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Human Generated Data

Title

Christ on the Mount of Olives

Date

1728

People

Artist: Robert van Auden-Aerd, Flemish 1663 - 1743

Artist after: Carlo Maratti, Italian 1625 - 1713

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2322

Human Generated Data

Title

Christ on the Mount of Olives

People

Artist: Robert van Auden-Aerd, Flemish 1663 - 1743

Artist after: Carlo Maratti, Italian 1625 - 1713

Date

1728

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R2322

Machine Generated Data

Tags

Amazon
created on 2022-02-26

Art 96
Human 95.2
Archaeology 58.4

Clarifai
created on 2023-10-29

people 99.6
art 99.6
print 99.2
painting 98.3
adult 97.6
illustration 96.9
man 96.6
sepia pigment 94.9
Renaissance 94.6
group 93.3
engraving 92.9
wear 92.3
vintage 90.8
veil 90.7
retro 90.5
portrait 89.6
one 89.6
woman 89.1
antique 88.9
etching 84.8

Imagga
created on 2022-02-26

sculpture 37.4
sketch 36.9
drawing 30.4
art 28.8
carving 28.7
money 27.2
old 26.5
ancient 26
currency 25.1
paper 25.1
cash 24.7
representation 23.5
history 23.3
bank 22.5
finance 20.3
wealth 18.9
banking 18.4
dollar 17.6
financial 16.9
vintage 16.6
memorial 16.1
rich 15.8
book jacket 15.6
retro 15.6
bill 15.2
business 15.2
savings 14.9
culture 14.5
statue 14.5
temple 14.3
architecture 14.1
decoration 14
stone 13.6
brass 13.6
dollars 13.5
plastic art 13.4
stamp 13.3
monument 13.1
figure 13
economy 13
antique 12.8
pay 12.5
creation 12.2
jacket 12.1
religion 11.7
us 11.6
letter 11
historic 11
newspaper 10.9
close 10.8
postmark 10.8
postage 10.8
product 10.8
postal 10.8
banknotes 10.8
bills 10.7
hundred 10.7
loan 10.5
mail 10.5
exchange 10.5
capital 10.4
binding 10.1
note 10.1
investment 10.1
one 9.7
detail 9.7
structure 9.6
grunge 9.4
famous 9.3
wrapping 9.2
travel 9.2
landmark 9
franklin 8.9
design 8.8
carved 8.8
banknote 8.7
states 8.7
god 8.6
profit 8.6
face 8.5
bust 8.4
sign 8.3
comic book 8.2
closeup 8.1
symbol 8.1
building 7.9
statues 7.9
funds 7.8
value 7.8
finances 7.7
wall 7.7
post 7.6
marble 7.5
commerce 7.5
aged 7.2
black 7.2
treasury 7.1

Google
created on 2022-02-26

Art 82.6
Painting 74.2
Tree 72.1
Illustration 70.5
Drawing 68.8
Visual arts 66.5
Mythology 62.1
Artwork 59.6
Wood 59.6
Paper 59
History 58.7
Printmaking 58
Antique 57.9
Vintage clothing 53.8
Modern art 50.7
Still life 50.6

Microsoft
created on 2022-02-26

text 100
drawing 98.2
sketch 96
person 92.7
book 92.1
old 79.3
clothing 67.1
posing 49.7
vintage 35.6
painting 20.3

Color Analysis

Face analysis

Amazon

Microsoft

AWS Rekognition

Age 21-29
Gender Female, 99.8%
Calm 98.4%
Surprised 0.4%
Disgusted 0.2%
Happy 0.2%
Confused 0.2%
Angry 0.2%
Fear 0.2%
Sad 0.2%

Feature analysis

Amazon

Person
Painting

Clarifai

Picture frame
Human face
Clothing
Person
Tree
Human head

AWS Rekognition

Person 95.2%

Categories

Imagga
created on 2022-02-26

paintings art 89.9%
beaches seaside 4.4%
interior objects 2.1%
streetview architecture 1.7%

Captions

Clarifai

Created by general-english-image-caption-clip on 2025-07-12

the gods by painting artist.

Salesforce

Created by general-english-image-caption-blip on 2025-05-17

a photograph of a drawing of a woman sitting on a bed

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-28

The image is a detailed and classical illustration depicting a biblical scene. It features two prominent figures clad in flowing garments, sitting on a rock. The figure on the left is holding a chalice upwards, while the figure on the right appears to be comforting or supporting the other, with one hand resting gently on their shoulder. In the background, other figures, possibly angels, are present, and one angel is in a kneeling position. The setting is outdoors, likely in a garden or a natural area, with clouds and trees enhancing the serene yet solemn atmosphere. The text at the bottom is in Latin, beginning with "Tristis est anima mea usque ad mortem," which translates to "My soul is sorrowful unto death."

Created by gpt-4 on 2025-01-28

This image is an engraving that depicts a scene with several angelic figures and one reclining figure at the forefront. The angels appear to be interacting with the central figure, some standing with outstretched wings and one kneeling to offer a chalice. The figures are set in a natural landscape with trees and foliage. The artwork is highly detailed, capturing the folds of the robes, the texture of the wings, and the expressiveness of the postures.

Beneath the image is a caption in Latin which can provide additional context about the scene. The composition and the classical style suggest that this scene may be of a religious or mythological nature, common in artwork from the Renaissance through the Baroque periods. The use of Latin text and religious iconography were also typical of works intended for scholarly or ecclesiastical audiences.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-28

This is a religious artwork depicting the scene of the Agony in the Garden, a biblical scene. The engraving shows a central figure in flowing robes who appears distressed, surrounded by angels. One angel holds what appears to be a chalice. The artwork features dramatic lighting and classical baroque style composition. Below the image is Latin text that reads "Tristis est anima mea usque ad mortem" which translates to "My soul is sorrowful even unto death." The scene takes place in a garden setting with some vegetation visible in the background. The artwork appears to be a print or engraving, likely from the baroque period, rendered in sepia tones. The composition creates a sense of emotional intensity and spiritual drama through its use of poses, drapery, and lighting.

Created by claude-3-opus-20240229 on 2025-01-28

The image depicts an old engraving or etching print showing a biblical scene with angels. In the foreground, an angel is seated on the ground, looking up towards another angel who is hovering above. The hovering angel's arms are outstretched, gesturing towards the seated angel. Both angels have wings and are wearing flowing robes.

The seated angel appears to be in a contemplative or pensive pose, with one leg crossed over the other and head tilted slightly downward. The hovering angel seems to be imparting some message or revelation to the seated one.

The background shows a dense, dark forest or wooded area, with twisting tree trunks and leaves filling the space behind the angelic figures. The entire scene has a very dramatic, Baroque art style with strong contrasts between light and shadow creating a sense of depth and movement.

Below the image there is text in Latin that likely provides the title or description of the biblical scene being portrayed, though I cannot translate it precisely. The engraving seems to be an artistic interpretation of an angelic encounter or spiritual message being conveyed, rendered in a classic, dramatic style typical of biblical illustrations from past centuries.

Created by claude-3-haiku-20240307 on 2025-01-28

This image appears to be a baroque style engraving or print depicting a religious or allegorical scene. The central figure appears to be a female figure, perhaps a saint or biblical character, lying on the ground in a reclining pose. Surrounding her are several winged angelic figures, with one figure appearing to be supporting or attending to the central figure. The background shows a lush, natural landscape with trees and vegetation. The overall composition and style suggest this is a work of classical or Renaissance art, although I cannot identify any specific individuals depicted in the image.

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-24

This is a religious artwork depicting the Agony in the Garden scene, rendered as an engraving or print. The composition shows a central figure in flowing robes reclining in distress while being comforted by angels with wings. One angel holds what appears to be a chalice. The scene takes place in a garden setting with some foliage visible in the background. The artwork has a dramatic, Baroque style with dynamic poses and flowing drapery. At the bottom of the image is Latin text that reads "Tristis est anima mea usque ad mortem" which translates to "My soul is sorrowful even unto death." The print appears to be from a historical period, likely 17th or 18th century, given its artistic style and execution.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-11

The image depicts a sepia-toned engraving of a scene from the Bible, specifically the moment when the angel of the Lord appears to Jesus in the wilderness after his temptation by Satan.

  • The engraving is in a rectangular format with a landscape orientation.
  • It features a central figure of Jesus, depicted in a reclining position, with his head resting on his left hand and his right hand holding a scroll.
  • To the left of Jesus, an angel is shown holding a chalice and standing on one leg, while the other leg is bent at the knee.
  • On the right side of Jesus, another angel is depicted with outstretched wings, standing on one leg, and holding a staff.
  • In the background, there are trees and other foliage, creating a natural setting for the scene.
  • The engraving is surrounded by a border, which adds to its overall aesthetic appeal.
  • The text at the bottom of the engraving is written in Latin and appears to be a quote from the Bible, although it is not legible due to the sepia tone and the age of the engraving.

Overall, the image presents a powerful and emotive depiction of a pivotal moment in Christian theology, capturing the drama and beauty of the scene with intricate detail and symbolism.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-11

The image depicts a sepia-toned illustration of an angelic scene, with two angels attending to a man lying on the ground. The man is dressed in a long robe and appears to be in a state of distress or illness, as he lies on his back with his head tilted upwards. One angel sits beside him, holding a cup in their right hand, while the other angel stands behind them, looking down at the man with concern.

In the background, there are trees and a cloudy sky, which adds to the somber and serene atmosphere of the scene. The overall mood of the image is one of compassion and care, as the angels tend to the man's needs. The use of sepia tones gives the image a sense of age and nostalgia, suggesting that it may be a historical or religious artwork.

At the bottom of the image, there is a caption written in Latin, which reads "Tristis est anima mea usque ad mortem." This translates to "My soul is sorrowful even unto death," which suggests that the image may be depicting a moment of great emotional pain or suffering. Overall, the image conveys a sense of empathy and understanding, as the angels provide comfort and support to the man in his time of need.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-28

The image is a monochromatic print of a painting, with a Latin inscription at the bottom. The painting depicts Jesus Christ in the Garden of Gethsemane, surrounded by angels. He is kneeling on the ground, with his hands clasped together in prayer. The angels are holding a cup and a sword, and they are looking down at Jesus with a concerned expression. In the background, there is a figure sleeping on the ground, possibly one of Jesus' disciples.

Created by amazon.nova-lite-v1:0 on 2025-01-28

The image is a black-and-white drawing of a scene from the Bible. It depicts Jesus Christ lying on the ground, with his head resting on a rock. Two angels are standing on either side of him, with one holding a cup and the other holding a cloth. The drawing has a Latin inscription at the bottom, which translates to "Jesus is my soul until death." The drawing is framed in a white border.

Google Gemini

Created by gemini-2.0-flash on 2025-06-05

This is an illustration of the Agony in the Garden, a depiction of Jesus Christ's spiritual and psychological distress before his crucifixion.

The image features a landscape setting with Christ, appearing weary and contemplative, being comforted by several angels. One angel holds a chalice, possibly representing the cup of suffering that Christ must endure. Other figures, likely disciples, are shown in the background, seemingly asleep. The scene exudes a sense of solitude, prayer, and divine intervention.

Below the image, there is text in Latin: "Tristis est anima mea usque ad mortem," which translates to "My soul is overwhelmed with sorrow to the point of death." This line, taken from the Gospels, encapsulates Christ's emotional anguish during his time of prayer in the Garden of Gethsemane.

Created by gemini-2.0-flash-lite on 2025-06-05

This is a sepia-toned engraving of a religious scene, likely depicting the Agony in the Garden. Here's a breakdown:

  • Central Figures: The primary figure is a man, presumably Jesus, lying down on a rock, his expression and posture conveying immense sorrow or weariness. He is draped in a robe.
  • Angels: Several winged figures (angels) surround him. One is holding a chalice or cup, possibly symbolizing the cup of suffering. Some angels are comforting him.
  • Setting: The scene appears to be in a garden or wilderness. There is a tree, rocky ground, and other figures in the background.
  • Details: There are tools or possibly nails strewn on the ground near Jesus.
  • Inscription: Below the image is a Latin inscription, likely a quote from the Bible or a religious text.

Overall, the image evokes a sense of solemnity and spiritual intensity.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-07

The image is an engraving depicting a scene from the biblical story of Job. It shows Job, a central figure, seated on the ground, seemingly in a state of distress or contemplation. He is surrounded by three figures, two of whom appear to be angels with wings, while the third figure is likely a human companion or another angel. The angels seem to be comforting or conversing with Job.

The background includes a landscape with trees and a sky, suggesting an outdoor setting. The overall tone of the image is somber and reflective, fitting the context of Job's trials and suffering as described in the Book of Job in the Bible.

At the bottom of the image, there is a Latin inscription which reads:
"Tristis est anima mea usque ad mortem. Apparuit illi angelus de cœlo confortans eum, et fuit in agonia prolixius orabat. Et factus est sudor eius sicut guttae sanguinis decurrentis in terram."

This translates to:
"My soul is exceedingly sorrowful, even unto death. An angel appeared to him from heaven, strengthening him. And being in an agony he prayed more earnestly: and his sweat was as it were great drops of blood falling down to the ground."

This text combines elements from the biblical accounts of Job's suffering and Jesus' agony in the Garden of Gethsemane, emphasizing themes of sorrow, divine comfort, and intense prayer.

Qwen

No captions written

Text analysis

Amazon

est
usque
mea
Tristis
factus
confortans
de
sudor
Angelus
anima
decurrentis
orabat.
sanguinis
in
prolixius
Tristis est anima mea usque ад mortem
ад
-
factus est sudor ejus, sicut gutta sanguinis - decurrentis in terram
A
&
Apparuit
Apparuit ille Angelus de coelo confortans eum. Et factus in agonia prolixius orabat. &
terram
ejus,
mortem
agonia
gutta
sicut
coelo
eum.
Et factus
ille
7
A 7 glant,
- - JPAP
Good
And
And جدار
Good pine
137g
Compresent - Rojo deve
Rojo
deve
Compresent
جدار
كامة
pine
Searing
glant,
JPAP

Google

Tristis est anima mea usque àd mortem. Apparut ill Angelus de celo confortans eum. E factus in agonia, prolixius orabat. &t factus est sudor ejus, sicut gutta sanguinis decurrentis in terram. . Cprtam r i
Tristis
est
anima
mea
usque
àd
mortem.
Apparut
ill
Angelus
de
celo
confortans
eum.
E
factus
in
agonia,
prolixius
orabat.
&t
sudor
ejus,
sicut
gutta
sanguinis
decurrentis
terram.
.
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