Human Generated Data

Title

Life of the Virgin: The Visitation

Date

17th century

People

Artist: Sébastien Bourdon, French 1616 - 1671

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S2.68.1

Human Generated Data

Title

Life of the Virgin: The Visitation

People

Artist: Sébastien Bourdon, French 1616 - 1671

Date

17th century

Classification

Prints

Credit Line

Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall, by exchange, S2.68.1

Machine Generated Data

Tags

Amazon
created on 2019-04-06

Human 95.4
Person 95.4
Person 95.3
Painting 95.1
Art 95.1

Clarifai
created on 2018-04-19

people 100
print 99.5
engraving 99
adult 98.9
illustration 98.9
art 98.8
group 98.5
man 97.6
one 96.6
administration 93.9
leader 93
two 92.3
painting 91.8
many 91.2
veil 90.6
paper 90.2
etching 89.3
wear 88.3
old 85.8
woodcut 84.6

Imagga
created on 2018-04-19

vintage 41.4
texture 39.7
old 37.7
antique 36.4
grunge 35.8
retro 35.3
mosaic 30.2
ancient 29.5
pattern 29.5
paper 28.3
design 27.1
art 26.9
aged 26.3
tile 25.1
wallpaper 24.5
dirty 23.5
canvas 22.8
frame 21.7
backdrop 21.5
material 19.7
transducer 19.5
map 19.4
border 19
grungy 19
blank 18.9
fabric 18.1
brown 17
binding 17
page 16.7
rough 16.4
textured 15.8
letter 15.6
parchment 15.4
cotton 14.7
electrical device 14.6
paint 14.5
floral 14.5
worn 14.3
decoration 14.1
color 13.9
decorative 13.4
graphic 13.2
cover 13
torn 12.6
burlap 12.5
decor 12.4
surface 12.4
textile 12.4
sheet 12.2
wall 12.1
representation 12.1
ornament 12.1
drawing 11.8
stained 11.6
lace 11.3
style 11.1
close 10.9
flower 10.8
covering 10.8
element 10.8
stamp 10.7
creative 10.6
backgrounds 10.6
obsolete 10.6
damaged 10.5
detail 10.5
card 10.4
empty 10.3
artwork 10.1
burnt 9.7
aging 9.6
device 9.4
currency 9
text 8.7
artistic 8.7
mail 8.6
book 8.6
dirt 8.6
leaf 8.6
book jacket 8.4
creation 8.2
structure 8.2
arabesque 8.2
closeup 8.1
history 8.1
postmark 7.9
album 7.8
scrapbook 7.8
ink 7.7
rustic 7.7
money 7.7
age 7.6
finance 7.6
jacket 7.5
gold 7.4
cash 7.3
collection 7.2

Google
created on 2018-04-19

text 86.9
history 77.9
art 73.3
paper 67.8
black and white 61.4
illustration 58.5
artwork 54.6
visual arts 54.2
paper product 52.1
printmaking 52
font 50.5

Microsoft
created on 2018-04-19

text 100
book 100

Color Analysis

Face analysis

Amazon

AWS Rekognition

Age 45-65
Gender Male, 53.7%
Confused 45.6%
Sad 46.8%
Happy 45.5%
Disgusted 48.2%
Calm 47%
Surprised 45.7%
Angry 46.2%

AWS Rekognition

Age 35-52
Gender Female, 50.2%
Calm 46.1%
Happy 46.5%
Surprised 46%
Sad 45.5%
Disgusted 49.5%
Angry 45.9%
Confused 45.5%

Feature analysis

Amazon

Person 95.4%

Categories

Captions

Microsoft
created on 2018-04-19

a close up of a book 56.9%
close up of a book 50.9%
a hand holding a book 48%

Azure OpenAI

Created by gpt-4 on 2024-12-10

This image is an etching or engraving that depicts a biblical scene. There are classical architectural elements such as columns and a pediment suggesting an outdoor setting. A group of figures is gathered around a central pair of women, one of whom seems to be greeting or embracing the other, who is seated on a raised platform. The seated woman is possibly Elizabeth, who figures into the biblical story of the Visitation, being visited by Mary, mother of Jesus. In the lower portion, there is a third figure, likely male, who seems to be bowing or kneeling in front of the seated woman, while a dog loyally sits by his side. There is Latin text at the bottom and the top: “Surgens Maria abiit in montana ad Elisabeth, et cum eam salutasset exsultavit Ioannes in utero eius.” This roughly translates to "Mary arose and went into the hill country to Elizabeth, and when she greeted her, John leaped in her womb." This is a reference to the biblical account of the Visitation described in the Gospel of Luke, where John the Baptist leaps in Elizabeth's womb upon Mary's arrival. Additionally, there is text indicating the creator of the image, "Seb. Bourdon inuent. et fecit." which suggests Sebastian Bourdon as the artist of the original work, and "L. Boullemier exc. cum priuilegio Regis." indicating that Louis Boullemier executed or published the print with the king's privilege or permission.

Created by gpt-4o-2024-05-13 on 2024-12-10

This image appears to be an etching that depicts a biblical scene. The focal point is two women in the center of the image, one of whom is slightly bent forward in a gesture that suggests a greeting or reverence. The other woman is reaching out to her. This scene is likely depicting the Visitation, where Mary visits her cousin Elizabeth. To their right, several people are observing the interaction, with one individual kneeling and another holding a child. There are also animals, including a donkey in the background and a dog in the foreground, adding a sense of everyday life to the scene. The setting includes architectural elements such as columns and steps, with trees and foliage providing a natural backdrop. Inscriptions in Latin are present on the image. The text at the top right identifies the creator as Sébastien Bourdon with the publisher as L. Baissewin, while the bottom text gives context to the scene, referring to the biblical passage of Mary visiting Elizabeth, during which the unborn John the Baptist leaped in Elizabeth's womb.

Anthropic Claude

Created by claude-3-haiku-20240307 on 2024-12-10

The image appears to be an engraving depicting a religious or ceremonial scene. It shows a group of figures gathered around a central figure, likely a religious leader or ruler, standing on a raised platform or dais. The figures are dressed in ornate clothing and appear to be in a state of reverence or worship. The scene is set against an elaborate architectural backdrop with columns and draperies. The engraving style suggests this is an older, historical image.

Created by claude-3-5-sonnet-20241022 on 2024-12-10

This is a religious etching or engraving depicting the Visitation, a biblical scene where Mary visits her cousin Elizabeth. The artwork shows figures in classical robes gathered on what appears to be the steps of a building with Ionic columns. In the background, there's architectural elements and a tree. The composition includes some figures ascending steps while others are positioned near what appears to be a donkey, suggesting the completion of a journey. The image is rendered in a classic engraving style with cross-hatching and fine linear details typical of the period. At the top of the print, there's text that appears to be in Latin, and at the bottom there's a caption also in Latin that references the Visitation story. The work is attributed to "S.l. Bourdon" as indicated in the inscription at the top.

Meta Llama

Created by us.meta.llama3-2-11b-instruct-v1:0 on 2024-12-10

The image depicts a scene from the biblical story of the Visitation, where Mary visits her cousin Elizabeth. The painting is titled "The Visitation" and was created by the Dutch artist Rembrandt van Rijn in 1634. In the foreground, Mary is shown kneeling and reaching out to touch Elizabeth's belly, which is believed to contain the unborn John the Baptist. Elizabeth, who is standing, is depicted with her hands on her belly and a look of surprise and joy on her face. Both women are dressed in long robes and head coverings, typical of the clothing worn by women in the 17th century. To the left of the scene, a group of people are gathered, including a man who is holding a staff and appears to be a servant or attendant. On the right side of the image, a donkey is visible, which may symbolize the humble origins of the Virgin Mary. The background of the painting features a landscape with trees and buildings, which adds depth and context to the scene. The overall mood of the painting is one of reverence and devotion, capturing the moment of joy and connection between Mary and Elizabeth. Rembrandt's use of light and shadow creates a sense of drama and emotion in the painting, drawing the viewer's attention to the central figures of Mary and Elizabeth. The brushstrokes are bold and expressive, with visible texture and movement that adds to the dynamic feel of the scene. Overall, "The Visitation" is a powerful and moving depiction of a pivotal moment in Christian history, showcasing Rembrandt's mastery of composition, light, and emotion.

Created by us.meta.llama3-2-90b-instruct-v1:0 on 2024-12-10

The image is a black-and-white drawing of a scene from the Bible, specifically the visitation of Mary to Elizabeth. The scene depicts Mary and Elizabeth embracing, with other figures in the background. The drawing is done in a style reminiscent of 17th-century Dutch art, with intricate details and shading. In the foreground, Mary and Elizabeth are shown standing in front of a doorway, with Mary on the left and Elizabeth on the right. They are both dressed in long robes, with Mary wearing a headscarf and Elizabeth wearing a crown. The two women are embracing each other, with their arms around each other's waists. Behind them, there are several other figures, including a man standing in the doorway and a woman sitting on a bench. The man is dressed in a long coat and hat, while the woman is wearing a dress and apron. There are also several animals in the scene, including a dog and a bird. The background of the drawing is a simple landscape, with trees and hills visible in the distance. The sky is cloudy, with a few birds flying overhead. Overall, the image is a beautiful and detailed depiction of a biblical scene, with intricate details and shading that bring the characters to life. The use of black and white creates a sense of simplicity and elegance, while the intricate details add depth and complexity to the image.

Text analysis

Amazon

montma
Maria
fecit
Elizabeth,
in
Surgens
eam
cum
Seb.
ot fecit
Surgens Maria abijt in montma ad Elizabeth, et cum
eitur
Bourdon
ad
ot
ex.
abijt
Boiffeuin
et
eam falutaffet exultatit Ioanncs in eitur /er
falutaffet
Ioanncs
Seb. Bourdon ynuonit
L
exultatit
L Boiffeuin ex. cum priit, R Rogis
Rogis
/er
R
priit,
ynuonit

Google

Surgens Maria abýt in montma ad Elizabeth, et cum
Surgens
Maria
abýt
in
montma
ad
Elizabeth,
et
cum