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Human Generated Data

Title

Death of the Virgin

Date

1649

People

Artist: Jean Leclerc, French 1587/88 - 1633

Artist after: Carlo Saraceni, Italian 1580 - 1620

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7000

Human Generated Data

Title

Death of the Virgin

People

Artist: Jean Leclerc, French 1587/88 - 1633

Artist after: Carlo Saraceni, Italian 1580 - 1620

Date

1649

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R7000

Machine Generated Data

Tags

Amazon
created on 2022-01-29

Painting 99
Art 99
Person 97.6
Human 97.6
Person 97.1
Person 96
Person 95.5
Person 90
Person 80.3
Person 76.1
Person 62.5

Clarifai
created on 2023-10-28

people 99.9
group 99.7
art 99.3
print 99.2
adult 98.7
man 98.1
engraving 97.9
religion 94.8
leader 94.2
gown (clothing) 93.9
vintage 93.9
illustration 93.2
many 91.4
etching 91.3
woman 89.6
monarch 89.2
sepia pigment 88.5
veil 88.2
Renaissance 88.1
old 87

Imagga
created on 2022-01-29

sketch 43.7
art 39.1
religion 35.8
architecture 34.9
drawing 32.8
church 31.4
representation 27.3
sculpture 27.2
history 25.9
culture 25.6
ancient 25.1
old 24.4
building 21.4
statue 20.2
antique 19.8
religious 19.7
cathedral 19
monument 18.7
temple 18.4
decoration 18.4
city 18.3
landmark 18.1
historic 17.4
travel 16.9
famous 16.7
column 16.7
god 16.3
carving 16.2
historical 16
holy 15.4
detail 14.5
window 14.4
tile 14.2
gold 14
stone 13.7
interior 13.3
vintage 13.2
arch 13.2
structure 12.9
palace 12.5
spirituality 12.5
door 12.5
tourism 11.6
faith 11.5
symbol 11.4
design 11.3
pattern 10.9
catholic 10.7
pray 10.7
figure 10.5
artistic 10.4
wall 10.4
traditional 10
marble 9.9
texture 9.7
worship 9.7
prayer 9.7
saint 9.6
architectural 9.6
spiritual 9.6
paper 9.4
east 9.3
decorative 9.2
museum 8.8
sacred 8.8
ornament 8.6
motif 8.5
mosaic 8.4
ornate 8.2
style 8.2
covering 8
icon 7.9
bible 7.8
carved 7.8
golden 7.7
entrance 7.7
facade 7.6
retro 7.4
color 7.2
painting 7.2
currency 7.2
decor 7.1

Google
created on 2022-01-29

Microsoft
created on 2022-01-29

text 100
book 99.9
drawing 98.7
sketch 97.6
person 91.9
cartoon 84.3
clothing 81.9
illustration 80.6
old 77.2
engraving 55.7

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 42-50
Gender Male, 99.7%
Calm 80.9%
Angry 7.7%
Disgusted 6.5%
Sad 1.6%
Confused 1.2%
Happy 1%
Surprised 0.8%
Fear 0.4%

Feature analysis

Amazon

Painting
Person
Painting 99%

Categories

Captions

Microsoft
created on 2022-01-29

an old photo of a book 60.8%
an old photo of a person 60.7%
old photo of a book 58.5%

OpenAI GPT

Created by gpt-4o-2024-05-13 on 2025-01-26

The image depicts a detailed, classical drawing or engraving of a group of people gathered in a grand architectural setting with high arches and columns. The central figure is seated on an elevated throne-like chair, surrounded by other figures who are positioned either kneeling or standing. There is a sense of reverence or discussion, as the figures are clustered closely together. Draped garments and robes are prominently featured, adding to the historical or religious atmosphere of the scene. At the bottom, there is an inscription in Latin, reading "IN OMNIBVS REQVIEM QVAESIVI ET IN HEREDITATE DOMINI MORABOR" along with additional text. The overall impression is one of solemnity and significance.

Created by gpt-4 on 2025-01-26

This is an image of an artwork—specifically, an engraving or print—depicting a group of classical figures gathered in a scene that is set within an architectural space resembling a grand hall or church interior. The characters are dressed in flowing robes, which is typical for depictions of historical or biblical themes. The architecture features a series of arches, with detailed stonework and columns, giving depth to the space and creating a backdrop for the gathering. The attention to detail in the clothing and architecture suggests a scene charged with significance, likely a historical or religious narrative. While the central action is obscured, the characters around this focal point are interacting with one another and showing a range of gestures and emotions: some appear to converse, while others show expressions of contemplation or concern. A book lies open in the foreground, and the figures are tightly grouped, reinforcing the impression of a significant, shared moment.

Anthropic Claude

Created by claude-3-5-sonnet-20241022 on 2025-01-26

This is a historical religious engraving or print depicting a scene that appears to be the Death or Dormition of the Virgin Mary. The composition shows a central figure reclining or lying back, surrounded by numerous figures in robes who appear to be the Apostles. The setting is architectural, with classical columns and arched ceilings visible in the background. The artwork employs a cross-hatching technique characteristic of engravings from the Renaissance or Baroque period. The scene is framed by elaborate architectural elements including pillars and vaulted ceilings. At the bottom of the image, there is a Latin inscription that reads "IN OMNIBVS REQVIEM QVAESIVI ET IN HEREDITATE DOMINI MORABOR." The figures are dressed in flowing robes with dramatic drapery, typical of religious art from this period. The composition creates a sense of movement and emotional intensity through the positioning and gestures of the gathered figures. The technical execution shows fine detail and skilled craftsmanship in the engraving technique.

Created by claude-3-opus-20240229 on 2025-01-26

The image depicts a crowded scene inside a church or cathedral. In the center, Mary sits holding the infant Jesus, surrounded by a group of men who appear to be apostles or disciples. The men have beards and are wearing long robes. They are gathered closely around Mary and Jesus, some kneeling or seated on the floor. The architecture features tall arched ceilings supported by columns. The detailed linework suggests an engraving or etching print. The title at the bottom identifies it as showing Mary in an inheritance dispute, likely referencing a biblical story, though I don't have enough context to specify which one. Overall, the composition and rendering have the stylistic hallmarks of a Renaissance-era religious artwork focused on a momentous biblical scene with Mary and Jesus at the center of a male assembly inside a grand, ornate interior space.

Created by claude-3-haiku-20240307 on 2025-01-26

The image depicts a religious scene set in an ornate, arched architectural setting. It shows a central figure, likely a woman, sitting on a throne or elevated seat surrounded by a crowd of people. The people appear to be in various poses, some kneeling or prostrating themselves before the central figure. The image has a somber, reverent tone, conveyed through the detailed rendering of the figures' garments and expressions. While the image contains human figures, I will not identify or name any individuals shown.

Meta Llama

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2025-01-26

This image is a sepia-toned print of a painting depicting the death of the Virgin Mary. The scene is set in a large, ornate church with arched ceilings and columns. The Virgin Mary lies on a couch or bed, surrounded by a group of men who are kneeling or standing around her. They appear to be in a state of mourning or prayer, with some of them holding their hands up in a gesture of supplication. The overall atmosphere of the image is one of reverence and solemnity, with the focus on the central figure of the Virgin Mary. The use of sepia tones gives the image a sense of age and nostalgia, suggesting that it may be an old or historical work of art.

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2025-01-26

The image is a drawing of a scene in a church, with a group of people gathered around a woman who is sitting on a chair. The woman is wearing a long robe and has her hands clasped together in front of her. She appears to be speaking or praying, and the people around her are listening intently. The background of the image shows the interior of a church, with tall arches and columns. The walls are adorned with intricate carvings and frescoes, and the floor is made of stone. The overall atmosphere of the image is one of reverence and devotion, as the people in the scene are clearly focused on the woman and her words. The image is likely a depiction of a biblical scene, possibly the story of the Virgin Mary or another important figure from Christian tradition. The use of classical architecture and the formal attire of the figures suggest a sense of tradition and respect for the past. The image may have been created as a way to illustrate a particular passage from the Bible or to commemorate a special event or holiday. Overall, the image is a powerful representation of the importance of faith and community in human life. It suggests that even in the midst of chaos and uncertainty, people can come together to find comfort and guidance in their shared beliefs.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-01-26

The image depicts a scene from the Bible, specifically the moment of Jesus Christ's death on the cross. The central figure is Jesus, who is depicted as a man lying on the cross, his head tilted to the side, and his body covered with a white cloth. The cross is positioned in the foreground, and the background features a vast, open space, possibly representing the sky or a mountain. The overall composition of the image is reminiscent of classical art, with a focus on the emotional and spiritual aspects of the scene.

Created by amazon.nova-pro-v1:0 on 2025-01-26

The image is a vintage black-and-white drawing that depicts a scene from the Bible, specifically the story of the "Woman Taken in Adultery." The drawing features a group of people gathered in a grand hall with high ceilings and arched windows. In the center of the image, a woman is seated on a chair, and a man is kneeling before her, possibly Jesus. The woman is surrounded by a group of people who appear to be accusing her of adultery. The man kneeling before her is likely Jesus, who famously said, "Let he who is without sin cast the first stone." The image captures a moment of tension and drama, with the woman looking down and the man kneeling before her, while the others look on with expressions of judgment and condemnation. The drawing is a powerful representation of a significant biblical story and showcases the skill and artistry of the artist who created it.

Text analysis

Amazon

IN
HEREDITATE
DOMINI
OMNIBVS
REQVIEM
ET
MORABOR.
Le
IN OMNIBVS REQVIEM QVAESIVI, ET IN HEREDITATE DOMINI MORABOR. Eccl.24.
licentia
Super
Anno
QVAESIVI,
Rome
M.D.CXI
Eccl.24.
x
Imientor
Mirrobit Saracémus Venetia Imientor mt pinxit Ionnner Le dero insidebut Rome Anno M.D.CXI x Super licentia formir Rome ISAو
Mirrobit
dero
formir
Venetia
insidebut
Ionnner
Saracémus
a
ISAو
mt pinxit

Google

IN OMNIBVS REQVIEM QVAESIVI, ET IN HEREDITATE DOMINI MORABOR. Ecel.24. Ofrrobir Sardcemur Venetus Iniuentor t pineit, fonmer Lrelere incidebat Rome Anno M.D.cXI X. Super, litentia. Iolagibr de Rubps forme Rome 164
IN
OMNIBVS
REQVIEM
QVAESIVI,
ET
HEREDITATE
DOMINI
MORABOR.
Ecel.24.
Ofrrobir
Sardcemur
Venetus
Iniuentor
t
pineit,
fonmer
Lrelere
incidebat
Rome
Anno
M.D.cXI
X.
Super,
litentia.
Iolagibr
de
Rubps
forme
164