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Human Generated Data

Title

Dead Christ on the Lap of His Mother

Date

17th-18th century

People

Artist: Jacobus Coelemans, Flemish 1654 - 1732

Artist after: Jacopo Tintoretto, Italian 1519 - 1594

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R3969

Human Generated Data

Title

Dead Christ on the Lap of His Mother

People

Artist: Jacobus Coelemans, Flemish 1654 - 1732

Artist after: Jacopo Tintoretto, Italian 1519 - 1594

Date

17th-18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R3969

Machine Generated Data

Tags

Amazon
created on 2023-10-23

Art 100
Painting 100
Person 97
Person 93.6
Face 91
Head 91
Sword 79.1
Weapon 79.1
Photography 56.5
Portrait 56.5

Clarifai
created on 2019-02-27

people 99.9
print 99.9
art 99.8
illustration 99.4
painting 99.3
adult 99
engraving 98.8
one 98.8
portrait 98.5
man 97.3
Renaissance 96.9
woman 95.7
lithograph 94.6
two 93.4
leader 92
baby 90.7
sit 90.3
book bindings 89.3
antique 87.1
veil 86.5

Imagga
created on 2019-02-27

sketch 100
drawing 100
representation 87.1
statue 28
art 23.9
sculpture 22.9
religion 21.5
money 20.4
ancient 19.9
culture 18
currency 18
close 17.7
dollar 17.6
cash 17.4
god 17.2
architecture 17.2
book jacket 16.8
religious 15.9
church 15.7
one 15.7
face 15.6
banking 14.7
portrait 14.2
symbol 14.1
old 13.9
jacket 13.1
finance 12.7
wealth 12.6
bank 12.5
bill 12.4
historical 12.2
antique 12.1
famous 12.1
paper 11.8
history 11.6
dollars 11.6
financial 11.6
holy 11.6
business 11.5
temple 11.3
historic 11
stone 11
museum 10.8
vintage 10.8
catholic 10.7
saint 10.6
fine 10.5
savings 10.3
figure 10.2
closeup 10.1
wrapping 9.9
franklin 9.8
pray 9.7
hundred 9.7
us 9.6
spirituality 9.6
spiritual 9.6
pay 9.6
faith 9.6
rich 9.3
decoration 9
prayer 8.7
loan 8.6
travel 8.5
black 8.4
city 8.3
artwork 8.2
detail 8
icon 7.9
masterpiece 7.9
carving 7.9
renaissance 7.9
bible 7.8
finances 7.7
artist 7.7
exchange 7.6
human 7.5
monument 7.5
man 7.4
people 7.3
sexy 7.2
painter 7.2
design 7.1
roman 7

Google
created on 2019-02-27

Microsoft
created on 2019-02-27

text 100
book 99.9
cat 99.9
art 99.9
museum 53.9
dog 34.7
black and white 30

Color Analysis

Face analysis

Amazon

Microsoft

Google

AWS Rekognition

Age 34-42
Gender Female, 99.5%
Fear 86.7%
Disgusted 8.4%
Surprised 7.4%
Angry 7.4%
Confused 5.6%
Calm 4.8%
Sad 2.7%
Happy 0.6%

Feature analysis

Amazon

Person
Sword
Person 97%

Captions

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-02-09

The image depicts an engraving showcasing a sorrowful, heart-wrenching scene. At the center, a robed figure holds a limp, muscular male body draped with a cloth. The male figure is depicted with closed eyes and a serene expression, his upper body bare and showcasing defined muscles, indicating a state of lifelessness. Above the figures, there is a sword piercing through and behind the robed figure, symbolizing deep sorrow or martyrdom. The background includes a stormy, intense sky with dramatic clouds. The scene is framed, and underneath the image, there is a Latin inscription: "ANIMAM DOLORIS GLADIUS PERTRANSIVIT," which translates to "A sword has pierced your soul in grief," along with the artist's and engraver's information at the bottom, including the date 1670.

Created by gpt-4 on 2025-02-09

The image appears to be an old engraving depicting a poignant scene. A figure is seated, cloaked in a draped garment with a sword piercing through fabric, possibly meant to symbolize some form of sorrow or suffering. Before this figure, there is another person lying on their side in a state of unrest or grief, seemingly supported by the seated figure. The scene carries a strong sense of emotion, with the figures conveying an atmosphere of despair or lamentation. The overall composition, with the detailed shading and classical attire, suggests that this work is from a historical period, possibly representative of a biblical or mythological narrative. At the bottom of the image, there is a Latin phrase "ANIMAM DOLORIS GLADIUS PERTRANSIVIT" and additional inscriptions that seem to be attributional, indicating the creator of the piece or the context, as well as the date "1671," which might refer to the year the engraving was made or when the event depicted was believed to have taken place. The setting is somber, with dark lines and a composition that draws the viewer's attention towards the central figures and the intimacy of their interaction.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-02-09

This is a religious engraving that appears to be from the 17th century (dated 1670). It depicts the PietĂ , a common subject in Christian art showing the mourning after the crucifixion. The image shows two figures - one cloaked in dark robes and another unclothed figure lying across their lap. A sword appears in the background, and there's dramatic lighting with streaks in the sky. The composition is framed with an ornate border, and at the bottom there's a Latin inscription that reads "ANIMAM DOLORIS GLADIUS PERTRANSIVIT" (which translates to "The sword of sorrow pierced the soul"). The artwork is credited to "Tintoret pinxit" and "Edelinck sculpsit," indicating this is an engraving after a painting by Tintoretto, executed by the engraver Edelinck. The piece demonstrates fine detail and masterful use of line work typical of baroque period engravings.

Created by claude-3-opus-20240229 on 2025-02-09

The image depicts a religious scene showing the Mater Dolorosa, or Our Lady of Sorrows. It is an engraving or etching print in black and white. The central figure is a woman, likely representing the Virgin Mary, sitting with her eyes closed and head tilted back. She cradles a male figure, presumably representing the dead body of Jesus Christ, across her lap. Christ's body is shown limp and lifeless, with his head falling backward. The overall composition has a pyramidal structure, focusing attention on the two central figures. Shading and hatching techniques are used to create depth and volume in the drapery folds of their robes. The background has vertical lines suggesting it may represent curtains or drapery. Below the image is text in Latin identifying the scene as "Animam Doloris Gladius Pertransivit" (The Sword of Sorrow Pierced Her Soul). It credits a "Tintoret pinxit" (painted by Tintoretto) as the original source, with this print made by "Carlemagne sculptor" in 1672.

Created by claude-3-haiku-20240307 on 2025-02-09

The image appears to depict a religious scene. It shows a female figure, likely representing the Virgin Mary, holding the body of a deceased man, likely Jesus Christ, after his crucifixion. The man's body is shown in a state of repose, with visible wounds. The female figure is looking down at the man with a sorrowful expression. The image is rendered in a dark, dramatic style with strong contrasts between light and shadow.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-03-14

The image is a black-and-white engraving of the Pieta, a famous Christian artwork depicting the Virgin Mary holding the body of Jesus Christ after his crucifixion. The engraving is signed by the artist, "Coeleman de Hulft," and dated "1670." The engraving is surrounded by a decorative border with the words "ANIMAM DOLORIS" and "GLADIUS PERTRANSIVIT" at the bottom, which are Latin phrases meaning "Soul of sorrow" and "The sword has passed through," respectively. The engraving is likely a reproduction of a famous painting or sculpture of the Pieta, and it is a beautiful example of Baroque art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-03-14

The image depicts a poignant scene of the Virgin Mary cradling the lifeless body of Jesus Christ, evoking a sense of sorrow and reverence. The artwork is rendered in a sepia tone, with intricate details that convey the emotional depth of the moment. **Key Elements:** * **Virgin Mary:** Seated with her legs bent to one side, she gently holds the body of Jesus across her lap. Her facial expression is one of profound grief, as if she is mourning the loss of her son. * **Jesus Christ:** His body is limp and lifeless, with his head tilted back and his arms hanging loosely by his sides. A sword pierces his side, symbolizing the wound inflicted during the Crucifixion. * **Background:** The background of the image is dark and somber, with subtle hints of clouds or smoke that add to the overall sense of drama and tragedy. * **Inscriptions:** At the bottom of the image, there are two inscriptions in Latin: "ANIMAM DOLORIS" (Soul of Sorrow) and "GLADIUS PERTRANSIVIT" (The Sword Has Pierced). These phrases serve as a poignant reminder of the Virgin Mary's suffering and the sacrifice of Jesus Christ. **Artistic Style:** * The image appears to be an engraving or etching, characterized by fine lines and detailed textures that give the artwork a sense of depth and dimensionality. * The use of sepia tones adds a sense of warmth and nostalgia to the image, while also emphasizing the somber mood of the scene. **Overall Impression:** The image is a powerful representation of the Virgin Mary's sorrow and devotion to her son, Jesus Christ. The intricate details and emotive expressions convey a sense of reverence and respect for the subject matter, making the image a compelling and thought-provoking work of art.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-02-09

The image is a black-and-white drawing of a man and a woman. The man is lying on the floor, and the woman is sitting behind him, supporting his head with her hand. The man is wearing a robe, and the woman is wearing a veil. The man's head is tilted to the side, and his eyes are closed. The woman is looking to the side. There is a sword behind the woman.

Created by amazon.nova-lite-v1:0 on 2025-02-09

The image is a black-and-white print that depicts a scene from the Bible. In the center of the image, there is a woman sitting on the ground with a sword in her hand. She is wearing a long robe and a veil. She is looking down at a man lying on the ground in front of her. The man is also wearing a long robe and has a serious expression on his face. The image has a watermark in the bottom left corner.

Text analysis

Amazon

GLADIUS
ANIMAM
GLADIUS PERTRANSIVIT
1670
ANIMAM DOLORIS
PERTRANSIVIT
DOLORIS
Tintoret
Tintoret pinxit
pinxit
of
/3
/3 om of near 1670
near
om
Coclémans

Google

AN I MAM DOLORIS GLADIUS PERTRAN SIVIT
I
MAM
DOLORIS
GLADIUS
PERTRAN
AN
SIVIT