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Human Generated Data

Title

Saint Charles Borromeo Adminstering the Communion to the Plague Stricken

Date

17th century

People

Artist: Jean Audran, French 1667 - 1756

Artist after: Pierre Mignard, French 1612 - 1695

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4064

Human Generated Data

Title

Saint Charles Borromeo Adminstering the Communion to the Plague Stricken

People

Artist: Jean Audran, French 1667 - 1756

Artist after: Pierre Mignard, French 1612 - 1695

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R4064

Machine Generated Data

Tags

Amazon
created on 2019-11-09

Painting 98.8
Art 98.8
Human 98.1
Person 98.1
Person 86.2
Person 81
Person 79.9
Person 71.1
Person 70.9
Archangel 55
Angel 55
Person 43.1

Clarifai
created on 2019-11-09

people 100
art 99.7
print 98.6
adult 98.2
illustration 98
painting 98
group 97.7
man 97.4
engraving 95.4
religion 94.1
facial hair 94
saint 93.4
one 92.7
Renaissance 92.6
royalty 90.2
leader 89.3
woman 88.5
monarch 88.4
military 86.8
furniture 86.5

Imagga
created on 2019-11-09

sculpture 63.7
book jacket 62.9
statue 50.9
jacket 48.9
architecture 38.9
art 38.8
column 38.5
wrapping 37.2
carving 32.5
religion 32.3
ancient 32
history 31.3
monument 30.9
old 27.9
landmark 27.1
historic 26.6
covering 25.6
famous 25.2
stone 25
temple 24.9
building 24.1
tourism 24
historical 23.6
city 23.3
travel 22.6
culture 22.3
church 22.2
god 22
figure 21.8
religious 21.6
marble 18.6
detail 16.9
spiritual 16.3
holy 15.4
antique 15.2
catholic 14.6
cathedral 14.6
spirituality 14.4
worship 13.5
faith 13.4
arch 12.9
palace 12.9
facade 12.8
tourist 12.7
decoration 12.6
fountain 12.5
museum 11.9
heritage 11.6
golden 11.2
structure 10.9
symbol 10.8
pray 10.7
prayer 10.6
saint 10.6
capital 10.5
roman 10.1
bronze 9.9
statues 9.9
sightseeing 9.8
attraction 9.6
plastic art 9.3
exterior 9.2
gold 9.1
altar 8.9
carved 8.8
baroque 8.8
sacred 8.8
design 8.6
face 8.5
destination 8.4
sketch 8.4
vintage 8.3
artwork 8.3
figurine 7.9
artistic 7.8
belief 7.8
memorial 7.7
details 7.6
holiday 7.2

Google
created on 2019-11-09

Microsoft
created on 2019-11-09

text 100
book 99.7
drawing 96
person 95.2
clothing 88.1
sketch 86.6
old 84.5
art 82.1
cartoon 64
painting 25.5

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 28-44
Gender Male, 54.9%
Calm 46.7%
Fear 45%
Disgusted 45%
Angry 45%
Sad 53%
Surprised 45%
Happy 45.1%
Confused 45.1%

Feature analysis

Amazon

Painting
Person
Painting 98.8%

Categories

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-05

The image depicts a classical religious scene likely from the Renaissance or Baroque period, characterized by its detailed and dramatic artwork. It features a central figure dressed in robes, possibly a priest or saint, ministering to a group of people in various states of distress or illness. Surrounding the central figure are other individuals, including some kneeling, indicating a scene of healing or blessing. The background features an architectural setting with arches and a view of the sky, adding depth to the composition. Additionally, there's a presence of cherubic angels in the upper part of the image, enhancing the holy or divine atmosphere of the scene. The inscription at the bottom reads "EGO SUM PASTOR BONUS," which translates from Latin to "I am the good shepherd," a Biblical reference.

Created by gpt-4 on 2025-02-05

The image depicts an engraving with a classical or baroque style, featuring a group of figures in a setting that appears to be from a historical or biblical scene. In the foreground, there are several individuals dressed in draped garments that suggest a scene from antiquity or religious scripture. Several are looking towards the main action at the center of the composition, which appears to involve an interaction between two central figures. In the background, an architectural landscape with columns and an archway opens up to a distant urban skyline, adding depth and context to the scene. Above, there is an arched illustration with two cherubic figures flying amidst clouds, possibly symbolizing a divine presence or intervention. The top of the arch frames the image, providing a sense of closure and grandeur. At the bottom of the engraving, there is a caption that reads "EGO SUM PASTOR BONUS," which translates from Latin to "I am the good shepherd," hinting at a religious theme, likely Christian. The inscription indicates that the scene may illustrate a biblical parable or a moment from the life of a saintly or religious figure. A signature or note in the bottom left corner attributes the work to "Mignard pinxit," suggesting the original artist of the scene painted by Pierre Mignard or a member of the Mignard family, and "J. Edelinck sculpsit," indicating that GĂ©rard Edelinck or a similarly named individual was responsible for the engraving or printing process. Overall, this image seems to represent a piece from the canon of religious art, filled with symbolic gestures and representations meant to convey a message related to faith, morality, or divinity.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-05

This is a religious engraving titled "Ego Sum Pastor Bonus" (I Am the Good Shepherd), depicting a scene of ministry to the sick and dying. The image shows a priest or religious figure administering last rites or communion to ill people lying on the ground. The scene takes place in what appears to be a church or hospital setting, with classical architecture featuring arched doorways and columns. In the background through an arch, there's a landscape with buildings visible. Two cherubs or angels are depicted floating in the upper left portion of the scene. The composition is dramatic and emotional, typical of religious art from the Baroque period. The engraving shows fine detail work in the rendering of fabric textures, architectural elements, and the expressions of the figures. At the bottom of the print, there are credits indicating "Mesnard pinxit" (Mesnard painted) and "J. Audran execudit" (J. Audran engraved), suggesting this is an engraving based on a painting by Mesnard, executed by J. Audran. The overall theme appears to be one of pastoral care and spiritual comfort during times of illness or death, which was a common subject in religious art of this period.

Created by claude-3-opus-20240229 on 2025-02-05

The image depicts a scene from the Bible where Jesus is healing a group of sick people. In the foreground, several people are lying on the ground or sitting, appearing ill or injured. Jesus, wearing a robe, is reaching out his hand toward one of the ailing individuals, seemingly in the act of healing them. Flying cherubs or angels can be seen above, hovering over the scene. The setting appears to be a colonnade or arched walkway, suggesting it may be taking place at a temple or religious building. The title at the bottom reads "EGO SUM PASTOR BONUS", which translates from Latin to "I am the good shepherd". The artwork has a classical, engraved style typical of biblical illustrations from past centuries.

Created by claude-3-haiku-20240307 on 2025-02-05

The image depicts a religious scene with a multitude of figures. In the center, a priest or cleric is administering what appears to be the last rites or blessing to a group of people, some of whom are lying on the floor seemingly ill or dying. In the background, there are other religious figures and decorative architectural elements such as columns and arched openings. The overall composition and style suggest this is a religious or allegorical work of art, though I cannot identify any specific individuals shown.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image depicts a scene from the 17th-century painting "Ego Sum Pastor Bonus" by the Flemish artist Anthony van Dyck. The painting is a masterpiece of Baroque art, showcasing Van Dyck's skill in capturing dramatic and emotional moments. In the foreground, a group of people are gathered around a man who is kneeling on the ground, holding a cup and a small bowl. The man appears to be a priest or a religious figure, and he is surrounded by a crowd of people who are watching him with a mixture of curiosity and concern. Some of the people in the crowd are dressed in elaborate clothing, while others are more simply attired. Behind the main group, there is a large archway that leads to a courtyard or a garden. The archway is decorated with intricate carvings and statues, and it adds to the sense of grandeur and drama in the scene. Above the archway, there is a cherub flying through the air, holding a ball and a scepter. The cherub is depicted in a dynamic pose, with its wings spread wide and its body twisted in a curved line. The cherub's presence adds a sense of movement and energy to the scene, and it helps to draw the viewer's eye upward. In the background, there is a landscape that stretches out into the distance. The landscape is depicted in a more subdued color palette than the foreground, with shades of green and brown dominating the scene. There are trees, hills, and buildings visible in the distance, and they add to the sense of depth and perspective in the painting. Overall, "Ego Sum Pastor Bonus" is a powerful and evocative painting that showcases Van Dyck's skill as a painter. The scene is full of drama and emotion, and it invites the viewer to explore the story and themes that are being depicted.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image is a sepia-toned illustration of a scene from the Bible, specifically the story of Jesus healing the sick. The title at the bottom reads "EGO SUM PASTOR BONUS" in Latin, which translates to "I am the good shepherd." In the foreground, a group of people are gathered around a figure who appears to be a priest or healer. He is dressed in robes and holds a staff in his right hand, while his left hand is extended towards one of the sick individuals. The people surrounding him are shown in various states of illness, with some lying on the ground and others sitting or standing nearby. Above the scene, an angel is depicted flying through the air, holding a small child in its arms. The background of the image features a cityscape with buildings and trees, suggesting that the scene is taking place in a urban setting. Overall, the image conveys a sense of hope and healing, as the priest or healer works to restore the health of those around him. The presence of the angel adds a touch of divine intervention, emphasizing the idea that God is working through the healer to bring about positive change.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-05

The image depicts a scene from a religious painting with a sepia color scheme. The painting features a priest standing in the center, holding a stick and a bowl, and looking at a person lying on the floor. The priest seems to be performing a ritual or a ceremony. Several other people are gathered around him, some kneeling and others standing. The painting has a vintage frame with a decorative border.

Created by amazon.nova-lite-v1:0 on 2025-02-05

The image depicts a religious scene titled "Ego Sum Pastor Bonus" (I am the Good Shepherd) featuring a priest in a classical architectural setting. The priest, dressed in a white robe and holding a staff, stands in the foreground, administering the last rites to a dying man lying on a bed. The man is surrounded by other individuals, some of whom are kneeling in prayer. The scene is set within a room with arched doorways and a view of a city in the background. The image is framed with an ornate border and includes a Latin inscription at the bottom.

Text analysis

Amazon

EGO
PASTOR
BONUS.
SUM
16 EGO SUM PASTOR BONUS.
pinit
aeudit
16
Mionars
-audran

Google

Mignard pinsit 1225 160 udran excudie EGO SUM PASTOR BONUS
pinsit
PASTOR
BONUS
Mignard
1225
160
udran
excudie
EGO
SUM