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Human Generated Data

Title

Aesculapius as a Serpent, among the Romans

Date

1606

People

Artist: Antonio Tempesta, Italian 1555 - 1630

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S9.19.5

Human Generated Data

Title

Aesculapius as a Serpent, among the Romans

People

Artist: Antonio Tempesta, Italian 1555 - 1630

Date

1606

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gray Collection of Engravings Fund, by exchange, S9.19.5

Machine Generated Data

Tags

Amazon
created on 2019-04-02

Art 95
Human 81.2
Drawing 79.2
Text 61.5

Clarifai
created on 2018-03-24

print 100
illustration 99.9
engraving 99.8
people 99.8
art 99.6
group 98.6
woodcut 98.5
etching 98.4
man 97.7
painting 94.2
adult 93.9
lithograph 92.4
visuals 92.4
force 92.1
pictorial 91.9
exploration 90.6
old 89.9
antique 89.5
kneeling 87.9
literature 87.5

Imagga
created on 2018-03-24

map 100
representation 100
antique 33.3
vintage 33.1
old 32.8
atlas 31.5
wallpaper 26.8
texture 26.4
pattern 26
design 25.9
geography 25.1
world 24
retro 23.8
paper 23.6
art 22.3
capital 20.9
sepia 20.4
backdrop 19.8
navigation 19.3
grunge 18.8
discovery 17.6
continent 17.5
ancient 17.3
dirty 17.2
travel 16.9
globe 16.7
states 16.5
planet 16
page 15.8
navigate 15.7
route 15.6
road 15.4
direction 15.3
plan 15.1
journey 15.1
city 15
gold 14.8
expedition 14.8
guide 14.7
position 14.7
backgrounds 14.6
nation 14.2
decorative 14.2
geographic 13.8
boundary 13.8
location 13.7
find 13.7
border 13.6
tour 13.6
country 13.3
explore 12.7
history 12.5
tourism 12.4
textured 12.3
frame 11.7
decoration 11.6
state 11.5
grungy 11.4
drawing 11.4
graphic 11
sketch 11
business 10.9
element 10.8
dutch 10.7
surface 10.6
stained 10.6
shape 10.4
card 10.4
money 10.2
book 10.2
global 10
rough 10
manuscript 9.8
text 9.6
canvas 9.5
ornament 9.5
color 9.5
path 9.5
finance 9.3
earth 9.2
style 8.9
decor 8.9
burnt 8.8
blank 8.6
seamless 8.6
letter 8.3
aged 8.2
creative 8
torn 7.8
sheet 7.5
close 7.4
symbol 7.4
artwork 7.3
paint 7.3
detail 7.3
black 7.2
collection 7.2
bank 7.2
arabesque 7.2
material 7.2

Google
created on 2018-03-24

Microsoft
created on 2018-03-24

text 100
book 97.7

Color Analysis

Feature analysis

Amazon

Painting
Person

Clarifai

Dinosaur
Clothing
Person
Poster
Human face
Human head

AWS Rekognition

Painting 81.8%

Categories

Imagga
created on 2018-03-24

paintings art 77.8%
text visuals 17.2%
streetview architecture 4.6%
nature landscape 0.3%

Captions

Microsoft
created by unknown on 2018-03-24

a close up of a book 38.9%
close up of a book 33.3%
a close up of a book cover 33.2%

Clarifai

No captions written

Salesforce

Created by general-english-image-caption-blip-2 on 2025-06-29

an engraving of a dragon and a man in a boat

Created by general-english-image-caption-blip on 2025-05-03

a photograph of a man is standing in front of a large elephant

OpenAI GPT

Created by gpt-4 on 2024-12-12

This is a black and white etching or engraving depicting a scene from classical mythology. It shows a bearded man stretching out his arm toward a large serpent with wings. The serpent is in the foreground, dominating the scene, and appears to be on a shoreline with its tail in the water. Behind them, there are several figures in period clothing, some of whom are observing the interaction between the man and serpent, while others seem to be engaged in their own discussions. To the left, there is a sailing ship docked with a smaller boat sailing in the background, suggesting the setting might be a port or a bay.

The text below the image reads "Aesculapius in anguem conversus Roman advehitur," which is Latin, roughly translating to "Aesculapius, having been turned into a snake, is brought to Rome." This refers to the mythology of Aesculapius, the god of medicine and healing in ancient Roman and Greek stories, who was sometimes depicted as a serpent. According to legend, Aesculapius was brought to Rome in the form of a serpent to help stop a plague.

The image looks like it might be a reproduction or a piece of artwork that dates back to an earlier period, likely created for educational or illustrative purposes. The number "149" in the bottom left corner suggests that this image may be part of a series or a collection.

Created by gpt-4o-2024-05-13 on 2024-12-12

The image appears to be an engraving or etching, depicting a mythical or historical scene. In the foreground, there is a large, winged serpent or dragon, which seems to be the focal point of the artwork. The creature is intricately detailed with scales, wings, and a long, curling tail.

In the background, there are several figures, both male and female, dressed in historical or classical attire. Some of these figures have their arms raised in gestures of surprise, fear, or reverence. The scene takes place near a body of water, as indicated by the ships visible in the background. The architecture also suggests a historical setting with columns and ancient buildings.

Beneath the image, there is an inscription in Latin which reads: "AEsculapius in anguem conuersus Romam aduehitur." This translates to "Aesculapius, turned into a serpent, is brought to Rome," suggesting that the scene likely depicts a mythological event where the god Aesculapius (Asclepius), associated with healing, is transformed into a serpent and transported to Rome.

Overall, the image captures a dramatic and reverent moment from classical mythology or history.

Anthropic Claude

Created by us.anthropic.claude-3-5-sonnet-20241022-v2:0 on 2025-06-23

This appears to be a historical engraving or etching depicting a dramatic scene with multiple figures in classical or Renaissance-era dress. The image shows what appears to be a serpent or snake attacking several people, creating a chaotic and dynamic composition. The artwork is rendered in black and white with characteristic line work and cross-hatching typical of period engravings. At the bottom of the image, there is Latin text that reads "Aesculapius in anguem conversus Romam advehitur," which suggests this may be depicting the story of Aesculapius (the god of medicine in Roman mythology) being transformed into a snake and brought to Rome. Ships can be seen in the background, indicating this scene takes place near water. The style and execution suggest this is likely from a book or collection of prints from the 16th or 17th century.

Created by claude-3-haiku-20240307 on 2024-12-12

The image depicts a fantastical scene from ancient mythology. A large serpent-like creature is being confronted by a figure who appears to be a mythical or legendary healer, possibly Asclepius. The image is rendered in a detailed, engraved style with shading and textures that suggest it is an illustration from an old book or print. The background features ships and architectural elements, suggesting the scene is set in a port or coastal environment. Overall, the image evokes a sense of the mysterious and the supernatural, characteristic of many classical mythological narratives.

Created by claude-3-5-sonnet-20241022 on 2024-12-12

This is a historical etching or engraving depicting the legendary arrival of Aesculapius (the god of medicine) to Rome in the form of a serpent. The image shows a large, winged serpent or dragon in the center, with several figures reacting to its presence. In the background, there's a ship visible on the water. The scene appears to be taking place at a port or dock, with architectural elements visible on the right side of the image. The figures are dressed in classical Roman-style clothing. The Latin text at the bottom reads "Aesculapius in anguem conversus Romam advehitur" which translates to "Aesculapius, transformed into a serpent, is brought to Rome." This likely represents the mythological story of how the cult of Aesculapius was brought to Rome during a plague in 293 BCE.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-12

The image depicts a scene from the Roman legend of the Cyclops Polyphemus, as illustrated by Albrecht Dürer in 1497. The central figure is Polyphemus, a giant one-eyed Cyclops, who is depicted with his eye gouged out by Odysseus and his men. Polyphemus is shown in a state of distress and pain, clutching his injured eye.

In the background, a ship can be seen sailing away from the shore, carrying Odysseus and his men. The illustration also features other characters, including a group of men standing on the shore, watching the scene unfold.

The image is rendered in a detailed and realistic style, characteristic of Dürer's work. The use of shading and texture adds depth and dimension to the illustration, creating a sense of drama and tension.

Overall, the image provides a vivid representation of the mythological story of Polyphemus and Odysseus, capturing the intensity and emotion of the moment.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-12

The image is a black-and-white illustration of a scene from ancient times, featuring a large sea monster or dragon-like creature in the foreground. The creature has a long tail and appears to be attacking a group of people on the shore. In the background, there are several buildings and a ship in the water.

The illustration is done in a style reminiscent of medieval or Renaissance art, with intricate details and textures. The overall mood of the image is one of chaos and danger, as the creature threatens the people on the shore.

At the bottom of the image, there is a caption in Latin that reads "AEfculapius in anguem conuerfus Romam aduehitur." This translates to "Aesculapius is transformed into a snake and brought to Rome." The image may be depicting a mythological or legendary scene, possibly related to the story of Aesculapius, the Greek god of medicine.

Amazon Nova

Created by amazon.nova-lite-v1:0 on 2025-02-24

The image is a monochromatic drawing depicting a scene from ancient Roman history. At the center of the composition, a large serpent with dragon-like features is shown emerging from the ground. The serpent's body is coiled and muscular, with a long, sinuous tail and sharp claws. Its head is large and menacing, with a gaping mouth revealing sharp teeth.

Surrounding the serpent are several figures, all engaged in various actions. To the left, a group of people are gesturing and pointing towards the serpent, their expressions a mix of fear and awe. Some of them are raising their hands in a gesture of supplication or warning. In the background, there is a small boat on the water, adding a sense of scale and context to the scene.

To the right, a woman is kneeling on the ground, her hands clasped together in a prayer-like position. She appears to be in a state of distress or reverence, possibly addressing the serpent or a deity associated with it. Behind her, another group of people stands, some of them also gesturing towards the serpent.

The drawing is framed by a border and includes a Latin inscription at the bottom that reads, "Aesculapius in anguum comuerfus Romam aduehitur." This translates to "Aesculapius, turned into a serpent, arrives in Rome." The inscription provides context for the scene, identifying the serpent as the god Aesculapius, who was associated with healing and medicine in Roman mythology.

The overall composition is dynamic and dramatic, with the serpent's powerful form dominating the center of the image. The figures around it add a sense of narrative and context, suggesting a mythological or historical event. The monochromatic style of the drawing enhances the sense of antiquity and drama, evoking a sense of wonder and awe at the power of the serpent and the reverence it inspires in the onlookers.

Created by amazon.nova-pro-v1:0 on 2025-02-24

The image is a black-and-white engraving that depicts a scene with several characters and a dragon. The central figure is a man in a robe, who appears to be kneeling or crouching, with his hands raised in a gesture that suggests either prayer or surrender. Next to him is a large, serpentine dragon with wings and a menacing expression, which seems to be the focal point of the scene. The man's posture and the dragon's presence suggest a moment of confrontation or supplication. Behind the man, there are two other figures, one of whom is raising his hands in a similar gesture. In the background, there is a boat and a structure that resembles a temple or a building with columns. The image has a classical or mythological theme, possibly depicting a scene from ancient history or legend.

Google Gemini

Created by gemini-2.0-flash-lite on 2025-04-29

Here is a description of the image:

The image is a detailed engraving depicting a mythological or historical scene. It features a large, winged dragon in the foreground, facing towards a group of figures on the right. The dragon has a serpentine body, scaly skin, and large, detailed wings. Its head is raised and its mouth is open, suggesting a menacing presence.

On the right side of the image, a group of figures is depicted, seemingly in a state of awe or fear. One figure is kneeling with their hands outstretched, while others stand behind, some with their hands raised in gestures of supplication or alarm. They are dressed in period clothing, indicating a historical or mythological context. A structure with pillars and an archway is in the background.

In the background, a seascape can be seen, with the masts of ships visible. This hints at a coastal or marine setting. Some figures in the background seem to be gesturing towards the dragon.

At the bottom of the image, there is text in Latin, "Æsculapius in anguem conuersus Romam aduehitur," which translates to "Asclepius, turned into a serpent, is brought to Rome." This identifies the subject matter as a mythological event related to Asclepius, the Greek god of medicine.

Overall, the image portrays a dramatic scene, likely illustrating a moment from a mythological narrative. The detailed etching style and the composition of the figures and the dragon create a sense of dynamic movement and tension.

Created by gemini-2.0-flash on 2025-04-29

The black-and-white etching shows a group of people looking at a large, winged serpent. On the left of the image, one can see a ship docked at the shore, and further in the distance is another ship on the open water. In the foreground, the serpent, with patterned wings and scales, is the central figure. To the left, some people are watching it from a distance, while to the right, others react with a mix of awe and fear, with one person kneeling and extending their hand towards the serpent. The background features a building with prominent vertical lines, possibly representing columns or a wall. The image is a historical or mythological scene with fine line work. The caption below the image reads "149. Æsculapius in anguem conuersus Romam aduehitur," suggesting the depiction of the Roman God Asclepius turning into a snake and arriving in Rome.

Mistral Pixtral

Created by us.mistral.pixtral-large-2502-v1:0 on 2025-05-26

The image is an engraving depicting a scene from ancient Roman mythology or history. The central figure is a large sea monster, often identified as a sea serpent or dragon, emerging from the water near a ship. The sea monster appears to be attacking or interacting with people on the shore.

In the foreground, a group of people is shown in various states of distress or prayer. Some are kneeling and appear to be praying or pleading, while others are standing and gesturing towards the monster. The people are dressed in what appears to be ancient Roman attire, suggesting the scene is set in that historical period.

The background includes a ship with sails, indicating a maritime setting. The sky is filled with clouds, adding to the dramatic atmosphere of the scene.

The caption at the bottom of the image is in Latin and reads: "Aesculapius in anguem conuersus Romam aduehitur," which translates to "Aesculapius, transformed into a snake, is brought to Rome." This refers to the myth of Aesculapius, the Roman god of medicine and healing, who was brought to Rome in the form of a snake.

Overall, the image captures a mythological or legendary event involving a sea monster and the arrival of Aesculapius in Rome, highlighting the intersection of myth and history in ancient Roman culture.

Qwen

Created by Qwen/Qwen2.5-VL-7B-Instruct on 2025-07-10

The image is a black and white engraving that depicts a mythological or historical scene. It shows a dragon-like creature with multiple heads and a serpentine body emerging from the sea. The creature is facing a group of people on the shore, who appear to be in awe or fear, with some raising their hands in a gesture of protest or defiance. The individuals are dressed in period clothing, suggesting the scene is set in a historical context. In the background, there is a ship with sails partially unfurled, and the sky is depicted with some clouds, indicating a maritime setting. The bottom of the image contains a caption in Latin: "149. Aesculapius in anguem conversus Romam aduehitur." This translates to "Aesculapius, transformed into an eel, arrived in Rome." The scene likely portrays a myth or legend involving the figure Aesculapius, who is connected to medicine and healing in Greek and Roman mythology.

Created by Qwen/Qwen2.5-VL-72B-Instruct on 2025-07-10

This is a detailed black-and-white illustration, likely created using engraving or etching techniques, depicting a scene from classical mythology. The image shows a large serpent-like creature emerging from a ship on the left side of the image. The serpent has multiple heads and is adorned with a cloth, possibly signifying its importance. A group of people on the right side of the image are observing the creature with a mix of awe and curiosity. One person appears to be reaching out towards the serpent. In the background, there is a cityscape with buildings and a ship on the water. The text at the bottom of the image reads "Æsculapius in anguem conversus Romam aduehitur," which translates to "Aesculapius, turned into a serpent, is brought to Rome." This suggests that the image is illustrating the story of Aesculapius, the Greek god of medicine, being brought to Rome in the form of a serpent.

Text analysis

Amazon

Romam
anguem
in
149
conuerfus
149 A AJeulaprus in anguem conuerfus Romam aduehtur.
aduehtur.
AJeulaprus
A

Google

Eculapmus in anquem conuerus Romam aduehtur
Eculapmus
in
anquem
conuerus
Romam
aduehtur