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Human Generated Data

Title

Christ at the House of Simon the Pharisee

Date

18th century

People

Artist: Jean Baptiste de Poilly, French 1669 - 1728

Artist after: Charles Le Brun, French 1619 - 1690

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2479

Human Generated Data

Title

Christ at the House of Simon the Pharisee

People

Artist: Jean Baptiste de Poilly, French 1669 - 1728

Artist after: Charles Le Brun, French 1619 - 1690

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2479

Machine Generated Data

Tags

Amazon
created on 2019-11-06

Human 99.6
Art 97.8

Clarifai
created on 2019-11-06

people 100
group 99.7
many 99
adult 98.6
art 98.3
print 97.4
man 97
administration 92.9
engraving 91.3
woman 89.8
furniture 88.7
kneeling 88.5
military 88
soldier 87.8
leader 87.7
sit 87.3
one 87.3
gown (clothing) 86.8
religion 86.4
illustration 85.9

Imagga
created on 2019-11-06

sculpture 58.3
statue 38.4
art 35.7
architecture 30.8
column 30.4
religion 27.8
carving 27.2
decoration 26.8
tattoo 23.5
ancient 23.4
old 23
design 21.5
history 21.5
figure 21.4
monument 20.6
temple 20.3
detail 20.1
stone 19.5
god 19.1
landmark 19
religious 18.7
famous 16.8
tourism 16.5
culture 16.2
building 15.9
city 15.8
church 15.7
camouflage 15.3
travel 14.8
holy 14.4
sketch 12.1
carved 11.7
catholic 11.7
antique 11.6
spiritual 11.5
spirituality 11.5
marble 11.5
plastic art 11.1
covering 11.1
exterior 11.1
screen 11.1
tourist 10.9
symbol 10.8
facade 10.6
saint 10.6
artistic 10.4
style 10.4
historic 10.1
faith 9.6
cathedral 8.9
drawing 8.9
statues 8.9
museum 8.8
historical 8.5
decorative 8.4
representation 8.3
gold 8.2
fountain 8
angel 7.8
pray 7.8
golden 7.7
architectural 7.7
east 7.5
face 7.1

Google
created on 2019-11-06

Microsoft
created on 2019-11-06

text 99.8
book 99.4
drawing 98
sketch 95.6
old 95.4
person 94.4
clothing 90.1
painting 89.1
man 72.6
cartoon 69
group 60.4
vintage 38.4
clothes 28.6

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 8-18
Gender Female, 54.9%
Fear 45%
Sad 45.1%
Confused 45%
Angry 45%
Happy 50.6%
Disgusted 45%
Surprised 45%
Calm 49.2%

Feature analysis

Amazon

Person
Painting

Clarifai

No features identified

AWS Rekognition

Person 99.6%

Categories

Imagga
created on 2019-11-06

paintings art 94.3%
streetview architecture 5.1%

Captions

Salesforce

Created by general-english-image-caption-blip on 2025-05-05

a photograph of a painting of a man in a long dress

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-01

The image depicts a detailed engraving of a Biblical scene featuring a gathering of people in an architectural setting with large columns and draped fabric. The central focus is on a group of individuals around a table, with one figure kneeling and pressing her head against the feet of a seated person, possibly washing them. Other figures appear engaged in various activities, some seated and others standing. The backdrop includes an archway with additional figures in the distance. The bottom of the image contains inscriptions in Latin and French, possibly referencing the Biblical context of the scene and explaining the actions depicted.

Created by gpt-4 on 2025-02-01

This image is a detailed etching or engraving that appears to be from a historical period, depicting an indoor scene filled with various individuals engaged in a range of activities. The room is spacious with high ceilings, classical architectural elements such as columns and arches, and is adorned with drapes. A group is gathered around a table in the background, possibly involved in a discussion or meal. There are furnishings such as chairs and a table, and some individuals are in states of repose, sitting or lying on the ground. Foreground elements include a kneeling figure, objects like a book and a container possibly used for incense or burning oil, and an article of clothing lying on the floor. The artwork conveys a sense of drama or storytelling, and there is text at the bottom, suggesting that the scene might be illustrating a literary or biblical narrative.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26

This appears to be a religious artwork depicting a biblical scene, likely from the New Testament. The image shows a gathering in what appears to be a classical interior setting with columns and draped fabric overhead. The scene features multiple figures in robes and traditional ancient dress. The composition centers around a main figure seated at what appears to be a table or gathering space, with others around them. There's a woman shown in a position of reverence or penitence.

The artwork has a sepia or monochromatic tone, suggesting it might be an engraving or print. At the bottom of the image, there is text in Latin that reads "Remittuntur ei peccata multa, quoniam dilexit multum" which translates to "Her many sins are forgiven, for she loved much" - a reference to the biblical story of the sinful woman who anointed Jesus's feet.

The artistic style and execution suggest this is likely from the 17th or 18th century, with careful attention to classical architectural details, drapery, and figure composition typical of that period's religious art.

Created by claude-3-5-sonnet-20241022 on 2025-02-01

This appears to be a religious artwork depicting a biblical scene. The setting is an ornate interior with classical columns and draped fabric overhead. The composition shows a gathering of figures in robes and period dress, centered around what appears to be an important religious moment. There's text in Latin at the bottom that reads "Remittuntur ei peccata multa quoniam dilexit multum" which translates to "Her sins, which are many, are forgiven; for she loved much."

Based on this text and the scene depicted, this is likely representing the biblical story of the sinful woman who anointed Jesus's feet, as told in Luke 7:47. The artwork is rendered in a sepia or monochromatic style, suggesting it might be an engraving or print. The scene includes various vessels and objects appropriate to the historical period, and the architectural details suggest a grand interior space. The arrangement of figures creates a dramatic focal point at the center of the composition, with the surrounding figures reacting to the central action.

The style and execution suggest this is likely from the 17th or 18th century, and it demonstrates the classical artistic traditions of European religious art from that period.

Created by claude-3-opus-20240229 on 2025-02-01

The image depicts a biblical or historical scene in a classical style. In the foreground, a group of figures are gathered around a table, some seated and some standing. Based on their dress and the setting, it appears to represent an ancient feast or banquet.

Large curtains are draped above the scene, framing the composition. Columns and architectural details in the background suggest it takes place in an interior space, possibly a grand hall or palace.

The overall style is reminiscent of classical European art, with an emphasis on drapery, dramatic poses, and chiaroscuro shading to create a sense of depth and volume. The inscription below the image is in Latin, further indicating the classical subject matter and inspiration.

Created by claude-3-haiku-20240307 on 2025-02-01

This image appears to depict a religious or biblical scene, possibly a deathbed or funeral setting. The scene shows a large group of figures gathered around a central figure who is lying down, surrounded by various religious items and ornate drapery. The figures in the image seem to be dressed in religious or historical attire, and the overall scene has a somber and ceremonial tone to it.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image is a black and white engraving of a scene from ancient Rome, depicting a group of people gathered around a bed. The scene appears to be set in a temple or public building, with columns and arches visible in the background.

In the foreground, a woman is shown sitting on a bench, holding a small child in her lap. She is dressed in a long robe and has her hair tied back. To her right, a man is kneeling on the floor, holding a small box or container. He is wearing a tunic and has his head bowed.

Behind the woman and child, a group of people are gathered around a bed, which is draped with a cloth. Some of them appear to be praying or mourning, while others seem to be watching the scene unfold. In the background, there are several other figures, including a priest or priestess who is standing at an altar.

The overall atmosphere of the image is one of reverence and solemnity, suggesting that the scene is a religious or ceremonial one. The use of classical architecture and clothing adds to the sense of historical authenticity, and the engraving style gives the image a sense of timelessness and elegance.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

The image is a sepia-toned illustration of a scene from ancient Rome, featuring a group of people gathered around a table. The scene appears to be set in a grand hall or temple, with columns and arches visible in the background.

In the foreground, a group of people are seated at a long table, surrounded by various objects such as food, drink, and musical instruments. Some of the individuals are engaged in conversation, while others are playing music or enjoying the festivities.

Above the table, a large piece of fabric is draped, creating a sense of grandeur and opulence. The overall atmosphere of the image suggests a celebration or feast, possibly a wedding or other important event.

At the bottom of the image, there is a caption written in Latin, which translates to "Remittuntur ei pecunia multa, quoniam dilexit multum" or "Much money is given to him because he loved much." This phrase may refer to the generosity and hospitality of the host, who is providing for his guests and showing them kindness and respect.

Overall, the image presents a vivid depiction of life in ancient Rome, highlighting the importance of social gatherings and community celebrations. It also showcases the artistic skill and attention to detail of the illustrator, who has created a rich and immersive scene that invites the viewer to step into the world of ancient Rome.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-01

The image is a monochromatic engraving of an event that appears to be a banquet or a feast. It depicts a group of people gathered in a room, possibly for a celebration. The people are dressed in ancient Roman or Greek attire, and some are seated on chairs, while others are standing. The room is adorned with columns, and there is a table in the center with food and wine.

Created by amazon.nova-lite-v1:0 on 2025-02-01

The image is an old drawing that depicts a scene from the Bible, specifically the story of Jesus washing the feet of his disciples. The drawing is in black and white and shows a group of people gathered around a table, with Jesus in the center washing the feet of one of the disciples. The disciples are seated on the floor, and some of them are standing. The room is dimly lit, and there are curtains hanging from the ceiling. The drawing appears to be from the 18th century.

Google Gemini

Created by gemini-2.0-flash on 2025-05-05

The image is a sepia-toned engraving featuring a scene with biblical figures within a grand, classical setting. The foreground of the image shows a group of individuals gathered around a central male figure, who appears to be a leader or important figure in the composition. The woman to the left is kneeling, possibly weeping, and appears to be washing his feet. The central male figure is draped in robes and gestures towards her.

To the right, another figure kneels, engaged in some task around a small table with a decorated vessel on top. Other individuals are seated or standing around the central figures, engaged in conversation or observation.

Above the figures, a large drapery hangs suspended from the ceiling, creating a sense of depth and enclosure. Behind the figures, there is a balcony with additional figures.

The background is a classical architectural setting, with columns, arches, and other ornate details. The overall scene is evocative of a religious or historical narrative.

At the bottom of the image, there is text in Latin and French, which may be a title or description of the scene. The text reads: "Remittuntur ei peccata multa quoniam dilexit multum. Luc. C. 7. V. 47. Beaucoup de peches buy Sont remis, parcequ'elle a beaucoup aime. Luc. Ch. 7. V. 47."

Created by gemini-2.0-flash-lite on 2025-05-05

The image is a black and white engraving depicting a biblical scene, likely from the New Testament. Here's a description:

Overall Scene: The scene takes place within an opulent, classical-style building, probably a courtyard or a large hall. There's a draped canopy suspended from above, adding to the sense of formality. A group of people are gathered, with the focus being on a central figure of Jesus, who is the prominent focus.

Main Characters and Actions:

  • Jesus: Jesus sits on a high chair, adorned with a long cloak, with his hand in a gesture, pointing towards the woman.
  • The Woman: A woman kneels before Jesus, at his feet. Her posture suggests humility and remorse. She might be anointing or washing his feet.
  • Other figures: Various figures are present, some likely disciples, others observers. They are seated at a table or stand nearby, some look as if they are judging the woman.

Additional Details:

  • Setting: The architecture includes columns, arches, and ornate details, suggesting a wealthy environment. The presence of an upper level provides more detail.
  • Lighting and Style: The engraving uses a technique called cross-hatching to create shadows and depth, giving the scene a dramatic feel. The overall style reflects the classical aesthetic of the era.
  • Text: The image contains Latin text, which could provide additional contextual information, for example, a passage from the Bible.

In Summary: The engraving tells a story. The main figures are Christ, and a woman at his feet. The scene is set in a rich, formal location.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-08

The image depicts a scene from ancient Rome, likely a banquet or feast, set within an elaborate interior space adorned with classical architectural elements such as columns and drapery.

In the foreground, several individuals are seated on couches, reclining in a manner typical of Roman dining customs. They appear to be engaged in conversation and feasting, with various items of food and drink visible on the table before them. One figure, seated on a chair, is prominently positioned and seems to be the focus of the scene, possibly indicating a person of importance.

In the background, more people are visible, some standing and others seated, contributing to the bustling atmosphere of the gathering. The setting includes detailed decorations, such as statues and ornate furnishings, which add to the grandeur of the scene.

At the bottom of the image, there is a Latin inscription: "Remittuntur et peccata multa quoniam dilexit multum," which translates to "Many sins are forgiven her, for she loved much." This phrase is from the Bible (Luke 7:47) and refers to the story of the sinful woman who anointed Jesus' feet with her tears and perfume.

Overall, the image captures a moment of social interaction and luxury in ancient Roman society, with a possible biblical or moralistic undertone suggested by the inscription.

Qwen

Text analysis

Amazon

peccata
Remittuntur
quoniam
ci
multum
multa
peches
Remittuntur ci multa dilexxit multum
de
ont
Beaucoup
Beaucoup de peches luy ont remr pareeqn'elle eanconp aime
pareeqn'elle
peccata quoniam live C:7.047
luy
eanconp
dilexxit
remr
aime
live
C:7.047
O0

Google

Remittuntur ci pcata multa quoniam dilexit multum Beaucop de peches luy Sont rems, parcequelle a beaucoup aime C 7
Remittuntur
ci
pcata
multa
quoniam
dilexit
multum
Beaucop
de
peches
luy
Sont
rems,
parcequelle
a
beaucoup
aime
C
7