaissance period, with fine line work creating depth and dramatic shadows. At the bottom of the print is a Latin inscription. The scene captures the emotional moment of prayer and contemplation before a significant biblical event.

Created by claude-3-opus-20240229 on 2025-02-07

This etching depicts a religious scene with several figures in a naturalistic landscape. The central figure appears to be Jesus Christ kneeling in prayer while angels attend to him. In the foreground, some of his disciples are shown sleeping or resting on the ground. The landscape features trees, a bright sun or halo effect in the sky, and what seems to be a body of water or river in the background. The overall composition has dramatic shading and fine lines typical of etchings from this time period. Below the image, there is text in Latin that provides more context, mentioning that this scene shows Jesus' time of prayer and distress before his crucifixion, based on the biblical accounts. The text also credits the creator of the etching.

Created by claude-3-haiku-20240307 on 2025-02-07

The image depicts an allegorical or religious scene. It shows several figures in a landscape setting. The central figure appears to be a male figure in robes reaching up towards the sky. There are other figures around him in various poses, including some who appear to be sleeping or reclining. The style and composition of the image suggest it is an engraved or etched work from an earlier era.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-07

The image depicts a black-and-white illustration of Jesus Christ on the Mount of Transfiguration. The scene is set in a mountainous landscape with trees and a clear sky. Jesus is shown in a radiant state, with a bright light emanating from him. He is accompanied by three apostles: Peter, James, and John. The apostles are depicted in a state of awe and reverence, with their heads bowed and their hands raised in prayer. In the background, there are other figures, possibly representing other disciples or onlookers. The image conveys a sense of spiritual transcendence and the divine nature of Jesus.

Created by amazon.nova-lite-v1:0 on 2025-02-07

The image depicts a scene from the Bible, specifically the Transfiguration of Jesus, as described in the Gospel of Matthew (17:1-9). In this scene, Jesus is shown in a state of transfiguration, standing on a mountain with his face glowing and his clothes becoming dazzling white. Three of his disciples, Peter, James, and John, are present and witness this miraculous event. Peter, James, and John are depicted as seated on the ground, with Peter and James appearing to be in a state of awe and reverence, while John seems to be asleep. The scene is set in a natural landscape, with trees and a bright, radiant light emanating from Jesus, symbolizing his divine nature. The image is a black-and-white etching, which adds a sense of drama and intensity to the scene. The text at the bottom of the image is in Latin, which translates to "Jesus prayed, and his face shone like the sun, and his clothes became white as light. And behold, Moses and Elijah appeared to them, talking with him. And Peter said to Jesus, 'Lord, it is good for us to be here. If you wish, I will make three tents here, one for you, one for Moses, and one for Elijah.' While he was still speaking, a bright cloud overshadowed them, and behold, a voice from the cloud said, 'This is my Son, whom I love; with him I am well pleased; listen to him!' When the disciples heard this, they fell on their faces in awe, and were very afraid. But Jesus came and touched them, saying, 'Rise, and have no fear.' And when they lifted up their eyes, they saw no one but Jesus alone." The image captures the awe-inspiring and transformative nature of the Transfiguration, as Jesus reveals his divine glory to his disciples, and the presence of Moses and Elijah further emphasizes the significance of this event in the Christian faith.

Text analysis

Amazon

genibus,
transfer
aguinis
in
ffon
ombat.
tua
fudor
Sadler
Pater:
guttr
Et
orabat,
Vos
fafus
dccurntis
angor:
intentius
eins
Iofs
1582
correptus angor: M.de Vos inuentor. Sadler guttr
Et ipfe intentius ombat. Et fafus ft fudor eins ficut aguinis dccurntis in ternam. LVC.XXII. fiat.
eVeruntamen
Iofs pofinis genibus, orabat, dicens, Pater: vis, transfer caliem is tum a me eVeruntamen ffon mnea yoiuntas, fed tua
Joan:
fed
a
ficut
me
correptus
M.de
yoiuntas,
dicens,
mnea
inuentor.
LVC.XXII.
Joan: faalpsit 1582
ft
pofinis
ternam.
is tum
fiat.
caliem
ipfe
faalpsit
vis,

Google

Iefus pofns genibus, orabat, dicens, Pater vis, transfer alicem is tum a me Veruntamen non mea voiuntas, fea a tua fiat Et ye corrptus angore intentius orabat. Et factus eft fudor eius firut gute Jaguinis decurris in terran. LVC.XXII. Joan: Sadler fahpsit. 1582 Mide Vos inuentor
Iefus
pofns
genibus,
orabat,
dicens,
Pater
vis,
transfer
alicem
is
tum
a
me
Veruntamen
non
mea
voiuntas,
fea
tua
fiat
Et
ye
corrptus
angore
intentius
orabat.
factus
eft
fudor
eius
firut
gute
Jaguinis
decurris
in
terran.
LVC.XXII.
Joan:
Sadler
fahpsit.
1582
Mide
Vos
inuentor