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Human Generated Data

Title

Agrippina, Wife of Tiberius

Date

16th-17th century

People

Artist: Aegidius Sadeler II, Flemish 1570 - 1629

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4934

Human Generated Data

Title

Agrippina, Wife of Tiberius

People

Artist: Aegidius Sadeler II, Flemish 1570 - 1629

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4934

Machine Generated Data

Tags

Amazon
created on 2023-08-31

Art 100
Painting 100
Wedding 99.7
Face 92.7
Head 92.7
Text 79.5
Photography 57.3
Portrait 57.3
Lady 56.3
Archaeology 55

Clarifai
created on 2023-10-13

people 100
print 99.8
portrait 99.4
one 99.4
art 99.3
adult 99.3
engraving 99
leader 98.2
man 98.2
wear 97.6
monarch 96.8
woman 95.6
royalty 95
illustration 94.9
painting 93.9
gown (clothing) 92
two 91.8
administration 91.3
veil 90.5
text 90

Imagga
created on 2023-08-31

sketch 100
drawing 73.1
representation 61.7
book jacket 43.1
jacket 33.5
wrapping 25.5
art 22.9
model 18.7
religion 17.9
sexy 17.7
covering 17.4
face 17.1
portrait 16.8
statue 16
hair 15.9
black 15.7
pretty 15.4
fashion 15.1
religious 15
church 14.8
attractive 14
close 13.7
sensual 13.6
old 13.2
figure 13
adult 12.9
sculpture 12.9
money 12.8
person 12.7
dollar 12.1
style 11.9
catholic 11.7
vintage 11.6
holy 11.6
antique 11.3
design 10.8
currency 10.8
man 10.8
paper 10.2
symbol 10.1
cash 10.1
people 10
dark 10
detail 9.7
saint 9.6
body 9.6
god 9.6
tattoo 9.5
ancient 9.5
elegant 9.4
architecture 9.4
sensuality 9.1
dress 9
brunette 8.7
dollars 8.7
faith 8.6
cute 8.6
bill 8.6
skin 8.5
elegance 8.4
head 8.4
banking 8.3
artwork 8.2
lady 8.1
bank 8.1
decoration 7.9
business 7.9
male 7.8
luxury 7.7
grunge 7.7
finance 7.6
human 7.5
blond 7.2
financial 7.1

Google
created on 2023-08-31

Microsoft
created on 2023-08-31

text 100
book 100
sketch 99.5
drawing 99.4
illustration 95
art 89.5
human face 89.1
painting 86.6
cartoon 73.8
person 66.6

Color Analysis

Face analysis

Amazon

Imagga

AWS Rekognition

Age 22-30
Gender Female, 83.7%
Calm 53.4%
Sad 16.4%
Angry 11.6%
Disgusted 9.6%
Surprised 9.3%
Fear 7.1%
Happy 1.4%
Confused 0.6%

Feature analysis

Amazon

Adult
Bride
Female
Person
Woman

Clarifai

Clothing
Human face
Human hand
Human nose
Human arm

AWS Rekognition

Adult 99.7%

Categories

Imagga
created on 2023-08-31

events parties 54.1%
paintings art 31.4%
people portraits 10.2%
pets animals 1.4%
streetview architecture 1.1%

Captions

Microsoft
created by unknown on 2023-08-31

a close up of a book 62.2%
close up of a book 57.2%
a hand holding a book 57.1%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip on 2025-05-13

a photograph of a woman in a dress with a large breast

Created by general-english-image-caption-blip-2 on 2025-07-01

an engraving of a woman in a dress

OpenAI GPT

Created by gpt-4 on 2024-12-06

The image features an etching or engraving of a classical figure depicted in a state of repose, embodyed by a seated position with one arm resting on a surface. The figure is dressed in elaborate robes, with intricately detailed folds and patterns, indicating a high status or royal association. The clothing is draped gracefully around the body, and the attention to the texture of the fabric is quite evident. The inscription at the top of the image reads "AGRIPPINA TIBERII VXOR," which suggests that the figure is meant to represent Agrippina the Elder, the wife of Emperor Tiberius, an important historical figure from ancient Rome. The Latin text below the figure likely provides context or attributes related to the person depicted or the artist's intent. The printmaking techniques used to create this image are indicative of historical methods of portraiture and communication, often used to convey the likeness and status of notable individuals in society. The overall composition and craftsmanship reflect the art and cultural values of the time in which it was created.

Created by gpt-4o-2024-05-13 on 2024-12-06

This image appears to be an engraved portrait of a historical figure, titled "AGRIPPINA TIBERII UXOR" at the top, which translates to "Agrippina, Wife of Tiberius."

The figure is depicted in elaborate clothing with intricate patterns and textures. The attire features drapery and embellishments, suggestive of a high-status individual. The person is adorned with jewelry, including earrings and possibly a necklace. The pose is dignified, with one hand resting on what appears to be a chair or some support structure, showcasing an air of nobility and composure.

Below the figure, there is a passage in Latin:

"Altius ad viuum nostri peruenit Amoris
In Tiberi charus intima plaga sinu.
Iulia nec quamvis tetigit suauia cubile
Coniugis illa mihi, extra potita viro est."

And:

"Agrippina animum Tiberi, mentesque tenebat,
Atque oculus tenuit post aliquando suos.
Iulia non tenuit, rapuit qua gaudia nobis.
Nam Patris exilium lege, viisque tulit."

This text is likely a poetic inscription extolling the virtues and significance of Agrippina in relation to Tiberius. The etching is detailed, with attention to the character's attire and posture, indicative of its historic and artistic value.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-28

This is a historical engraving titled "AGRIPPINA TIBERII VXOR" (Agrippina, Wife of Tiberius). The artwork shows a profile view of a noble Roman woman in elaborate classical dress. She wears an ornate hairstyle with braids and curls typical of ancient Roman fashion, along with decorative earrings. Her clothing consists of luxurious draped fabric with detailed patterns and folds, suggesting wealth and status. The image is rendered in a classical engraving style with fine line work and careful attention to texture and shadow. Below the portrait are Latin inscriptions. The overall composition reflects the formal portrait style common in depictions of Roman nobility and imperial family members.

Created by claude-3-haiku-20240307 on 2024-12-06

The image depicts a portrait of a woman wearing ornate and elaborate clothing. She has her hair styled in an elaborate updo with long curls, and is adorned with jewelry and decorations. The woman is seated and appears to be in a thoughtful or contemplative pose. The image is an engraved portrait, with text surrounding the portrait that appears to be in Latin.

Created by claude-3-5-sonnet-20241022 on 2024-12-06

This is a historical engraving titled "AGRIPPINA TIBERII VXOR" (Wife of Tiberius). It's a beautifully detailed profile portrait in classical Roman style, showing an elegantly dressed woman in luxurious draped clothing. The subject wears an elaborate hairstyle with intricate braids and curls typical of ancient Roman fashion, along with dangling earrings. Her dress features rich, flowing fabric with detailed patterns and folds, suggesting high status and wealth. The portrait shows skilled engraving technique, particularly in rendering the different textures of fabric and jewelry.

Below the portrait is Latin text in two columns. The artwork appears to be from a series of historical portraits, likely created during the Renaissance or Baroque period when there was great interest in classical Roman subjects. The engraving technique and style suggest it's probably from the 16th or 17th century.

The image demonstrates the period's fascination with ancient Rome and shows how artists of later eras imagined and depicted classical figures. The quality of the engraving work is excellent, with fine line work creating subtle gradations and textures.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-06

The image is a portrait of Agrippina the Younger, a Roman Empress, created by the Flemish painter and engraver, Marcus Gheeraerts the Younger.

  • Subject: Agrippina the Younger, a Roman Empress.
  • Artist: Marcus Gheeraerts the Younger, a Flemish painter and engraver.
  • Medium: Engraving.
  • Date: 1613.
  • Style: Baroque.
  • Description: The engraving depicts Agrippina the Younger in a seated position, wearing a flowing robe and a crown. She is shown with a stern expression, looking to her right. The background of the engraving is dark, which helps to emphasize Agrippina's features and the intricate details of her clothing.
  • Significance: The engraving is significant because it provides a rare glimpse into the life of Agrippina the Younger, who was a powerful and influential figure in ancient Rome. The engraving also showcases Marcus Gheeraerts the Younger's skill as an engraver and his ability to capture the subtleties of human emotion through his work.

Overall, the engraving is a remarkable example of Baroque art and provides valuable insight into the life and legacy of Agrippina the Younger.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-06

The image is a black-and-white engraving of a woman, likely from the 17th century. The woman is depicted in a classical pose, with her head turned to the right and her body facing forward. She wears a flowing robe that is draped over her left shoulder, revealing her right breast. Her hair is styled in an intricate updo, adorned with a decorative headpiece.

At the top of the image, the title "AGRIPPINA TIBERII VXOR" is inscribed in Latin, which translates to "Agrippina, wife of Tiberius." This suggests that the subject of the engraving is Agrippina the Younger, a Roman empress who was married to Emperor Claudius and later became the mother of Emperor Nero.

The background of the image features a dark, textured surface, which may represent a wall or a curtain. The overall effect of the engraving is one of elegance and refinement, capturing the beauty and dignity of the subject.

In the bottom margin of the image, there are two columns of text in Latin, which appear to be quotes or inscriptions related to the subject. The text is written in a formal, cursive script and adds to the overall sense of classical grandeur and sophistication.

Overall, the image is a striking example of Baroque-era art, showcasing the technical skill and artistic flair of the engraver. It provides a fascinating glimpse into the cultural and historical context of the time, and serves as a testament to the enduring power of classical art to inspire and captivate audiences.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-27

The image is a black-and-white portrait of a woman with a Latin inscription at the top. The woman is dressed in a flowing, ornate gown with intricate patterns and a high neckline. Her hair is styled in elaborate braids, and she wears a necklace and bracelets. She is seated, and her posture is relaxed yet regal. The background is plain, focusing attention on the subject. Below the portrait, there is a text in Latin, which appears to be a quote or a description related to the woman depicted.

Created by amazon.nova-lite-v1:0 on 2025-02-27

The image is a portrait of Agrippina, the wife of Tiberius, a Roman emperor. The portrait is in black and white and shows Agrippina sitting in a chair with her right hand resting on her lap. She is wearing a long dress with a high collar and a necklace with a pendant. The portrait has a Latin inscription at the top that reads "Agrippina Tiberii Vxor," which translates to "Agrippina, wife of Tiberius." The portrait also has a Latin text below it that provides information about Agrippina's life and her relationship with Tiberius.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-28

Here's a description of the image:

Overall Impression:

The image is a detailed black and white engraving or etching, likely from a historical book or print. It depicts a woman in a formal, classical style portrait. The style suggests it's from the Renaissance or Baroque period.

Subject:

  • The woman is identified in the inscription above as "AGRIPPINA TIBERII VXOR," meaning Agrippina, wife of Tiberius. This places the subject within the Roman Imperial era.

Composition and Details:

  • Pose: Agrippina is shown in a three-quarter view, looking to the right. She has a composed, somewhat stern expression. She leans slightly, resting one arm on a surface draped with fabric. Her other arm is visible as well.
  • Attire: She wears a draped garment, likely a gown of fine fabric with intricate patterns. The fabric has a luxurious feel. She is also adorned with jewelry, including earrings, a necklace, and a bracelet, which indicates her status.
  • Hair: Her hair is elaborately styled, with braids and curls.
  • Setting: The background is relatively simple, with a suggestion of architectural elements, such as columns.
  • Inscriptions: There are Latin inscriptions below the portrait, presumably containing information about Agrippina.
  • Style: The fine lines and shading create depth and texture, emphasizing the details of the face, drapery, and jewelry.

Overall, the image presents a dignified and idealized portrait of Agrippina.

Created by gemini-2.0-flash on 2025-04-28

Here's a description of the image:

This is a detailed engraving of Agrippina, the wife of Tiberius. She is depicted from the waist up and is in a partial profile, turned slightly to her right. She has an elegant and regal appearance.

Her hair is elaborately styled, with curls and braids intertwined. She wears dangling earrings. She is adorned in a draped robe or dress with intricate patterns. The fabric has many folds and is textured. A decorative band crosses her chest, adding to her opulent attire. Her left arm is draped across what seems to be a table or ledge, with a bracelet on her wrist. Her fingers are adorned with rings.

The background is simple and features a column on the left side.

Beneath the image, there are two columns of text written in what seems to be Latin. The title "AGRIPPINA TIBERII VXOR" is displayed at the very top of the print.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-04-28

The image is an engraving depicting a woman identified as Agrippina, the wife of Tiberius, a Roman Emperor. The artwork is titled "Agrippina Tiberii Uxor," which translates to "Agrippina, Wife of Tiberius." The woman is portrayed in a regal manner, seated and looking to the side. She is adorned with elaborate jewelry, including a necklace and earrings, and her hair is styled in an intricate updo. She wears a richly decorated robe with a floral pattern, which drapes elegantly around her.

The background of the engraving is dark, which contrasts with the detailed depiction of Agrippina, making her the focal point of the image. Below the portrait, there is a Latin inscription that reads:

"Altius ad vivum uestri persedet Amoris
In Tiberi charae inhina plaga sinus.
Iulia nec quamuis tetigit furtiva cubile
Coniugis illa uir, tu petita uiro est.

Agrippina animum Tiberi, mentemque tenebat.
Atque oculos tenuit pecti aliquando suos.
Iulia non tenuit rapuit quae gaudia nobis:
Nam Patris esokam lige, atque tuae."

This inscription appears to be a poetic or commemorative text, likely praising Agrippina's virtues and her relationship with Tiberius. The engraving is signed by the artist, "Angelus Leuber" and dated 1644, indicating it is a work from the 17th century.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-16

This image is a black-and-white engraving of a woman, identified as "Agrippina Tiberii Vxor," which translates to "Agrippina, wife of Tiberius." The engraving is highly detailed, showcasing the woman's regal attire and complex hairstyle. She is dressed in an elaborate, flowing garment with intricate patterns and a prominent necklace. Her hair is styled in curls that are adorned with jewelry, indicative of her high status and nobility. The engraving is framed with a simple border, and there is text at the bottom that appears to be a poetic inscription in Latin. The style of the engraving, along with the Latin text, suggests it was created during the Baroque period, with a focus on the cultural and historical context of the subject depicted. The artist's signature, "Aegidius Sadeler," is at the bottom, indicating the engraver's name.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-16

This image is a detailed engraving titled "AGRIPPINA TIBERII VXOR," meaning "Agrippina, wife of Tiberius." The artwork is a portrait of a woman depicted in a classical style, wearing a draped gown with intricate folds and patterns. The gown is adorned with a decorative belt and jewelry, including earrings and a ring. The woman's hair is styled in an elaborate updo with curls, and she is seated with her arms resting on the edge of the frame.

The engraving includes text at the top and bottom. The text at the top identifies the subject as Agrippina, wife of Tiberius. The text at the bottom provides additional information and context, likely in Latin, describing her relationship with Tiberius and her influence over him. The artist's name, Marcus Sadeler, is also mentioned in the bottom text. The overall style and details suggest a historical or classical theme, likely from the Renaissance period.

Text analysis

Amazon

Nam
Atque
rapuit
plaga
post
non
Tibéri,
viro
exitium
tota
Amoris
In
AGRIPPINA
TIBERII
illa
cubile
III
tenuit
animum
charos
Marcus
nostri
oculos
rec
Altius
gaudia
furtiua
Iulia
quae
excudit
Patris
intima
persedit
Agrippina
Agrippina animum Tibéri, mentemque tenebat,
potita
mentemque
Tiberi
Iulia non tenuit, rapuit quae gaudia nobis:
In Tiberi charos intima plaga simus
alíquando
Coniugis illa méi, tota potita viro est.
AGRIPPINA TIBERII VXOR.
Atque oculos tenuit post alíquando Juos.
Marcus sadeler excudit
Altius nd viuum nostri persedit Amoris
tenebat,
Nam Patris exitium lege, virique tulit.
tetígit
Iulia rec quammis tetígit furtiua cubile
méi,
Coniugis
tulit.
virique
nd
Augidius
nobis:
tenuit,
est.
VXOR.
sadeler
lege,
simus
viuum
Juos.
quammis

Google

- AGRIPPINA TIBERII 463 Altius ad viuum nostri persedit Amoris In Tiberi charos intima plaga simus. Iulia nec quamuis tetigit furtiua cubile Coniugis illa mei, tota potita viro est. gidius Saddler S.C.M.Sculp. CON III. VXOR. Agrippina animum Tibéri, mentemque tenebat, Atque oculos tenuit post aliquando fuos. Iulia non tenuit, rapuit quac gaudia nobis: Nam Patris exitium lege, vírique tulit. Marcus sadeler excudit-
-
AGRIPPINA
TIBERII
463
Altius
ad
viuum
nostri
persedit
Amoris
In
Tiberi
charos
intima
plaga
simus
.
Iulia
nec
quamuis
tetigit
furtiua
cubile
Coniugis
illa
mei
,
tota
potita
viro
est
gidius
Saddler
S.C.M.Sculp
CON
III
VXOR
Agrippina
animum
Tibéri
mentemque
tenebat
Atque
oculos
tenuit
post
aliquando
fuos
non
rapuit
quac
gaudia
nobis
:
Nam
Patris
exitium
lege
vírique
tulit
Marcus
sadeler
excudit