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Human Generated Data

Title

Institution of Passover

Date

16th-17th century

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Chrispijn van den Broeck, Netherlandish 1524 - 1590/91

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R14027

Human Generated Data

Title

Institution of Passover

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Chrispijn van den Broeck, Netherlandish 1524 - 1590/91

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R14027

Machine Generated Data

Tags

Amazon
created on 2019-11-10

Human 98.5
Art 96.2
Archaeology 56.1

Clarifai
created on 2019-11-10

people 99.8
illustration 99.6
art 99.5
print 98.8
man 97.6
group 97.4
adult 97.2
engraving 96.3
painting 94.4
leader 93.9
veil 91.5
administration 90.7
religion 90
kneeling 88.1
saint 87.5
book 87.5
facial hair 86.2
visuals 85.6
Renaissance 85.6
sword 85.5

Imagga
created on 2019-11-10

sketch 100
drawing 100
representation 100
paper 29.8
old 27.2
vintage 25.7
ancient 25.1
money 24.7
currency 23.3
retro 22.9
art 22.8
grunge 21.3
dollar 20.4
finance 20.3
cash 20.1
bank 19.7
bill 19
history 18.8
antique 18.5
business 15.8
design 15.8
financial 15.1
rich 14.9
wealth 14.4
banking 13.8
dollars 13.5
historic 12.8
aged 12.7
stamp 12.6
us 12.5
architecture 12.5
mail 12.5
savings 12.1
note 12
one 12
letter 11.9
symbol 11.5
postage 10.8
pay 10.6
exchange 10.5
texture 10.4
wall 10.3
travel 9.9
postmark 9.9
postal 9.8
sign 9.8
bills 9.7
building 9.5
house 9.2
investment 9.2
frame 9.2
decoration 9.1
paint 9.1
black 9
style 8.9
pattern 8.9
printed 8.9
sculpture 8.7
hundred 8.7
states 8.7
post 8.6
united 8.6
culture 8.5
historical 8.5
economy 8.3
dirty 8.1
close 8
circa 7.9
construction 7.7
loan 7.7
profit 7.7
card 7.7
save 7.6
grungy 7.6
decorative 7.5
freight car 7.5
brown 7.4
material 7.1
envelope 7
textured 7
nobody 7

Google
created on 2019-11-10

Microsoft
created on 2019-11-10

text 99.9
book 99.7
drawing 99.2
sketch 98.7
cartoon 93.6
person 84.2
illustration 80.6
engraving 74
clothing 73.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 30-46
Gender Male, 54.2%
Disgusted 45%
Confused 45%
Sad 54.2%
Fear 45.1%
Surprised 45%
Calm 45.5%
Happy 45%
Angry 45.1%

Feature analysis

Amazon

Person
Painting

Clarifai

Clothing
Man
Human face
Person
Footwear
Picture frame
Human head
Human arm

AWS Rekognition

Person 98.5%

Categories

Imagga
created on 2019-11-10

paintings art 99.6%

Captions

Microsoft
created by unknown on 2019-11-10

a close up of a book 49.6%
close up of a book 43.7%
a book on a wood surface 43.6%

Clarifai

Created by general-english-image-caption-clip on 2025-07-10

painting artist, illustration for the story.

Salesforce

Created by general-english-image-caption-blip on 2025-05-16

a photograph of a drawing of a man in a long dress

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-07

The image is an intricate etching depicting a biblical scene likely inspired by Exodus 12:21, where the Passover is being prepared. The central focus is a group of people gathered around a table, arranging a lamb as part of the Passover sacrifice. Next to them, a man is painting the doorposts with blood, symbolic of the protection for the families inside. Other figures, including children and a dog, observe the event. To the right, through an archway, a woman sweeping and an angel wielding a sword signify the presence of divine intervention. The background features a cityscape with tall, pointed buildings and an overall atmosphere of nighttime ritual. The Latin text below further clarifies the connection to the Bible: "Pascha fit, et postes colorantur sanguine tincti, Omne prius genitum angellus ense librat," translating to a description of the Passover and the angel of death.

Created by gpt-4 on 2025-02-07

The image is an etching or engraving depicting a historical scene that seems to revolve around a dramatic event. There is a group of individuals gathered around a table, upon which lies what appears to be a large animal, likely prepared for a feast or ritual. The people are dressed in attire that suggests the scene is from a past era.

One individual is standing, leaning over the table and appears to be performing a task, while others closely observe or assist. To the left of the scene, a person is holding something aloft in a doorway. To the right, outside of the building, a figure with wings is flying away from a town, suggesting a mythical or supernatural element to the scene. In the foreground, a woman is seated outside the door, seemingly uninvolved with the central activities, and beside her is a small dog.

The print includes Latin text at the bottom, which generally appears to be referring to Biblical passages or religious contexts considering the style of the scene and the mention of "Exod[us]". The artwork is rich in detail and symbolism, intending to portray a narrative or message that would have been familiar to contemporaries familiar with religious or historical texts of the time.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-07

This is a historical engraving depicting the Passover ritual, specifically the preparation of the Paschal lamb. The scene shows several people gathered around a table where a lamb is being prepared. There's a large circular window or clock above the scene, and the setting appears to be indoors with a view to the outside where you can see some architectural elements including a church spire or tower.

In the foreground, there's a small dog, and on the left side of the image, there are ceramic vessels or jugs on the floor. The people are dressed in period clothing with long tunics and hats typical of medieval or Renaissance era garments.

At the bottom of the image, there's a Latin inscription that references Exodus 12:21, relating to the Passover story. The artwork appears to be quite detailed in its engraving style, with careful attention to shading and perspective.

The scene captures a significant biblical moment, showing the ritual preparation that was commanded before the Exodus from Egypt, where the blood of the lamb was to be used to mark the doorposts of the Israelites' homes.

Created by claude-3-opus-20240229 on 2025-02-07

The image depicts an engraving or etching from 1521 showing several men gathered around a table. The men appear to be examining or operating on a body lying on the table, suggesting it may be an autopsy or dissection scene. The men are dressed in clothing from that time period. The room has arched windows and architectural details consistent with the 16th century. Below the main scene, there is a dog lying on the floor. The engraving has Latin text at the bottom describing the scene.

Created by claude-3-haiku-20240307 on 2025-02-07

The image depicts a religious scene from the Bible. It shows a group of people gathered around a bed where a man appears to be lying. The people have an assortment of costumes and expressions, suggesting they are witnessing some significant event. In the background, there are various architectural elements, including a clock, a city skyline, and allegorical figures. The overall composition and style suggest this is a historical or biblical illustration, rather than a contemporary scene.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24

This is a historical engraving depicting the Passover ritual, likely from a religious text or artwork. The scene shows a group of people gathered around a table performing what appears to be the preparation of the Passover lamb. The setting is an interior space with a large circular window or opening above. In the background through an archway, there's a view of buildings including what appears to be a church spire or tower.

The composition includes several figures in period dress gathered around a covered table, with some holding staffs or walking sticks. There's a dog in the foreground and various vessels or pottery on the floor. The scene also includes some smaller figures visible through the opening on the right side of the image.

At the bottom of the engraving, there's a Latin inscription that references Exodus 12:21, relating to the Passover story. The artistic style and execution suggest this is likely from the 16th or 17th century, and it appears to be done in a detailed line engraving technique typical of that period.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image is a 17th-century engraving depicting the scene of Saint Stephen's martyrdom, created by the Flemish artist Jan Luyken. The engraving is titled "Saint Stephen" and is part of a series of engravings illustrating the Acts of the Apostles.

In the foreground, Saint Stephen is shown being stoned to death by a mob of angry Jews. He is depicted as a young man with a serene expression, wearing a simple tunic and a halo. The mob is shown surrounding him, with some of them holding stones and others looking on in horror.

In the background, there are several other figures, including the high priest and the apostles. The high priest is shown standing in the center of the image, looking on in disgust at the scene unfolding before him. The apostles are shown in the background, watching the scene with concern.

The engraving is rendered in a detailed and realistic style, with intricate lines and shading that give the image a sense of depth and texture. The use of chiaroscuro, a technique that uses strong contrasts between light and dark to create a sense of volume, adds to the dramatic effect of the image.

Overall, the engraving is a powerful and moving depiction of one of the most famous martyrdoms in Christian history. It is a testament to the enduring power of faith and the importance of standing up for one's beliefs, even in the face of adversity.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

The image depicts a scene of men gathered around a table, with one man lying on it. The men are dressed in attire reminiscent of the 16th century, characterized by hats, tunics, and cloaks. One of the men is holding a sword, while another appears to be performing some sort of procedure on the individual on the table.

In the background, there are several other figures engaged in various activities. To the left, a man is seen carrying a bucket and a broom, suggesting that he may be a servant or a cleaner. On the right side of the image, a woman is depicted sitting on the ground, accompanied by a dog. Above her, an angel is visible, adding a sense of religious or mystical significance to the scene.

The overall atmosphere of the image is one of solemnity and gravity, with the men gathered around the table exuding a sense of seriousness and purpose. The presence of the angel and the religious connotations of the scene suggest that the image may be related to a biblical or mythological story.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-07

The image is a monochromatic drawing of a scene with several people inside a building. In the center, a group of people is gathered around a table with food on it. Some of them are wearing hats, and one of them is holding a stick. On the left side, a person is standing near the window and holding a broom. On the right side, there is a dog and a person kneeling in front of a building.

Created by amazon.nova-lite-v1:0 on 2025-02-07

The image is a black-and-white illustration with a sepia tone. It depicts a scene inside a room with a table in the middle. A group of people are gathered around the table, and one of them is holding a knife. The table is covered with a white cloth, and there is a large piece of meat on it. The people are wearing hats and shoes, and some of them are holding sticks. In the background, there is a castle with a tower and a bridge.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-05-22

Here's a description of the image:

This is a detailed etching depicting a biblical scene, likely related to the Passover. The scene is divided into two main areas: an interior and an exterior, separated by a doorway.

Interior:

  • A group of men are gathered around a table. They are dressed in simple clothing and hats, suggestive of the time period.
  • On the table is a prepared animal, likely a lamb or goat, central to the Passover ritual.
  • Some figures are attending to the animal with knives or tools.
  • A man in the doorway on the left is holding a container and a brush, and they may be applying blood to a doorpost.
  • A large jar and small bowl are positioned next to the doorway.
  • A small dog is running near the table.
  • A circular window is on the wall behind the figures, allowing some light in.

Exterior:

  • A street scene is visible through the doorway, with buildings and figures.
  • An angel with a sword appears to be striking down people and animals.
  • A woman by the door is cleaning a doorpost.
  • Figures are seen outside, some apparently deceased.

Overall:

  • The image is meticulously detailed, with fine linework and shading.
  • The composition clearly emphasizes the action happening in the interior (preparing the Passover meal) and the consequences occurring outside (the angel of death).
  • Latin text is written in the bottom margin and appears to be a reference to the Passover.

The scene clearly depicts the biblical story of the Passover, when the Israelites were instructed to sacrifice a lamb and mark their doorposts with its blood to be spared from the angel of death that struck down the firstborn of the Egyptians.

Created by gemini-2.0-flash on 2025-05-22

Here's a description of the image:

This is an engraved depiction of the Passover from the biblical book of Exodus. In the foreground, a group of men, dressed in what appear to be tunics and hats, surround a table. On the table lies a lamb, prepared for the Passover meal. Some of the men have staffs. One man smears the lamb's blood on the doorposts.

Through an open doorway on the right, a scene of death and devastation unfolds. An angel with a sword flies overhead, symbolizing the slaying of the firstborn in Egypt. Below, figures lay prone on the ground, suggesting death. A woman kneels, possibly preparing to mark the doorposts with blood.

A small dog is in the foreground, perhaps hinting at the protection the Passover brings. In the doorway on the left, a man holds a hyssop brush, likely for applying the blood. The building is European, with a central, round window. The background shows a European-style city with a church or cathedral spire.

At the bottom of the image is text that says "Hueyler f", "Pafcha fit, et postes colorantur fanguine tincti", "Omne prius genitum angelus enfe vibrat", and "Exod: 12.21."

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-29

The image is an engraving depicting a scene from biblical history, specifically the plague of blood as described in the Book of Exodus. The scene appears to be set in ancient Egypt, where the Israelites were enslaved. Here is a detailed summary:

  1. Central Scene:

    • A group of people, likely Egyptians, are gathered around a table where a body lies. The people appear to be in mourning or distress.
    • The table is covered with a cloth, and there are items on it, possibly bread, indicating a meal or ritual.
    • The people are dressed in ancient attire, with some wearing head coverings and robes.
  2. Background:

    • To the left, there is a figure standing with an arm raised, possibly in a gesture of lamentation or prayer.
    • Behind the central group, there is a large circular window with a cross-like design, suggesting a religious or divine context.
    • Through an open doorway on the right, a chaotic scene is visible. People are seen falling or lying on the ground, and animals are also affected, indicating the plague's impact on both humans and livestock.
  3. Foreground:

    • A small dog is present, adding a touch of everyday life to the scene.
    • A jug and other vessels are placed on the floor, suggesting domestic activities.
  4. Inscription:

    • At the bottom of the image, there is a Latin inscription: "Postea fuit, et postea colorantur sanguine tincti, Omne prius gentium angelus ense vibrat. Exod: 12. v. 21." This translates to "Afterward, it was, and afterward they were colored, stained with blood, The angel with his sword shakes all the nations before. Exodus 12:21."

The overall scene conveys a sense of turmoil and divine intervention, reflecting the biblical narrative of the plagues sent by God to convince Pharaoh to free the Israelites.

Qwen

No captions written

Text analysis

Amazon

anguine
genitum
colorantur
angelus
Omne
prius
Exod:
poftes
vibrat.
Paftha fit, ct poftes colorantur anguine tincti, Omne prius genitum angelus enfe vibrat. Exod: I2.21
enfe
tincti,
Paftha fit,
Haoler.
I2.21
ct

Google

Harler f Exod: iz.21 prius genitum angelus enfe vibrat Omne Pafcha fit, et poftes colorantur Jarguine tinti,
Harler
f
Exod:
iz.21
prius
genitum
angelus
enfe
vibrat
Omne
Pafcha
fit,
et
poftes
colorantur
Jarguine
tinti,