Human Generated Data

Title

The Angel Appears to Zacharias in the Temple

Date

17th century

People

Artist: Cornelis Galle the Younger, Flemish 1615 - 1678

Artist after: Jan van der Straet, Netherlandish 1523 - 1605

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R6930

Human Generated Data

Title

The Angel Appears to Zacharias in the Temple

People

Artist: Cornelis Galle the Younger, Flemish 1615 - 1678

Artist after: Jan van der Straet, Netherlandish 1523 - 1605

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, R6930

Machine Generated Data

Tags

Amazon
created on 2019-08-07

Art 98.5
Painting 98.5
Person 98.3
Human 98.3
Person 97.8
Person 91.8
Building 88.5
Architecture 88.5
Person 85.4
Person 82.9
Archaeology 65.9
Person 58.3
Angel 57.3
Archangel 57.3
Person 47.6

Clarifai
created on 2019-08-07

people 99.9
art 99.1
group 99
print 98.8
engraving 97
many 96.4
illustration 95.5
man 95.1
leader 93.9
administration 92.7
painting 90.4
religion 90
adult 88.8
veil 84.3
old 81
no person 80.3
monarch 78.9
visuals 78
royalty 76.5
military 74.9

Imagga
created on 2019-08-07

altar 56
structure 49.5
sculpture 42.4
art 36.7
architecture 36.4
ancient 32.9
old 32.8
antique 31.8
statue 30.5
religion 29.6
history 28.6
culture 26.5
building 22.6
temple 22.6
god 22
landmark 21.7
gold 21.4
church 21.3
menorah 21
stone 20.5
monument 19.6
historic 19.3
carving 18.4
historical 17.9
tourism 17.3
travel 16.9
candelabrum 16.8
decoration 16.8
ornament 16.4
famous 15.8
vintage 15.7
golden 14.6
worship 14.5
religious 14.1
baroque 13.7
treasury 13.7
wall 13
candlestick 12.9
detail 12.9
ornate 12.8
prayer 12.6
spirituality 12.5
design 11.8
frame 11.8
depository 11.7
cathedral 11.5
fountain 11.4
column 11.3
arch 11.3
palace 11.2
classic 11.1
style 11.1
exterior 11.1
memorial 10.9
city 10.9
marble 10.7
pray 10.7
royal 10.6
holy 10.6
faith 10.5
pattern 10.3
retro 9.8
decor 9.7
museum 9.7
medieval 9.6
heraldry 9.6
symbol 9.4
facility 9.4
east 9.3
traditional 9.2
grand 8.7
brass 8.7
architectural 8.7
spiritual 8.6
holder 8.6
capital 8.5
oriental 8.5
figure 8.3
tourist 8.2
roman 8.1
antiquity 8
bangkok 7.9
face 7.8
catholic 7.8
heritage 7.7
money 7.7
tradition 7.4
currency 7.2
interior 7.1
paper 7.1
facade 7

Google
created on 2019-08-07

Microsoft
created on 2019-08-07

text 99.3
book 98.3
person 91.9
clothing 89.3
drawing 88.2
illustration 87.4
old 77.7
sketch 74.2
engraving 74
painting 65.6
vintage 33.3

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 17-27
Gender Female, 51.6%
Calm 45.3%
Confused 45.2%
Happy 46%
Sad 51%
Surprised 45.2%
Angry 46.2%
Disgusted 46.1%

AWS Rekognition

Age 10-15
Gender Male, 54.1%
Surprised 45.2%
Disgusted 45.1%
Happy 45.4%
Angry 45.3%
Sad 53.4%
Confused 45.2%
Calm 45.5%

AWS Rekognition

Age 23-38
Gender Male, 54.3%
Angry 45.7%
Happy 45.6%
Confused 45.4%
Sad 46.3%
Calm 46.3%
Surprised 45.3%
Disgusted 50.5%

AWS Rekognition

Age 9-14
Gender Male, 50.9%
Calm 45.8%
Confused 45.2%
Happy 45.1%
Sad 50.8%
Surprised 45.2%
Angry 47.4%
Disgusted 45.4%

AWS Rekognition

Age 23-38
Gender Female, 53.8%
Confused 45.1%
Disgusted 45%
Calm 45.6%
Angry 45.3%
Happy 45%
Sad 53.9%
Surprised 45.1%

AWS Rekognition

Age 48-68
Gender Male, 54.4%
Angry 45.6%
Disgusted 51.8%
Calm 45.6%
Happy 45.1%
Sad 46.2%
Confused 45.5%
Surprised 45.2%

AWS Rekognition

Age 26-44
Gender Male, 53.3%
Disgusted 45.3%
Happy 46.5%
Calm 47.3%
Surprised 45.6%
Confused 45.5%
Sad 49%
Angry 45.8%

AWS Rekognition

Age 35-52
Gender Female, 50.7%
Sad 52%
Happy 45.5%
Disgusted 45.3%
Angry 45.4%
Calm 46.3%
Confused 45.5%
Surprised 45.2%

AWS Rekognition

Age 12-22
Gender Male, 50.5%
Surprised 49.5%
Sad 49.6%
Happy 49.5%
Disgusted 49.5%
Confused 49.5%
Calm 50.3%
Angry 49.6%

AWS Rekognition

Age 26-43
Gender Female, 50.5%
Angry 45.9%
Calm 48%
Sad 50.6%
Surprised 45.1%
Confused 45.1%
Disgusted 45.2%
Happy 45.1%

AWS Rekognition

Age 57-77
Gender Male, 54.7%
Happy 45%
Disgusted 45%
Sad 45.7%
Calm 53.3%
Angry 45.7%
Surprised 45.1%
Confused 45.2%

AWS Rekognition

Age 4-7
Gender Male, 53.6%
Angry 45.5%
Disgusted 45.1%
Surprised 45.2%
Sad 53.1%
Happy 45.3%
Calm 45.5%
Confused 45.3%

Feature analysis

Amazon

Painting 98.5%
Person 98.3%

Categories

Captions

Text analysis

Amazon

Zacharias
dum
Angelus
attonito
Pariet,
licet
incendit
ARE
talia
odores,
ARE Zacharias dum Jacne incendit odores, Ne timeas : Pariet, licet hae tenus,
Hac
Ece
verha
tibi
timeas :
fummi
attonito talia verha Hac lterilis tibi dista wor
hae tenus,
Ne
tuam,
wor
Lerto,
vias
dommtis
refert :
fiacite
facicm
Angelus refert : iupu fummi Jint Dei.
Dei.
mitto
in
lterilis
Jacne
parate
Stradan
Domins,
invent.
qui
Ur dommtis in Lerto, parate vias Domins, fiacite Semitas EIS. Ece mitto angclaemn facicm tuam, qui pnrpenshit
Jint
Semitas
dista
iupu
angclaemn
pnrpenshit
xCNd.
Crnrliss
Ur
Loa Stradan invent. Crnrliss fmle. DHt? Gialle xCNd.
Gialle
DHt?
Loa
fmle.
EIS.

Google

Ph Galle excud. Cnelis Galle flp Ioan. Stradan invent Ne timeas: Parict, fterilis licet hac tenus, vxor Har inu fimmi fint tibi di ta Dei faciem tuam, qui p ARE Zacharias dum facne incendit odores, Angelus attonito talia verba refert Vox damantis in derto, parate vias Domini, re tas facite femitas eus. ae so 1. Ear mitto angelum meum ante a Deo, cu nomen erat Ioannes. Hir vent m viam tuam ante te. Malach. 3. Erat homo mibus tglimonium, vt teftmonium perhiberet de lumine. Im. 1. Inter natos mulierm mon furrexit maor Ioame Baptifia. I.7
Ph
Galle
excud.
Cnelis
flp
Ioan.
Stradan
invent
Ne
timeas:
Parict,
fterilis
licet
hac
tenus,
vxor
Har
inu
fimmi
fint
tibi
di
ta
Dei
faciem
tuam,
qui
p
ARE
Zacharias
dum
facne
incendit
odores,
Angelus
attonito
talia
verba
refert
Vox
damantis
in
derto,
parate
vias
Domini,
re
tas
facite
femitas
eus.
ae
so
1.
Ear
mitto
angelum
meum
ante
a
Deo,
cu
nomen
erat
Ioannes.
Hir
vent
m
viam
tuam
te.
Malach.
3.
Erat
homo
mibus
tglimonium,
vt
teftmonium
perhiberet
de
lumine.
Im.
Inter
natos
mulierm
mon
furrexit
maor
Ioame
Baptifia.
I.7