Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 18-24 |
Gender | Female, 64.5% |
Fear | 43.9% |
Calm | 34.5% |
Sad | 10% |
Confused | 4% |
Surprised | 3.9% |
Disgusted | 2% |
Angry | 1% |
Happy | 0.8% |

AWS Rekognition
Age | 29-39 |
Gender | Male, 78.4% |
Calm | 24.1% |
Confused | 22.1% |
Angry | 19.2% |
Disgusted | 12% |
Sad | 12% |
Fear | 5.3% |
Surprised | 3% |
Happy | 2.5% |

AWS Rekognition
Age | 53-61 |
Gender | Male, 100% |
Calm | 99.4% |
Sad | 0.4% |
Confused | 0% |
Disgusted | 0% |
Surprised | 0% |
Angry | 0% |
Fear | 0% |
Happy | 0% |

AWS Rekognition
Age | 33-41 |
Gender | Male, 99.9% |
Calm | 80.8% |
Happy | 10.1% |
Surprised | 3% |
Fear | 2.4% |
Disgusted | 1.5% |
Confused | 1% |
Sad | 0.6% |
Angry | 0.6% |

AWS Rekognition
Age | 28-38 |
Gender | Male, 97.2% |
Calm | 54.2% |
Angry | 19.5% |
Sad | 11.1% |
Happy | 5.1% |
Confused | 3.7% |
Disgusted | 3.3% |
Fear | 1.7% |
Surprised | 1.4% |

AWS Rekognition
Age | 0-6 |
Gender | Male, 74% |
Calm | 96.9% |
Angry | 1.5% |
Fear | 0.7% |
Sad | 0.4% |
Surprised | 0.1% |
Disgusted | 0.1% |
Happy | 0.1% |
Confused | 0.1% |

AWS Rekognition
Age | 20-28 |
Gender | Male, 99.3% |
Calm | 89% |
Sad | 4.7% |
Confused | 2.1% |
Disgusted | 1.3% |
Angry | 0.9% |
Surprised | 0.8% |
Happy | 0.8% |
Fear | 0.4% |

AWS Rekognition
Age | 45-53 |
Gender | Male, 95.9% |
Calm | 78.2% |
Fear | 11.9% |
Angry | 2.4% |
Sad | 2.4% |
Happy | 1.6% |
Surprised | 1.5% |
Confused | 1.1% |
Disgusted | 0.9% |

AWS Rekognition
Age | 18-24 |
Gender | Male, 68% |
Calm | 64.5% |
Confused | 9.4% |
Sad | 8.9% |
Fear | 5.1% |
Surprised | 4.7% |
Disgusted | 4.2% |
Angry | 2.3% |
Happy | 0.8% |

AWS Rekognition
Age | 31-41 |
Gender | Male, 99.2% |
Calm | 90.1% |
Sad | 4.2% |
Confused | 1.4% |
Disgusted | 1.1% |
Surprised | 1% |
Angry | 1% |
Fear | 0.8% |
Happy | 0.4% |

AWS Rekognition
Age | 22-30 |
Gender | Female, 96.4% |
Fear | 41.4% |
Calm | 19.8% |
Sad | 18.8% |
Surprised | 6% |
Happy | 5% |
Angry | 4.3% |
Disgusted | 3.2% |
Confused | 1.6% |

AWS Rekognition
Age | 38-46 |
Gender | Male, 91.5% |
Fear | 31.2% |
Disgusted | 28.2% |
Surprised | 11% |
Sad | 8.9% |
Calm | 7.3% |
Happy | 4.8% |
Confused | 4.7% |
Angry | 3.9% |

AWS Rekognition
Age | 18-24 |
Gender | Male, 91.3% |
Calm | 54.9% |
Angry | 22.8% |
Happy | 14.6% |
Disgusted | 1.8% |
Surprised | 1.8% |
Fear | 1.6% |
Confused | 1.6% |
Sad | 0.9% |
Feature analysis
Categories
Imagga
paintings art | 65.9% | |
interior objects | 19% | |
streetview architecture | 6.1% | |
nature landscape | 3.9% | |
pets animals | 3.5% | |
Captions
Microsoft
created on 2022-03-05
a vintage photo of a person | 90.4% | |
a vintage photo of an old building | 89.4% | |
a vintage photo of a group of people in a room | 89.3% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-01-26
The image depicts a historical or biblical scene set within a grand architectural setting with large columns and arches. It illustrates Mordecai refusing to bow to Haman, as indicated in the caption below the image. The scene is highly detailed, showing multiple figures dressed in ancient, elaborate robes and headwear. The composition includes various individuals reacting to the central action, creating a dynamic and engaging tableau. The inscription in French reads, "Mardochée refuse de flechir les genoux devant Aman," which translates to "Mordecai refuses to bow his knees before Haman." The fine engraving work is attributed to J. Beaublé, engraved after a painting by T. de Troy.
Created by gpt-4 on 2025-01-26
The image depicts an engraving or etching illustrating a dramatic scene set within an architectural environment that mimics classical or Renaissance styles. The artwork is rich in detail, with columns, arches, and a high ceiling suggesting a grand indoor setting, possibly a palace or temple interior. The individuals in the scene are dressed in elaborate garb that suggests a historical or Biblical context, featuring flowing robes, sashes, and headgear. The clothing and fashion shown here resemble those from ancient Persian, Roman, or possibly Old Testament times. In the foreground, to the left, a figure sits pensively on a step, holding what appears to be a book or scroll, seemingly detached from the commotion happening towards the center. This person is adorned with a turban-like headpiece and a richly decorated robe, suggesting a status of wisdom or authority. Moving towards the center and right of the image, a group of people is gathering around a central event, demonstrating a variety of emotions. Some figures gesture dramatically, indicating either a dispute or a significant moment of decision. The composition utilizes depth to convey drama, with the leading lines of the architecture guiding the viewer's eye through the scene. The attention to detail in the rendering of textiles and expressive faces contributes to the narrative quality, indicating a moment of tension or confrontation within the depicted story. At the bottom of the image is text that appears to provide a title or explanation of the scene, which in historical prints often indicates the subject or the story being depicted. This particular text seems to reference the Biblical character Mordechai, which suggests the scene might be related to the story of Esther from the Hebrew Bible.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-01-26
This is a historical engraving depicting a scene from the biblical Book of Esther, titled "Mardochée refuse de fléchir les genoux devant Aman" (Mordecai Refuses to Bow Before Haman). The artwork was engraved by J. Beauvarlet after a painting by F. de Troy. The scene takes place in an impressive classical architectural setting with grand columns and arches. It shows the dramatic moment when Mordecai refuses to bow before Haman, a high-ranking official of King Ahasuerus. The composition is set in an elaborate colonnade with multiple figures arranged in the scene. The architectural details are rendered in a baroque style with ornate columns and curved architectural elements. The engraving shows various figures in Middle Eastern and Persian dress, with flowing robes and turbans. The dramatic tension of the scene is captured through the positioning of the figures and their gestures. The setting appears to be the entrance of a palace or grand public building, with impressive classical architecture forming the backdrop. The print is executed in a detailed engraving style typical of the 18th century, with fine line work creating subtle gradations of tone and texture. The French text at the bottom identifies the artists and the subject matter.
Created by claude-3-opus-20240229 on 2025-01-26
The image depicts a biblical scene, likely showing Mordechai, a character from the Book of Esther, refusing to bow before Haman, a high-ranking official in the Persian court. The engraving shows a large group of people gathered in an ornate palace interior with classical architecture featuring columns and arches. In the center, one man remains standing upright while the others bow down before another figure, presumably Haman. The standing man, likely Mordechai, holds his hands together and looks directly at Haman, conveying his refusal to pay homage. The crowd's postures and gestures suggest surprise, dismay or disapproval at Mordechai's defiant act. The text below the image, in French, provides the title and biblical reference for the scene being portrayed.
Created by claude-3-haiku-20240307 on 2025-01-26
This image appears to depict a historical scene from the past. It shows a large, ornate architectural setting with columns, arches, and intricate details. In the foreground, there is a crowd of figures dressed in elaborate, ornate clothing, suggesting they may be from a different era. The central figure appears to be a man who is refusing to do something, as indicated by the text below the image. The scene conveys a sense of drama and historical significance, though I cannot identify any specific individuals in the image.
Meta Llama
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-01-26
The image depicts a scene from the Bible, specifically the story of Haman and Mordecai. The scene is set in a courtyard with a large building in the background, featuring columns and arches. In the foreground, a group of people are gathered around a man who is being led away by two other men. The man being led away is dressed in a long robe and has a look of sadness on his face. The two men leading him away are also dressed in robes and have serious expressions on their faces. In the background, there are several other people watching the scene unfold. Some of them appear to be talking to each other, while others seem to be observing the situation with interest. The overall atmosphere of the image is one of drama and tension, as if something important is happening. At the bottom of the image, there is a caption that reads "MARDOCHÉE REFUSE DE FLÉCHIR LES GENOUX DEVANT AMAN" in French. This translates to "Mordecai refuses to bow down before Haman." This caption suggests that the image is depicting a moment from the story of Esther, where Mordecai refuses to bow down to Haman, who is a high-ranking official in the Persian court.
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-01-26
The image depicts a scene from the Bible, specifically the story of Mardochée refusing to bow down to the king's statue. The scene is set in an ancient temple with large columns and arches, and features a crowd of people gathered around Mardochée and the king's statue. * **Mardochée**: Mardochée is standing in the center of the image, wearing a long robe and a turban. He is looking up at the king's statue with a mixture of fear and defiance on his face. * **The King's Statue**: The king's statue is tall and imposing, with intricate carvings and ornaments. It is placed on a pedestal at the center of the temple, surrounded by a halo of light. * **The Crowd**: The crowd is made up of people from all walks of life, including men, women, and children. They are all dressed in traditional clothing and are gathered around Mardochée and the king's statue, watching the scene unfold. * **The Temple**: The temple is a grand structure with large columns and arches. It has a high ceiling and is adorned with intricate carvings and ornaments. The walls are made of stone and have a warm, golden color. Overall, the image is a powerful depiction of the story of Mardochée and his refusal to bow down to the king's statue. It shows the courage and conviction of Mardochée, as well as the fear and uncertainty of the crowd. The image also highlights the grandeur and beauty of the temple, which serves as a backdrop for the dramatic scene.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-01-26
The black-and-white image depicts a scene from the Bible, specifically the story of Mardochee refusing to bow before Haman. The image is an engraving, showcasing the intricate details of the scene. The engraving is titled "Mardochee Refuse de Flechir les Genoux Devant Aman" and is by Pierre Aveline, after Jean-Baptiste de Troy. The image shows a group of people gathered in a grand hall, with some kneeling and others standing. The central figure, Mardochee, is depicted in a kneeling position, refusing to bow before Haman, who is standing in front of him. The image captures the tension and drama of the scene, with the characters' expressions and body language conveying their emotions and reactions. The engraving is a detailed and intricate work of art, showcasing the skill and craftsmanship of the artist.
Created by amazon.nova-lite-v1:0 on 2025-01-26
The image is an old black-and-white drawing depicting a scene from the biblical story of Esther. It shows a group of people gathered in a grand hall, with a central figure kneeling before a throne. The central figure is likely Haman, who is depicted as a powerful and arrogant man. The other figures in the scene are likely the Persian king Xerxes and his wife, Queen Esther. The drawing is titled "Mardochee de Flécher les Genoux devant Aman," which translates to "Mardochee Kneels Before Haman."