Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 22-34 |
Gender | Female, 53.6% |
Happy | 45.1% |
Sad | 45.4% |
Angry | 45.1% |
Fear | 45.1% |
Disgusted | 45% |
Surprised | 45% |
Calm | 54.3% |
Confused | 45% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Painting | 91.7% | |

AWS Rekognition
Person | 68.2% | |

Clarifai
Man | 79.8% | |

Clarifai
Man | 64.4% | |

Clarifai
Human face | 61.1% | |

Clarifai
Human face | 60.1% | |

Clarifai
Human face | 60% | |

Clarifai
Human face | 55% | |

Clarifai
Human face | 51.4% | |

Clarifai
Human face | 50.8% | |

Clarifai
Human face | 39.4% | |

Clarifai
Human face | 38.5% | |

Clarifai
Human face | 37.5% | |

Clarifai
Human face | 36.6% | |

Clarifai
Tree | 58.2% | |

Clarifai
Tree | 56.6% | |

Clarifai
Tree | 37.8% | |

Clarifai
Tree | 33.2% | |

Clarifai
Clothing | 56.9% | |

Clarifai
Person | 49% | |

Clarifai
Person | 48.2% | |

Clarifai
Person | 47.1% | |

Clarifai
Person | 45.6% | |

Clarifai
Person | 43.8% | |

Clarifai
Person | 40.6% | |

Clarifai
Person | 38.8% | |

Clarifai
Person | 37.7% | |

Clarifai
Person | 34.1% | |

Clarifai
Poster | 44.7% | |

Clarifai
Human arm | 43.7% | |

Clarifai
Human arm | 43.2% | |

Clarifai
Human head | 38.5% | |

Clarifai
Footwear | 33.2% | |
Categories
Imagga
created on 2019-08-10
paintings art | 98% | |
streetview architecture | 1.7% | |
Captions
Microsoft
created by unknown on 2019-08-10
a close up of a book | 70.1% | |
a double photo of a book | 38.1% | |
close up of a book | 38% | |
Clarifai
Created by general-english-image-caption-clip on 2025-07-12
detail from a tapestry depicting scenes from poetry book.
Salesforce
Created by general-english-image-caption-blip on 2025-05-26
a photograph of a drawing of a man with a sword and a woman
OpenAI GPT
Created by gpt-4o-2024-05-13 on 2025-02-07
The image is an intricate etching or engraving featuring multiple scenes that appear to be related to Biblical stories or ancient mythological events, rendered in a classical style. The central scene, framed by an arch-like structure, depicts a dramatic and violent moment: a man is forcibly restraining a woman while clutching a baby, who seems to have fallen to the ground or is being laid down with significant force. This central portrayal is intense and emotional, with detailed muscular forms and expressions of anguish.
Surrounding the central image are three circular vignettes:
- The upper-left vignette shows a cataclysmic event, possibly divine retribution or a natural disaster involving a column of fire and a group of people reacting in horror or despair.
- The upper-central vignette depicts a brutal confrontation between two men, with one appearing to be in the throes of violence, about to strike the other, who is lying on the ground defenseless.
- The upper-right vignette illustrates a more serene scene, possibly of a prophet or hermit figure, seated beside a body of water with a book or tablet, while another figure appears to be languishing or in deep thought nearby.
The composition is rich with symbolism and dramatic tension, supported by the precision of the line work and the classical composition. There is also an inscription at the bottom of the image, likely in Latin, providing context or commentary for the depicted scenes. The overall style suggests a work from the Renaissance or Baroque period, characterized by detailed anatomy, expressive gestures, and a complex narrative structure.
Created by gpt-4 on 2025-02-07
This is an engraving or etching, rich in detail, depicting several scenes within a complex geometric design. The main section is a large oval in the center which features two muscular figures: one is seated with a weary or anguished expression, while the other stands and appears to be working with a tool on a fallen tree or branch. Underneath this central image, a small scene shows a reclined figure with a child and a bowl, which might depict the hardship or aftermath of labor.
Surrounding the oval are four circular medallions, each presenting a different scene likely related to allegorical or mythological storytelling. In the top left, a figure seems to be cooking or working with fire, accompanied by serpents. The top right shows a couple, one of whom is seated while the other extends an arm, possibly in conversation or argument. The bottom left has a figure with a harvesting tool, indicating agricultural work, and the bottom right depicts two figures interacting near a tree, suggestive of a narrative scene.
Completing the design, ornate clouds and flourish motifs fill the corners and edges, creating an elaborate framework. Below the primary artwork, there's a panel with Latin text, which likely offers context or commentary related to the imagery above. The overall composition indicates that this is a work from a period when such allegorical representations were common, possibly the Renaissance or Baroque era, intending to convey moral, philosophical, or mythological themes.
Anthropic Claude
Created by claude-3-5-sonnet-20241022 on 2025-02-07
This is a detailed Renaissance or Baroque-era engraving depicting biblical scenes, with a central larger image surrounded by three smaller circular vignettes. The main scene shows figures in a dramatic composition near a fire or hearth, rendered in the classical style typical of the period. The artwork includes elaborate decorative borders and frames between the scenes.
At the bottom of the image, there's a text panel with a Latin inscription that reads: "Difficiles partus, infelix terra, breuisque / Obuenit subita morte premente dies / Praemia sunt Euae non expectata Adamque: / At cur auderent se aequiparare Deo?"
The engraving demonstrates sophisticated technical skill in its execution, with fine line work and careful attention to shading and perspective. The composition combines religious narrative with classical artistic conventions, which was common in European art of this period. The smaller vignettes appear to depict related scenes from the same biblical narrative, creating a complete visual story across all four scenes.
The style is characteristic of religious prints from this era, which were often used for both devotional purposes and artistic appreciation.
Created by claude-3-opus-20240229 on 2025-02-07
This image is an intricate engraving or etching print, likely from the Renaissance period based on the artistic style. It depicts various mythological scenes contained within ornate oval frames.
The central oval shows a reclining male and female nude figure, possibly Adam and Eve or classical deities. They are surrounded by putti (cherub figures) and foliage in an idyllic natural setting.
The surrounding ovals contain other mythological vignettes. One shows a winged figure, perhaps Mercury or Cupid, descending from the sky. Others portray additional nude figures in natural landscapes interacting with animals and each other.
The overall composition has a symmetrical, decorative arrangement typical of Renaissance printmaking. The Latin text below the central image suggests it may have had an allegorical or moralizing message common in art of that era. The fine linework and shading demonstrate the skill of the engraver in creating a visually dense and intricate piece packed with symbolic imagery.
Created by claude-3-haiku-20240307 on 2025-02-07
This image appears to be an ornate engraving or etching featuring a number of mythological or allegorical scenes. The central panel depicts two large, nude male figures engaged in some kind of struggle or confrontation, surrounded by various other nude figures and fantastical elements. The outer panels contain additional mythological or allegorical scenes featuring nude male and female figures in various poses and settings. The overall style and subject matter suggests this is a work of Renaissance or Baroque period art, though I will refrain from identifying any specific individuals depicted.
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-26
This is a detailed historical engraving that appears to depict scenes from the Biblical story of Adam and Eve. The artwork is done in a classical Renaissance or Baroque style, with multiple circular vignettes surrounding a larger central scene. The main image shows figures in a garden or natural setting, rendered in black and white with intricate line work and shading.
At the bottom of the engraving, there is a Latin inscription in a decorative cartouche. The overall composition is very ornate, with decorative flourishes and architectural elements framing the scenes.
The various circular vignettes appear to show different moments from the Genesis narrative, including what appears to be the temptation and expulsion from Eden. The style is characteristic of European religious art from the 16th or 17th century, with dramatic poses and classical artistic techniques.
The engraving shows great technical skill in its execution, with fine detail in the rendering of figures, foliage, and background landscapes. The composition is complex and layered, typical of religious art from this period that aimed to tell multiple parts of a story within a single artwork.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-16
The image depicts a 17th-century engraving of Adam and Eve, created by the Dutch artist Rembrandt van Rijn. The engraving is titled "The Expulsion from Paradise" and is based on a biblical story from the book of Genesis.
Key Features:
- Title: The engraving is titled "The Expulsion from Paradise" in Latin.
- Artist: The engraving was created by Rembrandt van Rijn, a renowned Dutch artist.
- Style: The engraving is characterized by its detailed and expressive style, which is typical of Rembrandt's work.
- Composition: The engraving depicts Adam and Eve in the Garden of Eden, surrounded by various symbols and motifs related to the biblical story.
- Symbolism: The engraving includes several symbols and motifs that are significant to the biblical story, including the serpent, the tree of knowledge, and the flaming sword.
- Mood: The engraving conveys a sense of drama and tension, as Adam and Eve are being expelled from the Garden of Eden.
Overall:
The engraving is a masterpiece of 17th-century art, showcasing Rembrandt's skill and creativity as an artist. It is a powerful representation of the biblical story of Adam and Eve, and its detailed and expressive style makes it a compelling work of art.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-16
The image is a black and white illustration of Adam and Eve in the Garden of Eden, with various scenes depicting their story. The central scene shows Adam and Eve kneeling before a tree, with Eve holding an apple and Adam reaching out to take it. The surrounding scenes depict other moments from their story, including the serpent tempting Eve, Adam and Eve being expelled from the Garden, and their life outside the Garden.
The illustration is done in a classical style, with intricate details and shading that give it a sense of depth and realism. The use of black and white creates a sense of simplicity and elegance, while the detailed illustrations add complexity and interest to the image.
Overall, the image is a beautiful and thought-provoking representation of the story of Adam and Eve, and it invites the viewer to reflect on the themes of temptation, sin, and redemption that are central to their story.
Amazon Nova
Created by amazon.nova-pro-v1:0 on 2025-02-07
The image is a black-and-white engraving depicting a scene from Greek mythology, specifically the story of Deucalion and Pyrrha, who survived a great flood sent by Zeus to punish humanity for its wickedness. The central figures are Deucalion and Pyrrha, who are shown kneeling and praying before a tree, seeking guidance from the oracle of Themis, the goddess of divine law and order. The engraving is surrounded by four smaller circular scenes depicting other mythological events, including the punishment of Prometheus and the creation of Pandora. The image is framed by intricate decorative elements, including scrolls, flowers, and geometric patterns.
Created by amazon.nova-lite-v1:0 on 2025-02-07
The image is an old-fashioned black-and-white drawing or print, featuring a scene from a story or myth. The central focus is on a man and a woman who are sitting on the ground, with the man holding a child. The woman is holding a baby, and they are both looking at each other. The man is wearing a cloak, and the woman is wearing a dress. There are four circular frames surrounding the central scene, each depicting different scenes of people in various poses. The drawing has a decorative border with intricate designs.
Google Gemini
Created by gemini-2.0-flash on 2025-06-04
Here is a description of the image:
The image is an intricate, monochromatic engraving or etching depicting a series of biblical scenes, likely from the Book of Genesis.
The primary scene in the lower half of the image is of Adam and Eve with one or more young children. Eve sits under a tree, seemingly saddened, while Adam is posed to strike a beam, with a child nearby, and a fire is burning on the ground.
Above this central scene are four circular vignettes. The composition as a whole is highly detailed with intricate crosshatching used to create depth and texture.
Below the primary scene is a cartouche with Latin text inscribed in it, likely providing commentary or context for the biblical narrative depicted above. The engraving is signed "Eduwart" and "hoef winckel excudit".
Created by gemini-2.0-flash-lite on 2025-06-04
This is a detailed, black and white engraving depicting a biblical scene. It's framed by an elaborate border and features several interconnected circular vignettes.
Main Scene (Central and Dominant):
- It shows a man, likely Adam, poised to strike a baby, potentially Cain, with a club, while a woman, likely Eve, looks on in distress. A small fire is at the child's feet.
- They are situated in a primitive outdoor setting.
Surrounding Vignettes:
- Four smaller circular scenes, set within the frame. These likely depict related events or precursors to the main scene. The subjects appear to be the biblical figures of Adam and Eve and events related to the story of the fall.
- Scene of sacrifice and murder.
Additional Details:
- The image is filled with symbolism, typical of religious art.
- The artwork is signed and contains Latin text, suggesting it may be from the Renaissance or Baroque era.
- There's an ornamental cartouche with text at the bottom of the image.
Overall, this appears to be a complex and allegorical work intended to convey a moral or theological message.
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-09
The image is an engraving depicting the biblical story of Cain and Abel, the sons of Adam and Eve. The main scene at the bottom shows Cain, the older brother, in the act of killing Abel, his younger brother. Cain is portrayed wielding a club or staff, while Abel is on the ground, seemingly lifeless.
The engraving is divided into several sections:
Main Scene (Bottom Center): Cain and Abel are depicted in a dramatic moment. Cain is shown in a dynamic pose, raising his weapon to strike Abel. Abel is portrayed as a shepherd, lying on the ground with a lamb nearby, indicating his role as a keeper of sheep.
Upper Left Circle: This scene shows Adam and Eve in the Garden of Eden. Eve is reaching for the forbidden fruit from the Tree of Knowledge, while the serpent coils around the tree. This represents the original sin.
Upper Middle Circle: This scene depicts Adam and Eve after they have been banished from the Garden of Eden. They are shown working the land, with Adam tilling the soil and Eve spinning wool, symbolizing their new life of toil and hardship.
Upper Right Circle: This scene shows Cain and Abel making their offerings to God. Abel's offering of a lamb is accepted, while Cain's offering of crops is not, leading to Cain's jealousy and subsequent murder of Abel.
Lower Left Circle: This scene shows Adam and Eve after their expulsion from Eden, working the land. Adam is plowing the fields, and Eve is nursing a child, representing their life of labor and child-rearing.
The engraving includes a Latin inscription at the bottom, which translates to:
"Difficult is the path, the earth is ungrateful,
The world is full of death and threats,
The first sin was not expected by Adam and Eve:
But they hoped that God would help them."
The engraving is signed "Edwaert" at the bottom, indicating the artist's name. The overall composition is rich in detail and symbolism, reflecting the themes of sin, punishment, and the consequences of disobeying divine commands.
Qwen
No captions written