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Human Generated Data

Title

Invidia

Date

17th century

People

Artist: Carel van Mallery, Flemish c. 1571 - 1636

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7719

Human Generated Data

Title

Invidia

People

Artist: Carel van Mallery, Flemish c. 1571 - 1636

Artist after: Maerten de Vos, Netherlandish 1532 - 1603

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7719

Machine Generated Data

Tags

Amazon
created on 2019-08-09

Art 95.4
Person 93
Human 93
Painting 91.6
Archaeology 72.4
Person 64.4

Clarifai
created on 2019-08-09

illustration 99.9
art 99.7
people 99.7
print 99.3
man 98.4
sword 96.4
painting 96.1
engraving 96
literature 95.5
visuals 95.1
religion 94
adult 93.7
book 92.5
woodcut 91.7
etching 91
antique 89.1
lithograph 88.7
saint 87.7
old 87.4
poetry 86.1

Imagga
created on 2019-08-09

money 34.9
vintage 33.1
cash 33
map 32.9
old 30.7
paper 30.6
currency 30.6
antique 29.5
bank 27.9
finance 27.9
representation 26.7
dollar 26
financial 23.2
sketch 22.9
capital 21.9
dollars 21.3
bill 21
retro 20.5
banking 20.3
sepia 18.5
geography 18.3
drawing 18.3
ancient 18.2
atlas 18
note 17.5
art 17.3
wealth 17.1
world 16.9
rich 16.8
banknote 16.5
gold 16.5
exchange 16.3
wallpaper 16.1
savings 15.9
business 15.8
travel 15.5
states 15.5
navigation 15.4
history 15.2
continent 14.6
us 14.5
pay 14.4
close 14.3
city 14.2
economy 13.9
globe 13.9
expedition 13.8
navigate 13.7
location 13.7
route 13.7
discovery 13.6
grunge 13.6
road 13.6
envelope 13.4
nation 13.3
tourism 13.2
stamp 12.9
geographic 12.9
boundary 12.8
find 12.7
guide 12.7
position 12.7
tour 12.6
texture 12.5
country 12.5
direction 12.4
plan 12.3
planet 12.3
journey 12.3
one 12
bills 11.7
pattern 11.6
loan 11.5
commerce 11.2
explore 10.8
banknotes 10.8
state 10.5
treasury 10.5
design 10.4
tile 10.2
letter 10.1
investment 10.1
decoration 10.1
payment 9.6
mail 9.6
arabesque 9.5
path 9.5
aged 9.1
collection 9
postmark 8.9
postage 8.9
postal 8.8
symbol 8.8
hundred 8.7
notes 8.6
card 8.6
backdrop 8.3
market 8
depository 8
funds 7.9
dutch 7.8
value 7.8
finances 7.7
sign 7.5
decorative 7.5
traditional 7.5
global 7.3
success 7.3
nobody 7

Google
created on 2019-08-09

Art 89.1
Painting 86.9
Illustration 83.3
Mythology 81.7
Stock photography 71.4
History 60.4
Drawing 59.3
Printmaking 52.8
Prophet 52.1

Microsoft
created on 2019-08-09

text 100
book 100
drawing 98.6
sketch 97.1
person 90.6
cartoon 90.2
illustration 88.7
painting 78.8
clothing 64.2

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 31-47
Gender Male, 92.4%
Sad 11.3%
Confused 1.9%
Surprised 0.6%
Disgusted 2.4%
Angry 15.3%
Happy 21.2%
Fear 9%
Calm 38.2%

Feature analysis

Amazon

Person
Painting
Person 93%

Categories

Imagga

paintings art 99.2%

Captions

Microsoft
created on 2019-08-09

a close up of a book 49.2%
close up of a book 43.7%
a hand holding a book 43.6%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-08

The image is an intricate and detailed engraving depicting themes of envy and conflict. It is titled "INVIDIA" at the top, which is Latin for "envy." In the foreground, there is a large, imposing figure representing Envy. This character has snakes entwined around their body, emerging prominently from their head and shoulders, which is reminiscent of Medusa. The figure's expression is grim and intense, and they are holding a heart or a similar object, which they appear to be squeezing, signifying perhaps the malicious and destructive nature of envy. At the feet of the Envy figure, a smaller, suppliant figure kneels, looking anguished and holding a large sword. This figure seems to symbolize the violence and suffering caused by envy. In the background, there is a chaotic and tumultuous scene. There are buildings, including a large castle and smaller houses, villages, and various scenes of strife. Smoke rises from a few buildings, suggesting fires or destruction. People can be seen engaging in conflict or fleeing, adding to the sense of disorder and turmoil. The setting is detailed with elements like trees, hills, and water, indicating a landscape in the midst of chaos and conflict. Overall, the image captures the turmoil and destructiveness associated with envy, using strong imagery and classical motifs to convey its message. The Latin text at the bottom further emphasizes the effects of envy, stating: "Inuidia, alterius macresens rebus opimis, Lites, disturbia, et bella cruenta partit," which translates to "Envy, pining away at the sight of another's happiness, begets quarrels, strife, and bloody wars."

Created by gpt-4 on 2025-02-08

The image is a detailed engraving with the word "INVIDIA" at the top, which is Latin for "envy". The central figure appears to be an allegorical representation of Envy, a woman surrounded by snakes, biting into her own chest, suggesting self-destruction that comes with this vice. Her expression is pained and miserable. Below her is a Latin phrase which translates to "Envy, waxing pale at the prosperity of others, engenders quarrels, strife, and war." In the background, the atmosphere is chaotic, with dark, heavy clouds, and a scene of a village with diverse activities. To the right, there appears to be a rural scene with a house and individuals engaged in various pursuits. On the left, there is a landscape with sailing ships, a town, and a mountain. In the foreground, in addition to the striking image of Envy, there are other figures and animals. On the far left, there's a tall spear or obelisk grounded. At the bottom right, there's a signature or artist attribution that reads "P. Galle excud." which indicates that this engraving was executed by Philip Galle. Overall, the scene is rich in detail and symbolic imagery, suggesting a moral or philosophical message about the nature of envy and its destructive effects. The artwork is reminiscent of the style of 16th or 17th-century engravings which often conveyed messages about morality through complex allegorical scenes.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-08

This is a historical engraving titled "INVIDIA" (Envy), depicting an allegorical scene. The main figure is shown with snakes for hair, reminiscent of Medusa, in classical dress. Below is a Latin inscription that translates roughly to "Envy, wasting away at others' prosperity, gives birth to strife, discord, and bloody wars." The composition shows a dramatic landscape with various scenes of destruction in the background - burning buildings, ships at sea, and figures in conflict. The artistic style suggests this is from the Renaissance or Baroque period, executed in the detailed line work characteristic of engravings from that era. The allegorical figure is surrounded by serpents, symbolizing the poisonous nature of envy. The background narrative scenes illustrate the consequences of envy: violence, destruction, and chaos. The engraving uses strong diagonal lines and contrast to create a sense of drama and turmoil. This type of allegorical print was common in European art, often used to illustrate moral concepts or vices. The detailed craftsmanship and symbolic imagery are typical of the period's artistic conventions.

Created by claude-3-opus-20240229 on 2025-02-08

This engraving depicts an allegorical representation of Invidia, or Envy, personified as a woman with snakes for hair. She is seated on a mound of tangled serpents and surrounded by a detailed, chaotic landscape. In the background, there appears to be a coastal town or city with buildings, ships, and people going about their business. The Latin inscription at the bottom translates to "Envy, foul source of all distress, Strife, hardship, and cruel wars." The scene has a tumultuous, unsettling energy, reflecting the destructive nature of envy that the personification embodies. The intricate linework and shading create a sense of movement and agitation throughout the composition. It's a moralistic illustration warning of envy's corrosive effects, set against a backdrop that could represent the turmoil it unleashes on society and human affairs when left unchecked.

Created by claude-3-haiku-20240307 on 2025-02-08

The image depicts an allegorical scene with a central female figure surrounded by various mythological creatures and characters. The figure appears to be the personification of Invidia or Envy, as suggested by the title "INVIDIA". She is seated on a throne-like structure and is accompanied by snakes and other animals, symbolizing her malicious and envious nature. The background shows a detailed landscape with various buildings, people, and natural elements, creating a rich and complex scene. The visual style and engraving technique suggest this is an illustration from a historical or literary work. While there are human figures depicted in the image, I cannot identify or name any specific individuals, as per the instructions provided. The overall image seems to be an allegorical or symbolic representation rather than a portrayal of real people.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-13

The image depicts a scene from ancient Greek mythology, specifically the story of Medusa and Perseus. The illustration is in black and white and features Medusa, a woman with snakes for hair, holding a sword in her right hand and a shield in her left. She is kneeling on the ground, with a snake wrapped around her neck. In front of her, a woman is crouched down, holding a sword in her right hand and a shield in her left. The background of the image shows a village with houses and trees, as well as a river running through it. The sky is cloudy, with rays of sunlight shining through the clouds. The overall atmosphere of the image is one of drama and tension, as Medusa and the woman are engaged in a fierce battle. The use of black and white tones adds to the sense of contrast and highlights the dramatic elements of the scene.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-13

This image is a vintage illustration of the mythological figure Invidia, also known as Envy. The scene depicts Invidia, a woman with snakes for hair, standing on a hill overlooking a village. She is dressed in a long robe and holds an apple in her right hand, while her left hand is raised to her mouth. In the foreground, a woman kneels at Invidia's feet, holding a dagger in her right hand and a snake in her left. The background features a village with buildings, trees, and animals, set against a cloudy sky with rays of sunlight shining through. The overall atmosphere of the image is one of drama and tension, capturing the essence of the mythological figure of Invidia.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-08

The image is a monochromatic artwork with text at the top and bottom. It depicts a scene with a man with snakes for hair, a woman with a shield and sword, and other figures in the background. The man with snakes for hair is on the left side of the image, and the woman with a shield and sword is in the middle. In the background, there are other figures, including a woman and a man, who seem to be running. There are also buildings and trees in the background.

Created by amazon.nova-lite-v1:0 on 2025-02-08

The image is an antique engraving titled "Invidio," which depicts a scene with a large figure of Envy sitting on a throne adorned with snakes. The figure has a snake wrapped around its neck and is holding a shield in one hand and a sword in the other. A child sits on the figure's lap, also holding a sword. In the background, there are people fleeing from a burning village, and a castle is visible in the distance. The engraving is signed "M. de Voie" and "Carol. de Mallet," and it features a Latin inscription at the bottom.

Text analysis

Amazon

Inuidia,
rebus
Bella
INVIDIA.
Inuidia, alterius macrescens rebus opimis,
alterius
macrescens
et
cruenta
Lites,
opimis,
difida,
Lites, difida, et Bella cruenta parit.
parit.
Canol.
4
Galle
Maller
AG
excul.
Canol. de. Maller Fadly PHP Galle excul.
de.
PHP
muicut.
AG ae Ves muicut.
ae
Fadly
Ves

Google

INVIDIA. de Va imient Carel, de Mallery Sealgo. P Gall Inuidia, alterius macrescens rebus opimis, Lites, difidha, et Bella cruenta parit
de
Mallery
Sealgo.
P
Gall
Inuidia,
macrescens
et
cruenta
parit
INVIDIA.
Va
imient
Carel,
alterius
rebus
opimis,
Lites,
difidha,
Bella