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Human Generated Data

Title

Cardinal Philipp Ludwig von Sinzendorf

Date

18th century

People

Artist: Claude Drevet, French 1697 - 1781

Artist after: Hyacinthe Rigaud, French 1659 - 1743

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R3898

Human Generated Data

Title

Cardinal Philipp Ludwig von Sinzendorf

People

Artist: Claude Drevet, French 1697 - 1781

Artist after: Hyacinthe Rigaud, French 1659 - 1743

Date

18th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R3898

Machine Generated Data

Tags

Amazon
created on 2022-01-30

Art 98.9
Human 96.1
Home Decor 58.4

Clarifai
created on 2023-10-29

people 99.9
print 99.8
art 99.4
engraving 99
one 98.8
adult 98.4
illustration 97.5
portrait 97.3
man 97
Renaissance 96.9
painting 96.8
wear 93.8
gown (clothing) 93.5
cape 93.2
leader 93.1
poet 92.4
saint 92.3
writer 92.3
lithograph 91.1
veil 90.8

Imagga
created on 2022-01-30

book jacket 100
jacket 100
wrapping 80
covering 56.3
statue 43.6
sculpture 40.5
religion 33.2
art 33.2
old 27.2
church 25
religious 22.5
holy 22.2
god 21.1
saint 20.2
faith 20.1
antique 19.3
catholic 18.5
figure 18.4
ancient 17.3
spiritual 17.3
architecture 16.5
spirituality 16.3
history 16.1
famous 15.8
culture 15.4
carving 15.4
face 14.9
pray 14.5
prayer 14.5
detail 14.5
monument 14
stone 13.5
symbol 12.8
bible 12.7
man 12.1
historic 11.9
city 11.6
vintage 11.6
marble 10.9
person 10.8
sacred 10.7
cathedral 10.7
decoration 10.6
worship 10.6
palace 10.6
travel 10.6
historical 10.4
golden 10.3
costume 10.2
tourism 9.9
virgin 9.8
angel 9.8
belief 9.7
portrait 9.7
building 9.5
temple 9.4
dress 9
landmark 9
black 9
statues 8.9
artistic 8.7
male 8.5
design 8.4
fashion 8.3
gold 8.2
one 8.2
lady 8.1
icon 7.9
evil 7.8
model 7.8
adult 7.8
artist 7.7
dark 7.5
artwork 7.3
tourist 7.3
colorful 7.2
interior 7.1

Google
created on 2022-01-30

Microsoft
created on 2022-01-30

text 100
drawing 99.4
book 99.3
sketch 99.2
art 95.8
illustration 91.5
painting 91.2
person 85.4
human face 82.6
clothing 78.6
cartoon 70.5

Color Analysis

Face analysis

Amazon

Microsoft

Google

AWS Rekognition

Age 41-49
Gender Male, 100%
Calm 59.6%
Happy 25.6%
Surprised 5.7%
Confused 2.8%
Angry 1.8%
Disgusted 1.8%
Fear 1.5%
Sad 1.2%

Feature analysis

Amazon

Painting
Person

Clarifai

No features identified

AWS Rekognition

Painting 98.9%

Categories

Imagga
created on 2022-01-30

paintings art 81.6%
streetview architecture 14.7%
pets animals 3.1%

Captions

Microsoft
created by unknown on 2022-01-30

a book on a bed 31.5%
a person sitting on a book 26.9%
a close up of a book 26.8%

Salesforce

Created by general-english-image-caption-blip on 2025-05-16

a photograph of a portrait of a man in a suit and a coat

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-26

The image is an ornate, historical portrait of a figure dressed in elaborate, high-status attire. The figure is adorned in a richly decorated robe with intricate patterns and lavish trimmings, indicative of nobility or royalty. The background features classical architectural elements, including carved columns. Drapery is positioned to the left and right of the figure, enhancing the opulent setting. At the bottom of the portrait, there's an inscription with Latin text that provides information about the identity and titles of the individual depicted. Additionally, a coat of arms is central to the bottom, signifying the person's noble lineage and status.

Created by gpt-4 on 2025-01-26

This image depicts an engraving or print of a figure in elaborate 17th or 18th-century dress. The subject wears a voluminous, luxurious garment with rich textures including what appears to be fur trim and fine fabric that catches the light. The outfit is adorned with intricate lace details and ornate patterns suggesting a high social status. A thick, curly wig sits atop the subject’s shoulders, suggesting the fashion of European nobility of the period.

The clothing is highly detailed, showcasing the painstaking work of the artist to capture the opulence of the subject's attire. Billowing sleeves, numerous folds, and decorated edges of the garment contribute to the grandiosity of the presentation.

The background includes a draped curtain to the right and an architectural column to the left, adding to the formality of the pose and the classic style of noble portraiture. The figure appears to be seated, with one hand resting on the body, partially covered by the garment's folds.

Below the engraving, there is a text that includes what seems to be a title or name, "PHILIPPUS LUDOVICUS," and "COMES A SINZENDORF" which could denote a noble title such as "Count of Sinzendorf." There is also an elaborate emblem or coat of arms near the bottom center of the composition, featuring heraldic symbolism and Latin text, further implying the subject's noble heritage.

Overall, the image conveys a strong sense of baroque stateliness and formality, typical for portraiture of European nobility in the period when the attire was an essential display of wealth and status.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-29

This is a historical engraving or print from the 18th century showing an aristocratic figure in elaborate Baroque-era clothing. The subject is wearing an ornate robe with intricate embroidery and flowing fabric, along with a long, curled wig typical of the period. The composition includes classical architectural elements like Ionic columns in the background. Below the portrait is Latin text identifying the subject as "Philippus Ludovicus Comes a Sinzendorf." The artwork demonstrates the formal portrait style common among European nobility of that era, with careful attention to depicting the luxurious textiles and dignified pose that conveyed the subject's high social status.

Created by claude-3-haiku-20240307 on 2025-01-26

The image depicts a formal portrait of a man wearing an ornate and elaborately decorated robe. The man has long, curly hair and a powdered wig, which was a fashionable style during the 17th or 18th century. The background suggests a regal and opulent setting, with columns and draperies framing the subject. The portrait appears to be of an important or influential figure, likely a nobleman or royalty, given the lavish attire and setting.

Created by claude-3-5-sonnet-20241022 on 2025-01-26

This is a formal 18th century portrait engraving showing a nobleman in elaborate Baroque attire. The subject wears an ornate silk or satin robe with detailed embroidery and trim, along with a flowing curled wig characteristic of the period. The composition is set within a classical architectural frame with Ionic columns. The clothing suggests this is someone of high rank, likely a court official or aristocrat. At the bottom of the engraving is Latin text and a coat of arms, indicating this is a formal portrait of a person of significance. The artistic style and technical execution is typical of high-quality portrait engravings from the early to mid-1700s.

Created by claude-3-opus-20240229 on 2025-01-26

The image depicts a formal portrait engraving of a stately gentleman from the 18th century, likely a nobleman or ruler. He is wearing an ornate robe with intricate embroidery and lace details. The robe has a high collar and voluminous sleeves. He is also wearing a distinguished curly wig typical of the time period.

The man is seated and has a serious, regal expression. The portrait is framed by columns on either side and there is text below providing his title and accomplishments, though the details are hard to make out in this resolution.

The engraving style, with fine hatched lines creating shading and form, was a common way to reproduce portraits before the advent of photography. The Latin text suggests this depicts an important historical European figure. Overall, it is a striking, formally composed image showcasing the fashion and portraiture conventions of the era for a man of high status and authority.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-01-26

The image is a black-and-white portrait of a man in 18th-century attire, likely a noble or aristocrat. The man has long, curly hair and wears a dark-colored robe with intricate designs and patterns, including a large bow at his neck. He sits in a chair, with his right hand resting on his lap and his left hand holding the edge of his robe.

In the background, there are columns and a wall with a decorative frame, suggesting an opulent setting. The overall atmosphere of the image is one of elegance and refinement, capturing the essence of 18th-century European nobility.

At the bottom of the image, there is text in Latin, which appears to be a dedication or inscription. The text is written in a formal, cursive script and includes the name "Philippus Ludovicus" and other phrases that are difficult to decipher without further context. Overall, the image presents a dignified and sophisticated portrayal of a noble figure from the past.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-01-26

The image is a black and white engraving of a man with curly hair, wearing a large robe. The man is sitting in a chair, with his left arm resting on the armrest and his right arm holding a scepter. He is wearing a large robe with intricate designs and patterns, and a high collar. The background of the image is a wall with a decorative frame, and there are some objects in the foreground that are not clearly visible.

The overall atmosphere of the image suggests that it is a formal portrait of a noble or royal figure, possibly from the 17th or 18th century. The use of Latin text at the bottom of the image adds to the sense of formality and grandeur.

Here is a list of bullet points describing the image:

  • The man in the image has curly hair and is wearing a large robe.
  • He is sitting in a chair with his left arm resting on the armrest and his right arm holding a scepter.
  • The background of the image is a wall with a decorative frame.
  • There are some objects in the foreground that are not clearly visible.
  • The image is a black and white engraving.
  • The overall atmosphere of the image suggests that it is a formal portrait of a noble or royal figure.
  • The use of Latin text at the bottom of the image adds to the sense of formality and grandeur.

I hope this helps you understand the image better. Let me know if you have any further questions.

Amazon Nova

Created by amazon.nova-pro-v1:0 on 2025-01-26

The image is a black-and-white portrait of a man with long hair and a beard. He is wearing a long robe with a collar and a cape. The robe has intricate designs on the edges, and the cape is draped over his shoulders. The man is sitting in a chair with a curtain behind him, and a large column is on the left side of the image. There is a coat of arms at the bottom of the image.

Created by amazon.nova-lite-v1:0 on 2025-01-26

The image is a black-and-white portrait of a man in a regal pose. The man is dressed in a richly adorned robe with intricate embroidery, a large collar, and a long wig. The portrait is framed with a decorative border, and the background features a column and a curtain. The man's facial expression is serious, and he is looking straight ahead. The image also includes a Latin inscription at the bottom, which translates to "Philippus Ludovicus, Count of Sinzendorf, Supreme Chancellor of the Holy Roman Empire."

Google Gemini

Created by gemini-2.0-flash on 2025-05-19

Certainly! Here's a description of the image:

Overall Impression:

The image is a meticulously detailed engraving (likely copperplate or similar technique) depicting Philipp Ludwig, Count of Sinzendorf. It's a formal portrait in the style common to European nobility in the 18th century.

Description:

  • Subject: Philipp Ludwig, Count of Sinzendorf, is the central figure. He is shown in a three-quarter pose, facing slightly to his right. He has a full face and is adorned with a long, elaborately styled wig, typical of the period.

  • Attire: He is wearing an opulent ensemble that signifies his high status. This includes a heavy, ornate robe with intricate embroidery and lace detailing. Around his neck, he wears a chain or collar, likely indicating a prestigious order. The folds of the fabric are rendered with great care, demonstrating the artist's skill in conveying texture and depth.

  • Setting: The background suggests a grand interior. To his left is a column, perhaps indicating a stately room or hall. A heavy draped curtain is behind him on the right, adding to the sense of grandeur and formality.

  • Details:

    • He is gesturing with his right hand, partially hidden in the folds of his robe.
    • His left hand rests on a draped surface to his right, with a scroll or document nearby.
    • Beneath the image are inscriptions detailing his name, titles, and a coat of arms in the center.
  • Style: The image is characterized by its precise lines and delicate shading, creating a sense of realism and depth. The level of detail in the wig, fabric, and architectural elements suggests a highly skilled engraver.

  • Overall Tone: The portrait conveys a sense of power, dignity, and importance befitting a high-ranking nobleman of the era. The style is formal and intended to impress.

Created by gemini-2.0-flash-lite on 2025-05-19

This is a detailed, formal portrait engraving of a man, likely a nobleman or member of the aristocracy. The style is characteristic of the 18th century, reflecting the era's emphasis on formality, wealth, and status. Here's a breakdown of what we can see:

  • Subject: The central figure is a man with a round face and a powdered wig. He is wearing elaborate clothing, including a robe or cloak richly decorated with trim. He has a serious expression on his face.
  • Clothing: His clothing is incredibly ornate, suggesting high status. The details in the fabric indicate wealth and power. There is a heavy draped cloak, likely made of silk or velvet.
  • Setting: The man is in a studio-like setting, with architectural elements like pillars and possibly a draped curtain or backdrop behind him.
  • Composition: The image is carefully composed. The man's pose is formal, conveying his importance.
  • Details: The engraving shows extraordinary detail, from the texture of the hair to the folds of the fabric. There is also text at the bottom, likely providing information about the man's titles and affiliations. The coat of arms further identifies the subject and their family.
  • Style: The image is in black and white, the engraving technique emphasizing fine lines and cross-hatching to create shading and texture.

The artwork reflects the art style of the time, and the subject is depicted as a man of wealth, importance, and influence.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-06-05

The image is an engraving of a portrait of a historical figure, identified as Philippus Ludovicus, who is depicted in elaborate, formal attire indicative of the Baroque period. The text at the bottom of the image provides details about his titles and roles.

Key details from the text:

  • Philippus Ludovicus Comes a Sinzendorf: This identifies the subject as Philipp Ludwig von Sinzendorf.
  • Titles and Roles:
    • Caroli VI Caesaris Secretis Consiliis Intimis Admissionis Minister
    • Supremus Aulae Cancellarius Aurei Velleris Piques, Sac. Rom.
    • Imp. Thesaurarius H.F.R.D.T.A. Supremus in Austria
    • Piscariae Merceditariae, Burggravius in Rheinegglitz
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Bohemia, Supremus in Hungaria
    • Supremus in Moravia, Supremus in Silesia
    • Supremus in Lusatia, Supremus in Styria
    • Supremus in Carinthia, Supremus in Carniola
    • Supremus in Istria, Supremus in Tyrol
    • Supremus in Vorarlberg, Supremus in Tyrol
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia
    • Supremus in Carniola, Supremus in Istria
    • Supremus in Tyrol, Supremus in Vorarlberg
    • Supremus in Austria, Supremus in Bohemia
    • Supremus in Hungaria, Supremus in Moravia
    • Supremus in Silesia, Supremus in Lusatia
    • Supremus in Styria, Supremus in Carinthia

Qwen

Text analysis

Amazon

COMES
IN
PHILIPPUS
ANASUM
COMES A SINZENDORF
PHILIPPUS LUDOVICUS
VERO
A
SINZENDORF
DUM
LUDOVICUS
SUPREMUS
PINCERNA
ET
Rigaud
SCHRITENZ,
AGERET
SECRETIS
AUSTRIA
AC
VELLERIS
SCUTIFER
ANNO
LEGATUM
PROVINCIA
DOMINUS
SMILAU
ADMISSIONIS
DYNASTIARUM
SUPRA
CONVENTU
SUESSIONUM
INTIMA
SAC
AULA
PRINCIPEM
Drevel
SCUTIFER AC PRECISOR IN PROVINCIA VERO SUPRA ANASUM
BURGGRAVIUS
THESAURARIUS
AUCUSTA
AUCUSTA SUESSIONUM LEGATUM PRINCIPEM IN PACIFICATIONIS
CAROLI
EQUES,
BERENAU,
STECKEN,
VI
IMP THESAURARIUS ILEREDITARIUS, SUPREMUS IN AUSTRIA
BERENAU, STECKEN, FRIDENAU SMILAU ET BASTINAU, DUM
SUPREMUS AULA CANCELLARIUS AUREL VELLERIS EQUES, SAC ROM.
CAROLI VI CASARISA SECRETIS INTIMA ADMISSIONIS MINISTER
LVII
PINCERNA HEREDITARIUS, BURGGRAVIUS IN RHEINEGG,LIBER
IMP
Michaelis
CONVENTU AGERET ANNO SALUT MDCCXXVI.ATAT. LVII
SALUT
BARO IN ERNSTERUNN, DOMINUS DYNASTIARUM GFOLL
MINISTER
BARO
ROM.
PRECISOR
ordines
HEREDITARIUS,
SELOWIZ,
PACIFICATIONIS
CANCELLARIUS
FRIDENAU
SELOWIZ, CARLSWALD, SCHRITENZ, FREYHOLTZMÜHL
BASTINAU,
CARLSWALD,
AUREL
ILEREDITARIUS,
Rigaud Equar ordines 35 Michaelis Pinzit
RHEINEGG,LIBER
CASARISA
ERNSTERUNN,
GFOLL
Claudins Drevel Sculpoit Parents
Claudins
Sculpoit
FREYHOLTZMÜHL
Pinzit
Equar
MDCCXXVI.ATAT.
Parents
35

Google

PHILIPPUS LUDOVICUS COMES A SINZENDORF CAROLI VICASARISA SECRETIS CON SILIIS INTIME ADMISSIONIS MINISTER IMP. THES AURARIUS LEREDITARIUS, SUPREMUS IN AUSTRIA PINCERNA HEREDITARIUS, BURGGRAVIUS IN RIHEINEGG, LIBER SUPREMUS AULE CANCELLARIUS, AUREI VELLERIS EQUES, SAC. ROM. SCUTIFER AC PRECISOR, IN PROVINCIA VERO SUPRA ANASUM BARO IN ERNSTBRUNN, DOMINUS DYNASTIARUM GFÖLL, BEKENAU, STECKEN, FRIDENAU, SMILAU ET BASTINAU, DUM SELOWIZ, CARLSWALD, SCHRITENZ, FREYHOLTZMUHL, AUCUSTE SUESSIONUM LEGATUM PRINCIPEM IN PACIFICATIONIS aantie Rigaud Eguer ordinir Michadlas. Prart CONVENTU AGERET ANNO SALUT. MDCCXXVIIIETAT. LVII. Claudias Drevet. Seulprit Peris
PHILIPPUS
LUDOVICUS
COMES
A
SINZENDORF
CAROLI
VICASARISA
SECRETIS
CON
SILIIS
INTIME
ADMISSIONIS
MINISTER
IMP.
THES
AURARIUS
LEREDITARIUS,
SUPREMUS
IN
AUSTRIA
PINCERNA
HEREDITARIUS,
BURGGRAVIUS
RIHEINEGG,
LIBER
AULE
CANCELLARIUS,
AUREI
VELLERIS
EQUES,
SAC.
ROM.
SCUTIFER
AC
PRECISOR,
PROVINCIA
VERO
SUPRA
ANASUM
BARO
ERNSTBRUNN,
DOMINUS
DYNASTIARUM
GFÖLL,
BEKENAU,
STECKEN,
FRIDENAU,
SMILAU
ET
BASTINAU,
DUM
SELOWIZ,
CARLSWALD,
SCHRITENZ,
FREYHOLTZMUHL,
AUCUSTE
SUESSIONUM
LEGATUM
PRINCIPEM
PACIFICATIONIS
aantie
Rigaud
Eguer
ordinir
Michadlas.
Prart
CONVENTU
AGERET
ANNO
SALUT.
MDCCXXVIIIETAT.
LVII.
Claudias
Drevet.
Seulprit
Peris