Machine Generated Data
Tags
Color Analysis
Face analysis
Amazon

AWS Rekognition
Age | 35-52 |
Gender | Male, 51.1% |
Calm | 49.2% |
Angry | 45.5% |
Sad | 47.3% |
Happy | 45.6% |
Confused | 45.8% |
Disgusted | 45.5% |
Surprised | 46.1% |
Feature analysis
Amazon
Clarifai

AWS Rekognition
Painting | 92.4% | |
Categories
Imagga
created on 2018-03-24
paintings art | 99% | |
nature landscape | 0.8% | |
text visuals | 0.1% | |
Captions
Microsoft
created by unknown on 2018-03-24
a close up of a book | 35.9% | |
close up of a book | 30.5% | |
a close up of a book cover | 30.4% | |
Clarifai
No captions written
Salesforce
Created by general-english-image-caption-blip-2 on 2025-06-29
a drawing of a woman in a wheel chair with a dragon on her back
Created by general-english-image-caption-blip on 2025-05-04
a photograph of a drawing of a woman in a dress and a man in a suit
OpenAI GPT
Created by gpt-4 on 2024-12-12
The image is a detailed etching or engraving depicting a scene from classical mythology. On the left, a majestic multi-headed serpent rears up, its coils creating a swirling foundation for the composition. Next to the serpent, a figure stands beside a chariot, perhaps engaged in some kind of interaction with the creature or in the midst of commanding it. The chariot is drawn by winged serpents, and the figure appears poised and authoritative.
On the right side, another figure with a dynamic posture sits in the chariot, holding the reins that control the winged serpents. This figure’s movement suggests urgency or determination.
In the foreground, another figure on the lower right corner seems to be pushing against a tree, adding further action to the scene.
The caption underneath the image suggests that it is related to the mythological narrative involving the goddess Ceres. The detailed style of the work and the elaborate depiction of the figures and the serpents suggest the influence of Renaissance or Baroque artistry, emphasizing dramatic action and classical themes.
Created by gpt-4o-2024-05-13 on 2024-12-12
This image is an engraving depicting a mythological scene. It shows a figure riding a chariot drawn by serpents or dragons, moving through the clouds. Another figure on the right appears to be interacting with the chariot rider. Below them, on the ground, are additional figures in a landscape featuring trees and rocky terrain. The engraving is marked with the number "79" and has the caption "Ceres ad Famen Nympham in Erisichthonis poenam amandat." This suggests a classical mythological theme, likely involving the deities Ceres and Famine, related to the punishment of Erisichthon.
Anthropic Claude
Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-23
This is a classical etching or engraving depicting a mythological scene. The image shows Ceres (the Roman goddess of agriculture) sending a nymph to Fames (Hunger) as punishment for Erysichthon, as indicated by the Latin text at the bottom of the image. The scene shows figures riding on clouds, with a dramatic multi-headed serpent or dragon visible in the composition. The artwork uses typical Renaissance or Baroque artistic techniques with fine line work and cross-hatching to create depth and texture. The landscape below shows small figures and trees in the background. The overall composition is dynamic, with flowing robes and dramatic poses characteristic of classical mythological art.
Created by claude-3-haiku-20240307 on 2024-12-12
The image depicts a mythological scene from classical antiquity. It shows a female figure, likely representing the goddess Ceres or Demeter, sitting on a large serpentine creature. The figure is flanked by two other mythical creatures, possibly representing nymphs or other allegorical beings from Greek or Roman mythology. The scene is set against a fantastical, dreamlike landscape with clouds and other enigmatic elements. The title at the bottom suggests this is an illustration related to Erifictonius, a figure from Greek mythology. Overall, the image evokes a sense of the mystical and mythological.
Created by claude-3-5-sonnet-20241022 on 2024-12-12
This appears to be a classical etching or engraving depicting a mythological scene. The image shows a figure riding on clouds, holding what appears to be a shield, confronting a large serpentine or dragon-like creature with multiple heads. The composition is dramatic, with swirling clouds and dynamic movement. Below the main scene, there is a landscape with small figures and trees. The artwork has a Latin inscription at the bottom which reads "Ceres ad Famem Nympham in Erisichthonis poenam amandat," suggesting this is depicting a scene from classical mythology involving Ceres and a punishment related to Erysichthon. The style and technique are characteristic of Renaissance or Baroque period printmaking, with fine crosshatching and detailed linework creating depth and texture in the scene.
Meta Llama
Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-12
The image is an etching by Albrecht Dürer, titled "Ceres ad Famem Nympham in Erifichonis poenam amandat" (Ceres consoles a famished nymph in the punishment of Erifichonis). It depicts a scene from Greek mythology, where Ceres, the goddess of agriculture and fertility, is shown comforting a starving nymph. The etching is a representation of the goddess's compassion and her role in ensuring the well-being of nature and its inhabitants.
In the foreground, Ceres is seated on a cloud, surrounded by lush vegetation and symbols of abundance. She is dressed in flowing robes, with a gentle expression on her face as she reaches out to touch the nymph's hand. The nymph, on the other hand, is depicted as a frail and emaciated figure, with a look of desperation in her eyes.
The background of the etching features a landscape with rolling hills and towering trees, evoking a sense of serenity and tranquility. The overall atmosphere of the image is one of peace and harmony, highlighting the connection between nature and the human experience.
The etching is a testament to Dürer's skill as an artist and his ability to capture the essence of mythological scenes. It showcases his attention to detail and his use of symbolism to convey deeper meanings and themes. The image is a beautiful representation of the relationship between the natural world and human emotions, and it continues to inspire artists and art lovers to this day.
Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-12
This image is a black and white illustration of a woman riding a dragon, with another woman standing on a cloud above her. The woman on the dragon is wearing a long dress and has her hair tied up in a bun. She is holding the reins of the dragon in one hand and pointing forward with the other. The dragon has a long tail and is breathing fire.
The woman on the cloud is wearing a flowing robe and has her hair loose. She is holding a staff in one hand and pointing downward with the other. There are also two men in the background, one of whom is holding a spear.
At the bottom of the image, there is a caption in Latin that reads "79. Ceres ad Famem Nympham in Erifichonis poenam amandat." This translates to "79. Ceres commands the nymph Famine to punish Erisichthon."
Overall, the image appears to be an illustration from a mythological or religious text, depicting a scene from ancient mythology.
Amazon Nova
Created by amazon.nova-lite-v1:0 on 2025-02-27
The image is an antique print titled "Ceres ad Famem Nympham in Erifichtonis poenam amandant," which translates to "Ceres to the Nymph of Famine in Erichthonius's punishment." It depicts a scene from Greek mythology involving the goddess Ceres and the nymph of famine.
The central figure is Ceres, the Roman goddess of agriculture and fertility, who is shown seated in a chariot. She is dressed in flowing robes and holds a sheaf of wheat, symbolizing her connection to agriculture. The chariot is pulled by a serpent, a creature often associated with transformation and rebirth.
To the right of Ceres, there is a winged figure, likely representing a nymph, who is reaching out towards Ceres. The nymph's presence suggests a connection to the theme of famine, as she may represent the personification of famine or hunger.
In the foreground, there is a large snake or serpent, which adds to the mythological and fantastical elements of the image. The snake's presence may symbolize danger, transformation, or the cyclical nature of life and death.
The image also includes a man standing on the ground, possibly representing a mortal or a human figure observing the divine scene. The man's posture and gaze suggest a sense of awe or reverence towards the divine figures.
The overall composition of the image is dramatic and dynamic, with the use of light and shadow to create a sense of depth and movement. The antique print style, with its intricate linework and shading, adds to the historical and artistic value of the image.
Created by amazon.nova-pro-v1:0 on 2025-02-27
The image depicts a scene from Greek mythology. The central figure is a woman riding a chariot, pulled by a large, multi-headed serpent. She is holding a torch and appears to be guiding the serpent. A man is standing on the serpent, holding a torch as well. In the background, there is a man standing near a tree, holding a torch. The image has a watermark with the number "79" and some text.
Google Gemini
Created by gemini-2.0-flash-lite on 2025-05-03
Here's a description of the image:
Overall Impression:
The image is a detailed etching, likely from an old book or print collection. It depicts a scene from classical mythology, possibly illustrating a specific event or story. The style is typical of the period, with strong lines, cross-hatching for shading, and a clear narrative focus.
Key Elements and Composition:
- Central Scene: The primary focus is on a chariot pulled by serpentine creatures. Seated within the chariot is a woman who looks to be Ceres or a similar goddess figure. She is directing her gaze and pointing.
- Companion Figure: A winged figure, possibly a deity or assistant, floats alongside on a cloud. This figure is also gesturing.
- The Chariot: The chariot has detailed wheels.
- Serpentine Creatures: The chariot is pulled by multi-headed serpentine figures, which have some dragon-like qualities.
- Ground Scene: Below the cloud on which the chariot is suspended, there is a landscape, including trees, a figure wielding an axe, and possibly other figures.
- Title: The inscription at the bottom reads: "79. Ceres ad Famem Nympham in Erifchtonis poenam amandat," providing context about the subject matter, possibly referring to the punishment of Erysichthon.
Interpretation:
The image appears to be a depiction of a scene related to punishment, wrath, or divine intervention. Given the inscription, it seems to be connected to Ceres, the goddess of agriculture and the harvest, and the concept of famine or punishment associated with Erysichthon, a figure from Greek mythology. The scene likely shows Ceres commanding the punishment (perhaps famine) on the nymph or Erysichthon.
Style and Technique:
- The etching is a good example of the technique, with fine lines defining the forms and the use of cross-hatching to add depth and shading.
- The composition is well-balanced, drawing the viewer's eye to the central figures and the narrative unfolding on the ground.
- The image creates a dramatic atmosphere with its focus on figures and creatures and the overall tone.
Created by gemini-2.0-flash on 2025-05-03
Here is a description of the image:
The image is a detailed etching depicting a scene from classical mythology. It features two female figures floating on a cloud-like mass in the upper part of the composition. The figure on the left, likely Ceres, sits in a chariot pulled by three monstrous dragons with serpentine necks and menacing faces. She wears a simple dress and a head covering, and she points with her right hand.
To the right, another female figure, possibly a nymph, rides on a smaller, more compact cloud. She is also draped in classical attire and holds a bundle of wheat or reeds. She reaches out with her hand towards the figure in the chariot.
Below, the scene shifts to a terrestrial landscape with trees and rolling hills. On the right, a figure is seen wielding an axe, possibly chopping down a tree. On the left, another figure kneels or lies prostrate on the ground.
The entire image is executed in a detailed and intricate etching style, with fine lines and shading creating depth and texture. The scene is dramatic and suggests a narrative element, likely a myth or legend. The inscription at the bottom reads: "79. Ceres ad Famem Nympham in Erisichthonis poenam amandat."
Mistral Pixtral
Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-30
The image is an engraving depicting a mythological scene. It features three main figures: a woman, a man, and a winged creature.
Woman: The central figure is a woman who appears to be a goddess or a mythological figure. She is seated on a cloud, holding a shield and a staff, and has a serpent-like creature behind her. Her attire and pose suggest that she is a figure of power and authority.
Man: To the right of the woman, there is a winged man who seems to be in motion, possibly flying or descending. He is holding a staff or a spear and is dressed in flowing robes. His wings and the staff indicate that he might be a messenger or a deity.
Creature: Behind the woman, there is a large, serpent-like creature with multiple heads. This creature is often associated with mythological beings such as the Hydra or other monstrous serpents.
Background: The background includes clouds and a landscape with trees and a small figure of a person on the ground, possibly a mortal observing the scene.
The caption at the bottom reads "79. Ceres ad Famem Nympham in Erifichtonis poenam amandat," which translates to "79. Ceres sends Famine, the nymph, to punish Erisichthon." This suggests that the scene is from the myth of Erisichthon, where Ceres (the Roman goddess of agriculture) sends Famine to punish Erisichthon for his sacrilege.
Overall, the image is a detailed representation of a classical mythological narrative, showcasing the interaction between divine figures and mythical creatures.
Qwen
Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-10
The image is a black and white illustration that appears to be a classical mythological scene. It depicts a woman sitting on a cloud, which is adorned with multiple serpentine tails, resembling a mythological creature. She is dressed in flowing robes, and her posture suggests she is communicating or gesturing towards another figure to her right. This second figure, seated on the same cloud, is also dressed in robes and appears to be wearing a headdress or crown, indicating a figure of importance or divine status.
The background features a landscape with trees and a rocky terrain, suggesting a natural setting. Below the cloud, there are additional figures on the ground, one of whom appears to be lying, while others stand and observe the scene. The text at the bottom of the image reads: "79. Ceres ad Famem Nympham in Erisichtonis paenam amandat." This translates to "Ceres commands the famished nymph to receive punishment in Erisichtonis," which is a reference to a mythological narrative. The style of the illustration and the text suggest it is derived from a classical or Renaissance-era source, likely intended to depict a scene from Roman mythology involving the goddess Ceres.
Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-10
This image is an engraving depicting a mythological scene. It features two women in flowing robes, one of whom appears to be Ceres (Demeter in Greek mythology), the goddess of agriculture and harvest. Ceres is seated on a cloud and is gesturing toward a monstrous creature with multiple snake-like heads and open mouths, symbolizing famine (Famem). The other woman is a nymph, possibly representing the punishment of Erysichthon, a figure from Greek mythology who was cursed with insatiable hunger as a punishment for his sacrilegious actions. Below the central scene, there are smaller figures in a landscape, possibly representing the earth and its inhabitants suffering from the curse of famine. The text at the bottom of the image provides the title and context of the scene: "Ceres ad Famem Nympham in Erysichtonis poenam amandat," which translates to "Ceres sends the nymph Famine as a punishment to Erysichthon."