Human Generated Data

Title

Illustration for Canto VI

Date

16th century

People

Artist: Antonio Tempesta, Italian 1555 - 1630

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Melvin R. Seiden, S8.77.1

Human Generated Data

Title

Illustration for Canto VI

People

Artist: Antonio Tempesta, Italian 1555 - 1630

Date

16th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Melvin R. Seiden, S8.77.1

Machine Generated Data

Tags

Amazon
created on 2019-04-02

Art 94.9
Person 93.6
Human 93.6
Text 82.8
Building 69
Architecture 69
Person 64
Painting 63.3
Drawing 61.6

Clarifai
created on 2018-04-18

people 100
print 99.5
engraving 99.5
art 99.4
illustration 99.3
adult 99
group 98.2
man 97.2
etching 96.2
one 95.9
leader 95.2
painting 95.2
administration 95.1
royalty 94
woodcut 91.1
veil 88.8
monarch 88.6
many 87.7
sword 87.1
facial hair 86.9

Imagga
created on 2018-04-18

arabesque 38.3
old 37
art 34.6
memorial 32.9
vintage 32.3
brass 31.7
antique 31.7
texture 30.6
design 27.6
grunge 27.3
structure 27.1
ancient 26
paper 25.9
pattern 24.6
retro 23.8
decoration 23.2
decor 22.1
backdrop 21.5
artwork 18.3
aged 18.1
cloud 17.2
decorative 16.7
cover 16.7
element 16.6
border 16.3
fabric 16.2
history 16.1
prayer rug 15.8
letter 15.6
binding 15.1
frame 15.1
map 15.1
textured 14.9
wall 14.6
collection 14.4
style 14.1
stone 14.1
ornament 13.8
parchment 13.5
creative 13.3
graphic 13.1
rug 12.6
composition 12.3
carving 12
money 11.9
carpet 11.7
surface 11.5
conceptual 11.5
rusty 11.4
historic 11
continuity 10.9
dirty 10.9
associated 10.9
association 10.8
drapery 10.8
definition 10.8
representation 10.8
currency 10.8
wallpaper 10.7
brochure 10.7
advertise 10.7
book 10.6
advertisement 10.6
advertising 10.6
detail 10.5
business 10.3
blank 10.3
culture 10.3
page 10.2
document 10.2
floral 10.2
architecture 10.2
finance 10.1
rough 10
idea 9.8
text 9.6
damaged 9.6
floor cover 9.5
furnishing 9.5
covering 9.2
banking 9.2
cash 9.2
ornate 9.2
traditional 9.2
close 9.1
religion 9
bank 9
material 8.9
scrapbook 8.7
ornamental 8.6
flower 8.5
east 8.4
dollar 8.4
city 8.3
gold 8.2
brown 8.1
color 7.8
obsolete 7.7
old fashioned 7.6
canvas 7.6
grungy 7.6
gravestone 7.5
rich 7.5
note 7.4
card 7.3
drawing 7.3

Google
created on 2018-04-18

Microsoft
created on 2018-04-18

altar 13.4
fabric 11.1

Color Analysis

Feature analysis

Amazon

Person 93.6%
Painting 63.3%

Categories

Captions

Azure OpenAI

Created by gpt-4 on 2024-12-12

This image is a black and white engraving that depicts a scene of a medieval battle or tournament. It seems to be intricately detailed with a variety of elements: Top Section: - There is a decorative, ornamental scroll which includes text in Italian, suggesting a narrative or title related to the scene depicted. - Classical architectural elements frame the scroll, with statues and embellishments that indicate a Renaissance or Baroque aesthetic. - Figures, possibly allegorical or symbolic, flank the scroll on each side. Middle Section: - Below the top decorative frame, the central panel illustrates the chaotic and dynamic moment of combat. - Soldiers on horseback are engaged in fierce battle, with some of the riders thrown off their horses. - The action is intense, with figures brandishing weapons and horses in motion. Bottom Section: - The lower border is simpler, with a repeated decorative pattern. Background: - In the far background, we can see a walled city or castle, suggesting that this scene might be taking place during a siege or outside of a tournament ground. Numbering: - In the bottom right corner of the main panel, there is a 'VI' marking, which could suggest that this image is part of a series or a book, perhaps as the sixth illustration. The artwork is steeped in historical narrative and is likely related to a specific story or historical text. The detailed style and use of text suggest it might be from a published collection of stories or history, intended to portray a dramatic moment to the reader.

Created by gpt-4o-2024-05-13 on 2024-12-12

This is a detailed black-and-white engraving with an ornate frame. The image is divided into two sections: 1. The upper section features an elaborate frame enclosing text in Italian. The frame is decorated with classical figures and motifs, including seated and reclining figures, and decorative scrollwork. The text is framed by detailed architectural elements including pillars and decorative ornaments. 2. The lower section depicts a historical or battle scene. In the foreground, several horsemen clad in armor and helmets are shown with spears and swords. One of the horsemen appears to be pointing, possibly giving commands. In the background, a city with large walls and buildings can be seen. In the middle ground, additional soldiers or citizens are pictured in a gathered crowd, possibly observing the events. There are also fallen figures or horses on the ground, indicating a battle or skirmish has taken place. The imagery suggests it’s from a classical or medieval period, possibly illustrating a historical or literary scene. The attention to detail in both the framing and the illustration signifies a significant work of art, likely from European heritage, possibly from the Renaissance or Baroque period.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-12

This image appears to be an ornate, engraved illustration or print. The central panel features an allegorical scene with figures and decorative elements. Below is a larger scene depicting a battle or military engagement, with soldiers, horses, and buildings or cityscapes in the background. The overall style and subject matter suggests this is a historical or narrative illustration, likely from an earlier period.

Created by claude-3-5-sonnet-20241022 on 2024-12-12

This is a historical engraving or illustration that appears to be from an Italian text, as indicated by the Italian verse in an ornate cartouche at the top of the image. The scene depicts a medieval battle or tournament scene. The main illustration shows mounted knights on horseback, with soldiers carrying spears and other weapons. In the background, there's a fortified city or castle with towers and walls. The composition is divided into two main parts: 1. The top section features an elaborate decorative frame with scrollwork, figures, and architectural elements surrounding the text panel 2. The bottom section contains the main battle scene illustration The artwork appears to be rendered in a detailed line drawing or etching style typical of Renaissance or Baroque period book illustrations. The scene likely illustrates a moment from an epic poem or historical narrative, possibly relating to chivalric combat or a significant historical battle. The text above appears to reference characters named Tancred and Erminia, suggesting this might be from Tasso's "Jerusalem Delivered," an epic Italian poem.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-12

The image is a 16th-century engraving by Albrecht Dürer, titled "The Battle of Pugna Tancredi e insiem conla facella Del Ciel cede ala noffe la difida." The engraving depicts a scene of a battle, with soldiers on horseback and foot, engaged in combat. The scene is set against a backdrop of a city or town, with buildings and fortifications visible in the distance. In the foreground, several soldiers are shown charging towards each other, their swords and spears at the ready. One soldier is shown falling to the ground, while another is shown being struck by an arrow. The soldiers are dressed in armor and helmets, and some are wearing cloaks or other protective gear. Above the battle scene, a decorative border features a series of figures, including putti (cherubs) and other mythological creatures. The border is surrounded by a ornate frame, with intricate carvings and designs. At the top of the engraving, a Latin inscription reads: "In campo aperfo il gran Circauro apella Qual piu de Franchi in sua urfu et fida Entra in carriera Offon, ma da la sella Auien che'l duro incontro lo diuida. Pugna Tancredi e insiem conla facella Del Ciel cede ala noffe la difida. Per medicar le piaghe al cato amante Moue d'Erminia amov presfo le pianie." The inscription describes the battle as a fierce and intense conflict, with both sides suffering heavy losses. The engraving is a testament to the skill and craftsmanship of Albrecht Dürer, one of the most renowned artists of the Northern Renaissance. Overall, the image is a powerful and evocative representation of war and conflict, with its intricate details and dramatic composition making it a compelling work of art.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-12

This image is a black-and-white illustration of a battle scene, with a cityscape in the background. The top half of the image features a decorative border with various statues and figures, including cherubs, angels, and mythological creatures. In the center of the border is a rectangular frame containing Italian text. The bottom half of the image depicts a chaotic battle scene, with soldiers on horseback and on foot engaged in combat. Some soldiers are armed with swords, while others hold spears or shields. The cityscape in the background appears to be a medieval or Renaissance-style town, with tall buildings and towers visible. Overall, the image suggests a dramatic and intense battle taking place in a historical setting. The use of black and white tones adds to the sense of drama and contrast, highlighting the action and movement in the scene.

Text analysis

Amazon

apella
Enfra
In
aperto
campo
piaghe
Del
amanfe
in
medicar
Per
Qual
Tancredie
In campo aperto grant Circasto apella
al
Per medicar piaghe al caro amanfe
da
che
amor
duro
de
Franchiin
inconfro
disfida.
diuida.
Moue
Circasto
la
Auien che duro inconfro lo diuida.
lo
Qual piu Franchiin suauirfu
Enfra in carriera Offon, na da la sella
el
facella
ala note la disfida.
Pugna
suauirfu
piu
dErminia
caro
carriera
la sella
Pugna Tancredie insiem facella
Del D el Ciel.cede
Moue dErminia amor presto le pianle.
le
na
Auien
ala note
D
pianle.
grant
Offon,
presto
Ciel.cede
insiem
si fida

Google

In campo aperío il granCircasio apella Qual piu de Franchi in ua uirfu si fida Enfra in carriera Offon, ma da la sella Auien chel duro incontro lo diuida Pugna Tancredi e intiemconla facella Del Ciel cede ala noffe la disfida Per medicar le piaghe al caro amante Moue d Erminia amor presfo le pianfe
In
campo
aperío
il
granCircasio
apella
Qual
piu
de
Franchi
in
ua
uirfu
si
fida
Enfra
carriera
Offon,
ma
da
la
sella
Auien
chel
duro
incontro
lo
diuida
Pugna
Tancredi
e
intiemconla
facella
Del
Ciel
cede
ala
noffe
disfida
Per
medicar
le
piaghe
al
caro
amante
Moue
d
Erminia
amor
presfo
pianfe