Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon
Microsoft

AWS Rekognition
Age | 35-52 |
Gender | Male, 86.8% |
Sad | 5.3% |
Surprised | 1.3% |
Angry | 2.1% |
Happy | 56.7% |
Confused | 3.4% |
Disgusted | 2.7% |
Calm | 28.5% |

Microsoft Cognitive Services
Age | 31 |
Gender | Female |
Feature analysis
Categories
Imagga
paintings art | 99.6% | |
Captions
Microsoft
created by unknown on 2019-06-17
a man sitting in front of a book | 30.5% | |
a man sitting in front of a building | 30.4% | |
an old photo of a man | 30.3% | |
Clarifai
created by general-english-image-caption-blip on 2025-05-18
a photograph of a woman in a dress and a man in a suit | -100% | |
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-01-26
The image depicts a detailed etching of a man leaning on a ledge with one hand gripping the ledge and the other holding a brush. The man is dressed in historical attire, including a buttoned vest and a loosely draped coat. His hair is detailed with a textured appearance, suggesting a careful and skilled depiction of his features. Below the image, inscriptions are present, indicating the artist and possibly the subject's titles and accolades. The background consists of a textured, shaded pattern that highlights the figure in the foreground.
Created by gpt-4 on 2025-01-26
The image is a sepia-toned print or engraving depicting a person dressed in 18th-century attire. The clothing includes a detailed, lavish waistcoat with floral patterns and a shirt with flowing sleeves, suggesting a style that is consistent with the fashion of upper-class individuals or aristocracy from that era. The person is leaning on what appears to be a stone balustrade or a similar structure.
Their right hand is visibly laid flat on the surface, while the left hand is slightly raised as if they're pointing or reaching for something. Notably, the image includes text in a stylized, cursive script at the bottom, likely providing information about the person or the artwork itself, which is characteristic of portraits and prints for identification and attribution. There is also a seal or stamp visible, which could indicate the engraver's or printer's mark, or perhaps an insignia of authenticity or honor.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-01-26
This is a historical portrait drawing or print done in a sepia/brown tone, appearing to be from the 18th century. The artwork shows a figure in elegant period dress, including a richly detailed coat with decorative patterns and a cravat or neck cloth. The subject is shown in profile, leaning forward over what appears to be a ledge or table, with one hand holding what might be a drawing implement and the other gesturing. The composition suggests this person was likely an artist or someone of cultural significance.
The image includes French text at the bottom indicating this is associated with "Carle Vanloo" and mentions titles including "Peintre du Roy" (Painter to the King) and "Chevalier de l'Ordre de S. Michel." There's also a small coat of arms or seal in the center of the text.
The drawing technique shows fine craftsmanship with careful attention to the texture of fabric and the play of light and shadow across the figure's clothing and surroundings.
Created by claude-3-opus-20240229 on 2025-01-26
The image depicts an etching or engraving of a male figure, who appears to be writing or drawing at a table. He is wearing ornate, old-fashioned clothing including a ruffled collar and cuffs. His hair is curly and seems to be pulled back. The shading and cross-hatching techniques used give the portrait a sense of depth and dimension. Below the image is text in French identifying it as a portrait of "Carle-Vanloo, Famous Painter to the King" done by C. N. Cochin.
Created by claude-3-haiku-20240307 on 2025-01-26
The image appears to be a detailed sketch or engraving of a man in profile wearing ornate clothing and an intricate hairstyle or wig. The man has a pensive or thoughtful expression on his face as he sits at a table with his hand resting on the surface. The background is shaded with hatched lines, creating a moody and dramatic atmosphere. The image is accompanied by text identifying the subject as the "Chevalier de l'Ordre de S. Michel" or Knight of the Order of Saint Michael.
Meta Llama
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-01-26
This image is a portrait of the French painter Carle Vanloo, created by his brother Jean-Baptiste Vanloo. The portrait is rendered in sepia tones and features Carle Vanloo seated at a table, engaged in painting. He wears a loose-fitting jacket with a scarf around his neck and holds a paintbrush in his right hand. The background of the portrait is dark, which serves to highlight the subject's face and attire.
At the bottom of the portrait, there is an inscription that reads "Carle Vanloo Peintre du Roy Ecuyer Directeur des Eleves" on the left side, and "Chevalier de l'Ordre de S.Michel, Protege par sa Majeste" on the right side. Additionally, the portrait includes the artist's signature, "Carle Vanloo," in the lower right corner. Overall, the portrait presents a dignified and professional image of Carle Vanloo, showcasing his artistic skills and accomplishments.
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-01-26
The image is a sepia-toned etching of a man sitting at a table, holding a quill pen in his right hand and resting his left hand on the table. The man has curly hair and wears a long-sleeved shirt with a high collar and a jacket with buttons down the front. He is seated in front of a wall with a shadow cast on it.
- The man is wearing a long-sleeved shirt with a high collar and a jacket with buttons down the front.
- He has curly hair and is holding a quill pen in his right hand.
- His left hand is resting on the table.
- The background is a wall with a shadow cast on it.
The image appears to be an illustration from the 18th century, possibly from a book or manuscript. The style of the clothing and the use of a quill pen suggest that it may be a depiction of a historical figure or a scene from everyday life during that time period.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-01-26
The image is a black-and-white drawing of a person sitting on a wooden bench, possibly in a workshop. The person is dressed in a long-sleeved shirt with a scarf around his neck. He is holding a tool in his right hand, and his left hand is resting on the bench. The person is looking to the right, and his face is slightly turned to the side. The drawing is framed with a border.
Created by amazon.nova-lite-v1:0 on 2025-01-26
The image is a drawing of a man in a suit and a hat, with his hand on the table, and a watermark on the bottom right. The drawing is in black and white, and it seems to be an old drawing. The man is wearing a long-sleeved shirt with a collar and a tie. He is looking down, and his eyes are closed. He seems to be sleeping. The drawing has a watermark on the bottom right, with the words "Carle Van Loo" and "Peintre du Roy Ecuyer".
Google Gemini
Created by gemini-2.0-flash-lite on 2025-06-01
This image is a sepia-toned etching or engraving, likely a portrait. The subject is a man depicted from the chest up, wearing a fur hat and an elaborate coat. He is seated, leaning on a surface that appears to be a desk or ledge. In his left hand, he holds what looks like a pen or pencil, with a small cloth beside it. His right hand is extended and pointing. The man has a slight smile and looks towards the right.
At the bottom of the image, there are French inscriptions, providing the artist's name ("Carle Vanloo"), his titles ("Peintre du Roy, Ecuyer, Directeur des Elevès" and "Chevalier de l'Ordre de S.Michel, Protégés par sa Majesté"), and a dedication ("Dédié à Madame") and a note about the man's spouse ("Vanloo son épouse"). There's also a crest or emblem near the bottom. The image is framed by a blank, light-colored border. The style and details suggest it is an artwork from the 18th century.
Created by gemini-2.0-flash on 2025-06-01
Here is a description of the image:
This is a monochrome etching of a painting or drawing titled "Carle van Loo, peintre du Roy, Écuyer, Directeur des Éléves, Dedie à Madame" and "Chevalier de l'ordre de S. Michel, protege par sa majeste. Vanloo son Épouse".
The main subject of the image is a man from the waist up, turned to the right and leaning on a ledge or low wall. He has a pleasant expression, looking to the right with a slight smile. He wears what appears to be a fur hat or a cap with a furry trim, a patterned coat, and a loosely draped scarf or neckerchief. His right arm rests on the ledge with his fingers extended and slightly curved, as if pointing or gesturing. In his left hand, which is also resting on the ledge, he holds a paintbrush along with some kind of cloth.
The background is a solid, textured surface, possibly a wall. To the right of the man, there is a suggestion of a window or architectural feature.
The title information is located at the bottom of the image, along with a small emblem or coat of arms in the center. The lettering style is formal, with a mix of uppercase and lowercase, and some text is italicized.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-05
The image is an engraving of a portrait depicting a man named Carle Vanloo. He is shown in a relaxed pose, leaning on a table with his right elbow, and his left hand resting on the table. He appears to be dressed in elaborate, historical clothing, including a detailed coat with ornate patterns and a cravat.
The text at the bottom of the image provides information about the subject. It reads:
"CARLE VANLOO PEINTRE DU ROY, ECUYER DIRECTEUR DES ELEVES CHEVALIER DE LORDRE DE S. MICHEL PROTEGES PAR SA MAJESTE."
This translates to:
"Carle Vanloo, Painter to the King, Esquire, Director of the Students, Knight of the Order of St. Michael, Protected by His Majesty."
Below this, there are two additional phrases:
- "Peint à Madame" which translates to "Painted to Madame."
- "Vanloo son Epouse" which translates to "Vanloo his Spouse."
The engraving is signed by "Carlin" in the lower right corner, indicating the engraver's name. The overall style and detailing of the engraving suggest it is from the 18th century, reflecting the artistic conventions of that period.