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Human Generated Data

Title

Christ Nailed to the Cross

Date

16th-17th century

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4903

Human Generated Data

Title

Christ Nailed to the Cross

People

Artist: Johann Sadeler I, Netherlandish 1550 - 1600-8

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Date

16th-17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4903

Machine Generated Data

Tags

Amazon
created on 2019-11-10

Art 99.6
Painting 99.1
Human 81
Person 81
Person 77.8
Person 74.2
Person 67.5
Animal 66.5
Bird 66.5
Person 52.6
Person 51.3

Clarifai
created on 2019-11-10

illustration 99.9
people 99.8
art 99.8
print 99.8
group 99.3
engraving 99.1
many 98.6
sword 98
painting 97.7
war 97.7
woodcut 97.5
man 97.2
skirmish 97.2
weapon 97.2
adult 96.7
cavalry 94.6
soldier 93.4
force 93.1
military 92.2
etching 92

Imagga
created on 2019-11-10

graffito 70.6
decoration 53
sketch 45.8
drawing 39.3
vintage 35.6
grunge 34.9
old 32
retro 29.5
ancient 29.4
antique 28.7
art 26.2
representation 25.9
texture 24.3
aged 23.5
paper 21.2
wall 17.4
design 16.5
pattern 16.4
book jacket 16
frame 15.8
textured 15.8
paint 14.5
artistic 13.9
black 13.8
worn 13.4
decorative 13.4
comic book 13.4
dirty 12.7
painting 12.6
brown 12.5
jacket 12.4
border 11.8
stamp 11.6
grungy 11.4
page 11.1
close 10.8
history 10.7
backgrounds 10.5
aging 10.5
detail 10.5
style 10.4
blank 10.3
graphic 10.2
letter 10.1
yellow 9.9
postmark 9.9
structure 9.7
stained 9.6
mail 9.6
old fashioned 9.5
wrapping 9.4
architecture 9.4
card 9.4
wallpaper 9.2
artwork 9.2
stone 9.1
material 8.9
color 8.9
building 8.7
parchment 8.6
floral 8.5
element 8.3
historic 8.3
rough 8.2
postage 7.9
covering 7.8
flower 7.7
painted 7.6
canvas 7.6
grain 7.4
effect 7.3
landmark 7.2
religion 7.2
sculpture 7.1
part 7

Google
created on 2019-11-10

Painting 80.8
Art 79.6
Illustration 62.3

Microsoft
created on 2019-11-10

text 100
book 99
person 92.7
drawing 87.4
horse 81.2
illustration 80.6
sketch 80.3
old 76.3
engraving 72.4
clothing 64.4
cartoon 62.4
man 54.4

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 23-35
Gender Female, 52.4%
Calm 54.7%
Angry 45%
Surprised 45%
Disgusted 45%
Happy 45%
Confused 45%
Sad 45.2%
Fear 45%

Feature analysis

Amazon

Painting
Person
Bird
Painting 99.1%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-07

The image is an engraving that depicts the crucifixion of Jesus Christ. The scene is richly detailed and shows Jesus lying on the ground, with soldiers nailing him to the cross. He is wearing a crown of thorns and has a pained expression on his face. In the foreground, muscular men are using hammers and nails to affix Jesus to the wooden cross. One man holds down one of Jesus' hands, while another drives a nail through it. Tools and equipment are scattered on the ground, emphasizing the labor involved in this act. In the background, soldiers on horseback and other figures are observing the scene. Some are gesturing and conversing, adding to the dramatic intensity of the moment. The backdrop features a cityscape with architectural structures, including towers and columns, and a cloudy sky overhead. The engraving includes a Latin inscription at the bottom, which references a passage from the Gospel of Luke (Chapter 23, Verse 34), where Jesus asks God to forgive those who crucify him as they do not know what they are doing. The work is accomplished with intricate lines and shading, typical of engraved prints from the period.

Created by gpt-4 on 2025-02-07

This is a black and white engraving that depicts a scene from the biblical narrative of the crucifixion of Jesus. In the foreground, Jesus is seen stretched out on the cross, which is lying on the ground, as the figures surrounding him prepare for the crucifixion. One man is positioned to drive a nail through Jesus' hand, while another man appears to be speaking to Jesus, and a third figure seems to be holding Jesus' other arm in place. Other individuals in the scene are depicted in various activities: one to the left is carrying a ladder, others are on horseback possibly representing the Roman soldiers, and in the background there are onlookers observers of the event. The setting includes architectural features that suggest it is taking place outside the city walls, with buildings and a column visible in the distance. The sky is rendered with shaded clouds, and a tree at the right edge of the image adds to the framing of the scene. The scene is rich with detail characteristic of engravings from the period, showing expressive figures, textures of clothing and nature, and attention to the anatomy of the characters, giving the image a dramatic and intense atmosphere. There is Latin text inscribed below the image, indicating a religious and narrative context, likely quoting the Bible and providing an artistic interpretation of the described event. The text suggests the source is from the Gospel of Luke (LVC). The artist's name, "I. Sadeler fecit," is inscribed at the bottom left corner, indicating the creator of the piece.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2025-02-07

The image depicts a dramatic religious scene set against the backdrop of a medieval city. In the foreground, a large crowd of people surrounds a central figure, who appears to be a religious leader or important figure. Many of the people in the crowd are engaged in various acts, including some who appear to be mourning or grieving. The central figure is surrounded by soldiers and other individuals, creating a chaotic and intense atmosphere. The image features a mix of religious and military imagery, with ornate architectural structures visible in the background. The overall scene has a dark and somber tone, with a sense of tension and conflict. While the identities of the specific individuals are not clear, the image conveys a powerful and evocative narrative centered around religious themes and historical events.

Created by claude-3-5-sonnet-20241022 on 2025-02-07

This is a detailed historical engraving from 1582 by J. Sadeler depicting the Crucifixion scene. The artwork shows a dramatic moment with several figures engaged in raising a cross. The scene is set against a backdrop of a medieval castle or fortress with turrets and towers. The composition is dynamic, with figures shown in various poses of physical exertion. The detail of the engraving is quite fine, showing the musculature of the figures and the textures of their clothing. In the background, there are trees and a landscape that includes architectural elements typical of European medieval art. At the bottom of the image, there is a Latin inscription referencing Luke 23, which relates to the biblical account of the Crucifixion. The artistic style is characteristic of 16th-century religious engravings, with careful attention to anatomical detail and dramatic movement.

Created by claude-3-opus-20240229 on 2025-02-07

This image depicts a detailed etching or engraving that portrays the crucifixion of Jesus Christ. In the foreground, Jesus is shown nailed to the cross, with crowds of people surrounding him, some on horseback and others on foot. The people are dressed in robes and armor typical of biblical depictions. In the background, a medieval town or city can be seen, with castles, towers and other buildings. The overall scene conveys a sense of chaos and turmoil, with the dense composition and fine linework adding to the dramatic effect. Below the main image, there is text in Latin that appears to provide context or commentary on the depicted events.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-17

The image is a 16th-century engraving titled "The Crucifixion" by the renowned Dutch artist Albrecht Dürer. This engraving is part of a series of works by Dürer that depict the Passion of Christ, showcasing his skill in capturing the human form and conveying deep emotional content through his art. In this particular piece, Dürer's attention to detail and ability to convey a sense of movement and drama are evident. The engraving depicts the crucifixion scene with a focus on the central figure of Jesus Christ, surrounded by his disciples and other figures involved in the scene. The level of detail in the clothing, facial expressions, and the landscape in the background highlights Dürer's mastery over the medium of engraving. Dürer's work on "The Crucifixion" not only demonstrates his technical prowess but also his ability to convey the emotional and spiritual depth of the scene. The engraving is a testament to the artistic innovation and religious fervor of the Northern Renaissance, a period marked by a renewed interest in classical forms and the exploration of new artistic techniques. Overall, "The Crucifixion" by Albrecht Dürer is a significant work of art that showcases the artist's skill, creativity, and religious devotion, making it a valuable addition to any collection of Renaissance art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-17

The image depicts a scene from the Bible, specifically the crucifixion of Jesus Christ. The central figure is Jesus, who is being nailed to the cross by Roman soldiers. He is depicted as a muscular man with a crown of thorns on his head and a white cloth wrapped around his waist. His arms are outstretched, and his legs are bent at the knees. To the left of Jesus, a soldier is shown hammering a nail into his hand, while another soldier holds his arm in place. On the right side of the image, another soldier is shown nailing Jesus' foot to the cross. In the background, a group of people are gathered, including some who appear to be mourning or praying. The overall atmosphere of the image is one of sadness and suffering, as Jesus is being subjected to a brutal and painful death. The use of dark colors and dramatic lighting adds to the sense of drama and tragedy. The image also includes some Latin text at the bottom, which appears to be a quote from the Bible. The text reads: "Postquam ignitur venerunt in locum, qui vocatur Calvaria, ibi crucifixerunt eum. Et cum illis crucifixerunt duos latrones, unus ad dexteram, alter ad sinistram." This translates to: "After they had come to the place called Calvary, they crucified him there. And with him they crucified two robbers, one on the right and one on the left." Overall, the image is a powerful and moving depiction of one of the most significant events in Christian history. It conveys the suffering and sacrifice of Jesus Christ, and serves as a reminder of the importance of faith and redemption.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-07

The image is a black-and-white drawing of a scene that depicts the crucifixion of Jesus Christ. The drawing is divided into two parts: the upper part shows the crowd of people gathered around Jesus, and the lower part shows Jesus on the cross. In the upper part, there are people wearing hats, some of whom are riding horses. In the lower part, Jesus is on the cross, with two men holding a hammer and a nail.

Created by amazon.nova-lite-v1:0 on 2025-02-07

The image is a black-and-white drawing titled "The Crucifixion of Jesus Christ" by an unknown artist. It depicts a scene from the Christian story of Jesus Christ's crucifixion. The drawing shows Jesus Christ being crucified on a cross, with several people surrounding him. Some of them are holding weapons, and others are holding ropes or chains. The drawing also includes a castle in the background, which may represent the city of Jerusalem where the event took place. The image has a Latin inscription at the bottom, which translates to "Then the soldiers of the governor took Jesus into the common hall, and gathered unto him the whole band of soldiers. And they stripped him, and put on him a scarlet robe. And when they had platted a crown of thorns, they put it upon his head, and a reed in his right hand: and they bowed the knee before him, and mocked him, saying, Hail, King of the Jews!"

Text analysis

Amazon

crucifixerunt
qui
locum,
ib
venerunt
in
autem
Caluaria,
quam
quid
dicebat :
Sadler
LVC.
quam igicur venerunt in locum, qui yocatur Caluaria, ib crucifixerunt eum , C
igicur
eum ,
Pater,
remitte
facrant.
Fefus
yocatur
Go Fefus autem dicebat : Pater, remitte illis, nefount enim quid facrant. LVC. xxur
illis,
I
nefount
enim
I Sadler fabys.
1582
tnwentor:
ereud.
ereud. 1582 MCdrOS tnwentor:
Go
fabys.
MCdrOS
xxur
C

Google

I. Sadler falps. t xcud 1582 . AC&vos inurntor Caluaria, ib crucifixerunt quid facant Pas quam gitur Jefus autem lorum, qui eum, vocatur venerunt ilis.nefeiunt dicebat: Pater LVC. XXIII remitte ент
I.
Sadler
falps.
t
xcud
facant
Pas
quam
gitur
Jefus
1582
.
AC&vos
inurntor
Caluaria,
ib
crucifixerunt
quid
autem
lorum,
qui
eum,
vocatur
venerunt
ilis.nefeiunt
dicebat:
Pater
LVC.
XXIII
remitte
ент