Human Generated Data

Title

Chancelier Pierre Séguier, Duc de Villemor et de Saint-Liébaut, Comte de Gien, etc.

Date

1661

People

Artist: Robert Nanteuil, French 1623 - 1678

Artist after: Charles Le Brun, French 1619 - 1690

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1624

Human Generated Data

Title

Chancelier Pierre Séguier, Duc de Villemor et de Saint-Liébaut, Comte de Gien, etc.

People

Artist: Robert Nanteuil, French 1623 - 1678

Artist after: Charles Le Brun, French 1619 - 1690

Date

1661

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R1624

Machine Generated Data

Tags

Amazon
created on 2019-11-09

Human 98.9
Art 95.5
Home Decor 74.2
Portrait 61.3
Photo 61.3
Face 61.3
Photography 61.3
Drawing 57.3

Clarifai
created on 2019-11-09

people 99.7
art 98.5
one 98.4
saint 97.7
leader 97.6
portrait 97.4
adult 94.8
print 94.4
religion 94.1
antique 92
crown 91.3
man 91.1
administration 90.8
engraving 90.7
church 89.8
painting 88.2
symbol 87.8
picture frame 87.2
old 84.9
illustration 84.9

Imagga
created on 2019-11-09

window 57.8
architecture 45.6
framework 39.2
church 31.4
building 31.2
religion 30.5
supporting structure 30.2
historic 29.3
art 28.8
old 25.8
history 23.3
detail 21.7
landmark 20.8
stucco 20.8
ancient 20.8
sculpture 20.4
arch 19.5
temple 19.4
cathedral 19.4
travel 19
tourism 18.1
historical 17.9
religious 17.8
culture 17.1
dollar 16.7
currency 16.2
palace 15.6
statue 15.2
monument 14.9
gold 14.8
golden 14.6
money 14.5
finance 14.4
one 14.2
facade 14.1
famous 14
cash 13.7
financial 13.4
bill 13.3
structure 13.3
mosaic 13.1
antique 13.1
close 12.6
holy 12.5
spirituality 12.5
clock 12.5
god 12.4
city 11.6
wall 11.5
column 11.5
door 11.4
roof 11.1
banking 11
dome 10.8
catholic 10.7
entrance 10.6
protective covering 10.5
device 10.4
business 10.3
tourist 10.2
stone 10.2
exterior 10.1
bank 10
interior 9.7
saint 9.6
faith 9.6
paper 9.4
wealth 9
symbol 8.8
prayer 8.7
decoration 8.7
museum 8.6
savings 8.4
rich 8.4
classic 8.4
ornate 8.2
pattern 8.2
style 8.2
icon 7.9
design 7.9
ceiling 7.9
pray 7.8
marble 7.7
spiritual 7.7
pay 7.7
medieval 7.7
capital 7.6
vault 7.6
vintage 7.4
covering 7.4
vacation 7.4
investment 7.3
face 7.1
roman 7.1

Google
created on 2019-11-09

Microsoft
created on 2019-11-09

text 98.2
clothing 97.3
person 97.3
human face 95.6
man 94.1
old 93
black 77.6
picture frame 76.9
drawing 72
white 67.4
vintage 61.8
painting 60

Color Analysis

Face analysis

Amazon

Microsoft

Google

Imagga

AWS Rekognition

Age 42-60
Gender Male, 97.5%
Disgusted 1.3%
Angry 1.3%
Calm 47.1%
Fear 0.8%
Confused 6.9%
Surprised 2.4%
Sad 12.7%
Happy 27.6%

Feature analysis

Amazon

Person
Painting

Clarifai

No features identified

AWS Rekognition

Person 98.9%

Categories

Imagga
created on 2019-11-09

paintings art 100%

Captions

Salesforce

Created by general-english-image-caption-blip on 2025-05-20

a photograph of a portrait of a man in a suit and tie

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-05

The image depicts an intricately detailed engraving of a historical figure wearing formal attire. The person is dressed in a robe with a prominent, star-shaped medallion or order displayed on their chest, likely signifying a position of importance or nobility. The elaborate collar and layered fabric suggest garments typical of the early modern period, around the 17th century. Surrounding the portrait are Latin inscriptions, including the words “PETRVS SECVLARIVS FRANCIA CANCELLARIVS,” indicating the individual's name and title, which translates to "Peter Séguier, Chancellor of France." The border of the portrait is oval-shaped and contains a finely detailed coat of arms at the bottom, featuring a shield with distinct heraldic symbols. The artist’s name, "Cross de Bieure fecit," and another line of text, "Reco Vemois impensis," can be seen at the bottom.

Created by gpt-4 on 2025-02-05

This is an image of an old engraved portrait, showing a person wearing period attire. The attire includes a large, ornate collar and layered, possibly silk, garments, suggesting a style that could be from the 17th century or thereabouts. The portrait is set within an oval frame with Latin inscriptions around the perimeter, indicating a title or name and possibly a position of stature or office held by the individual. Below the oval frame, there is an emblem or coat of arms displaying heraldic symbols, which typically denote family lineage, status, or affiliations. The print includes some text that may denote the artist or printer's names, as well as other informational text about the artwork or the subject.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-25

This is a historical engraving or portrait from what appears to be the 17th century. The artwork shows a person in formal dress of that period, wearing a white collar and dark robes, with shoulder-length wavy hair styled in the fashion of the time. The portrait is set within an oval frame with text around its border. Below the portrait is a decorative heraldic shield or coat of arms. The engraving technique shows fine detail and skilled line work, typical of formal portraiture of that era. The overall style and composition is characteristic of baroque period portraiture, with careful attention to texture and shading. The image appears to be well-preserved despite its age.

Created by claude-3-5-sonnet-20241022 on 2025-02-05

This is a historical engraved portrait in an oval frame. The subject is wearing 17th century clothing including a white collar and dark robe or cloak, with what appears to be a Maltese cross or similar medallion. The portrait is framed in an ornate oval border with text around it, and below the portrait is a coat of arms or heraldic emblem. The engraving technique shows fine detail and shading, characteristic of the period's artistic style. The overall composition is formal and stately, as was common for official or noble portraits of that era.

Created by claude-3-opus-20240229 on 2025-02-05

The image shows an engraved portrait of a man with long, curly hair wearing 17th century clothing, including a silk doublet or jacket with an ornate embroidered collar. Underneath the oval portrait frame is a coat of arms featuring a shield and helmet. The text around the frame reads "SAVMVELIS PETRVS EQV" but I cannot identify the specific individual portrayed. The overall style and presentation resembles a formal noble or royal portrait engraving from the 1600s.

Created by claude-3-haiku-20240307 on 2025-02-05

The image appears to be an engraved portrait of a man in formal attire, likely a historical figure. The man has curly hair and a mustache and is wearing a robe or coat with ornate embroidery. The portrait is contained within an oval frame and surrounded by decorative text. At the bottom of the image, there appears to be a coat of arms or emblem. The overall style and level of detail suggest this is an engraved portrait from a historical publication or document.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-12

The image is a sepia-toned portrait of a man, likely from the 17th century, set within an oval frame. The man has dark, curly hair and is dressed in a dark-colored jacket with a high collar and a star-shaped medal pinned to his chest. He is set against a dark background, which is surrounded by a circular border with text that reads "FRANCIS RIVIERES" along the top edge and "SEIGNEUR DE LA CANCHE" along the bottom edge.

The oval frame is surrounded by a larger rectangular frame, which features a decorative border at the bottom. The border includes a coat of arms, which is divided into four quadrants, each containing a different symbol or emblem. The overall effect of the image is one of elegance and sophistication, suggesting that it may have been created for a formal or ceremonial purpose.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-12

The image is a portrait of Françoise de Larrivée, a French nobleman. The portrait is in black and white, with a circular frame that has a decorative border. The border is made up of lines and text, with the name "FRANCOIS DE LARRIVEE" written in capital letters at the top.

The portrait itself shows a man with long hair and a mustache, wearing a formal outfit with a high collar and a medal around his neck. The background of the portrait is dark, which helps to highlight the subject's features.

At the bottom of the portrait, there is a small inscription that reads "Coe le Brun graveur" and "Rob. Nanteuil Sculpteur 1661". This suggests that the portrait was created by two artists: Coe le Brun, who engraved the image, and Rob. Nanteuil, who sculpted it in 1661.

Overall, the portrait is a well-crafted and detailed representation of Françoise de Larrivée, showcasing his noble status and dignified demeanor.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-05

The image is a black-and-white portrait of a man. He is wearing a long robe with a high collar and a white undershirt. The robe has a decorative pattern on the collar. The man also wears a medal around his neck, which appears to be an award or recognition of some kind. The portrait is framed by a decorative border with intricate designs. There is a circular frame around the man's head with text written in a foreign language. The portrait appears to be an old photograph or a reproduction of an old photograph.

Created by amazon.nova-lite-v1:0 on 2025-02-05

The image is an old-fashioned portrait of a man, possibly a historical figure, wearing a long robe with a high collar and a medal around his neck. The portrait is framed by a circular border with the text "PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S. PETRUS S.

Google Gemini

Created by gemini-2.0-flash on 2025-04-30

The image is an engraving of a man in an oval frame. The oval is labeled "FRANCIA CANCELLARIUS PETRVS SEGUIERIVS".
The man is dressed in a robe with a plain white collar, an ornamental star is pinned to his robe. He has dark, shoulder-length hair and mustache. The background of the oval is dark, shading to black.
Below the oval, attached to it is a shield with crest and ornamentation.
There is a textured border to the oval and text labels under the oval. The image itself is on aged paper.

Created by gemini-2.0-flash-lite on 2025-04-30

Certainly! Here's a description of the image:

Overall Impression:

The image is a detailed black and white engraving, likely a portrait of a man from the 17th century. It has an aged appearance, suggesting it's an antique print.

Key Elements:

  • The Subject: The central focus is a portrait of a man, likely a figure of importance. He's wearing a formal coat, collar, and a medallion with a cross, and his gaze is directed at the viewer. He has long curly hair.
  • Oval Frame: The portrait is enclosed within an oval frame. The frame contains inscriptions, suggesting he was a leader or official.
  • Decorative Elements: The overall engraving has decorative elements, including a coat of arms at the bottom. The border of the print has detailed lines and patterns.
  • Text: Latin text surrounds the portrait within the oval frame. At the bottom the text identifies the artists.

Style and Period:

The style of the image is consistent with 17th century engraving techniques, with a focus on precision and detail in depicting the subject and the surrounding ornamentation. The use of chiaroscuro (contrasting light and shadow) gives the portrait depth and volume.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-28

The image is a historical engraving of a man, likely a prominent figure from the 17th century, based on the style of clothing and the engraving technique. The man is depicted in a formal, dignified pose, wearing elaborate attire typical of the period. He has long, curly hair and a mustache, and is dressed in a robe with a sash adorned with a star-shaped decoration, suggesting he might be a nobleman or a high-ranking official.

The portrait is framed within an oval border, which is inscribed with text. The text appears to be in Latin and reads "PETRVS SEGVNDVS," which could be the name of the person depicted. Below the oval frame, there is a coat of arms, indicating the man's noble lineage or affiliation.

The engraving is detailed and meticulously executed, capturing the intricate folds of the clothing and the facial features of the subject. The overall composition and style suggest that this is a commemorative or official portrait, likely created to honor or document the individual's status and achievements.

Qwen

Text analysis

Amazon

CA
PRD
5Ra
1667
Srwn
5Ra nanreiut Foulneat 1667
Foulneat
nanreiut
Srwn PIcit
PIcit

Google

Car le Srun pinen t Nanteuil CELLARIY
Car
le
Srun
pinen
t
Nanteuil
CELLARIY